السبت، 24 أغسطس 2019

Sheffield United

Sheffield United F.C.
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This article is about the English men's football club. For the women's football club, see Sheffield United W.F.C. For the Chinese club formerly known as Sheffield United F.C., see Chengdu Tiancheng F.C.
Sheffield United
Sheffield United logo
Full name Sheffield United Football Club
Nickname(s) The Blades
Founded 22 March 1889; 130 years ago
Ground Bramall Lane
Capacity 32,125
Owner Kevin McCabe (50%)
Prince Abdullah bin Musa'ad bin Abdulaziz Al Saud (50%)
Manager Chris Wilder
League Premier League
2018–19 Championship, 2nd of 24 (promoted)
Website Club website

Home colours

Away colours

Third colours
 Current season
Sheffield United Football Club is an English professional association football club based in the city of Sheffield, South Yorkshire. The club competes in the Premier League, the top division of English football. The football club was formed in 1889 as an offshoot of Sheffield United Cricket Club, and are nicknamed The Blades due to Sheffield's history of steel production.[1] The club have played their home games at Bramall Lane since their formation in 1889. Bramall Lane is an all-seater ground with a current capacity of 32,125.

Sheffield United won the original Football League in 1898 and the FA Cup in 1899, 1902, 1915 and 1925. They were beaten finalists in the FA Cup in 1901 and 1936, and reached the semi-finals in 1961, 1993, 1998, 2003 and 2014. They reached the semi-finals of the League Cup in 2003 and 2015.

For most of the club's history they have played in red and white striped shirts with black shorts. Their closest rivals are Sheffield Wednesday, with whom they contest the Steel City derby.


Contents
History
Main article: History of Sheffield United F.C.
Further information: Sheffield United F.C. seasons
Formation and glory years (1888–1975)

The United team from 28 September 1895 before a match against Stoke City.
The club was formed by members of the Sheffield United Cricket Club, formed in 1854 and the first English sports club to use 'United' in its name. Sheffield United's predominant nickname is "The Blades", a reference to Sheffield's status as the major producer of cutlery in the United Kingdom. United's original nickname was in fact "The Cutlers" from 1889–1912. City rivals Wednesday held the nickname "The Blades" in their early years, however in 1907 Wednesday officially became "The Owls", in reference to their new ground in Owlerton, and United would later claim "The Blades" nickname for themselves.[2]

Sheffield United officially formed on 22 March 1889 at the Adelphi Hotel, Sheffield (now the site of the Crucible Theatre) by the President of the Cricket Club Sir Charles Clegg. The Wednesday had moved from Bramall Lane to their own ground at Olive Grove after a dispute over gate receipts and the tenants of Bramall Lane needed to create a new team to generate income. Sir Charles Clegg was incidentally also the president of The Wednesday.[3]

Undoubtedly United's heyday was the 30-year period from 1895–1925, when they were champions of England in 1897–98 and runners-up in 1896–97 and 1899–1900, and FA Cup winners in 1899, 1902, 1915 and 1925. United have not won a trophy since 1925, bar those associated with promotion from lower leagues, their best performances in the cup competitions being several semi-final appearances in the FA Cup and League Cup.[4]


United conceding the third goal in the 1901 FA Cup Final against Tottenham Hotspur at Burnden Park in Bolton.
Fall from grace and brief revival (1975–1994)
Their darkest days came between 1975 and 1981. After finishing sixth in the First Division at the end of the 1974–75 season, they were relegated to the Second Division the following season, and three years after that setback they fell into the Third Division. They reached an absolute low in 1981 when they were relegated to the Fourth Division, but were champions in their first season in the league's basement division and two years afterwards they won promotion to the Second Division.

They fell back into the Third Division in 1988, but new manager Dave Bassett masterminded a quick revival which launched the Blades towards one of the most successful eras in their history. Successive promotions in the aftermath of the 1988 relegation saw them return to the First Division in 1990 after a 14-year exile. They survived at this level for four seasons (being founder members of the new Premier League in 1992 after peaking with a ninth-place finish in the last season of the old First Division) and reached an FA Cup semi-final in the 1992–93 before being relegated in 1994.

Financial trouble and fall to League One (1994–2013)
They remained outside the top flight for the next 12 years, although they qualified for the play-offs under Bassett's successor Howard Kendall in 1997 and caretaker manager Steve Thompson in 1998. They were struggling at the wrong end of Division One when Neil Warnock was appointed manager in December 1999, and a financial crisis was preventing the club from being able to boost their squad, but in 2002–03 they enjoyed their most successful season for a decade, reaching the semi-finals of both domestic cups and also reaching the Division One play-off final, where they were beaten 3–0 by Wolverhampton Wanderers. Three years later, however, Warnock delivered a Premier League return as the Blades finished runners-up in the re-branded Championship. They lasted just one season back amongst the elite, before being relegated from the Premier League amidst the controversy surrounding Carlos Tevez, the player who was controversially signed by West Ham United and whose performances played a big part in their remarkable escape from relegation. Neil Warnock resigned as manager after the Blades went down. The team also purchased Chinese club Chengdu Wuniu in 2006, and redesigned the club crest in the style of the Sheffield United badge and renamed the team "Chengdu Blades".[5] The team were dissolved in 2015.

The club struggled to come to terms with life back in the Championship, with a spiralling wage bill not being matched by the quality of the players brought in, and a succession of managers within a short period of time. The Blades reached the Championship playoff final in 2009 under Kevin Blackwell, but a period of decline then set in. The 2010–11 season proved disastrous, with the club employing three different managers in the span of a season, which ultimately ended in relegation to League One under Micky Adams, meaning they would play in the third tier of English football for the first time since 1989, only five years after gaining promotion to the Premiership. In the 2011–12 season, the club finished third in League One, narrowly missing out on automatic promotion to rivals Sheffield Wednesday, and entered the playoffs. With victory over Stevenage in the semi-final, United missed out on an immediate return to the Championship after suffering a penalty shootout defeat to Huddersfield Town. The Blades again made it to the League One playoffs in 2012–13 after a fifth-place finish, but were knocked out by eventual promotion winners Yeovil Town on an 85th-minute goal in the second leg of the semi-finals.

Saudi Takeover and return to the top flight (2013–2019)
On 3 September 2013 it was confirmed that Saudi Prince Abdullah bin Musa'ed bin Abdulaziz Al Saud of the royal House of Saud had bought a 50% stake in United's parent company 'Blades Leisure Ltd' for the fee of £1 with the promise of providing "substantial new capital" with the aim of returning the Blades to the Premier League as "quickly as possible".[6][7] In 2014, the Blades began to be described by areas of the media as "giant-killers", having reached the FA Cup semi-finals at Wembley, losing 5–3 to Hull City.[8] In 2014–15 the team reached the quarter-finals of the FA Cup and semi-finals of the Football League Cup, and despite being eliminated they remained in contention for promotion to the Championship.[9]

United secured promotion back to the second tier of English football in the 2016–17 season under the management of lifelong fan and former Blades player Chris Wilder, winning the League One title with 100 points.[10] The Blades finished 10th in their first season back in the Championship, having spent much of the season in and around the play-off positions.

In the 2018–19 season, the team enjoyed a highly successful campaign in achieving automatic promotion to the Premier League, with United having spent almost all of the season in the top six of the Championship, fighting for automatic promotion until clinching second place over Leeds United with a game to spare, by beating already relegated Ipswich Town 2–0 at Bramall Lane on 27 April 2019. Leeds' 1–1 home draw with Aston Villa the next day ensured top flight football for The Blades for the first time in 12 years.[11]

Kits, colours and crest

Sheffield United playing against Cardiff City
Sheffield United have played in red and white stripes for most of their history, but began playing in white shirts and blue shorts. They briefly played in narrow red stripes for the 1890–91 season, before returning to all-white the following year. The stripes returned in the 1892–93 season, with black shorts replacing the blue in 1904. The shirts remained largely unchanged until collars were first removed in 1955, replaced by V-necks until the 1966–67 season (when white socks were also used), and from here on the neck style varied.

The traditional red and white stripes remained until the 1974–75 season, when elements of black were added, until the 1979–81 and 82 season kit. This was white with a red breast, and with thin stripes down either side, and was created to accommodate the logo of the club's principal sponsor, Cantor's, a local furniture shop. This was to be replaced by a striped kit, with the sponsor Bentley's (1981–82) and Renault (1982–83) written vertically down a white stripe over the left-hand side. Their kits continued to feature striped shirts, albeit with various aids to accommodate their sponsors, including a yellow square for Laver from 1988–92 (the 1990–92 shirt also featured narrow black stripes through each white stripe) and a black hoop, also for Laver in the 1994–95 season. Then came the diamond kit, which was so badly received that the club reverted to stripes the following season.[12] Since then, red and white stripes and black socks with varying trim have been the order of the day, with black shorts for all but the 2002–05 seasons, when white and then red were tried.[13] The club also every few seasons opt to put thin black stripes between the red and white stripes. Sheffield United's home colours were the inspiration for the kit of Irish club, Derry City. In 1934, Derry City adopted the stripes, while Billy Gillespie was manager of the club, in recognition of Gillespie's achievements at Sheffield United.[14]


The Blades v Tranmere Rovers at Prenton Park in the 2012–13 season.
The first time a crest appeared on the shirt was in the 1891–92 season, when a red crest appeared on the white shirt, but this disappeared the following season. United used the city of Sheffield's coat of arms from 1965–77, when a new crest was used, introduced by former manager Jimmy Sirrel, but designed apparently over 20 years previously by former player Jimmy Hagan.[15] This consisted of two white crossed swords, or blades, the club's nickname, with a Yorkshire Rose above, on a black background. This is surrounded by a red ring with "Sheffield United F.C." written around the top and "1889", the year the club was founded, underneath. This has been altered very slightly a few times, with a simple black embroidered crest appearing on shirts from 1987–90, and an all-white crest on a red-edged black shield for the 1992–99 seasons, but reverted to its original form in 2000.[16]

Shirt sponsors and manufacturers
Year Kit manufacturer Main shirt sponsor Secondary sponsor
1973–75 Umbro[16] None None
1975–79 Admiral[16]
1979–81 Hobott[16] Cantor's[16]
1981–82 Bentleys[16]
1982–83 Renault[16]
1983–85 Umbro Simonds[16]
1985–95 Arnold Laver[16]
1995–97 Avec[16] Wards[16]
1997–99 Le Coq Sportif[16]
1999–2000 Blades[16]
2000–02 Patrick Midas Games[17]
2002–04 Le Coq Sportif Desun[18]
2004–06 HFS Loans[19]
2006–07 Capital One[20]
2007–08 Valad[21]
2008–09 VisitMalta.com[22]
2009–11 Macron[23] Capita[24]
2011–12 Westfield Health (Home)
Gilder Group/Volkswagen (Away)[25] Nexis Holdings PLC[26]
2012–13 Westfield Health (Home)
Redtooth (Away)[27] GCI Com[28]
2013–14 VSports (Home)[29]
Top Spring (Away)[30] Football Manager[31]
Shebang[32]
2014–16 Adidas[33] John Holland Sales[34] DBL Logistics[35]
2016–17 Alpha Rooms[36] Door Deals[37]
2017–18 Teletext Holidays Door Deals
2018–19 Ramsdens Currency Door Deals
2019–20 Union Standard Group[38] None
Ground
Bramall Lane
BramallLanevsSheffWeds.png
A near-full capacity South Stand and adjacent Bramall Lane Stand at Bramall Lane
Location Sheffield, South Yorkshire, England
Coordinates 53°22′13″N 1°28′15″WCoordinates: 53°22′13″N 1°28′15″W
Owner Sheffield United
Capacity 32,702[39]
Opened 30 April 1855
Main article: Bramall Lane
Sheffield United play at Bramall Lane, near the centre of Sheffield. Bramall Lane is the oldest major league ground anywhere in the world, having hosted its first game in 1862,[40] a match between Hallam and Sheffield Club. Bramall Lane also hosted the world's first ever floodlit football match on 14 October 1878 with two teams picked from the Sheffield Football Association. The power for the lights was provided by two generators. The crowd was 20,000 and the score 2–0.

Bramall Lane was originally a cricket ground and in 1855 it was leased to Sheffield United Cricket Club (founded in 1854) by the Duke of Norfolk. The ground was opened with a cricket match on 30 April 1855 and later became a shared cricket/football venue. After Yorkshire County Cricket Club was founded in 1863, it was their main venue in the nineteenth century. They continued to use the ground for some matches each season until 7 August 1973, after which construction work began to convert Bramall Lane into a specialist football stadium.

The ground has seen expansion in recent years, and by 2006, on completion of a 3,000 seat corner stand,[41] was an all-seater stadium holding 32,609.[42]

In March 2009 the club were officially granted permission to expand the stadium once again, over two phases. The first phase would have seen the Kop being extended to increase the ground's capacity up to approximately 37,000. It would also have seen the removal of the main supporting pillars and a giant screen installed as part of the stand's roof. The second phase would have seen the Valad Stand (formerly Arnold Laver Stand) also extended, bringing the total capacity to a 40,000 all seater. The expansion would also have had a secondary focus of being available for selection for FIFA World Cup matches in 2018 or 2022, if England's bid were to be successful. However, on 16 December 2009 The Football Association announced that should England's 2018/2022 World Cup bid be successful then any games played in Sheffield would be staged at Sheffield Wednesday's Hillsborough Stadium. In light of this United's former chief executive, Trevor Birch, made it known that all planned ground redevelopment had been put on hold until the club was able to regain and maintain Premiership status.[43]

A revised application for the redevelopment of Kop was submitted in 2015, which would see 3,215 seats added to the stand's current capacity.[44] Further plans were revealed in 2017 for the development of the corner between the Kop and South Stand, which would see the construction of residential flats and a new club store.[45]

Supporters
Sheffield United derive support from a broad cross-section of the city and its environs, with branches of the official supporters' club running from Swinton,[46] Kiveton Park,[47] Retford and Eckington. Further afield, supporters groups also exist in Essex, the Republic of Ireland, the Netherlands and Australia, amongst others.[48]

A 2013 study of posts on social networking site Twitter found that Blades fans have the most positive interactions with the official account of their club out of any in English football.[49] Sheffield United were also found to have the most 'obsessed' fans in the 2006–07 Premier League, with supporters reportedly thinking about the team 110 times a day on average.[50]

United have a number of celebrity supporters including:

Actor Sean Bean[51]
Chaser on TV quiz show The Chase Mark Labbett[52]
Olympic gold-medalist Jessica Ennis-Hill[53]
England Cricketer Joe Root[54]
Writer and television presenter Sir Michael Palin[55]
Musician Paul Heaton[56]
Former Argentina international footballer Juan Sebastián Verón[57]
Boxer Kell Brook[58]
Labour Party politician Richard Caborn[59]
Author, actor and former professional wrestler Mick Foley[60]
Singer and actor Flea[61]
Singer-songwriter and musician Joe Elliott[62]
Golfer Matthew Fitzpatrick[63]
Olympic gold-medalist Paul Goodison[64]
Rivalries
Sheffield United have numerous rivalries. The most notable rivalry is with their city neighbours Sheffield Wednesday, with whom they contest the Steel City derby (named after the steel industry which the city of Sheffield is globally famous for).

Sheffield United's other rivals are mainly other teams from South Yorkshire, such as Barnsley, Rotherham United and Doncaster Rovers, as well as Leeds United from West Yorkshire.[65] West Ham United have also become fierce rivals due to the 'Tevez saga' and the following lawsuit charges.[66]

Sheffield United also have, along with many other sports teams across Yorkshire, a strong rivalry with Nottingham Forest.[65] This can be attributed to the miners' strikes of the 1980s, where workers in the pits of Nottinghamshire did not join the strike (known locally as scabbing) while miners from Yorkshire did, thus creating the rivalry.

Chants
Like many English clubs, Sheffield United supporters have a wide variety of chants and songs, the most famous of which is The Greasy Chip Butty Song, sang to the tune of John Denver's 'Annie's Song'.[67]

Players
First team
As of 8 August 2019[68]
Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality.

No. Position Player
1 England GK Dean Henderson (on loan from Manchester United)
2 England DF George Baldock
3 Republic of Ireland DF Enda Stevens
4 Scotland MF John Fleck
5 England DF Jack O'Connell
6 England DF Chris Basham
7 England MF John Lundstram
8 England MF Luke Freeman
9 Scotland FW Oliver McBurnie
10 England FW Billy Sharp (captain)
11 Republic of Ireland FW Callum Robinson
12 Republic of Ireland DF John Egan
No. Position Player
14 England MF Ravel Morrison
15 England DF Phil Jagielka
16 Northern Ireland MF Oliver Norwood
17 Republic of Ireland FW David McGoldrick
18 Wales DF Kieron Freeman
19 England DF Richard Stearman
20 England MF Kean Bryan
21 Netherlands GK Michael Verrips
22 France FW Lys Mousset
23 England MF Ben Osborn
25 England GK Simon Moore
27 Bosnia and Herzegovina MF Muhamed Bešić (on loan from Everton)
Other players under contract
Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality.

No. Position Player
Republic of Ireland DF Stephen Mallon
England DF Jake Wright
England DF Ben Heneghan
No. Position Player
Republic of Ireland MF Samir Carruthers
England MF Ricky Holmes
England FW Leon Clarke
Out on loan
Note: Flags indicate national team as defined under FIFA eligibility rules. Players may hold more than one non-FIFA nationality.

No. Position Player
21 England MF Mark Duffy (on loan at Stoke City)
34 Wales DF Rhys Norrington-Davies (on loan at Rochdale)
England GK Jake Eastwood (on loan at Scunthorpe United)
Republic of Ireland DF Jordan Doherty (on loan at Tampa Bay Rowdies)
No. Position Player
England DF Sam Graham (on loan at Notts County)
England MF Nathan Thomas (on loan at Carlisle United)
England MF Regan Slater (on loan at Scunthorpe United)
England FW Tyler Smith (on loan at Bristol Rovers)
Development squad and academy
Main article: Sheffield United F.C. Academy
Transfers
Main article: 2019–20 Sheffield United F.C. season
Former players
Further information: List of Sheffield United F.C. players
Player of the Year
Last five winners
Year Position Name
2014–15 Forward Scotland Jamie Murphy
2015–16 Forward England Billy Sharp
2016–17 Forward England Billy Sharp
(Tied) Midfielder Scotland John Fleck
2017–18 Midfielder Scotland John Fleck
2018–19 Forward Republic of Ireland David McGoldrick
Further information: Sheffield United F.C. Player of the Year
A 'Player of the Year' award has been presented since 1967 to recognise the player who has made the greatest contribution to the club over the course of the season.[69] Initially organised by the Official Supporters Club the award was voted for by their members although it was presented as an official club award. In recent years the award has been presented at a gala 'End of Season' award ceremony and dinner, usually held at the end of April, and voting has been widened to include a broader section of the club's fanbase. The first winner of the award was long serving goalkeeper Alan Hodgkinson and the most recent recipient is defender Harry Maguire who has now won the award on three consecutive occasions, a feat only equalled by Phil Jagielka, who was presented with the award in 2005, 2006 and 2007.[69] The player with the most award wins is striker Alan Woodward who was named winner on four separate occasions between 1970 and 1978. The longest gap between wins by a player is seven years; Keith Edwards had two spells with the club and won the award during both, in 1977 and 1984.[69]

Development squads and women’s team

The Sheffield United F.C. Academy & Training ground at Shirecliffe
Academy
Main article: Sheffield United F.C. Academy
Sheffield United's Academy is responsible for youth development at the club. It has produced such players as Manchester City defender Kyle Walker and Everton defender Phil Jagielka, both England internationals, and also Swansea City defender Kyle Naughton, Burnley full back Matthew Lowton, Leicester City defender Harry Maguire and current club captain Billy Sharp. The Academy building and training facilities in the Sheffield suburb of Shirecliffe were opened in 2002 by then Minister for Sport Richard Caborn.[70] Sheffield United Academy U18s currently play in the Professional Development League at the Shirecliffe ground at Firshill Crescent, and finished as runners-up in the 2011 FA Youth Cup.[71] In addition, SteelPhalt are the sponsor of the Shirecliffe-based Academy, and are also the major sponsor of Sheffield United Women.

Under 23s
Sheffield United U23s currently compete in the Professional Development League, playing home games at various venues, including Bramall Lane and Stocksbridge Park Steels FC. The club have fielded a reserve team since 1893, when the reserves played in 'Sheffield League Division One'.[72]

United Women
Main article: Sheffield United W.F.C.
Sheffield United also have a Women’s team, formerly known as Sheffield United Ladies, who play in the FA Women's Championship after having been promoted in the 2017-18 season from the FA Women’s National League. Sheffield United Women also have a Development team and numerous junior teams as part of the Regional Talent Club and an additional grassroots arm.

Non-playing staff
Coaching staff and support staff
Role Name
Manager England Chris Wilder
Assistant Manager Wales Alan Knill
Head of Sports Science England Matt Prestridge
Head of Recruitment/Development England Paul Mitchell
Under–21s Coach England John Dungworth
Fitness Coach England Lee Rickards
Fitness Coach England Lee McMahon
Goalkeeping Coach Wales Darren Ward
Academy Manager England Jack Lester
Professional Development Phase Lead Coach England Travis Binnion
Professional Development Coach England Mick Wadsworth
Youth Development Phase Lead Coach England Ashley Foyle
Foundation Phase Lead Coach England Matt Morley
Head of Academy Sports Science England Mark Pease
Performance Analyst England Mike Allen
Physiotherapist England Paul Watson
Kit Manager England Carl Hopwood[73]
Owners, directors and executives
Role Name
Owners
  Saudi Arabia Abdullah bin Musa'ad bin Abdulaziz Al Saud (50%)
England Kevin McCabe (50%)
Board of Directors






  England Kevin McCabe
Saudi Arabia Prince Abdullah bin Musa'ad bin Abdulaziz Al Saud
England Tony Currie
United States Tareq Hawasli
England Simon McCabe
Italy Yusuf Giansiracusa
England Jeremy Tutton
Belgium Jan Van Winckel
Vice Presidents






  England Graham Moore - Senior VP
England Martin Green
England Martin Ross
England Darren Baker
England Tajinder Singh
England Mike Blundell
England Steve Naylor
Chief Executive Officer England Stephen Bettis
Chief Finance Officer England Simon Ratcliffe
Operations Director England Dave McCarthy
Commercial Director England Paul Reeves
Head of Football Administration England Carl Shieber[74]
Managerial history
Further information: List of Sheffield United F.C. managers
Early days
Last seven managers
Years Name
2011–13 Northern Ireland Danny Wilson
2013 England Chris Morgan (acting)
2013 Scotland David Weir
2013 England Chris Morgan (acting)
2013–15 England Nigel Clough
2015–16 England Nigel Adkins
2016– England Chris Wilder
At its formation in 1889 United did not employ what would today be termed a manager, the side was coached by a trainer and a football committee selected the team and decided upon tactics (this was a continuation of the structure of Sheffield United Cricket Club from which the football team had been formed.)[75] They did appoint Joseph Wostinholm to the position of club secretary and he was responsible for the day-to-day running of the club, matchday organisation and dealing with players and contracts. Wostinholm oversaw a period of rapid growth for the team, culminating in 1899 when United won their one and only First Division championship, after which he retired.[75] Wostinholm was replaced by John Nicholson as secretary and he would remain in post for over 30 years until his death in 1932. Nicholson presided over the most successful period in the club's history as United became a leading force in English football, winning the FA Cup four times and regularly challenged at the top of the league but a second Division One title for the club eluded him.[76]

A new era
Following the death of John Nicholson (who died whilst travelling to an away match in Birmingham)[76] the United board turned to Chesterfield manager Teddy Davison to become the club's first real manager.[77] The team were in decline however and were soon relegated for the first time in their history. Davison gradually rebuilt the side with astute signings and young players and regained top flight status but the clubs post-war financial problems would hamper team building for years to come. Davison retired in 1952 and prompted the club to appoint Rotherham United manager Reg Freeman as his successor. Freeman stabilised the team but fell ill and died in 1955[78] after which United turned to the inexperienced Joe Mercer but he struggled to cope with a team in decline and departed for Aston Villa in 1958.[79] United then appointed Chester manager John Harris who inherited a talented but under performing side which he transformed into a promotion team, returning to Division One in 1961.[80] Harris built a side based on local players and stabilised them in the top flight but financial issues soon prompted the sale of key players and United were eventually relegated once more. Harris opted to 'move upstairs' to become 'general manager'[80] and handed the role of team manager to Arthur Rowley but he was sacked after one season following disappointing results.[81] Harris returned as manager and guided the side to promotion once more but after a good start back in the top flight Harris' confidence faded and he stepped down in 1973 to 'move upstairs' for the second time.[80]

Rapid decline
Experienced Blackburn Rovers manager Ken Furphy was the man United turned to replace John Harris.[82] He initially did well but the team was ageing and there was little money to replace players. After a good finish in his first season a disastrous string of results the following year led to Furphy being sacked in October 1975.[82] Jimmy Sirrel was recruited from Notts County but he proved unpopular with both the players and fans and could not halt the decline, overseeing relegation and then being sacked in September 1977 with United at the bottom of Division Two.[81] The ambitious and colourful Harry Haslam was handed the reigns and although many of his ideas were ahead of their time he built an ageing side based on 'star' players at the end of their career.[83] Now in the Third Division performances deteriorated still further and Haslam stepped down due to illness in January 1981.[83] World Cup winner and then United player Martin Peters was promoted to the position of manager but United were relegated to Division Four at the end of the season and Peters resigned.[79]

Moving on up
With a new ambitious board in place United recruited Ian Porterfield as manager in June 1981.[84] He had an immediate impact, winning the Division Four championship in his first season and taking the club back into the second tier two years later on a meagre budget.[84] Despite this many fans were unhappy with the style of football and odd team selections and Porterfield was sacked in 1986 following supporter protests.[84] Coach Billy McEwan was promoted to the position of manager but failed to improve the standard of play and with attendances falling and the team in danger of relegation once more he was sacked in January 1988.[85] United now turned to the colourful character of Dave Bassett who had most recently had a short, unsuccessful spell as manager of Watford.[86] It was to prove an astute appointment as although he could not prevent relegation in his first season he built a solid, hard working team on a small budget and won back to back promotions, returning the club to the top flight and achieving regular mid-table finishes.[86] With the formation of the Premier League United's old financial problems and willingness to sell star players without replacing them meant the side eventually succumbed to relegation and when an immediate return was not forthcoming Basset was sacked in December 1995.[86]

Comings and goings
The following years proved a turbulent time for United as they chased the ambition of Premiership football. Experienced Howard Kendall was recruited as manager and undertook a complete rebuilding of the side but left in June 1997 to take over at Everton.[85] Player-coach Nigel Spackman was promoted to replace Kendall but after initial promise he quit after only eight months citing boardroom interference.[87] This was to become a recurring theme and replacement Steve Bruce would leave after only one season citing the same reasons.[77] Adrian Heath then proved a disastrous appointment and lasted only six months before being sacked with United looking more likely to be relegated than promoted.[83] The Blades then turned to experienced lower league manager Neil Warnock who managed to stave off relegation and began to rebuild the side on a meagre budget.[88] Warnock proved a divisive figure with fans, but after a number of mid-table finishes he achieved promotion back to the Premiership in 2006. The side were relegated the following season, prompting the board not to renew Warnock's contract.[88]

Just like Adrian Heath, the appointment of Bryan Robson in 2007 proved an unpopular and unsuccessful one and he was sacked after less than a year following poor results and intense fan pressure.[84] Former assistant manager Kevin Blackwell was appointed as Robson's replacement[89] but despite reaching the play-off finals in his first full season the team was obviously in decline and he was sacked after only two games of the 2010–11 season. Worse was to come however as player-coach Gary Speed was briefly promoted to manager but left after only a few months to take over the Welsh national side. Micky Adams then became the third full-time manager of the season, and oversaw a disastrous run of results which saw United relegated and Adams sacked after only six months in charge.

With United in the third tier once more, Danny Wilson was appointed as manager in June 2011, despite protests from United fans over his previous association with cross-town rivals Sheffield Wednesday.[90] Wilson guided the club to the League One play-off final in his first full season in charge, only to lose to Huddersfield Town after a famous penalty shootout in which Huddersfield missed their first three penalties. Despite the club challenging for promotion the following season, a poor run of results led to Wilson's departure in April 2013,[91] being replaced by Chris Morgan until the end of the season.[91]

After a long search for a new boss, former Scotland defender David Weir was appointed as Wilson's long-term replacement.[92] Weir's tenure was short-lived however, as he was sacked in October of the same year, having won only one of 13 games in charge.[93] After Chris Morgan had overseen the team for a brief time, Nigel Clough was appointed as Weir's permanent successor in October 2013.[94] Clough guided the Blades to finish seventh in the table narrowly missing the play-offs after having been bottom of the table at the start of February and also led United to an FA Cup semi-final against Hull City which the Blades lost 5–3 after twice taking the lead in the first half. The following season saw Clough guide the Blades to fifth place in the league, thus qualifying for the play-offs and also led them to a first League Cup semi-final in 12 years, with the Blades ultimately losing to Tottenham Hotspur 3–2 on aggregate. United failed to gain promotion through the play-offs after losing to Swindon Town 2–1 in the first leg and drawing 5–5 in the second leg (7–6 on aggregate).

Following their failure to gain promotion, Clough was sacked on 25 May 2015 and on 2 June 2015, former Scunthorpe United, Southampton and Reading boss Nigel Adkins was appointed as the new Blades manager. However, his appointment only lasted one season as the Blades (who were in 2nd place after the first five matches) ultimately finished in 11th place, the club's lowest finish in the third tier since 1983.

Adkins was duly sacked on 12 May 2016 and quickly replaced by former Northampton Town manager and former Blades player Chris Wilder, who oversaw United's promotion from League One after six years in the division.[10]

League history
Further information: Sheffield United F.C. seasons

Chart of table positions of United since joining the Football League.
1892–1893 Division 2
1893–1934 Division 1
1934–1939 Division 2
1946–1949 Division 1
1949–1953 Division 2
1953–1956 Division 1
1956–1961 Division 2
1961–1968 Division 1
1968–1971 Division 2
1971–1976 Division 1
1976–1979 Division 2
1979–1981 Division 3
1981–1982 Division 4
1982–1984 Division 3
1984–1988 Division 2
1988–1989 Division 3
1989–1990 Division 2
1990–1992 Division 1
1992–1994 Premier League
1994–2004 Division 1
2004–2006 Championship
2006–2007 Premier League
2007–2011 Championship
2011–2017 League One
2017–2019 Championship
2019– Premier League
Seasons spent at Level 1 of the football league system: 60
Seasons spent at Level 2 of the football league system: 42
Seasons spent at Level 3 of the football league system: 11
Seasons spent at Level 4 of the football league system: 1
Sheffield United: League Standings for last 10 Seasons
Season League Pos P W D L F A Pts
2008–09 Championship 3 46 22 14 10 64 39 80
2009–10 Championship 8 46 17 14 15 62 55 65
2010–11 Championship 23 46 11 9 26 44 79 42
2011–12 League One 3 46 27 9 10 92 51 90
2012–13 League One 5 46 19 18 9 56 42 75
2013–14 League One 7 46 18 13 15 48 46 67
2014–15 League One 5 46 19 14 13 66 53 71
2015–16 League One 11 46 18 12 16 64 59 66
2016–17 League One 1 46 30 10 6 92 47 100
2017–18 Championship 10 46 19 8 15 57 49 65
2018–19 Championship 2 46 26 11 9 78 41 89
Honours

Captain George Utley leads Sheffield United out for the 1915 FA Cup final.
Sheffield United's 2017 League One title made them the fourth club to win all top four tiers of English football.[95]

First Division/Premier League
Winners: 1897–98
Runners-up: 1896–97, 1899–00
Football League North
Winners: 1945–46
Second Division/Championship
Winners: 1952–53
Runners-up: 1892–93, 1938–39, 1960–61, 1970–71, 1989–90, 2005–06, 2018–19
Third Division/League One
Winners: 2016–17
Runners-up: 1988–89
Fourth Division/League Two
Winners: 1981–82
FA Cup
Winners: 1899, 1902, 1915, 1925
Runners-up: 1901, 1936
Sheriff of London Charity Shield:
Winners (shared) (1): 1898
Club records
Further information: Sheffield United F.C. records
Record League victory: 10–0 away v Port Vale, Division Two, 10 December 1892 and 10–0 home v Burnley, Division One, 19 January 1929[96]
Record Cup victory: 6–0 home v Leyton Orient, FA Cup 1st Round 6 November 2016
Record League defeat: 3–10 away v Middlesbrough, Division One, 18 November 1933
Record Cup defeat: 0–13 home v Bolton Wanderers, FA Cup 2nd round, 1 February 1890[96]
Highest home attendance: 68,287 v Leeds United, FA Cup 5th round, 15 February 1936[96]
Most league appearances: Joe Shaw made 631 appearances between 1948–1966[96]
Most goals scored overall: Harry Johnson scored 201 goals in 313 games between 1919–1930
Most goals scored in a Season: Jimmy Dunne 41 goals from 41 appearances, Division One, 1930–31
Record Transfer Fee Paid: £17 million for Oliver McBurnie from Swansea City on 2 August 2019[97]
Record Transfer Fee Received: £8 million for Kyle Naughton and Kyle Walker (combined fee) from Tottenham Hotspur in July 2009[96]
In media and popular culture
United were, along with Arsenal, the first team to be featured in a live radio commentary.[98] The Division One fixture between the two sides on 22 January 1927 was broadcast by the BBC.[98] Club captain Billy Gillespie scored United's goal in the 1–1 draw and listeners were provided with a numbered map of the pitch via the Radio Times to aid their understanding of where play was taking place.[98] The area in front of the goalkeeper was numbered 1, with the game providing the first use of the phrase "back to square one."[98]

A number of films and television programmes have included references to Sheffield United over the past few decades. The 1996 film When Saturday Comes stars real-life United fan Sean Bean as a part-time Hallam FC player who is scouted by Sheffield United, who then goes on to play in a FA Cup semi-final. The character 'Gaz' in British comedy The Full Monty is seen wearing a replica United shirt at one part of the film, and promises his son a ticket for a game at Bramall Lane between Sheffield United and Manchester United. A scene in Batman Begins features a child wearing a 1990s Blades shirt.[99] 2012 television drama Prisoners' Wives also references the club. Sheffield United are also referenced by Brian Blessed's character in a third series episode of the BBC post-apocalyptic drama series Survivors from the 1970s. Blessed's character also wears a Sheffield United scarf throughout.

In 1990, the BBC produced a six-part documentary series named "United" that followed the fortunes of the club towards the end of the 1989–90 season, in which they achieved automatic promotion to the top flight of English football.[100]

International links
In January 2006, Sheffield United became the first foreign club to take over a Chinese team[101] when they purchased the football club Chengdu Wuniu, based in the city of Chengdu, China.[102] The club was renamed the Chengdu Blades, after their new owners. Sheffield United shirts were sold in China, and Chengdu shirts were sold in Sheffield, increasing revenue streams for both clubs. United sold on their share of the Chinese side in 2010, following Chengdu's implication in a match-fixing scandal and increasing financial pressures on the English club.[103][104]

In February 2008, Kevin McCabe, the club's chairman, finalised an agreement with Budapest-based Ferencváros to buy its football team, and also negotiated with the Hungarian government to purchase and develop the ground around Stadion Albert Flórián.[105] A match was played in Budapest to celebrate the link-up.[106] McCabe left the Fenecváros board in January 2011.[107]

The Blades also have operating, business and exchange of ideas links with Central Coast Mariners[108] of Australia and White Star Woluwé[109] of Belgium.

Affiliated clubs
Republic of Ireland Arklow Town[110]
England Buxton[111]
Australia Central Coast Mariners[112]
Argentina Estudiantes[113]
Brazil São Paulo[114]
Norway Strindheim IL[115]
India Tata Football Academy[116]
Belgium White Star Woluwé[117]
Turkey Fenerbahce SK[118]
Bibliography
Matthews, Tony (15 December 2003). The Official Encyclopaedia of Sheffield United Football Club. Britespot Publishing Ltd. ISBN 1-904103-19-7.
Clarebrough, Denis (30 September 1997). Sheffield United Football Club. Chalford Publishing. ISBN 0-7524-1059-8.
Armstrong, Gary; Garrett, John (1 December 2007). Sheffield United Football Club – The Biography. Hallamshire Publications Ltd. ISBN 1-874718-65-2.

Anthony Yarde

Anthony Yarde (born 13 August 1991) is a British professional boxer. As of June 2019, he is ranked as the world's ninth best active light-heavyweight by the Transnational Boxing Rankings Board.


Contents
Professional career
Yarde began boxing at a relatively late age and only had twelve amateur fights prior to turning professional.[1] In May 2015, Yarde made his professional debut with a KO victory over Mitch Mitchell.

On 20 May, Yarde Knocked out Chris Hobbs for the British Southern area light-heavyweight title.

On 8 July, he stopped Richard Baranyi, who was ranked top-ten in the WBO rankings, to win the WBO European light-heavyweight title.[2]

Yarde was scheduled to face Canadian boxer Ryan Ford, a former mixed martial artist, on 16 September 2017 for the vacant WBO Inter-Continental light-heavyweight title.[3] On August 25, 2017, it was announced that the fight was cancelled after a contract dispute.[4]

On August 24, 2019, Yarde travelled to Chelyabinsk, Russia to fight current WBO light-heavyweight title holder Sergey Kovalev. Yarde suffered his first career loss to Kovalev by KO. The first half of the fight, both fighters displayed world class skill with good shots making them respect each other more. In the 8th round, Yarde, seemed to gain a lot of success with good body shots and tried to stop Kovalev, but couldn't finish the experienced veteran. The fight entered the championship rounds where Kovalev was much more comfortable. In the 11th round, Yarde knew he had to go for it and showed exceptional bravery but he was fatigued and Kovalev KO'd him with a left jab. After the fight Kovalev praised his heart and said 100% Yarde will be champion in the future.

Professional boxing record
Professional record summary
19 fights 18 wins 1 loss
By knockout 17 1
By decision 1 0
No. Result Record Opponent Type Round, time Date Location Notes
19 Loss 18–1 Russia Sergey Kovalev KO 11 (12), 2:04 24 Aug 2019 Russia Traktor Sport Palace, Chelyabinsk, Russia For WBO light heavyweight title
18 Win 18–0 United States Travis Reeves TKO 5 (10), 0:48 8 Mar 2019 United Kingdom Royal Albert Hall, London, England Retained WBO Inter-Continental light-heavyweight title
17 Win 17–0 Argentina Walter Gabriel Sequeira TKO 4 (10), 2:14 20 Oct 2018 United Kingdom Brentwood Centre, Brentwood, England Retained WBO Inter-Continental light-heavyweight title
16 Win 16–0 Poland Dariusz Sęk TKO 7 (10), 2:17 23 Jun 2018 United Kingdom The O2 Arena, London, England Retained WBO European and WBO Inter-Continental light-heavyweight titles
15 Win 15–0 France Tony Averlant RTD 7 (10), 3:00 24 Feb 2018 United Kingdom York Hall, London, England Retained WBO European and WBO Inter-Continental light-heavyweight titles
14 Win 14–0 Montenegro Nikola Sjekloća TKO 4 (10), 1:52 9 Dec 2017 United Kingdom Copper Box Arena, London, England Retained WBO European and WBO Inter-Continental light-heavyweight titles
13 Win 13–0 Hungary Norbert Nemesapati RTD 3 (12), 3:00 16 Sep 2017 United Kingdom Copper Box Arena, London, England Retained WBO European light-heavyweight title;
Won vacant WBO Inter-Continental light-heavyweight title
12 Win 12–0 Hungary Richard Baranyi TKO 1 (10), 2:21 8 Jul 2017 United Kingdom Copper Box Arena, London, England Won WBO European light-heavyweight title
11 Win 11–0 United Kingdom Chris Hobbs TKO 4 (10), 2:51 20 May 2017 United Kingdom Copper Box Arena, London, England Won British Southern Area light-heavyweight title
10 Win 10–0 United Kingdom Darren Snow KO 1 (6), 2:17 22 Apr 2017 United Kingdom Leicester Arena, Leicester, England
9 Win 9–0 Hungary Ferenc Albert TKO 1 (6), 1:36 25 Nov 2016 United Kingdom Brentwood Centre, Brentwood, England
8 Win 8–0 United States Rayford Johnson TKO 1 (6), 2:10 17 Sep 2016 United States AT&T Stadium, Arlington, Texas, US
7 Win 7–0 Poland Grzegorz Semik TKO 2 (6), 1:24 10 Jun 2016 United Kingdom York Hall, London, England
6 Win 6–0 Bulgaria Tzvetozar Iliev TKO 2 (6), 2:40 30 Apr 2016 United Kingdom Copper Box Arena, London, England
5 Win 5–0 Hungary David Sipos TKO 1 (6), 2:53 25 Mar 2016 United Kingdom York Hall, London, England
4 Win 4–0 United Kingdom Curtis Gargano TKO 1 (4), 1:35 19 Dec 2015 United Kingdom Manchester Arena, Manchester, England
3 Win 3–0 Hungary Tamas Danko TKO 1 (4), 1:40 30 Oct 2015 United Kingdom Harrow Leisure Centre, London, England
2 Win 2–0 Latvia Stanislavs Makarenko PTS 4 12 Jun 2015 United Kingdom York Hall, London, England
1 Win 1–0 United Kingdom Mitch Mitchell KO 2 (4), 0:15 9 May 2015 United Kingdom The SSE Arena Wembley, London, England

The Mandalorian

The Mandalorian is an upcoming American space-opera web television series scheduled to premiere on Disney+ on November 12, 2019. Set in the Star Wars universe, the series will take place a few years after the events of Return of the Jedi and follows a lone Mandalorian gunfighter beyond the reaches of the New Republic.

Jon Favreau served as a writer, creator, and showrunner and will executive produce alongside Dave Filoni, Kathleen Kennedy, and Colin Wilson. Pedro Pascal, Gina Carano, Nick Nolte, Giancarlo Esposito, Emily Swallow, Carl Weathers, Omid Abtahi, and Werner Herzog star. There will be eight episodes in the first season.[2][3]


Contents
Premise
Star Wars: The Mandalorian takes place a few years "after the fall of the Empire[a] and before the emergence of the First Order" and follows "a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic".[6]

Cast and characters
Pedro Pascal as the Mandalorian
Gina Carano as Cara Dune, "a former Rebel Shock Trooper"[7]
Nick Nolte
Giancarlo Esposito
Carl Weathers as Greef Carga, the leader of a bounty hunter guild who hires the Mandalorian to track a valuable asset[7]
Emily Swallow
Omid Abtahi as Dr. Pershing
Werner Herzog
Taika Waititi as the voice of IG-11[8]
Bill Burr
Mark Boone Junior
Ming-Na Wen

ساحر أوز (فيلم 1939)

ساحر أوز هو فيلم موسيقي وكوميدي درامي وخيالي أمريكي من إنتاج شركة مترو غولدوين ماير عام 1939، وهو أنجح وأشهر اقتباس من رواية ساحر أوز العجيب للكاتب ليمان فرانك بوم التي صدرت عام 1900. نجوم الفيلم هم جودي غارلند بدور دوروثي غيل. وشارك في الفيلم شارك الكلب تيري بدور توتو. وشارك راي بولجر، جاك هالي، بيرت لار، فرانك مورجان، بيلي بيرك، ومارغريت هاميلتون، مع تشارلي غريبوين وكلارا بلانديك، أقزام سينغر بدور المنشكين.

اشتهر الفيلم باستخدامه تقنية تكنيكولور، ورواية القصص الخيالية، والفقرات الموسيقية، والشخصيات غير العادية، وأصبح على مر السنين رمزا للثقافة الشعبية الأميركية. وقد رشح لستة جوائز أوسكار من بينها أفضل فيلم، لكنه خسر أمام ذهب مع الريح. وقد فاز في اثنين من الفئات الأخرى، وهي أفضل موسيقى تصويرية وكذلك أفضل أغنية "فوق قوس قزح" Over the Rainbow. ومع ذلك فقد شكل الفيلم خيبة أمل تجارية في إصداره الأول، وجنى فقط 3,017,000 دولار على ميزانية 2,777,000 دولار، وذلك رغم مراجعات النقاد التي كانت إيجابية إلى حد كبير. وكان أغلى إنتاجات إم جي إم في ذلك الوقت، ولم يعوّض الفيلم كامل استثمارات الاستوديو ويجني الإرباح حتى أعيد إصداره على الصالات عام 1949.

تم بث الفيلم على التلفزيون عام 1956 على شبكة سي بي اس فقدم هذا الفيلم إلى جمهور أوسع، وأصبح عرضه تقليدا سنويا، وهو ما جعله أحد أشهر الأفلام في تاريخ السينما. ووضعته مكتبة الكونغرس في قائمة أكثر الأفلام مشاهدة على شبكة تلفزيونية، كما أدخلت الفيلم أيضا في السجل القومي للسينما في دورته الأولى عام 1989، وذلك للحفاظ عليه لما يه من "أهمية ثقافية وتاريخية وجمالية". كما أنه أحد الأفلام القلائل الموجودة على سجل ذاكرة العالم لمنظمة اليونسكو.

غالبا ما يوضع فيلم ساحر أوز على قوائم أفضل الأفلام بين النقاد أو استطلاعات الرأي. وهو مصدر العديد من الاقتباسات في الثقافة الشعبية الحديثة. تولى فيكتور فليمينغ الإخراج الأولي (قبل أن يغادر فريق الإنتاج لتولي عملية إخراج "ذهب مع الريح" المضطربة). والسيناريو من كتابة نويل لانغلي، فلورنس رايرسون، وإدغار ألان وولف، ولكن قدم آخرون مساهماتهم في السيناريو دون ذكر أسمائهم. تم كتابة الأغاني بقلم إدغار "ييب" هاربورغ (الكلمات) وهارولد آرلين (الموسيقى). أما الموسيقى التصويرية، والتي تستند إلى حد كبير على الأغاني، فهي من تأليف هربرت ستوثارت، وتخللتها قطع من الموسيقى الكلاسيكية.

Wizard of Oz

The Wizard of Oz is a 1939 American musical fantasy film produced by Metro-Goldwyn-Mayer. Widely considered to be one of the greatest films in cinema history,[5] it is the best-known and most commercially successful adaptation of L. Frank Baum's 1900 children's book The Wonderful Wizard of Oz.[6] Directed primarily by Victor Fleming (who left the production to take over the troubled Gone with the Wind), the film stars Judy Garland as Dorothy Gale alongside Ray Bolger, Jack Haley, and Bert Lahr.

Characterized by its legendary use of Technicolor (although not being the first to use it), fantasy storytelling, musical score, and memorable characters, the film has become an American pop culture icon. It was nominated for six Academy Awards, including Best Picture, but lost to Gone with the Wind, also directed by Fleming. It did win in two other categories: Best Original Song for "Over the Rainbow" and Best Original Score by Herbert Stothart. While the film was considered a critical success upon release in August 1939, it failed to make a profit for MGM until the 1949 re-release, earning only $3,017,000 on a $2,777,000 budget, not including promotional costs, which made it MGM's most expensive production at that time.[3][7][8]

The 1956 television broadcast premiere of the film on the CBS network reintroduced the film to the public; according to the Library of Congress, it is the most seen film in movie history.[6][9] It was among the first 25 films that inaugurated the National Film Registry list in 1989.[10] It is also one of the few films on UNESCO's Memory of the World Register.[11] The film is among the top ten in the BFI (British Film Institute) list of 50 films to be seen by the age of 14.

The Wizard of Oz is the source of many quotes referenced in contemporary popular culture. Noel Langley, Florence Ryerson, and Edgar Allan Woolf received credit for the screenplay, but others made uncredited contributions. The songs were written by Edgar "Yip" Harburg (lyrics) and Harold Arlen (music). The musical score and the incidental music were composed by Stothart.


Contents
Plot

Judy Garland as Dorothy Gale and Terry the Dog as Toto
Dorothy Gale lives with her dog Toto on the Kansas farm of Aunt Em and Uncle Henry. Toto bites their neighbor Almira Gulch on the leg, and she obtains an order from the sheriff to euthanize Toto. She takes Toto away on her bicycle, but he escapes and returns to Dorothy, and she decides to run away. She meets Professor Marvel, a kind fortune teller. Marvel uses his crystal ball to make Dorothy believe that Aunt Em may be dying of a broken heart. Dorothy races home, arriving just as a tornado strikes. Locked out of the farm's storm cellar, she seeks shelter in her bedroom. Wind-blown debris knocks her unconscious and the house is sent spinning in the air. She awakens to see various figures fly by, including Miss Gulch on her bicycle, who transforms into a witch on a broomstick.

The house lands in Munchkinland in the Land of Oz. Glinda the Good Witch of the North and the Munchkins welcome her as a heroine, as the falling house has killed the Wicked Witch of the East. Her sister, the Wicked Witch of the West, arrives to claim the slippers, but Glinda transports them onto Dorothy's feet first. The Wicked Witch of the West swears revenge on Dorothy, then vanishes. Glinda tells Dorothy to keep the slippers on and follow the yellow brick road to the Emerald City. There, she can ask the Wizard of Oz to help her get back home.

On her journey, Dorothy meets the Scarecrow, who wants a brain, the Tin Woodman, who desires a heart, and the Cowardly Lion, who needs courage. Dorothy invites them to accompany her to Emerald City, where they can ask the Wizard to help them too. Despite the Witch's attempts to stop them, they reach the Emerald City and are eventually allowed to see the Wizard, who appears as a ghostly head surrounded by fire and smoke. He agrees to grant their wishes if they prove their worth by bringing him the Witch's broomstick.

As the foursome and Toto make their way to the Witch's castle, the Witch captures Dorothy and plots her death to remove her slippers. Toto escapes and leads her three friends to the castle. They ambush three guards, don the guards' uniforms, march inside and free Dorothy. The Witch and her guards chase and surround them. The Witch sets fire to the Scarecrow, causing Dorothy to toss a bucket of water, inadvertently splashing the Witch, who melts away. The guards rejoice and give Dorothy her broomstick.

The Wizard stalls in fulfilling his promises, until Toto pulls back a curtain and exposes the "Wizard" as a middle-aged man operating machinery and speaking into a microphone. Admitting to being a humbug, he insists that he is "a good man but a bad wizard". The Wizard then gives the Scarecrow a diploma, the Lion a medal and the Tin Man a ticking heart-shaped watch, helping them see that the attributes they sought were already within them. He then offers to take Dorothy and Toto home in his hot air balloon. He reveals that he, too, is from Kansas, and worked at a carnival when a tornado brought him to the Emerald City. He got offered a job as Wizard and accepted it due to hard times.

As Dorothy and the Wizard prepare to depart, Toto, distracted by a cat, leaps from Dorothy's arms. As she pursues Toto, the balloon disembarks with the Wizard, leaving Dorothy. Glinda appears and tells Dorothy that the ruby slippers have the power to return her to Kansas. To do this, she needs to tap her heels together three times repeating "There's no place like home" . Dorothy complies and wakes up in her room surrounded by her family and friends, including Toto. Everyone dismisses her adventure as a dream, but Dorothy insists it was real and says she will never run away from home again. She then declares: "There's no place like home!"

Cast
For a list of all the munchkin actors/actresses in the film, see Munchkin § Actors and actresses.

The Cowardly Lion, Dorothy, Scarecrow, and the Tin man were the film's main characters
Judy Garland as Dorothy Gale
Frank Morgan as Professor Marvel/The Wizard of Oz/Emerald City Doorman/the Cabby/Emerald City Guard/The Wizard of Oz angry face projection.
Ray Bolger as "Hunk" / Scarecrow
Jack Haley as "Hickory" / Tin Man
Bert Lahr as "Zeke" / the Cowardly Lion
Billie Burke as Glinda
Margaret Hamilton as Miss Almira Gulch / The Wicked Witch of the West
Clara Blandick as Auntie Em
Charley Grapewin as Uncle Henry
Pat Walshe as the Winged Monkey King
Terry as Toto
Mitchell Lewis as the Winkie Guard Captain (credited only in the IMAX version)
Adriana Caselotti as the voice of Juliet in the Tin Man's song "If I Only Had a Heart" (uncredited)[12]
Production
Development
Production on the film began when Walt Disney's Snow White and the Seven Dwarfs (1937) showed that films adapted from popular children's stories and fairytale folklore could still be successful.[13][14] In January 1938, Metro-Goldwyn-Mayer bought the rights to L. Frank Baum’s hugely popular novel from Samuel Goldwyn, who had toyed with the idea of making the film as a vehicle for Eddie Cantor who was under contract to the Goldwyn studios and whom Goldwyn wanted to cast as the Scarecrow.[14]

The script went through several writers and revisions before the final shooting.[15] Mervyn LeRoy's assistant William H. Cannon had submitted a brief four-page outline.[15] Because recent fantasy films had not fared well, he recommended toning down or removing the magical elements of the story. In his outline, the Scarecrow was a man so stupid that the only employment open to him was literally scaring crows from cornfields and the Tin Woodman was a criminal so heartless he was sentenced to be placed in a tin suit for eternity; this torture softened him into somebody gentler and kinder.[15] His vision was similar to Larry Semon's 1925 film adaptation of the story in which the magical elements are absent.

Afterward, LeRoy hired screenwriter Herman J. Mankiewicz, who soon delivered a 17-page draft of the Kansas scenes and a few weeks later, a further 56 pages. He also hired Noel Langley and poet Ogden Nash to write separate versions of the story. None of these three knew about the others, and this was not an uncommon procedure. Nash delivered a four-page outline, Langley turned in a 43-page treatment and a full film script. He[who?] turned in three more, this time incorporating the songs that had been written by Harold Arlen and Yip Harburg. Florence Ryerson and Edgar Allan Woolf submitted a script and were brought on board to touch up the writing. They would be responsible for making sure the story stayed true to the Baum book. However, producer Arthur Freed was unhappy with their work and reassigned it to Langley.[16] During filming, Victor Fleming and John Lee Mahin revised the script further, adding and cutting some scenes. Also, Jack Haley and Bert Lahr are known to have written some of their dialogue for the Kansas sequence.

They completed the final draft of the script on October 8, 1938, following numerous rewrites.[17] All in all, it was a mish-mash of many creative minds, but Langley, Ryerson, and Woolf got the film credits. Along with the contributors already mentioned, others who assisted with the adaptation without receiving credit incluxde: Irving Brecher, Herbert Fields, Arthur Freed, Yip Harburg, Samuel Hoffenstein, Jack Mintz, Sid Silvers, Richard Thorpe, Cukor and Vidor.[14]

In addition, songwriter Harburg's son (and biographer) Ernie Harburg reported:[18]

So anyhow, Yip also wrote all the dialogue in that time and the setup to the songs and he also wrote the part where they give out the heart, the brains, and the nerve, because he was the final script editor. And he – there was eleven screenwriters on that – and he pulled the whole thing together, wrote his own lines and gave the thing a coherence and unity which made it a work of art. But he doesn't get credit for that. He gets lyrics by E. Y. Harburg, you see. But nevertheless, he put his influence on the thing.
The original producers thought that a 1939 audience was too sophisticated to accept Oz as a straight-ahead fantasy; therefore, it was re-conceived as a lengthy, elaborate dream sequence. Because of a perceived need to attract a youthful audience through appealing to modern fads and styles, the score had featured a song called "The Jitterbug", and the script had featured a scene with a series of musical contests. A spoiled, selfish princess in Oz had outlawed all forms of music except classical and operetta and went up against Dorothy in a singing contest in which her swing style enchanted listeners and won the grand prize. This part was initially written for Betty Jaynes.[19] The plan was later dropped.

Another scene, which was removed before final script approval and never filmed, was an epilogue scene back in Kansas after Dorothy's return. Hunk (the Kansan counterpart to the Scarecrow) is leaving for an agricultural college and extracts a promise from Dorothy to write to him. The scene implies that romance will eventually develop between the two, which also may have been intended as an explanation for Dorothy's partiality for the Scarecrow over her other two companions. This plot idea was never totally dropped, but is especially noticeable in the final script when Dorothy, just before she is to leave Oz, tells the Scarecrow, "I think I'll miss you most of all."[20]

Much attention was given to the use of color in the production, with the MGM production crew favoring some hues over others. It took the studio's art department almost a week to settle on the shade of yellow used for the yellow brick road.[21]

Casting
See also: Munchkin § In the 1939 film
Several actors were reportedly considered for the part of Dorothy. Shirley Temple, at the time, the most prominent child star. Deanna Durbin, a relative new comer, with a recognised operatic voice and Judy Garland, the most experienced of the three. Officially, the decision to cast Garland was attributed to contractual issues. '


Ebsen's costume test as the Tin Man
Ray Bolger was originally cast as the Tin Man and Buddy Ebsen was to play the Scarecrow.[17] Bolger, however, longed to play the Scarecrow, as his childhood idol Fred Stone had done on stage in 1902; with that very performance, Stone had inspired him to become a vaudevillian in the first place. Now unhappy with his role as the Tin Man (reportedly claiming, "I'm not a tin performer; I'm fluid"), Bolger convinced producer Mervyn LeRoy to recast him in the part he so desired.[22] Ebsen did not object; after going over the basics of the Scarecrow's distinctive gait with Bolger (as a professional dancer, Ebsen had been cast because the studio was confident he would be up to the task of replicating the famous "wobbly-walk" of Stone's Scarecrow), he recorded all of his songs, went through all the rehearsals as the Tin Man and began filming with the rest of the cast.[23]

Bert Lahr was signed for the Cowardly Lion on July 25, 1938; the next month, Charles Grapewin was cast as Uncle Henry on August 12.

W. C. Fields was originally chosen for the title role of the Wizard, a role turned down by Ed Wynn as he thought the part was too small, but the studio ran out of patience after protracted haggling over Fields' fee. Wallace Beery lobbied for the role, but the studio refused to spare him during the long shooting schedule. Instead, another contract player, Frank Morgan, was cast on September 22.

An extensive talent search produced over a hundred little people to play Munchkins; this meant that most of the film's Oz sequences would have to already be shot before work on the Munchkinland sequence could begin. According to Munchkin actor Jerry Maren, the little people were each paid over $125 a week (equivalent to $2,200 today). Meinhardt Raabe, who played the coroner, revealed in the 1990 documentary The Making of the Wizard of Oz that the MGM costume and wardrobe department, under the direction of designer Adrian, had to design over 100 costumes for the Munchkin sequences. They then had to photograph and catalog each Munchkin in his or her costume so that they could correctly apply the same costume and makeup each day of production.

Gale Sondergaard was originally cast as the Wicked Witch. She became unhappy when the witch's persona shifted from sly and glamorous (thought to emulate the wicked queen in Disney's Snow White and the Seven Dwarfs) into the familiar "ugly hag". She turned down the role and was replaced on October 10, 1938, just three days before filming started, by MGM contract player Margaret Hamilton. Sondergaard said in an interview for a bonus feature on the DVD that she had no regrets about turning down the part, and would go on to play a glamorous villain in Fox's version of Maurice Maeterlinck's The Blue Bird in 1940; Margaret Hamilton played a role remarkably similar to the Wicked Witch in the Judy Garland film Babes in Arms (1939).

According to Aljean Harmetz, the "gone-to-seed" coat worn by Morgan as the wizard was selected from a rack of coats purchased from a second-hand shop. According to legend, Morgan later discovered a label in the coat indicating it had once belonged to Baum, that Baum's widow confirmed this, and that the coat was eventually presented to her. But Baum biographer Michael Patrick Hearn says the Baum family denies ever seeing the coat or knowing of the story; Hamilton considered it a concocted studio rumor.[24]

Filming
Richard Thorpe as director
Filming commenced October 13, 1938 on the Metro-Goldwyn-Mayer studio lot in Culver City, California under the direction of Richard Thorpe (replacing original director Norman Taurog, who filmed only a few early Technicolor tests and was then reassigned). Thorpe initially shot about two weeks of footage (nine days in total) involving Dorothy's first encounter with the Scarecrow, as well as a number of sequences in the Wicked Witch's castle such as Dorothy's rescue (which, though unreleased, comprises the only footage of Ebsen's Tin Man).[25]

Ebsen replaced by Haley
The production faced the challenge of simulating the Tin Man's costume. Several tests were done to find the right makeup and clothes for Ebsen.[26] Ten days into the shoot, Ebsen suffered a reaction to the aluminum powder makeup he wore, though he did recall taking a breath one night without suffering any immediate effect. He was hospitalized in critical condition and subsequently was forced to leave the project; in a later interview (included on the 2005 DVD release of The Wizard of Oz), he recalled the studio heads appreciated the seriousness of his illness only after seeing him in the hospital. Filming halted while a replacement for him was found. No full footage of him as the Tin Man has ever been released – only photographs taken during filming and makeup test photos. His replacement, Jack Haley, simply assumed he had been fired.[27]

Victor Fleming, the main director
Cukor did not actually shoot any scenes for the film, merely acting as something of a "creative advisor" to the troubled production and because of his prior commitment to direct Gone with the Wind, he left on November 3, 1938 when Victor Fleming assumed directorial responsibility. As director, Fleming chose not to shift the film from Cukor's creative realignment, as producer LeRoy had already pronounced his satisfaction with the new course the film was taking.

Production on the bulk of the Technicolor sequences was a long and exhausting process that ran for over six months, from October 1938 to March 1939. Most of the cast worked six days a week and had to arrive as early as 4:00 a.m. to be fitted with makeup and costumes, and often did not leave until 7 pm or later. Cumbersome makeup and costumes were made even more uncomfortable by the daylight-bright lighting the early Technicolor process required, which could heat the set to over 100 °F (38 °C). Bolger later said that the frightening nature of the costumes prevented most of the Oz principals from eating in the studio commissary;[28] the toxicity of Hamilton's copper-based makeup forced her to eat a liquid diet on shoot days.[29] It took as many as twelve takes to have Toto run alongside the actors as they skipped down the yellow brick road.

All of the Oz sequences were filmed in three-strip Technicolor.[14][15] The opening and closing credits, as well as the Kansas sequences, were filmed in black and white and colored in a sepia-tone process.[14] Sepia-toned film was also used in the scene where Aunt Em appears in the Wicked Witch's crystal ball.

In Hamilton's exit from Munchkinland, a concealed elevator was arranged to lower her below stage as fire and smoke erupted to dramatize and conceal her exit. The first take ran well, but in the second take the burst of fire came too soon. The flames set fire to her green, copper-based face paint, causing third-degree burns on her hands and face. She spent three months healing before returning to work.[30]

King Vidor's finishing work as director
On February 12, 1939, Fleming hastily replaced Cukor in directing Gone with the Wind; the next day, King Vidor was assigned as director by the studio to finish the filming of The Wizard of Oz (mainly the sepia-toned Kansas sequences, including Garland's singing of "Over the Rainbow" and the tornado). Vidor chose not to take public credit for his contribution until after the death of his friend Fleming in 1949.

Special effects, makeup and costumes
Arnold Gillespie was the special effects director for the film. Gillespie worked with the production using five of six visual effects categories for the movie.[26] To develop the tornado scene was especially costly. Gillespie used muslin cloth to make the tornado flexible after a previous attempt with rubber failed. He hung the 35 feet of muslin to a steel gantry and connected the bottom to a rod. By moving the gantry and rod, he was able to create the illusion of a tornado moving across the stage. Fuller's earth was sprayed from both the top and bottom using compressed air hoses to complete the effect. Dorothy's house was recreated by using a small maquete.[31]

The Cowardly Lion and Scarecrow masks were made of foam latex makeup made by makeup artist Jack Dawn, who was one of the first makeup artists to use this technique.[32][33] Bolger was left with permanent lines around his mouth and chin from his mask. It took an hour each day to slowly peel the glued-on mask from his face.[34] Hamilton received severe burns on her hands and face when there was an accident with the fire while filming her exit from Munchkinland. She was wearing her green makeup at the time, which was usually removed with acetone due to the toxicity of its copper content. In this case, due to Hamilton's burns, makeup artist Jack Young removed the makeup with alcohol instead to prevent infection.[34] The Tin Man's costume was made of leather-covered buckram and the oil used to grease his joints was made from chocolate syrup.[35] The Cowardly Lion's costume was made from real lion skin and fur.[36] For the "horse of a different color" scene, Jell-O powder was used to color the white horses.[37] Asbestos was used to achieve some of the special effects like the witch's burning broomstick and the fake snow that covers Dorothy as she sleeps in the field of poppies.[38][39]

Music
Main article: Musical selections in The Wizard of Oz

Herbert Stothart conducts the MGM Studio Orchestra for The Wizard of Oz, which was recorded at the MGM studios
The film is widely noted for its musical selections and soundtrack. The music was composed by Harold Arlen, and the lyrics were written by Yip Harburg, both of whom won the Academy Award for Best Original Song for "Over the Rainbow". The song was ranked first in two lists: the AFI's 100 Years...100 Songs and the Recording Industry Association of America's "365 Songs of the Century".

MGM composer Herbert Stothart, a well-known Hollywood composer and songwriter, won the Academy Award for Best Original Score in recognition of his original score.

Georgie Stoll was associate conductor and screen credit was given to George Bassman, Murray Cutter, Ken Darby and Paul Marquardt for orchestral and vocal arrangements (as usual, Roger Edens was also heavily involved as an unbilled musical associate to Freed.)

The songs were recorded in the studio's scoring stage before filming. Several of the recordings were completed while Ebsen was still with the cast. Therefore, while he had to be dropped from the cast due to illness from the aluminum powder makeup, his singing voice remained in the soundtrack (as noted in the notes for the CD Deluxe Edition). In the group vocals of "We're Off to See the Wizard", his voice can be heard. Haley spoke with a distinct Boston accent, thus did not pronounce the r in wizard. By contrast, Ebsen was a Midwesterner, like Garland, and pronounced it. Haley rerecorded Ebsen's solo parts later.

Bolger's original recording of "If I Only Had a Brain" had been far more sedate compared to the version heard in the film; during the filming, Cukor and LeRoy decided that a more energetic rendition would better suit Dorothy's initial meeting with the Scarecrow and was rerecorded as such. At first thought to be lost, a recording of the original version was discovered in 2009.[40]

Song list
"Over the Rainbow" – Judy Garland as Dorothy Gale
Munchkinland Sequence:
"Come Out  ..." – Billie Burke as Glinda, and the Munchkins
"It Really Was No Miracle" – Judy Garland as Dorothy, Billy Bletcher and the Munchkins
"We Thank You Very Sweetly" – Frank Cucksey and Joseph Koziel
"Ding-Dong! The Witch Is Dead" – Billie Burke as Glinda (speaking) and the Munchkins
"As Mayor of the Munchkin City"
"As Coroner, I Must Aver"
"Ding-Dong! The Witch Is Dead" (Reprise) – The Munchkins
"The Lullaby League"
"The Lollipop Guild"
"We Welcome You to Munchkinland" – The Munchkins
"Follow the Yellow Brick Road/You're Off to See the Wizard" – Judy Garland as Dorothy, and the Munchkins
"If I Only Had a Brain" – Ray Bolger as the Scarecrow, and Judy Garland as Dorothy
"We're Off to See the Wizard" – Judy Garland as Dorothy, and Ray Bolger as the Scarecrow
"If I Only Had a Heart" – Jack Haley as the Tin Man
"If I Only Had a Heart" (original recording) – Buddy Ebsen as the Tin Man
"We're Off to See the Wizard" (Reprise 1) – Judy Garland as Dorothy, Ray Bolger as the Scarecrow, and Buddy Ebsen as the Tin Man
"If I Only Had the Nerve" – Bert Lahr as the Cowardly Lion, Jack Haley as the Tin Man, Ray Bolger as the Scarecrow, and Judy Garland as Dorothy
"We're Off to See the Wizard" (Reprise 2) – Judy Garland as Dorothy, Ray Bolger as the Scarecrow, Buddy Ebsen as the Tin Man, and Bert Lahr as the Cowardly Lion
"Optimistic Voices" – MGM Studio Chorus
"The Merry Old Land of Oz" – Frank Morgan as Cabby, Judy Garland as Dorothy, Ray Bolger as Scarecrow, Jack Haley as the Tin Man, Bert Lahr as the Cowardly Lion and the Emerald City townspeople
"If I Were King of the Forest" – Bert Lahr as the Cowardly Lion, Judy Garland as Dorothy, Ray Bolger as the Scarecrow and Jack Haley as the Tin Man
"The Jitterbug" – Although this song was removed from the final film, it is still available on some extended edition CDs.[41]
Deleted songs

Lobby card with still of deleted musical number "Hail! Hail! The Witch is Dead!", sung upon the return to the Emerald City
Some musical pieces filmed were deleted in the editing process.

The song "The Jitterbug", written in a swing style, was intended for the sequence in which the group is journeying to the Witch's castle. Due to time constraints, the song was cut from the final theatrical version. The film footage for the song has been lost, although silent home film footage of rehearsals for the number has survived. The sound recording for the song, however, is intact and was included in the two-CD Rhino Records deluxe edition of the film soundtrack, as well as on the VHS and DVD editions of the film. A reference to "The Jitterbug" remains in the film: the Witch remarks to her flying monkeys that they should have no trouble apprehending Dorothy and her friends because "I've sent a little insect on ahead to take the fight out of them."

Another musical number cut before release occurred right after the Wicked Witch of the West was melted and before Dorothy and her friends returned to the Wizard. This was a reprise of "Ding-Dong! The Witch Is Dead" (blended with "We're Off to See the Wizard" and "The Merry Old Land of Oz") with the lyrics altered to "Hail! Hail! The Witch is Dead!" This started with the Witch's guard saying "Hail to Dorothy! The Wicked Witch is dead!" and dissolved to a huge celebration of the citizens of the Emerald City singing the song as they accompany Dorothy and her friends to see the Wizard. Today, the film of this scene is also lost and only a few stills survive, along with a few seconds of footage used on several reissue trailers. The entire audio still exists and is included on the two-CD Rhino Record deluxe edition of the film soundtrack.[42]

In addition, a brief reprise of "Over the Rainbow" was intended to be sung by Garland while Dorothy is trapped in the Witch's castle, but it was cut because it was considered too emotionally intense. The original soundtrack recording still exists, however, and was included as an extra in all home media releases from 1993-onwards.[43]

Underscoring
Extensive edits in the film's final cut removed vocals from the last portion of the film. However, the film was fully underscored, with instrumental snippets from the film's various leitmotifs throughout. There was also some recognizable popular music, including:

Excerpts from Schumann's "The Happy Farmer", at several points early in the film, including the opening scene when Dorothy and Toto are hurrying home after their encounter with Miss Gulch, when Toto escapes from her, and when the house is "riding" the tornado.
An excerpt of Mendelssohn's "Opus 16, #2", when Toto escapes from the Witch's castle.
An excerpt of Mussorgsky's "Night on Bald Mountain", when Dorothy, the Scarecrow, the Tin Man, and the Cowardly Lion are trying to escape from the Witch's castle.
"In the Shade of the Old Apple Tree", when Dorothy and the Scarecrow discover the anthropomorphic apple trees.
"Gaudeamus Igitur" during the Wizard's presentation of awards to the group.
"Home! Sweet Home!", in part of the underscore of the closing scene, at Dorothy's house in Kansas.
(The above list is excerpted from the liner notes on the Rhino Records collection.)

Post-production
Principal photography concluded with the Kansas sequences on March 16, 1939; nonetheless, reshoots and pick-up shots were filmed throughout April and May and into June, under the direction of producer LeRoy. After the deletion of the "Over the Rainbow" reprise during subsequent test screenings in early June, Garland had to be brought back one more time to reshoot the "Auntie Em, I'm frightened!" scene without the song; the footage of Blandick's Aunt Em, as shot by Vidor, had already been set aside for rear-projection work, and was simply reused.

After Hamilton's torturous experience with the Munchkinland elevator, she refused to do the pick-ups for the scene in which she flies on a broomstick that billows smoke, so LeRoy chose to have stand-in Betty Danko perform the scene, instead; as a result, Danko was severely injured doing the scene due to a malfunction in the smoke mechanism.[44]

At this point, the film began a long arduous post-production. Herbert Stothart had to compose the film's background score, while A. Arnold Gillespie had to perfect the various special effects that the film required, including many of the rear projection shots. The MGM art department also had to create the various matte paintings for the background of many of the scenes.

One significant innovation planned for the film was the use of stencil printing for the transition to Technicolor. Each frame was to be hand-tinted to maintain the sepia tone; however, because this was too expensive and labor-intensive, it was abandoned and MGM used a simpler and less expensive variation of the process. During the reshoots in May, the inside of the farm house was painted sepia, and when Dorothy opens the door, it is not Garland, but her stand-in, Bobbie Koshay, wearing a sepia gingham dress, who then backs out of frame; once the camera moves through the door, Garland steps back into frame in her bright blue gingham dress (as noted in DVD extras), and the sepia-painted door briefly tints her with the same color before she emerges from the house's shadow, into the bright glare of the Technicolor lighting. This also meant that the reshoots provided the first proper shot of Munchkinland; if one looks carefully, the brief cut to Dorothy looking around outside the house bisects a single long shot, from the inside of the doorway to the pan-around that finally ends in a reverse-angle as the ruins of the house are seen behind Dorothy as she comes to a stop at the foot of the small bridge.

Test screenings of the film began on June 5, 1939.[45] Oz initially ran nearly two hours long. LeRoy and Fleming knew that at least 15 minutes needed to be deleted to get the film down to a manageable running time; the average film in 1939 ran for just about 90 minutes. Three sneak previews in Santa Barbara, Pomona and San Luis Obispo, California, helped guide LeRoy and Fleming in the cutting. Among the many cuts were "The Jitterbug" number, the Scarecrow's elaborate dance sequence following "If I Only Had a Brain", reprises of "Over the Rainbow" and "Ding-Dong! The Witch Is Dead", and a number of smaller dialogue sequences. This left the final, mostly serious portion of the film with no songs, only the dramatic underscoring.

One song that was almost deleted was "Over the Rainbow". MGM had felt that it made the Kansas sequence too long, as well as being far over the heads of the target audience of children. The studio also thought that it was degrading for Garland to sing in a barnyard. LeRoy, uncredited associate producer Arthur Freed and director Fleming fought to keep it in, and they all eventually won. The song went on to win the Academy Award for Best Song of the Year, and came to be identified so strongly with Garland herself that she made it her theme song.

After the preview in San Luis Obispo in early July, the film was officially released in August 1939 at its current 101-minute running time.

Release

A memorial commemorating the film's world premiere at the Strand Theatre in Oconomowoc, Wisconsin on August 12, 1939
The film's first sneak preview was held in San Bernardino, California.[46] The film was previewed in three test markets: on August 11, 1939, at Kenosha, Wisconsin and Cape Cod, Massachusetts,[47][48] and at the Strand Theatre in Oconomowoc, Wisconsin, on August 12.[49]

The Hollywood premiere was on August 15, 1939,[48] at Grauman's Chinese Theatre.[50] The New York City premiere, held at Loew's Capitol Theatre on August 17, 1939, was followed by a live performance with Garland and her frequent film co-star Mickey Rooney. They continued to perform there after each screening for a week, extended in Rooney's case for a second week and in Garland's to three (with Oz co-stars Ray Bolger and Bert Lahr replacing Rooney for the third and final week). The film opened nationwide on August 25, 1939.

Television
Main article: The Wizard of Oz on television
MGM sold the rights to televise the film to CBS for $225,000 per broadcast.[51] The film was first shown on television on November 3, 1956 as the last installment of the Ford Star Jubilee.[52] The film was a ratings success with a Nielsen rating of 33.9 and an audience share of 53%.[53]

It was repeated on December 13, 1959 and gained an even larger television audience than before with a Nielsen rating of 36.5 and an audience share of 58%[53] and became an annual television tradition.

Home media
The film was released multiple times for the home-video commercial market (on a limited scale) on Super 8 film (8 mm format) during the 1970s. These releases include an edited English version (roughly 10 minutes, and roughly 20 minutes), as well as edited Spanish versions of the classic. Also, a full commercial release of it was made on Super 8 (on multiple reels) that came out in the 1970s, as well, for the commercial market.[54]

The film was among the first videocassettes (on both VHS and Betamax format for the 1980 release) by MGM/CBS Home Video in 1980;[55] all current home video releases are by Warner Home Video (via current rights holder Turner Entertainment). The first LaserDisc release of it was in 1982, with two versions of a second (one from Turner and one from The Criterion Collection with a commentary track) for the 50th anniversary release in 1989, a third in 1991, a fourth in 1993, a fifth in 1995 and a sixth and final LaserDisc release on September 11, 1996.[56]

In addition to VHS (and later, LaserDisc), the film has been released multiple times during the 1980s on the Betamax format, beginning in 1980 simultaneously with the VHS release.[57]

The film was released for the first and only time on the CED format in 1982 by MGM/UA Home Video.[58]

Outside of the North American and European markets, the film has also been released multiple times on the Video CD format since the 1990s in Asia.[59]

The first DVD release was on March 26, 1997, by MGM/Turner and contained no special features or supplements. It was re-released by Warner Bros. for its 60th anniversary on October 19, 1999, with its soundtrack presented in a new 5.1 surround sound mix. The DVD also contained a behind-the-scenes documentary, The Wonderful Wizard of Oz: The Making of a Movie Classic, produced in 1990 and hosted by Angela Lansbury, which was originally shown on television immediately following the 1990 telecast of the film; it had been featured in the 1993 "Ultimate Oz" LaserDisc release. Outtakes, the deleted "Jitterbug" musical number, clips of pre-1939 Oz adaptations, trailers, newsreels, and a portrait gallery were also included, as well as two radio programs of the era publicizing the film.

In 2005, two DVD editions were released, both featuring a newly restored version of the film with an audio commentary and an isolated music and effects track. One of the two DVD releases was a "Two-Disc Special Edition", featuring production documentaries, trailers, various outtakes, newsreels, radio shows and still galleries. The other set, a "Three-Disc Collector's Edition", included these features, as well as the digitally restored 80th-anniversary edition of the 1925 feature-length silent film version of The Wizard of Oz, other silent Oz adaptations and a 1933 animated short version.

The film was released on Blu-ray on September 29, 2009, for its 70th anniversary in a four-disc "Ultimate Collector's Edition", including all the bonus features from the 2005 Collector's Edition DVD, new bonus features about Victor Fleming and the surviving Munchkins, the telefilm The Dreamer of Oz: The L. Frank Baum Story, and the miniseries MGM: When the Lion Roars. For this edition, Warner Bros. commissioned a new transfer at 8K resolution from the original negatives. The restoration job was given to Prime Focus World.[60] This restored version also features a lossless 5.1 Dolby TrueHD audio track.[61]

On December 1, 2009,[citation needed] three Blu-ray discs of the Ultimate Collector's Edition were repackaged as a less expensive "Emerald Edition", with an Emerald Edition four-disc DVD arriving the following week. A single-disc Blu-ray, containing the restored movie and all the extra features of the two-disc Special Edition DVD, also became available on March 16, 2010.[citation needed]

In 2013, the film was re-released on DVD, Blu-ray, Blu-ray 3D and UltraViolet for the 90th anniversary of Warner Bros. and as part of its 75th anniversary.[62][63]

Also, multiple special editions were released in celebration of the film's 75th anniversary in 2013, exclusively by both Best Buy (a SteelBook of the 3D Blu-ray) and another version that came with a keepsake lunch bag released by Target stores.[64][65]

The film will be released on Ultra HD Blu-ray in October 2019, featuring a new Dolby Vision transfer of the film sourced from an 8K transfer.[66]

Re-releases

This lobby card for the 1955 re-release carried a then-contemporary image of Garland.
Although the 1949 reissue used sepia tone, as in the original release, beginning with the 1955 re-issue, and continuing until the film's 50th anniversary VHS release in 1989, the opening Kansas sequences were shown in black and white instead of the sepia tone as originally printed. (This includes television showings.)[67]

The MGM "Children's Matinees" series rereleased the film twice, in both 1970 and 1971.[68] It was for this release that the film received a G rating from the MPAA.

For the film's then-upcoming 60th anniversary, Warner Bros. released a "Special Edition" on November 6, 1998, digitally restored with remastered audio.

In 2002, the film had a very limited re-release in U.S. theaters, earning only $139,905.[69]

On September 23, 2009, the film was rereleased in select theaters for a one-night-only event in honor of its 70th anniversary and as a promotion for various new disc releases later in the month. An encore of this event was released in theaters on November 17, 2009.[70]

An IMAX 3D theatrical re-release played at 300 theaters in North America for one week only beginning September 20, 2013, as part of the film's 75th anniversary.[62] Warner Bros. spent $25 million on advertising. The studio hosted a premiere of the film's first IMAX 3D release on September 15, 2013, from the newly remodeled TCL Chinese Theatre (formerly Grauman's Chinese Theatre, the site of the film's Hollywood premiere) in Hollywood. It was the first to play at the new theater and served as the grand opening of Hollywood's first 3D IMAX screen. It was also shown as a special presentation at the 2013 Toronto International Film Festival.[71] This re-release grossed $5.6 million at the North American box office.[72]

In 2013, in preparation for its IMAX 3D release, the film was submitted again to the MPAA for re-classification. According to MPAA rules, a film that has been altered in any way from its original version must be submitted for re-classification, as the 3-D conversion fell within that guideline. Surprisingly, the 3D version received a PG rating for "Some scary moments", although no change was made to the film's original story content. The 2D version still retains its G rating.[73]

The film was rereleased on January 11 and 14, 2015, as part of the "TCM Presents" series by Turner Classic Movies.[74]

The film was rereleased by Fathom Events on January 27, 29, 30, 2019 and February 3 and 5, 2019 as part of its 80th anniversary.[75]

Reception
Critical response
The film received much acclaim upon its release. Frank Nugent considered the film a "delightful piece of wonder-working which had the youngsters' eyes shining and brought a quietly amused gleam to the wiser ones of the oldsters. Not since Disney's Snow White and the Seven Dwarfs has anything quite so fantastic succeeded half so well."[76] Nugent had issues with some of the film's special effects, writing, "with the best of will and ingenuity, they cannot make a Munchkin or a Flying Monkey that will not still suggest, however vaguely, a Singer's Midget in a Jack Dawn masquerade. Nor can they, without a few betraying jolts and split-screen overlappings, bring down from the sky the great soap bubble in which Glinda rides and roll it smoothly into place." According to Nugent, "Judy Garland's Dorothy is a pert and fresh-faced miss with the wonder-lit eyes of a believer in fairy tales, but the Baum fantasy is at its best when the Scarecrow, the Tin Man, and the Lion are on the move."[76]

Writing in Variety, John C. Flinn predicted that the film was "likely to perform some record-breaking feats of box-office magic," noting, "Some of the scenic passages are so beautiful in design and composition as to stir audiences by their sheer unfoldment." He also called Garland "an appealing figure" and the musical numbers "gay and bright."[77]

Harrison's Reports wrote, "Even though some persons are not interested in pictures of this type, it is possible that they will be eager to see this picture just for its technical treatment. The performances are good, and the incidental music is of considerable aid. Pictures of this caliber bring credit to the industry."[78]

Film Daily wrote:
Leo the Lion is privileged to herald this one with his deepest roar—the one that comes from way down—for seldom if indeed ever has the screen been so successful in its approach to fantasy and extravaganza through flesh-and-blood... handsomely mounted fairy story in Technicolor, with its wealth of humor and homespun philosophy, its stimulus to the imagination, its procession of unforgettable settings, its studding of merry tunes should click solidly at the box-office.[79]

Not all reviews were positive. Some moviegoers felt that the 16-year-old Garland was slightly too old to play the little girl who Baum originally intended his Dorothy to be. Russell Maloney of The New Yorker wrote that the film displayed "no trace of imagination, good taste, or ingenuity" and declared it "a stinkeroo,"[80] while Otis Ferguson of The New Republic wrote, "It has dwarfs, music, Technicolor, freak characters, and Judy Garland. It can't be expected to have a sense of humor, as well – and as for the light touch of fantasy, it weighs like a pound of fruitcake soaking wet."[81] Still, the film placed seventh on Film Daily's year-end nationwide poll of 542 critics naming the best films of 1939.[82]

Legacy
Roger Ebert chose it as one of his Great Films, writing that "The Wizard of Oz has a wonderful surface of comedy and music, special effects and excitement, but we still watch it six decades later because its underlying story penetrates straight to the deepest insecurities of childhood, stirs them and then reassures them."[83]


Dorothy in Munchkinland
Writer Salman Rushdie acknowledged "The Wizard of Oz was my very first literary influence" in his 2002 musings about the film.[84] He has written: "When I first saw The Wizard of Oz, it made a writer of me."[85] His first short story, written at the age of 10, was titled "Over the Rainbow".[85]

In a 2009 retrospective article about the film, San Francisco Chronicle film critic and author Mick LaSalle declared that the film's "entire Munchkinland sequence, from Dorothy's arrival in Oz to her departure on the yellow brick road, has to be one of the greatest in cinema history – a masterpiece of set design, costuming, choreography, music, lyrics, storytelling, and sheer imagination."[86]

On the film critic aggregator site Rotten Tomatoes, the film has an approval rating of 98% based on 111 reviews, with an average score of 9.4/10. The site's critical consensus reads, "An absolute masterpiece whose groundbreaking visuals and deft storytelling are still every bit as resonant, The Wizard of Oz is a must-see film for young and old."[87] At Metacritic, which assigns a normalized rating to reviews, the film received the maximum score of 100 out of 100, based on 4 reviews, indicating "universal acclaim",[88] which, as of August 2017, is matched only by five other films.

Box office
According to MGM records, during the film's initial release, it earned $2,048,000 in the US and Canada and $969,000 in other countries throughout the world, resulting in total earnings of $3,017,000. While these were considerable earnings, the high production cost, in association with various distribution and other costs, meant the movie initially recorded a loss of $1,145,000 for the studio.[3] It did not show what MGM considered a profit until a 1949 re-release earned an additional $1.5 million (about $16 million today). However, for all the risks and cost that MGM undertook to produce the film, it was considered at least more successful than anyone thought it would be. According to Christopher Finch, author of the Judy Garland biography Rainbow: The Stormy Life of Judy Garland, "Fantasy is always a risk at the box office. The film had been enormously successful as a book, and it had also been a major stage hit, but previous attempts to bring it to the screen had been dismal failures." Finch also writes that after the success of the film, Garland signed a new contract with MGM giving her a substantial increase in salary, making her one of the top-ten box office stars in the United States.[89]

Awards and honors
Academy Awards
Awards
Award Date of ceremony Category Recipient Outcome
Academy Awards[90] February 29, 1940 Best Picture Metro-Goldwyn-Mayer Nominated
Best Art Direction Cedric Gibbons and William A. Horning
Best Effects, Special Effects A. Arnold Gillespie and Douglas Shearer
Best Music, Original Score Herbert Stothart Won
Best Music, Original Song "Over the Rainbow"
Music by Harold Arlen; Lyrics by E.Y. Harburg
Academy Juvenile Award Judy Garland
For her outstanding performance as a screen juvenile during the past year. (She was jointly awarded for her performances in Babes in Arms and The Wizard of Oz). Honorary
American Film Institute lists
The American Film Institute (AFI) has compiled various lists which include this film or elements thereof.

AFI's 100 Years...100 Movies – No. 6
AFI's 100 Years...100 Thrills – No. 43
AFI's 100 Years...100 Heroes & Villains:
Wicked Witch of the West – No. 4 villain
AFI's 100 Years...100 Songs:
"Over the Rainbow" – No. 1
"Ding-Dong! The Witch Is Dead" – No. 82
AFI's 100 Years...100 Movie Quotes:
"Toto, I've a feeling we're not in Kansas anymore." (Dorothy Gale) – No. 4
"There's no place like home." (Dorothy) – No. 23
"I'll get you, my pretty – and your little dog, too!" (Wicked Witch of the West) – No. 99
AFI's Greatest Movie Musicals – No. 3
AFI's 100 Years...100 Cheers – No. 26
AFI's 100 Years...100 Movies (10th Anniversary Edition) – No. 10
AFI's 10 Top 10 – No. 1 Fantasy film[91]
Other honors
1989: The film was one of the inaugural group of 25 films added to the National Film Registry list.[10][92]
1999: Rolling Stone's 100 Maverick Movies – No. 20.[93]
1999: Entertainment Weekly's 100 Greatest Films – No. 32.[94]
2000: The Village Voice's 100 Best Films of the 20th Century – No. 14.[95]
2002: Sight & Sound's Greatest Film Poll of Directors – No. 41.[96]
2005: Total Film's 100 Greatest Films – No. 83.[97]
2005: The British Film Institute ranked it second on its list of the 50 films you should see by the age of 14, after Spirited Away.[98]
2006: The film placed 86th on Bravo's 100 Scariest Movie Moments.[99]
2007: It topped Total Film's 23 Weirdest Films.[100]
2007: The film was listed on UNESCO's Memory of the World Register.[101]
2007: The Observer ranked the film's songs and music at the top of its list of 50 greatest film soundtracks.[102]
Differences from the novel
Roughly 40 identifiable major differences exist between the original book and the MGM interpretation.[103][104]

Sequels and reinterpretations
Main article: Adaptations of The Wizard of Oz
An official 1972 sequel, the animated Journey Back to Oz starring Liza Minnelli, daughter of Garland, was produced to commemorate the original film's 35th anniversary.[105]

In 1985, Walt Disney Productions released the live-action fantasy film Return to Oz, which starred (and introduced) Fairuza Balk as a young Dorothy Gale.[106] Based loosely on The Marvelous Land of Oz (1904) and Ozma of Oz (1907), it fared rather poorly with critics who were unfamiliar with the Oz books and was not successful at the box office, although it has since become a popular cult film, with many considering it a more loyal and faithful adaptation of what L. Frank Baum envisioned.[107][108]

Andrew Lloyd Webber and Tim Rice produced a stage musical of the same name, which opened in 2011 at the West End's London Palladium. It features all of the songs from the film plus new songs written by Lloyd Webber and Rice. Lloyd Webber also found Danielle Hope to play Dorothy on the reality show, Over the Rainbow. Another production opened in December 2012 at the Ed Mirvish Theatre in Toronto.[109] A reality TV show, also titled Over the Rainbow, found a Canadian girl, Danielle Wade, to play Dorothy.[110][111] The Canadian production then began a North American tour in September 2013.[112] An Australian tour will begin at the Lyric Theatre, Queensland Performing Arts Centre in November 2017, followed by a season at the Capitol Theatre, Sydney beginning December 2017.[113]

An animated film called Tom and Jerry and the Wizard of Oz was released in 2011 by Warner Home Video, incorporating Tom and Jerry into the story as Dorothy's "protectors".[114] A sequel titled Tom and Jerry: Back to Oz was released on DVD on June 21, 2016.[115]

In 2013, Walt Disney Pictures released a spiritual prequel titled Oz the Great and Powerful. It was directed by Sam Raimi, and starred James Franco, Mila Kunis, Rachel Weisz and Michelle Williams. It was the second film based on Baum's Oz series to be produced by Disney, after Return to Oz. It was a commercial success and received a mixed critical reception.[116][117]

In 2014, now-defunct independent film company Clarius Entertainment released a big-budget animated musical film, Legends of Oz: Dorothy's Return,[118] which follows Dorothy's second trip to Oz. The film was a box office bomb and was received negatively by critics largely for its plot and unmemorable musical numbers.

Cultural impact
Regarding the original Baum storybook, it has been said that "The Wonderful Wizard of Oz is America's greatest and best-loved home grown fairytale. The first totally American fantasy for children, it is one of the most-read children's books ... and despite its many particularly American attributes, including a wizard from Omaha, The Wonderful Wizard of Oz has universal appeal."[119]

The Library of Congress declared it the most viewed film in television syndication.[9]

In 1977, Aljean Harmetz wrote The Making of The Wizard of Oz, a detailed description of the creation of the film based on interviews and research; it was updated in 1989.[120]

Ruby slippers

An original pair of the ruby slippers on display at the Smithsonian Institution
Because of their iconic stature,[121] the ruby slippers worn by Judy Garland in the film are now among the most treasured and valuable film memorabilia in movie history.[122] Dorothy actually wore Silver Shoes in the book series, but the color was changed to ruby to take advantage of the new Technicolor process. Adrian, MGM's chief costume designer, was responsible for the final design. There are five known pairs of the ruby slippers in existence.[123] Another, differently styled pair unused in the film was sold at auction by actress Debbie Reynolds for $510,000 (not including the buyer's premium) in June 2011.[124]

فاطمة الصفي

فاطمة الصفي (17 نوفمبر 1981 -)، ممثلة ومخرجة كويتية.


محتويات
عن حياتها
حياتها الفنية
حاصلة على شهادة في التمثيل والإخراج من «المعهد العالي للفنون المسرحية» عام 2005. قامت بإخراج عدد كبير من الأعمال الغنائية والبرامج التلفزيونية. كان أول عمل لها في التلفزيون مع الفنانة حياة الفهد في مسلسل «الخراز» خلال دور ثانوي، إلا أن البداية الحقيقية والتي حققت فيها النجاح كانت في مسلسل «فضة قلبها أبيض» مع الفنانة سعاد عبد الله التي أدت دور فضة إستطاعت بعد ذلك أن تحيز على الأدوار البطولية. شكلت خلال بعض الأعمال ثنائي شبابي مع الممثلة شجون الهاجري.

حياتها الأسرية
هي مطلقة، في عام 2008 انتشرت صورة تجمعها مع الممثل حسين المهدي وهي ترتدي فستان العرس ما أثار شائعة زواجهما، إلا أن الصورة كانت ضمن سياق أحداث مسلسل «الفطين».

أعمالها
في التلفزيون
سنة الإنتاج اسم المسلسل الشخصية
2007 الخراز منى
2007 بلاغ للرأي العام
2008 فضة قلبها أبيض مليكة
2008 الفطين بدور
2009 أم البنات منيرة
2009 الحب الكبير فاطمة
2009 وعاد الماضي زهرة
2010 نور في سماء صافية غدير
2010 زوارة الخميس زينة
2010 أميمة في دار الأيتام سبيكة
2010 قصة هوانا - حلقات منفصلة عدة شخصيات
2011 بوكريم برقبته سبع حريم فيروز
2011 أخبار البطاطا - برنامج عدة شخصيات
2012 مجموعة إنسان رقية
2012 كنة الشام وكناين الشامية نادية
2012 مذكرات عائلية جدًا فرح
2013 سر الهوى فرح
2013 بركان ناعم: قلوب من نار كفاح
2013 بركان ناعم: نهاية غرام هدى
2014 صديقات العمر هند
2014 للحب كلمة آية
2014 مسكنك يوفي رشا
2014 أنيسة الونيسة أنيسة
2015 صديقاتي العزيزات شيخة
2015 العم صقر إيمان
2015 أمنا رويحة الجنة فوزية
2015 ذاكرة من ورق نورة
2016 نوايا لطيفة
2016 ساق البامبو هند
2016 سداسيات حكايات عواطف / بشاير / طيبة
2017 ذكريات لا تموت بدرية
2017 كان في كل زمان عدة شخصيات
2018 عزوتي نور
2018 بلوك غشمرة
ضيفة بحلقة واحدة الفارس الملثم
2018 عبرة شارع فاطمة
2018 هم نوايا لطيفة
2019 دفعة القاهرة دلال
2019 أنا عندي نص سامية
2019 وما أدراك ما أمي مي
2019 بلاني زماني
في المسرح
سنة الإنتاج المسرحية الشخصية
2008 أبطال الفريج مريم
2009 مدينة الظلام فاطمة
2010 حيال بوطير
عرضت في لبنان دينار
2010 خمس خوات وصياد كسولة
2011 abc123
عرضت في إمارة الشارقة فاطمة
2011 زين إلى عالم جميل حمامة
2012 مصباح زين ياسمينا
2013 من منهم هو الليدي ماكبث
2013 زين والوحش إبريقة
2014 زين البحار شرشورة
2015 زين الأوطان زين
2016 زين الأدغال رشاقة
2016 العائلة الحزينة ساركا
2017 زين عقلة الأصبع فرفورة
2018 صنع في زين جلجلة
2019 اللوحة السحرية لؤلؤة
2019 زين والأقزام الثمانية غضبانة
في السينما
سنة الإنتاج الفيلم الشخصية
2014 090 ضيفة الفيلم
2014 كان رفيجي
2018 سرب الحمام
الأعمال الأكاديمية والمهرجانات
مسرحية «إني أحلم ربما لا» (ممثلة).
مسرحية «يونانيات» (ممثلة).
مسرحية «خادم لسيدين» (ممثلة).
مسرحية «سقوط ماكبث» (ممثلة).
مسرحية «القاضي الأحمق» (ممثلة).
مسرحية «روبرتو زوكو» (ممثلة).
مسرحية «الأعمى» (ممثلة).
مسرحية «غني ... ثلاث فقراء» (ممثلة).
مسرحية «سهرة مع العرائس» (ممثلة).
مسرحية «معاناة المبدعين» (ممثلة) (مشروع مادة التعبير الحركي للفرقة الرابعة بقسم التمثيل والإخراج المسرحي).
مسرحية الضفادع (ممثلة)، (مشروع تخرج الفرقة الرابعة قسم التمثيل والإخراج المسرحي).
مسرحية «طائر البشرى» (ممثلة).
مسرحية «النافذة» (مساعد مخرج).
مسرحية «الشريط» (تصميم إضاءة).
مسرحية «رغبة تحت شجرة الدردار» (تصميم إضاءة).
مسرحية «أحلام» (تصميم إضاءة).
مسرحية «مطعم القردة الحية» (مؤثرات صوتية).
مسرحية «ميديا» (مؤثرات صوتية).
مسرحية «النص» (مؤثرات صوتية).
مسرحية «حفرة إنبيش» (مؤثرات صوتية).
مسرحية «الخروج دخولًا» (أزياء ومكياج وتنفيذ مؤثرات صوتية).
مسرحية «ثلاث أحزان مسموعة إزاء حياة إنسان» (إخراج).
مسرحية «حين تولد الأحلام» (ممثلة).
مسرحية «المنتظرون في الخارج» (ممثلة).
مسرحية «بلا ملامح» (ممثلة).
مسرحية «الأميرة والتفاحة» (ممثلة).
مسرحية «تاتنيا» (ممثلة).
مسرحية «الزفاف» (ممثلة).
مسرحية «من منهم هو» (ممثلة).
الأعمال الإخراجية في التلفزيون
برنامج «ليالي العيد» (مساعد مخرج).
برنامج «جابر الأب» (مساعد مخرج).
برنامج «هلا فن» (مساعد مخرج).
أوبريت «الشراع الكويتي» (مساعد مخرج).
برنامج «سهرة خميس» (مساعد مخرج).
نقل فعاليات مهرجان القرين الثقافي (مساعد مخرج).
برنامج «الأم المثالية 2006» (مساعد مخرج).
«أغنية هلا فبراير» غناء بدر الشعيبي ومجموعة من الأطفال (مساعد مخرج).
«أغنية الأم» غناء حسين جاسم (مساعد مخرج).
برنامج «ذيس أيز مي شوج» (مساعد مخرج).
الجوائز
حصلت على عدد من الجوائز بمسيرتها الفنية:

جائزة أفضل ممثلة دور ثاني من «مهرجان محمد عبد المحسن الخرافي للإبداع المسرحي» عن مسرحية «حين تولد الأحلام».
جائزة أفضل ممثلة دور أول من «مهرجان محمد عبد المحسن الخرافي للإبداع المسرحي» عن مسرحية «المنتظرون في الخارج».
جائزة أفضل ممثلة دور أول من «مهرجان الكويت المسرحي الدورة التاسعة» عن مسرحية «الزفاف».
جائزة أفضل ممثلة دور أول من «مهرجان الخرافي المسرحي السادس» عن مسرحية «تتانيا».
جائزة أفضل ممثله دور ثاني من «مهرجان الكويت المسرحي العاشر» عن مسرحية «بلا ملامح».
جائزة أفضل ممثله دور أول من «مهرجان أصيلة لمسرح الطفل» في المغرب عن مسرحية «الأميرة والتفاحة»

زياد علي

زياد علي محمد