الأربعاء، 4 سبتمبر 2019

Cenote

A cenote (English: /sɪˈnoʊti/ or /sɛˈnoʊteɪ/; American Spanish: [seˈnote]) is a natural pit, or sinkhole, resulting from the collapse of limestone bedrock that exposes groundwater underneath. Especially associated with the Yucatán Peninsula of Mexico, cenotes were sometimes used by the ancient Maya for sacrificial offerings.

The term derives from a word used by the low-land Yucatec Maya—ts'onot—to refer to any location with accessible groundwater.[1][2] Cenotes are common geological forms in low latitude regions, particularly on islands, coastlines, and platforms with young post-Paleozoic limestones that have little soil development.
Definition and description
Cenotes are surface connections to subterranean water bodies.[3] While the best-known cenotes are large open water pools measuring tens of meters in diameter, such as those at Chichén Itzá in Mexico, the greatest number of cenotes are smaller sheltered sites and do not necessarily have any surface exposed water. There are over 6000 different cenotes in the Yucatán Peninsula in Mexico alone.[4][better source needed]

The term cenote has also been used to describe similar karst features in other countries such as Cuba and Australia, in addition to the more generic term of sinkholes.[5]

Cenote water is often very clear, as the water comes from rain water filtering slowly through the ground, and therefore contains very little suspended particulate matter. The groundwater flow rate within a cenote may be very slow. In many cases, cenotes are areas where sections of cave roof have collapsed revealing an underlying cave system, and the water flow rates may be much faster: up to 10 kilometers (6 mi) per day.[6]

Cenotes around the world attract cavern and cave divers who have documented extensive flooded cave systems through them, some of which have been explored for lengths of 340 km (210 mi) or more.[7]

Geology and hydrology
Cenotes are formed by dissolution of rock and the resulting subsurface void, which may or may not be linked to an active cave system, and the subsequent structural collapse. Rock that falls into the water below is slowly removed by further dissolution, creating space for more collapse blocks. The rate of collapse increases during periods when the water table is below the ceiling of the void, since the rock ceiling is no longer buoyantly supported by the water in the void.

Cenotes may be fully collapsed creating an open water pool, or partially collapsed with some portion of a rock overhanging above the water. The stereotypical cenotes often resemble small circular ponds, measuring some tens of meters in diameter with sheer drops at the edges. Most cenotes, however, require some degree of stooping or crawling to access the water.

Penetration and extent
In the north and northwest of the Yucatán Peninsula in Mexico, the cenotes generally overlie vertically extensive voids penetrating 50 to 100 m (160 to 330 ft) below the modern water table. However, very few of these cenotes appear to be connected with horizontally extensive underground river systems, with water flow through them being more likely dominated by aquifer matrix and fracture flows.[6] In contrast, the cenotes along the Caribbean coast of the Yucatán Peninsula (within the state of Quintana Roo) often provide access to extensive underwater cave systems, such as Sistema Ox Bel Ha, Sistema Sac Actun/Sistema Nohoch Nah Chich and Sistema Dos Ojos.

Freshwater/seawater interface
The Yucatán Peninsula contains a vast coastal aquifer system, which is typically density-stratified.[6] The infiltrating meteoric water (i.e., rainwater) floats on top of higher-density saline water intruding from the coastal margins. The whole aquifer is therefore an anchialine system (one that is land-locked but connected to an ocean). Where a cenote, or the flooded cave to which it is an opening, provides deep enough access into the aquifer, the interface between the fresh and saline water may be reached. The density interface between the fresh and saline waters is a halocline, which means a sharp change in salt concentration over a small change in depth. Mixing of the fresh and saline water results in a blurry swirling effect caused by refraction between the different densities of fresh and saline waters.

The depth of the halocline is a function of several factors: climate and specifically how much meteoric water recharges the aquifer, hydraulic conductivity of the host rock, distribution and connectivity of existing cave systems and how effective these are at draining water to the coast, and the distance from the coast. In general, the halocline is deeper further from the coast, and in the Yucatán Peninsula this depth is 10 to 20 m (33 to 66 ft) below the water table at the coast, and 50 to 100 m (160 to 330 ft) below the water table in the middle of the peninsula, with saline water underlying the whole of the peninsula.[6]

Types
In 1936, a simple morphometry-based classification system for cenotes was presented.[8]

Cenotes-cántaro (Jug or pit cenotes) are those with a surface connection narrower than the diameter of the water body;
Cenotes-cilíndricos (Cylinder cenotes) are those with strictly vertical walls;
Cenotes-aguadas (Basin cenotes) are those with shallow water basins; and
grutas (Cave cenotes) are those having a horizontal entrance with dry sections.
The classification scheme was based on morphometric observations above the water table, and therefore incompletely reflects the processes by which the cenotes formed and the inherent hydrogeochemical relationship with the underlying flooded cave networks, which were only discovered in the 1980s and later with the initiation of cave diving exploration.

Flora and fauna
Flora and fauna are generally scarcer than in the open ocean, however marine animals do thrive in caves. In caverns, one can spot mojarras, mollis, guppies, cat-fish, small eels and frogs. In the most secluded and darker cenotes, the fauna has evolved special features to live in an environment deprived of natural light. For example, many animals don't have pigmentation and they are often blind, so they are equipped with long feelers so that they can find food and make their way around in the dark.[9]

Chicxulub Crater
Although cenotes are found widely throughout much of the Yucatán Peninsula, a higher-density circular alignment of cenotes overlies the measured rim of the Chicxulub Crater. This crater structure, identified from the alignment of cenotes,[10] but also subsequently mapped using geophysical methods (including gravity mapping) and also drilled into with core recovery, has been dated to the boundary between the Cretaceous (K) and Paleogene (Pg) periods, 66 million years ago. This meteorite impact at the Cretaceous–Paleogene boundary is therefore associated with the mass extinction of the dinosaurs and is also known as the Cretaceous–Paleogene extinction event.[11]

Archaeology and anthropology
In 2001–2002 expeditions led by Arturo H. González and Carmen Rojas Sandoval in the Yucatán discovered three human skeletons; one of them, Eve of Naharon, was carbon-dated to be 13,600 years old.[12][13][14] In March 2008, three members of the Proyecto Espeleológico de Tulum and Global Underwater Explorers dive team, Alex Alvarez, Franco Attolini, and Alberto Nava, explored a section of Sistema Aktun Hu (part of Sistema Sac Actun) known as the pit Hoyo Negro.[13][15] At a depth of 57 m (187 ft) the divers located the remains of a mastodon and a human skull (at 43 m (141 ft)) that might be the oldest evidence of human habitation in the region.[13]

The Yucatán Peninsula has almost no rivers and only a few lakes, and those are often marshy.[16] The widely distributed cenotes are the only perennial source of potable water and have long been the principal sources of water in much of the region. Major Maya settlements required access to adequate water supplies, and therefore cities, including the famous Chichén Itzá, were built around these natural wells. Some cenotes like the Sacred Cenote in Chichén Itzá played an important role in Maya rites. Believing that these pools were gateways to the afterlife, the Maya sometimes threw valuable items into them.

The discovery of golden sacrificial artifacts in some cenotes led to the archaeological exploration of most cenotes in the first part of the 20th century. Edward Herbert Thompson (1857–1935), an American diplomat who had bought the Chichén Itzá site, began dredging the Sacred Cenote there in 1904. He discovered human skeletons and sacrificial objects confirming a local legend, the Cult of the Cenote, involving human sacrifice to the rain god Chaac by ritual casting of victims and objects into the cenote.[5] The remains of this cultural heritage are protected by the UNESCO Convention on the Protection of the Underwater Cultural Heritage.

فريدي ميركوري

فريدي ميركوري (بالإنجليزية: Freddie Mercury) ولد باسم فاروق بولسارا (ફારોખ બલ્સારા) كان مطرب وموسيقي ومؤلف أغاني بريطاني عاش في الفترة بين 5 سبتمبر 1946 حتى توفي في 24 نوفمبر 1991 بسبب ذات الرئة القصبية التي حدثت له كمضاعفاتٍ عن الإيدز. يشتهر فريدي على الأخص بأدائه الصوتي لفرقة كوين.

سيرة حياته
ولد ميركوري في 5 أيلول 1946 في المحمية البريطانية زنجبار (والتي هي اليوم جزء من تنزانيا). والداه بومي وجير بولسارا هما بارسيون من منطقة غوجارات في محافظة بومباي في الهند البريطانية. يعتبر ميركوري وعائلته من أتباع الديانة الزرداشتية.

درس ميركوري في مدرسة سنت بيتر، في مدرسة بنشغني بالقرب من بومباي (بومبي الجديدة، الهند). كان من أفضل الطلاب وكانت له شعبيّة قوية في المدرسة وكانت واضحة مهارته في لعب البيانو. وكان له قدرة غريبة حيث كان يستمع إلى الراديو ويعيد عرض ما سمعه على البيانو.

الفرقة
انضم ميركوري في الجامعة في لندن إلى مجموعة من الطلاب وهم براين ماي وروجر تايلور وكان المطرب الرئيسي في الفرقة في 1971 استمرت هذه التشكيلة بالإضافة إلى جون ديكون.

تم اختيار اسم الفرقة كوين (الملكة) من قبل فريدي شخصياً وقد قوبل هذا الاسم باعتراضات حيث أن الاسم يشير إلى مثلية جنسية، وقد علق فريدي على هذا الشيء قائلاً:"انني على دراية بان الاسم ذو دلالة مثلية ولكن يوجد طرق اخرى لتفسير الاسم " وغير اسمه إلى ميركوري في نفس الفترة التي ابتكر فيها الاسم.

تعرف على ماري اوستين وعاش معها لمدة 5 سنين، وفي تلك الأثناء تعرف على مسؤول تنفيذي في شركة ايلكترا ريكوردز وأصبح على علاقة معه ما أدى إلى انفصاله عن ماري. لكن انفصاله عنها لم يمنع من بقاء علاقة صداقة قوية بينهما تحدث عنها فريدي عدة مرات كما كان يعتبر ماري حبه الأكبر في الحياة وكتب لها العديد من الأغاني منها Love of My Life (حب حياتي) وكان أيضاً العراب لأبن ماري الأكبر ريتشارد. اصيب بمرض الايدز في اواخر الثمانينات في 1987 ومات في بيته في غاردن لودجز.

خلال تسجيل "صنع في السماء(الجنة)" سنة 1990، كان فريدي ميركوري يعاني من مرض عضال، ويقول دافيد ريتشارد في مقابلة نشرتها مجلة رولينغ ستون (ألمانيا 1995) "استغرق منا تسجيل هذا العمل وقتا أكثر من المعتاد لأن فريدي كان في حاجة لأخذ قسط من الراحة من حين لآخر. لكنه، أراد أيضا أن يكون التسجيل كاملا ودقيقا، وأدرك أنه لن تتاح له الفرصة لمراجعة هذا العمل. وباختصار، أراد أن تكون هذه التسجيلات الأخيرة على أحسن ما يرام".

وفي سنة 1996، شُيّد نصب تذكاري لفريدي من تصميم الفنانة التشيكيلية إيرينا سيدليكا في مدينة مونترو في سويسرا على أطراف بحيرة ايمما. وأميط اللثام عن النصب، بحضور العديد من الشخصيات العامة من أمثال برايان ماي وروجر تايلور ومونسرّات كاباليي وموريس بيجار وهيلجا مور.


Freddie Mercury

Freddie Mercury (born Farrokh Bulsara; 5 September 1946 – 24 November 1991)[2] was a British singer, songwriter, record producer, and lead vocalist of the rock band Queen. Regarded as one of the greatest lead singers in the history of rock music,[3][4] he was known for his flamboyant stage persona and four-octave vocal range.[5][6][7]

Born in 1946 in Zanzibar to Parsi parents from India, he attended English-style boarding schools in India from the age of eight and returned to Zanzibar after secondary school. In 1964, his family fled the Zanzibar Revolution, moving to Middlesex, England. Having studied and written music for years, he formed Queen in 1970 with guitarist Brian May and drummer Roger Taylor. Mercury wrote numerous hits for Queen, including "Killer Queen", "Bohemian Rhapsody", "Somebody to Love", "We Are the Champions", "Don't Stop Me Now", and "Crazy Little Thing Called Love". He also led a solo career and served as a producer and guest musician for other artists. Mercury died in 1991 at age 45 due to complications from AIDS. He confirmed the day before his death that he had contracted the disease. In 1992, a tribute concert was held at Wembley Stadium.

As a member of Queen, Mercury was posthumously inducted into the Rock and Roll Hall of Fame in 2001, the Songwriters Hall of Fame in 2003, and the UK Music Hall of Fame in 2004. In 1990, he and the other Queen members were awarded the Brit Award for Outstanding Contribution to British Music, and one year after his death Mercury was awarded it individually. In 2005, Queen were awarded an Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers, and Authors. In 2002, Mercury ranked number 58 in the BBC's poll of the 100 Greatest Britons.
Mercury was born Farrokh Bulsara in Stone Town in the British protectorate of Zanzibar (now part of Tanzania) on 5 September 1946.[8][9] His parents, Bomi (1908–2003) and Jer (1922–2016) Bulsara,[a][10] were Parsis from the Gujarat region of the Bombay Presidency province in British India and they had origins in the city of Valsad in Gujarat.[b][8]

They had moved to Zanzibar so that Bomi could continue his job as a cashier at the British Colonial Office. As Parsis, the Bulsara family practised the Zoroastrian religion.[11] He was born with four supernumerary incisors, to which he attributed his enhanced vocal range.[12][13] As Zanzibar was a British protectorate until 1963, Mercury was born a British citizen. He remained so throughout his life.[14] Mercury had a younger sister, Kashmira Bulsara, now based in Nottingham, who took her husband's surname after marrying Roger Cooke.[15][16]

Mercury spent most of his childhood in India where he began taking piano lessons at the age of seven while living with relatives.[17] In 1954, at the age of eight, Mercury was sent to study at St. Peter's School, a British-style boarding school for boys, in Panchgani near Bombay.[14] At the age of 12, he formed a school band, the Hectics, and covered rock and roll artists such as Cliff Richard and Little Richard.[18][19] One of Mercury's former bandmates from the Hectics has said "the only music he listened to, and played, was Western pop music".[20] A friend from the time recalls that he had "an uncanny ability to listen to the radio and replay what he heard on piano".[21] It was also at St. Peter's where he began to call himself "Freddie". He also attended St. Mary's School, Mumbai.[22] In February 1963 he moved back to Zanzibar where he joined his parents at their flat
In 1964, Mercury and his family fled from Zanzibar to escape the violence of the revolution for independence,[24] in which thousands of ethnic Arabs and Indians were killed.[25] They moved into a small house at 22 Gladstone Avenue, Feltham, Middlesex, England. After first studying art at Isleworth Polytechnic in West London, Mercury studied graphic art and design at Ealing Art College, graduating with a diploma in 1969.[2] He later used these skills to design heraldic arms for his band Queen.[26]

Following graduation, Mercury joined a series of bands and sold second-hand clothes in Kensington Market in London with girlfriend Mary Austin. He also held a job as a baggage handler at Heathrow Airport.[27] Friends from the time remember him as a quiet and shy young man with a great interest in music.[28] In 1969, he joined Liverpool-based band Ibex, later renamed Wreckage. He briefly lived in a flat above the Dovedale Towers, a pub close to Penny Lane in Liverpool's Mossley Hill district.[29][30] When this band failed to take off, he joined an Oxford-based band called Sour Milk Sea, but by early 1970 this group had broken up as well.[31]

In April 1970, Mercury teamed up with guitarist Brian May and drummer Roger Taylor, to become lead singer of their band Smile.[2] They were joined by bassist John Deacon in 1971. Despite the reservations of the other members and Trident Studios, the band's initial management, Mercury chose the name "Queen" for the new band. He later said, "It's very regal obviously, and it sounds splendid. It's a strong name, very universal and immediate. I was certainly aware of the gay connotations, but that was just one facet of it."[32] At about the same time, he legally changed his surname, Bulsara, to Mercury.[33]

Shortly before the release of Queen's self-titled first album, Mercury designed the band's logo, known as the "Queen crest".[34] The logo combines the zodiac signs of the four band members: two lions for Deacon and Taylor (sign Leo), a crab for May (Cancer), and two fairies for Mercury (Virgo).[34] The lions embrace a stylised letter Q, the crab rests atop the letter with flames rising directly above it, and the fairies are each sheltering below a lion.[34] A crown is shown inside the Q, and the whole logo is over-shadowed by an enormous phoenix. The Queen crest bears a passing resemblance to the Royal coat of arms of the United Kingdom, particularly with the lion supporters.[26][34]

Career
Singer
Although Mercury's speaking voice naturally fell in the baritone range, he delivered most songs in the tenor range.[35] His known vocal range extended from bass low F (F2) to soprano high F (F6).[36] He could belt up to tenor high F (F5).[36] Biographer David Bret described his voice as "escalating within a few bars from a deep, throaty rock-growl to tender, vibrant tenor, then on to a high-pitched, perfect coloratura, pure and crystalline in the upper reaches."[37] Spanish soprano Montserrat Caballé, with whom Mercury recorded an album, expressed her opinion that "the difference between Freddie and almost all the other rock stars was that he was selling the voice".[38] She adds,

His technique was astonishing. No problem of tempo, he sang with an incisive sense of rhythm, his vocal placement was very good and he was able to glide effortlessly from a register to another. He also had a great musicality. His phrasing was subtle, delicate and sweet or energetic and slamming. He was able to find the right colouring or expressive nuance for each word.
The Who lead singer Roger Daltrey described Mercury as "the best virtuoso rock 'n' roll singer of all time. He could sing anything in any style. He could change his style from line to line and, God, that's an art. And he was brilliant at it."[39]

A research team undertook a study in 2016 to understand the appeal behind Mercury's voice.[40] Led by Professor Christian Herbst, the team identified his notably faster vibrato and use of subharmonics as unique characteristics of Mercury's voice, particularly in comparison to opera singers. They confirmed a vocal range from F#2 to G5 (just over 3 octaves) but were unable to confirm claims of a 4-octave range.[41] The research team studied vocal samples from 23 commercially available Queen recordings, his solo work, and a series of interviews of the late artist. They also used an endoscopic video camera to study a rock singer brought in to imitate Mercury's singing voice.[42][41]

Songwriter
Mercury wrote 10 of the 17 songs on Queen's Greatest Hits album: "Bohemian Rhapsody", "Seven Seas of Rhye", "Killer Queen", "Somebody to Love", "Good Old-Fashioned Lover Boy", "We Are the Champions", "Bicycle Race", "Don't Stop Me Now", "Crazy Little Thing Called Love", and "Play the Game".[43] In 2003 Mercury was posthumously inducted into the Songwriters Hall of Fame with the rest of Queen, and in 2005 all four band members were awarded an Ivor Novello Award for Outstanding Song Collection from the British Academy of Songwriters, Composers, and Authors.[44][45]

The most notable aspect of his songwriting involved the wide range of genres that he used, which included, among other styles, rockabilly, progressive rock, heavy metal, gospel, and disco. As he explained in a 1986 interview, "I hate doing the same thing again and again and again. I like to see what's happening now in music, film and theatre and incorporate all of those things."[46] Compared to many popular songwriters, Mercury also tended to write musically complex material. For example, "Bohemian Rhapsody" is non-cyclical in structure and comprises dozens of chords.[47][48] He also wrote six songs from Queen II which deal with multiple key changes and complex material. "Crazy Little Thing Called Love", on the other hand, contains only a few chords. Although Mercury often wrote very intricate harmonies, he claimed that he could barely read music.[49] He wrote most of his songs on the piano and used a wide variety of key signatures.[47]

Live performer
Mercury was noted for his live performances, which were often delivered to stadium audiences around the world. He displayed a highly theatrical style that often evoked a great deal of participation from the crowd. A writer for The Spectator described him as "a performer out to tease, shock and ultimately charm his audience with various extravagant versions of himself."[50] David Bowie, who performed at the Freddie Mercury Tribute Concert and recorded the song "Under Pressure" with Queen, praised Mercury's performance style, saying: "Of all the more theatrical rock performers, Freddie took it further than the rest […] he took it over the edge. And of course, I always admired a man who wears tights. I only saw him in concert once and as they say, he was definitely a man who could hold an audience in the palm of his hand."[51] Queen guitarist Brian May wrote that Mercury could make "the last person at the back of the furthest stand in a stadium feel that he was connected".[52] Mercury's main prop on stage was a broken microphone stand, which after accidentally snapping off the heavy base during an early performance, he realised could be used in endless ways.[53]

One of Mercury's most notable performances with Queen took place at Live Aid in 1985.[2] Queen's performance at the event has since been voted by a group of music executives as the greatest live performance in the history of rock music. The results were aired on a television program called "The World's Greatest Gigs".[54][55] Mercury's powerful, sustained note during the a cappella section came to be known as "The Note Heard Round the World".[56][57] In reviewing Live Aid in 2005, one critic wrote, "Those who compile lists of Great Rock Frontmen and award the top spots to Mick Jagger, Robert Plant, etc all are guilty of a terrible oversight. Freddie, as evidenced by his Dionysian Live Aid performance, was easily the most godlike of them all."[58]

Over the course of his career, Mercury performed an estimated 700 concerts in countries around the world with Queen. A notable aspect of Queen concerts was the large scale involved.[46] He once explained, "We're the Cecil B. DeMille of rock and roll, always wanting to do things bigger and better."[46] The band was the first ever to play in South American stadiums, breaking worldwide records for concert attendance in the Morumbi Stadium in São Paulo in 1981.[59] In 1986, Queen also played behind the Iron Curtain when they performed to a crowd of 80,000 in Budapest, in what was one of the biggest rock concerts ever held in Eastern Europe.[60] Mercury's final live performance with Queen took place on 9 August 1986 at Knebworth Park in England and drew an attendance estimated as high as 160,000.[61] With the British national anthem "God Save the Queen" playing at the end of the concert, Mercury's final act on stage saw him draped in a robe, holding a golden crown aloft, bidding farewell to the crowd
As a young boy in India, Mercury received formal piano training up to the age of nine. Later on, while living in London, he learned guitar. Much of the music he liked was guitar-oriented: his favourite artists at the time were the Who, the Beatles, Jimi Hendrix, David Bowie, and Led Zeppelin. He was often self-deprecating about his skills on both instruments and from the early 1980s began extensively using guest keyboardists. Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John, and Supertramp) for his first solo project. From 1982 Mercury collaborated with Morgan Fisher (performed with Queen in concert during the Hot Space leg),[63] and from 1985 onward Mercury collaborated with Mike Moran (in the studio) and Spike Edney (in concert).[64]

Mercury played the piano in many of Queen's most popular songs, including "Killer Queen", "Bohemian Rhapsody", "Good Old Fashioned Lover Boy", "We Are the Champions", "Somebody to Love", and "Don't Stop Me Now". He used concert grand pianos and, occasionally, other keyboard instruments such as the harpsichord. From 1980 onward, he also made frequent use of synthesisers in the studio. Queen guitarist Brian May claims that Mercury was unimpressed with his own abilities at the piano and used the instrument less over time because he wanted to walk around onstage and entertain the audience.[65][66] Although he wrote many lines for the guitar, Mercury possessed only rudimentary skills on the instrument. Songs like "Ogre Battle" and "Crazy Little Thing Called Love" were composed on the guitar; the latter featured Mercury playing rhythm guitar on stage and in the studio.[67]

Solo career
See also: The Solo Collection
In addition to his work with Queen, Mercury put out two solo albums and several singles. Although his solo work was not as commercially successful as most Queen albums, the two off-Queen albums and several of the singles debuted in the top 10 of the UK Music Charts. His first solo effort goes back to 1972 under the pseudonym Larry Lurex, when Trident Studios' house engineer Robin Geoffrey Cable was working in a musical project, at the time when Queen were recording their debut album; Cable enlisted Mercury to perform lead vocals on the songs "I Can Hear Music" and "Goin' Back", both were released together as a single in 1973.[1] Eleven years later, Mercury contributed to the Richard "Wolfie" Wolf remix of the song "Love Kills", used as the end title theme for National Lampoon's Loaded Weapon 1. The song was originally recorded in 1984, when it was included on the soundtrack for the restoration of the 1927 Fritz Lang film Metropolis. First written by Giorgio Moroder in collaboration with Mercury, and produced by Moroder and Mack, "Love Kills" debuted at the number 10 position in the UK Singles Chart.[68] Mack also produced the 1987 single "Hold On", which Mercury recorded with actress Jo Dare for the German action drama Zabou

Bahamas

The Bahamas (/bəˈhɑːməz/ (About this soundlisten)), known officially as the Commonwealth of the Bahamas,[10] is a country within the Lucayan Archipelago, in the Caribbean. The archipelagic state consists of more than 700 islands, cays, and islets in the Atlantic Ocean, and is located north of Cuba and Hispaniola (Haiti and the Dominican Republic), northwest of the Turks and Caicos Islands, southeast of the U.S. state of Florida, and east of the Florida Keys. The capital is Nassau on the island of New Providence. The designation of "the Bahamas" can refer either to the country or to the larger island chain that it shares with the Turks and Caicos Islands.[citation needed] The Royal Bahamas Defence Force describes the Bahamas territory as encompassing 470,000 km2 (180,000 sq mi) of ocean space.

The Bahamas were inhabited by the Lucayans, a branch of the Arawakan-speaking Taíno people, for many centuries.[11] Columbus was the first European to see the islands, making his first landfall in the 'New World' in 1492. Although the Spanish never colonised the Bahamas, they shipped the native Lucayans to slavery on Hispaniola. The islands were mostly deserted from 1513 until 1648, when English colonists from Bermuda settled on the island of Eleuthera.

The Bahamas became a British crown colony in 1718, when the British clamped down on piracy. After the American Revolutionary War, the Crown resettled thousands of American Loyalists in the Bahamas; they took their slaves with them and established plantations on land grants. African slaves and their descendants constituted the majority of the population from this period on. The slave trade was abolished by the British in 1807; slavery in the Bahamas was abolished in 1834. Subsequently, the Bahamas became a haven for freed African slaves. Africans liberated from illegal slave ships were resettled on the islands by The Royal Navy, while some North American slaves and Seminoles escaped to the Bahamas from Florida. Bahamians were even known to recognize the freedom of slaves carried by the ships of other nations which reached the Bahamas. Today Afro-Bahamians make up 90% of the population of 332,600.[11]

The Bahamas became an independent Commonwealth realm in 1973 with Elizabeth II as its queen.[11] In terms of gross domestic product per capita, the Bahamas is one of the richest countries in the Americas (following the United States and Canada), with an economy based on tourism and offshore finance
Etymology
The name Bahamas is most likely derived from either the Taíno ba ha ma ("big upper middle land"), which was a term for the region used by the indigenous Native Americans,[13] or possibly from the Spanish baja mar ("shallow water or sea" or "low tide") reflecting the shallow waters of the area. Alternatively, it may originate from Guanahani, a local name of unclear meaning.[14]

The word The constitutes an integral part of the short form of the name and is, therefore, capitalised. So in contrast to "the Congo" and "the United Kingdom", it is proper to write "The Bahamas". The name The Bahamas is thus comparable with certain non-English names that also use the definite article, such as Las Vegas or Los Angeles. The Constitution of the Commonwealth of The Bahamas, the country's fundamental law, capitalizes the "T" in "The Bahamas".[15]

History
Main article: History of The Bahamas
Pre-colonial era
The first inhabitants of the Bahamas were the Taino people, who moved into the uninhabited southern islands from Hispaniola and Cuba around the 800s-1000s AD, having migrated there from South America; they came to be known as the Lucayan people.[16] An estimated 30,000 Lucayans inhabited The Bahamas at the time of Christopher Columbus's arrival in 1492.[citation needed]

Arrival of the Spanish
Columbus's first landfall in what was to Europeans a 'New World' was on an island he named San Salvador (known to the Lucayans as Guanahani).[16] Whilst there is a general consensus that this island lay within the Bahamas, precisely which island Columbus landed on is a matter of scholarly debate.[16] Some researchers believe the site to be present-day San Salvador Island (formerly known as Watling's Island), situated in the southeastern Bahamas, whilst an alternative theory holds that Columbus landed to the southeast on Samana Cay, according to calculations made in 1986 by National Geographic writer and editor Joseph Judge, based on Columbus's log.[16] On the landfall island, Columbus made first contact with the Lucayans and exchanged goods with them, claiming the islands for Spain, before proceeding to explore the larger isles of the Greater Antilles.[16]

The 1494 Treaty of Tordesillas theoretically divided the new territories between Spain and Portugal, placing the Bahamas in the Spanish sphere; however they did little to press their claim on the ground.[16] The Spanish did however make use of the native Lucayan peoples, many of whom were enslaved and sent to Hispaniola for use as forced labour.[16] The slaves suffered from harsh conditions and most died from contracting diseases to which they had no immunity; half of the Taino died from smallpox alone.[18] As a result of these depredations the population of the Bahamas was severely diminished.[19]

Arrival of the English
The English had expressed an interest in the Bahamas as early as 1629,[16] however, it was not until 1648 that the first English settlers arrived on the islands.[16] Known as the Eleutherian Adventurers and led by William Sayle, they migrated to Bermuda seeking greater religious freedom.[16] These English Puritans established the first permanent European settlement on an island which they named 'Eleuthera', Greek for 'freedom'. They later settled New Providence, naming it Sayle's Island. Life proved harder than envisaged however, and many – including Sayle – chose to return to Bermuda.[16] To survive, the remaining settlers salvaged goods from wrecks.

In 1670, King Charles II granted the islands to the Lords Proprietors of the Carolinas in North America. They rented the islands from the king with rights of trading, tax, appointing governors, and administering the country from their base on New Providence.[20][16] Piracy and attacks from hostile foreign powers were a constant threat. In 1684, Spanish corsair Juan de Alcon raided the capital Charles Town (later renamed Nassau),[21] and in 1703, a joint Franco-Spanish expedition briefly occupied Nassau during the War of the Spanish Succession.[22][23]

18th century
During proprietary rule, the Bahamas became a haven for pirates, including Blackbeard (circa 1680–1718).[24] To put an end to the 'Pirates' republic' and restore orderly government, Great Britain made the Bahamas a crown colony in 1718 under the royal governorship of Woodes Rogers.[16] After a difficult struggle, he succeeded in suppressing piracy.[25] In 1720, Rogers led local militia to drive off a Spanish attack during the War of the Quadruple Alliance.[26] In 1729, a local assembly was established giving a degree of self-governance for the English settlers.[16][27] The reforms had been planned by the previous Governor George Phenney and authorised in July 1728.[28]

During the American War of Independence in the late 18th century, the islands became a target for US naval forces under the command of Commodore Esek Hopkins; US Marines occupied Nassau for a brief period in 1776.[16] In 1782, following the British defeat at Yorktown, a Spanish fleet appeared off the coast of Nassau. The city surrendered without a fight.[16] Spain returned possession of the Bahamas to Great Britain the following year, under the terms of the Treaty of Paris.[16] Before the news was received however, the islands were recaptured by a small British force led by Andrew Deveaux.[16]

After US independence, the British resettled some 7,300 Loyalists with their African slaves in the Bahamas, including 2,000 from New York[29] and at least 1,033 whites, 2,214 blacks and a few Native American Creeks from East Florida. Most of the refugees resettled from New York had fled from other colonies, including West Florida, which the Spanish captured during the war.[30] The government granted land to the planters to help compensate for losses on the continent.[16] These Loyalists, who included Deveaux and also Lord Dunmore, established plantations on several islands and became a political force in the capital.[16] European Americans were outnumbered by the African-American slaves they brought with them, and ethnic Europeans remained a minority in the territory.

19th century
In 1807, the British abolished the slave trade.[16] During the following decades, the Royal Navy intercepted the trade; they resettled in The Bahamas thousands of Africans liberated from slave ships.

In the 1820s during the period of the Seminole Wars in Florida, hundreds of North American slaves and African Seminoles escaped from Cape Florida to The Bahamas. They settled mostly on northwest Andros Island, where they developed the village of Red Bays. From eyewitness accounts, 300 escaped in a mass flight in 1823, aided by Bahamians in 27 sloops, with others using canoes for the journey. This was commemorated in 2004 by a large sign at Bill Baggs Cape Florida State Park.[31][32] Some of their descendants in Red Bays continue African Seminole traditions in basket making and grave marking.[33]

In 1818,[34] the Home Office in London had ruled that "any slave brought to The Bahamas from outside the British West Indies would be manumitted." This led to a total of nearly 300 slaves owned by US nationals being freed from 1830 to 1835.[35] The American slave ships Comet and Encomium used in the United States domestic coastwise slave trade, were wrecked off Abaco Island in December 1830 and February 1834, respectively. When wreckers took the masters, passengers and slaves into Nassau, customs officers seized the slaves and British colonial officials freed them, over the protests of the Americans. There were 165 slaves on the Comet and 48 on the Encomium. The United Kingdom finally paid an indemnity to the United States in those two cases in 1855, under the Treaty of Claims of 1853, which settled several compensation cases between the two countries.[36][37]

Slavery was abolished in the British Empire on 1 August 1834.[16] After that British colonial officials freed 78 North American slaves from the Enterprise, which went into Bermuda in 1835; and 38 from the Hermosa, which wrecked off Abaco Island in 1840.[38] The most notable case was that of the Creole in 1841: as a result of a slave revolt on board, the leaders ordered the US brig to Nassau. It was carrying 135 slaves from Virginia destined for sale in New Orleans. The Bahamian officials freed the 128 slaves who chose to stay in the islands. The Creole case has been described as the "most successful slave revolt in U.S. history".[39]

These incidents, in which a total of 447 slaves belonging to US nationals were freed from 1830 to 1842, increased tension between the United States and the United Kingdom. They had been co-operating in patrols to suppress the international slave trade. However, worried about the stability of its large domestic slave trade and its value, the United States argued that the United Kingdom should not treat its domestic ships that came to its colonial ports under duress as part of the international trade.[citation needed] The United States worried that the success of the Creole slaves in gaining freedom would encourage more slave revolts on merchant ships.

During the American Civil War of the 1860s, the islands briefly prospered as a focus for blockade runners aiding the Confederate States.[40][41]

Early 20th century
The early decades of the 20th century were ones of hardship for many Bahamians, characterised by a stagnant economy and widespread poverty.[16] Many eked out a living via subsistence agriculture or fishing
In August 1940, the Duke of Windsor was appointed governor of the Bahamas. He arrived in the colony with his wife, the Duchess. Although disheartened at the condition of Government House, they "tried to make the best of a bad situation".[42] He did not enjoy the position, and referred to the islands as "a third-class British colony".[43] He opened the small local parliament on 29 October 1940. The couple visited the "Out Islands" that November, on Axel Wenner-Gren's yacht, which caused controversy;[44] the British Foreign Office strenuously objected because they had been advised by United States intelligence that Wenner-Gren was a close friend of the Luftwaffe commander Hermann Göring of Nazi Germany.[44][45]

The Duke was praised at the time for his efforts to combat poverty on the islands. A 1991 biography by Philip Ziegler, however, described him as contemptuous of the Bahamians and other non-European peoples of the Empire. He was praised for his resolution of civil unrest over low wages in Nassau in June 1942, when there was a "full-scale riot".[46] Ziegler said that the Duke blamed the trouble on "mischief makers – communists" and "men of Central European Jewish descent, who had secured jobs as a pretext for obtaining a deferment of draft".[47] The Duke resigned from the post on 16 March 1945.[48][49]

Post-Second World War
Modern political development began after the Second World War. The first political parties were formed in the 1950s, split broadly along ethnic lines - the United Bahamian Party (UBP) representing the English-descended Bahamians (known informally as the 'Bay Street Boys'),[50] and the Progressive Liberal Party (PLP) representing the Afro-Bahamian majority.[16]

A new constitution granting The Bahamas internal autonomy went into effect on 7 January 1964, with Chief Minister Sir Roland Symonette of the UBP becoming the first Premier.[51]:p.73[52] In 1967, Lynden Pindling of the PLP became the first black Premier of the Bahamian colony; in 1968, the title of the position was changed to Prime Minister. In 1968, Pindling announced that The Bahamas would seek full independence.[53] A new constitution giving The Bahamas increased control over its own affairs was adopted in 1968.[54] In 1971, the UBP merged with a disaffected faction of the PLP to form a new party, the Free National Movement (FNM), a de-racialised, centre-right party which aimed to counter the growing power of Pindling's PLP.[55]

The British House of Lords voted to give The Bahamas its independence on 22 June 1973.[56] Prince Charles delivered the official documents to Prime Minister Lynden Pindling, officially declaring The Bahamas a fully independent nation on 10 July 1973.[57] It joined the Commonwealth of Nations on the same day.[58] Sir Milo Butler was appointed the first governor-general of the Bahamas (the official representative of Queen Elizabeth II) shortly after independence.

Post-independence
Shortly after independence, The Bahamas joined the International Monetary Fund and the World Bank on 22 August 1973,[59] and later the United Nations on 18 September 1973.[60]

Politically, the first two decades were dominated by Pindling's PLP, who went on to win a string of electoral victories.[16] Allegations of corruption, links with drug cartels and financial malfeasance within the Bahamian government failed to dent Pindling's popularity.[16] Meanwhile, the economy underwent a dramatic growth period fuelled by the twin pillars of tourism and offshore finance, significantly raising the standard of living on the islands.[16] The Bahamas' booming economy led to it becoming a beacon for immigrants, most notably from Haiti.[16]

In 1992, Pindling was unseated by Hubert Ingraham of the FNM.[51]:p.78 Ingraham went on to win the 1997 Bahamian general election, before being defeated in 2002, when the PLP returned to power under Perry Christie.[51]:p.82 Ingraham returned to power from 2007-2012, followed by Christie again from 2012-17.[16] With economic growth faltering, Bahamians re-elected the FNM in 2017, with Hubert Minnis becoming the 4th Prime Minister

Hernan piquin

Hernán Javier Piquín (Los Polvorines, 13 de noviembre1​ de 1973) es un bailarín argentino.

Nació en la ciudad de Los Polvorines, en el noroeste del Gran Buenos Aires, a 33 km del centro de la Capital Federal. Cursó el Instituto Superior de Arte del Teatro Colón.
Biografía
Considerado, por el publico y por la critica, uno de los mejores bailarines de la Argentina, sucesor de Julio Bocca.

En 1985 fue invitado como estudiante de honor por la Escuela del English National Ballet (en Londres), donde fue nombrado «bailarín solista» y como «bailarín principal» en Le Jeune Ballet de France (en París).2​

En 1992 ingresó al Ballet Estable del Teatro Colón. Desde 1994 trabajó como primer bailarín en el Ballet Argentino de Julio Bocca, con el que realizó giras por Europa, Asia, África y todo el continente americano.2​

En 1998 entró en el Smuin Ballets/SF (San Francisco Ballet), con el que interpretó Medea, Q a V y Homeless.2​

En 2002 reemplazó a Julio Bocca en el rol principal del espectáculo Boccatango que se presentó en el Congreso Internacional de Trasplantes, en el Jackie Glackson Theater (en Miami).2​

En 2003, Andrea Candela (asistente de Julio Bocca) crea especialmente para Hernán Piquin y Cecilia Figaredo la obra Septiembre, que estrenaron ese mismo año en el Teatro Ópera de Buenos Aires.2​

En octubre de 2004 protagonizó Orfeo (de José Limón) en el Teatro Ópera de la ciudad de Buenos Aires.2​

Estrenó Tangó, Aquelarre y Ketiak en el Centro Cultural Borges, con coreografías de Ana María Stekelman y Oscar Aráiz.2​

En 2005 participó de la «Gala de los ochenta años» del Ballet Estable del Teatro Colón.3​

En 2006 estrenó Hernán Buenosayres, ángel y demonio.

En 2007 trabajó como bailarín principal por el Ballet del Teatro Colón.

En 2008 protagonizó la película Aniceto, de Leonardo Favio.

En 2009 participó en la telenovela Herencia de amor (por Telefé).
En 2010 fue entrenador del personaje mediático Fabio La Mole Moli, en el concurso televisivo Bailando por un sueño, de Marcelo Tinelli.4​

En 2011 participó de este mismo concurso (junto con Noelia Pompa) y lo ganó. Por esto fue criticado por varios bailarines argentinos.5​

Participó en el segundo año consecutivo en Bailando por un sueño, ya que como fue el ganador del 2011 tuvo la oportunidad de volver al Bailando 2012 y se consagró campeón del certamen, siendo así el primer bicampeón de la historia de este concurso de baile.

En 2014, por tercera vez consecutiva llegó a la final de Bailando por un sueño (esta vez con Cecilia Figaredo), se consagró subcampeón perdiendo contra la pareja conformada por los humoristas Anita Martínez y el Bicho Gómez.

En 2016, presenta su nuevo espectáculo Let It Be una historia de amor.

En 2017, gira con: "Let It Be, una historia de amor".

En 2019, participará en el tercer año consecutivo en Bailando por un sueño.


بينيلوب كروز

بينيلوب كروز م(بالإسبانية: Pénelope Cruz) من مواليد (28 أبريل 1974)، هي ممثلة إسبانية شاركت في عدة أفلام بأدوار بطولية وفازت بأوسكار أفضل ممثلة بدور مساعد في فيلم فيكي كريستينا برشلونة (2008). أشهر أفلامها،قراصنة الكاريبي: في بحار غريبة (2011) وسماء الفانيلا (2001).
الحياة الشخصية
واعدت اصدقاء حميمين منهم الممثل توم كروز والممثل ماثيو وأخيرا وفي عام 2010 أعلنت كروز زواجها من مواطنها الممثل خافيير باردم وعقدا قرانهما في حفل أسري بمنزل أحد الأصدقاء في جزر الباهاماس.

من أعمالها
خامون خامون (1992)
بيل إيبوكيه (1992)
إفتح عينيك (1998)
فتاة أحلامك (2000)
مندولين الكابتن كوريلي (2001)
سماء الفانيلا (2001)
جوثيكا (2003)
صحاري (2005)
بانديداس (2006)
العودة (2006)
إليجغي (2008)
نيني (2009)
فيكي كريستينا برشلونة (2009)
قراصنة الكاريبي: في بحار غريبة (2011)
إلى روما مع الحب (2012)
المستشار (2013)
ملكة إسبانيا (2016)
جريمة في قطار الشرق السريع ( 2017)
الترشيحات لجائزة الأوسكار
أفضل ممثلة رئيسية عام 2007 عن فيلم Volver
أفضل ممثلة مساعدة عام 2009 عن فيلم Vicky Cristina Barcelona وفازت بها
أفضل ممثلة مساعدة عام 2010 عن فيلم Nine
الترشيحات لجائزة الغولدن غلوب
أفضل ممثلة عام 2007 عن فيلم Volver
أفضل ممثلة مساعدة عام 2009 عن فيلم Vicky Cristina Barcelona
أفضل ممثلة مساعدة عام 2010 عن فيلم Nine

Penelope Cruz

Penélope Cruz Sánchez (/kruːz/; Spanish: [peˈnelope kɾuθ ˈsantʃeθ]; born 28 April 1974)[1] is a Spanish actress and model. Signed by an agent at the age of 15, she made her acting debut at 16 on television, and her feature film debut the following year in Jamón Jamón (1992). Her subsequent roles in the 1990s and 2000s included Belle Epoque (1992), Open Your Eyes (1997), The Hi-Lo Country (1999), The Girl of Your Dreams (2000) and Woman on Top (2000). Cruz achieved recognition for her lead roles in the 2001 films Vanilla Sky, All the Pretty Horses, Captain Corelli's Mandolin and Blow.

She has since appeared in films in a range of genres, including the comedy Waking Up in Reno (2002), the thriller Gothika (2003), the Christmas film Noel (2004), the action-adventure films Sahara (2005) and Pirates of the Caribbean: On Stranger Tides (2011), the romantic comedy To Rome with Love (2012), the crime drama The Counselor (2013) and the mystery film Murder on the Orient Express (2017). She was praised for her roles in Volver (2006) and Nine (2009), receiving Golden Globe and Academy Award nominations for each. She won the Academy Award for Best Supporting Actress in 2008 for playing volatile painter María Elena in Woody Allen's Vicky Cristina Barcelona. She is the first Spanish actress to win an Academy Award, as well as the first Spanish actress to receive a star on the Hollywood Walk of Fame.[2][3] In 2018, Cruz made her American television debut as Italian fashion designer Donatella Versace in the FX series The Assassination of Gianni Versace: American Crime Story, for which she was nominated for the Primetime Emmy Award for Outstanding Supporting Actress in a Limited Series or Movie.

Cruz has modelled for Mango, Ralph Lauren, Chanel and L'Oréal, and along with her younger sister Mónica Cruz, has designed clothing for Mango. Cruz has volunteered in Uganda and India, where she spent one week working with Mother Teresa; she donated her salary from The Hi-Lo Country to help fund the late nun's mission.
Early life
Cruz was born in the working-class town of Alcobendas, Madrid, Spain, to Encarna Sánchez, a hairdresser and personal manager, and Eduardo Cruz, a retailer and car mechanic. She has two siblings, Mónica, also an actress, and Eduardo, a singer. She also has a paternal half-sister, Salma.[4][5][6][7] She was raised as a Roman Catholic.[8] Cruz grew up in Alcobendas, and spent long hours at her grandmother's apartment.[7][9] She says she had a happy childhood.[7] Cruz remembers "playing with some friends and being aware that I was acting as I was playing with them. I would think of a character and pretend to be someone else."[10]

Initially, Cruz focused on dance,[7] having studied classical ballet for nine years[9] at Spain's National Conservatory.[11] She took three years of Spanish ballet training and four years of theatre at Cristina Rota's school.[12][13] She says that ballet instilled in her discipline that would be important in her future acting career.[14] When she became a cinephile at 10 or 11, her father bought a Betamax machine, which was then a very rare thing to own in her neighborhood.[10]

As a teenager, Cruz became interested in acting after seeing the film Tie Me Up! Tie Me Down! (1990) by Spanish director Pedro Almodóvar.[7][15] She did casting calls for an agent but was rejected multiple times because the agent felt that she was too young.[7][16] Cruz commented on the experience, "I was very extroverted as a kid.... I was studying when I was in high school at night, I was in ballet and I was doing castings. I looked for an agent and she sent me away three times because I was a little girl but I kept coming back. I'm still with her after all these years."[16] In 1989, at the age of 15, Cruz won an audition at a talent agency over more than 300 other girls.[11] In 1999, Katrina Bayonas, Cruz's agent, commented, "She was absolutely magic [at the audition]. It was obvious there was something very impressive about this kid.... She was very green, but there was a presence. There was just something coming from within."[11]

Her father, Eduardo, died at his home in Spain in 2015, aged 62, from a heart attack.[17]

Acting career
Early work, 1989–1996
In 1989, 15-year-old Cruz made her acting debut in a music video for the Spanish pop group Mecano's song "La Fuerza del Destino". Between 1990 and 1991, she hosted the Spanish TV channel Telecinco's talk show La Quinta Marcha, a programme that was hosted by teenagers, aimed at a teenage audience.[11] She also played in the "Elle et lui" episode of an erotic French TV series called Série rose in 1991, where she appeared nude.[18] In 1991,[19] Cruz made her feature film debut as the lead female role in the comedy drama art house film, Jamón, jamón.[11] In the film, she portrayed Silvia, a young woman who is expecting her first child with a man whose mother does not approve of the relationship and attempts to sabotage it by paying Javier Bardem's character to seduce her. People magazine noted that after Cruz appeared topless in the film, she became "a major sex symbol".[11] In an interview with the Los Angeles Daily News in 1999, Cruz commented that "it was a great part, but...I wasn't really ready for the nudity. [...] But I have no regrets because I wanted to start working and it changed my life."[11] Charlie Rose of 60 Minutes noted that Cruz "became an overnight sensation as much for her nude scenes as for her talent".[14] When Rose asked Cruz if she was concerned about how she would be perceived after her role in the film, Cruz replied, "I just knew I had to do the complete opposite."[14]

Jamón, jamón received favorable reviews,[20] with Chris Hicks of the Deseret News describing Cruz's portrayal of Silvia as "enchanting".[21] Writing for the Chicago Sun-Times, film critic Roger Ebert wrote "it stars actors of considerable physical appeal, most particularly Penélope Cruz as Silvia".[22] For her performance, Cruz was nominated for a Spanish Actors Union Newcomer Award and a Goya Award for Best Actress. The same year she appeared in the Academy-Award-winning Belle Epoque as the virginal Luz.[11] People magazine noted that Cruz's role as Luz showed that she was versatile.[11] From 1993 to 1996, Cruz appeared in ten Spanish and Italian films.[23] At 20, she went to live in New York for two years at Christopher and Greenwich to study ballet and English between films. She recalls learning English "kind of late", previously knowing only the dialogue she had learned for the casting and the phrases "How are you?" and "Thank you".[10]

Early critical success, 1997–2000
Cruz's agent is Hylda Queally, shared with Cate Blanchett and Kate Winslet.[24] In 1997, Cruz appeared in the Spanish comedy film Love Can Seriously Damage Your Health. She portrays Diana, a fan of the Beatles band member John Lennon; she tries unsuccessfully to meet him. Years later, after multiple failed relationships, Diana re-unites with an acquaintance under unusual circumstances.[25] Also in 1997, she appeared in the opening scene of Pedro Almodóvar's Live Flesh as a prostitute who gives birth on a bus[11] and in Et hjørne af paradis (A Corner of Paradise) as Doña Helena. Cruz's final appearance in 1997 was the Amenabar-directed Spanish sci-fi drama, "Abre Los Ojos"/ Open Your Eyes. She plays Sofia, the love interest of Eduardo Noriega's lead character. Open Your Eyes received positive reviews,[26] and was later remade by U.S. director Cameron Crowe as "Vanilla Sky" (who cast Cruz in the same role and Tom Cruise in Noriega's role), but "Open Your Eyes" was not commercially successful.[27] Kevin N. Laforest of the Montreal Film Journal commented in his September 2002 review that Cruz "has been getting some really bad reviews for her recent American work, but I personally think that she's a more than decent actress, especially here, where she's charming, moving and always believable. [...] There's one shot in particular, where Cruz enters a room in a greenish glow, which is right out of Hitchcock's picture [Vertigo]
The following year, Cruz appeared in her first American film as Billy Crudup's consolation-prize Mexican girlfriend in Stephen Frears' western film, The Hi-Lo Country.[11] Cruz stated that she had difficulties understanding people speaking English while she was filming The Hi-Lo Country.[11] The film was critically and commercially unsuccessful.[29][30] Kevin Lally of the Film Journal International commented in his review for the film that "in an ironic casting twist, the Spanish actress Penélope Cruz [...] is much more appealing as Josepha [than in her previous roles]".[31] For her performance in the film, she was nominated for an ALMA Award for Best Actress. Also in 1998 Cruz appeared in Don Juan and The Girl of Your Dreams.

In the period drama The Girl of Your Dreams (La niña de tus ojos), Cruz portrayed Macarena Granada, a singer who is in an on-and-off relationship with Antonio Resines's character, Blas. They are part of a Francoist film troupe that travels from Spain during the Spanish Civil War to Nazi Germany for a joint production with UFA. Cruz's performance in the film was praised by film critics, with Jonathan Holloland of Variety magazine writing "if confirmation is still needed that Cruz is an actress first and a pretty face second, then here it is".[32] A writer for Film4 commented that "Cruz herself is the inevitable focus of the film" but noted that overall the film "looks great".[33] Cruz's role as Macarena has been viewed as her "largest role to date".[11] For her performance, Cruz received a Goya Award and Spanish Actors' Union Award, and was nominated for a European Film Award.[34] In 1999, Cruz worked with Almodóvar again in All About My Mother, playing Sister María Rosa Sanz, a pregnant nun with AIDS.[11] The film received favorable reviews,[35] and was commercially successful, grossing over $67 million worldwide, although it performed better at the box office internationally than domestically.[36]

In 2000, she appeared in Woman on Top in the lead female role as Isabelle, a world-class chef who has suffered from motion sickness since birth, her first American lead role.[11] Lisa Nesselson of Variety magazine praised the performances of both Cruz and her co-star, Harold Perrineau, saying they "burst off the screen", and added that Cruz has a charming accent.[37] BBC News film critic Jane Crowther said that "Cruz is wonderfully ditzy as the innocent abroad" but remarked that "it's Harold Perrineau Jr as Monica who pockets the movie".[38] Annlee Ellingson of Box Office magazine wrote "Cruz is stunning in the role—innocent and vulnerable yet possessing a mature grace and determined strength, all while sizzling with unchecked sensuality."[39] Also in 2000, she played Alejandra Villarreal, who is Matt Damon's love interest in Billy Bob Thornton's film adaptation of the western bestselling novel, All the Pretty Horses.[11] Susan Stark of the Detroit News commented that in the film Thornton was able to guide Damon, Henry Thomas and Cruz to "their most impressive performances in a major movie yet".[40] However, Bob Longigo of The Atlanta Journal Constitution was less enthusiastic about Cruz and Damon's performance, saying that their "resulting onscreen chemistry would hardly warm a can of beans

زياد علي

زياد علي محمد