الأحد، 15 سبتمبر 2019

Talleres

Club Atlético Talleres (Spanish pronunciation: [ˈkluβ aˈtletiko taˈʎeɾes]; mostly known simply as Talleres [taˈʎeɾes] or Talleres de Córdoba [taˈʎeɾes ðe ˈkoɾðoβa]) is an Argentine sports club from the city of Córdoba. The institution is mostly known for its football team, which currently plays in the Argentine Primera División. Talleres' main rival is Belgrano: Their rivalry is known as "el clásico cordobés".

In field hockey, the club is affiliated to amateur Córdoba Field Hockey Federation,[1] where its teams compete
History
The club was founded in 1913 as Atlético Talleres Central Córdoba by workers of the Córdoba Central Railway, with support from the company. In 1914 Talleres joined the Córdoba local league.

In 1969 the team played for the first time in the Argentine Primera División in the Nacional Championship. During the 1970s, the heyday of the Córdoba local league in the national scene, they participated several times in the Nacional championship, on 1976 Luis Ludueña was the championship top scorer with 12 goals, in the 1977 Nacional Championship Talleres finished in second place, losing to Independiente the finals on the away goals rule, and on 1978 José Reinaldi scored 18 goals and was the championship top scorer. Talleres contributed three players to the Argentine squad that won the 1978 FIFA World Cup, with Talleres' captain Luis Galván as a starter in the final as a center back. Miguel Oviedo and Jose Daniel Valencia were substitutes. The '78 WC team featured several other prominent players that got their start in the golden era of the Córdoba local league, such as Mario Kempes and Osvaldo Ardiles, both at Instituto Atletico Central Cordoba in the early-1970s.

Starting in 1980, Talleres became a regular of the Metropolitano championship and finished in third place.

Talleres played in the Argentine Primera División until the 1993 Torneo Clausura when Talleres was relegated to the Primera B Nacional. Talleres was promoted to Argentine Primera División after the 1993–94 championship, but was again related after a poor performance in 1994–95 season. The following season, the club finished first during the Clausura tournament of the Second Division but lost the Championship to Huracán de Corrientes.

In 1998, during a game (later remembered by fans as "The Final of the Century," Talleres won its first Argentine title, the 1997/98 Primera B Nacional championship on penalty kick shootout against all-time rival Belgrano de Córdoba, earning them a promotion to the First Division. Next year the club won its first and only international title, the 1999 Copa CONMEBOL (the precursor of the current Copa Sudamericana)[2][3][4][5][6][7][8] against CSA from Brazil.

The following season, Talleres' good performance in first division qualified the team to play the 2001 Copa Mercosur and the 2002 Copa Libertadores, being the first and only team from Córdoba to qualify for those continental tournaments. Talleres reached the round of 16 in the Mercosur, only to lose against Gremio. In Copa Libertadores, Talleres had a poor performance, being eliminated in the first stage.

Despite finishing in third place during the Torneo Clausura tournament of the 2003–04 season and qualifying for the Copa Libertadores again, Talleres was relegated, due to poor results in the previous 2 seasons, after losing to Argentinos Juniors in the promotion/relegation play-off. By Argentine rules, the team lost its Libertadores bid because of this.

In 2008–09 Talleres was dismissed again, this time to the Torneo Argentino A via the point average system despite finishing in 12th place of 20 teams in Primera B Nacional.

On 15 November 2010, the IFFHS produced a report on the top 200 teams in the American continent from 2001 to that date. Talleres was No. 130, the highest position for a Córdoba Province team in the ranking.

In May 2013, Talleres was promoted to Primera B Nacional after defeating San Jorge by 1–0.[9] Later, Talleres returned to the third division but it was promoted in 2015, and, in 2016, after 12 years Talleres earned the promotion to First Division.

In 2019, Talleres played once again the Copa Libertadores.

Rosario Central contra Newells

El clásico rosarino es un encuentro de fútbol disputado por los dos clubes más importantes de Rosario, Argentina: Rosario Central y Newell's Old Boys. Cuenta con una rica trayectoria, comenzando a disputarse en el año 1905 (con victoria de Newell's Old Boys 1 a 0, con gol de Faustino González) y continuando hasta el día de hoy. Es el clásico más antiguo del país de los que aún se disputan. Dicho partido, es uno de los más convocantes de la Argentina, y muchos sostienen que es el clásico más apasionante y peligroso del país ya que tiene varios antecedentes de enfrentamientos entre las dos hinchadas (y también con la policía) que terminaron con graves heridos e inclusive con muertos.2​3​4​5​6​

A lo largo del tiempo se han realizado partidos oficiales correspondientes a diferentes instancias, como son: Liga Rosarina de Fútbol, Asociación Rosarina de Fútbol, copas locales oficiales, torneos nacionales de la Asociación del Fútbol Argentino, copas nacionales oficiales, copas provinciales oficiales,7​ y copas internacionales oficiales, y encuentros amistosos.

Según varios estudios vinculados a la investigación social en el fútbol, Rosario es una de las pocas ciudades del país, como ocurre en La Plata, Santa Fe, Córdoba y San Miguel de Tucumán, donde los clubes locales superan en popularidad a Boca Juniors y a River Plate; los dos equipos más populares de Argentina.8​9​10​11​

Al día de hoy Central aventaja por dos a Newell´s (11 a 9) en cuanto a la suma total de títulos nacionales e internacionales oficiales en toda la historia (desde 1905 al presente).12​ Los auriazules de Arroyito poseen cuatro Ligas de Primera división, seis Copas nacionales oficiales de AFA, y una copa internacional oficial organizada por la Confederación Sudamericana de Fútbol. Por su parte, los rojinegros del Parque de la Independencia cuentan con seis Ligas de Primera división, y tres Copas nacionales oficiales de AFA.

En adición, son los dos únicos clubes del interior de Argentina13​ que (al 2018) han obtenido títulos nacionales oficiales de AFA tanto en Ligas de Primera División como en copas nacionales. Además, ambas instituciones han sido reconocidas por la FIFA como "clubes clásicos" del fútbol argentino, galardón que ostentan solo 11 clubes del país.14​15​ Esto, los convierte en los únicos equipos del interior del país en obtener dicho reconocimiento.

El último encuentro fue disputado el día 10 de febrero de 2019, en el marco del Campeonato de Primera división 2018-19. El cotejo se jugó en el Estadio Marcelo Bielsa y el resultado fue un empate 0 a 0.
Era amateur (1905–1930)
Liga Rosarina de Fútbol
El 30 de marzo de 1905 se crea la Liga Rosarina de Fútbol. Dicha asociación agrupaba a diferentes equipos de la ciudad de Rosario, y a través de la misma comenzó a disputarse la Copa Santiago Pinasco, para equipos de segundo nivel. Esta copa fue -entre los años 1905 y 1906- detrás de la Copa Competencia de AFA el segundo torneo futbolístico de mayor importancia en la ciudad, pudiendo referirse al mismo como un campeonato de Segunda División.16​ 17​ 18​ 19​ 20​ 21​ Esto se dio porque entre el año 1900 y 1907, Atlético del Rosario y Rosario Central participaban de la Copa Competencia que organizaba la AFA contra clubes de Buenos Aires y Uruguay, siendo esta su primera división. La Liga decidió en una de sus primeras reuniones que de la Copa Pinasco no podrían participar aquellos jugadores que estuviesen disputado la “Copa Competencia” que organizaba la Asociación Argentina de Fútbol, lo cual disminuyó las chances de Central y Atl. del Rosario, quienes participaban con su primer equipo en esta copa nacional y tenían que hacerlo en la Copa Pinasco con su segundo equipo.22​

El primer clásico disputado, se produjo el 18 de junio de 1905, y la victoria fue de Newell's Old Boys por 1 a 0, con gol de Faustino González.

En 1907, por el fuerte crecimiento que estaba teniendo el fútbol en la ciudad, se creó la Copa Nicasio Vila como el campeonato de Primera División, y el ganador del mismo, disputaría la Copa Competencia de AFA. Así, tanto Central como Atlético del Rosario pudieron jugar con su primer equipo sin restricciones en el nuevo campeonato de Primera creado por la Liga Rosarina. Dicho torneo sería nombrado en honor al por entonces Intendente de la ciudad, Nicasio Vila. La Copa Pinasco, siguió siendo el campeonato de segunda división y además, se creó la Copa Comercio como torneo de tercera.23​ El primer encuentro disputado por el campeonato de primera división lo ganó también Newell's Old Boys por 5 a 3, el 9 de julio de 1907, con dos goles de Manuel González; máximo goleador histórico del clásico rosarino.

En tanto el último clásico amateur se disputó el 31 de mayo de 1931, correspondiendo la victoria a Newell's por 2 a 1, en condición de local.24​

Durante este período, que va de 1905 hasta 1930, se enfrentaron oficialmente en 55 partidos (4 partidos de segunda y 51 de primera), con 22 victorias de Newell´s, 12 empates, y 21 triunfos de Rosario Central.25​

Era profesional rosarina (1931–1938)
Asociación Rosarina de Fútbol
En el año 1931 el fútbol argentino sufre una gran transformación: los futbolistas pasan del amateurismo al profesionalismo. Así, en Rosario se crea la Asociación Rosarina de Fútbol, y comienzan a disputarse los primeros campeonatos profesionales. A su vez, se crean Copas locales oficiales que son de gran atención en la ciudad.

El campeonato de primera pasa a llamarse Torneo Gobernador Luciano Molinas, y el primer encuentro bajo estas nuevas características se da el 2 de agosto de 1931, con victoria de Newell's Old Boys por 3 a 1, en condición de visitante.

En tanto el último clásico de la era profesional rosarina se disputó en la cancha de Newell´s el 13 de noviembre de 1938, y Rosario Central se impuso 1 a 0 como visitante con gol de Francisco Rodríguez.26​ 27​

Durante este período, se enfrentaron oficialmente en 25 partidos, con 10 victorias de Central, 7 empates, y 8 triunfos de Newell´s.25​

Era profesional de AFA (1939–presente)
Asociación del Fútbol Argentino
En 1939, Newell's Old Boys y Rosario Central solicitan a la Asociación del Fútbol Argentino su incorporación a los torneos nacionales de la Argentina. La AFA decide otorgarles el permiso, mediante el cual lograrían formar parte del campeonato de ese año. El primer clásico en dicho contexto se disputa el 18 de junio de 1939 con un resultado de 1-1 por la fecha 14. Ángel Perucca adelantó a Newell´s a los 10 minutos del segundo tiempo, mientras que Alejandro Barrios igualó para Central a los 20 del complemento.

La primera victoria en esta nueva etapa fue para Rosario Central por 3 a 1 en condición de visitante, el 14 de julio de 1940. Eduardo Gómez puso en ventaja al equipo rojinegro, pero los canallas lo dieron vuelta en el segundo tiempo, con goles de Juan Heredia, Aníbal Maffei y Juan Enrique Hayes (hijo).

Durante este período, al 2018, se llevan disputados oficialmente (contando las copas nacionales de AFA) 179 encuentros, con 57 victorias de Rosario Central, 75 empates, y 45 victorias de Newell´s. Además, la AFA les dio por perdido el partido a ambos clubes en 2 oportunidades. Sin contar los partidos de Copas nacionales, teniendo en cuenta solo el campeonato de Primera División de AFA, al 2018 se enfrentaron oficialmente 170 veces, con 52 triunfos de Central, 43 de Newell´s y 75 empates28​

Federación Santafesina de Fútbol
En 2016, la Federación Santafesina de Fútbol creó un torneo oficial de carácter provincial denominado Copa Santa Fe. Se jugaron 2 partidos -ambos en la edición de 2016-, con empate 0 a 0 en los 2 cotejos. En la definición por penales, el conjunto rojinegro pasó a semifinales luego de imponerse 5 a 3 en la misma.

Torneos internacionales
Por torneos internacionales, se enfrentaron en dos competiciones: Copa Libertadores 1975 y Copa Sudamericana 2005 (en total 5 encuentros):

Por la Copa Libertadores 1975, se enfrentaron en el grupo de primera ronda. Ambos finalizaron en la primera posición, habiendo empatado en los enfrentamientos entre sí. Debieron disputar un encuentro desempate para definir quién pasaba de ronda, el cual ganó Rosario Central por 1 a 0, con gol de Mario Kempes, el 11 de abril de 1975.

Por la Copa Sudamericana 2005, también se encontraron en primera ronda, pero esta vez en una clasificación en encuentros de ida y vuelta. Tras empatar en la ida 0 a 0, Rosario Central se quedó con la clasificación el 29 de agosto de 2005 venciendo por 1 a 0 de local, con gol de Germán Rivarola.

Internacionalmente llevan disputados cinco encuentros en total, con 2 victorias de Central y 3 empates.

Los números del clásico
Actualizado al 10 de febrero de 2019, por el Campeonato de Primera división 2018-19.

No existe un registro oficial sobre la totalidad de los mismos a lo largo de los más de 100 años de enfrentamientos, por lo que es habitual encontrar diferentes fuentes que intentan reflejar las instancias de cruce. Una fuente que intenta recopilar la totalidad de los mismos es el sitio web Fútbol de Rosario, que en diciembre de 2007 hizo un recuento histórico del clásico, desde 1905 hasta aquel 2007.29​ El mismo recopila tanto los encuentros oficiales, como los amistosos, e incluye también los encuentros de divisiones inferiores. Cabe destacar que la misma carecen de carácter oficial, sin embargo sus datos globales coinciden con los arrojados por una publicación del diario La Capital del 16 de septiembre de 2007 y por otra de abril de 2008.30​31​

Otra fuente que intenta recopilar los mismos es la del sitio web Promiedos.com,32​ donde detalla los clásicos oficiales disputados en Primera División desde el comienzo de los torneos nacionales de AFA (1939 hasta el día de hoy) pero no incluye los referidos a partidos de Liga y/o Asociación Rosarina, ni los correspondientes a copas nacionales de AFA ni a los pertenecientes a copas internacionales oficiales de CONMEBOL.

A continuación se listan todos los clásicos oficiales disputados en las instancias mencionadas:

Ynés Mexía

Ynés Enriquetta Julietta Mexía (May 24, 1870 – July 12, 1938) was a botanist known for her collection of novel plant specimens from areas of Mexico and South America. She discovered a new genus of Asteraceae and was arguably the most accomplished plant collector of her time.
Life and education
Ynés Mexía was born in Washington, D.C. on May 24, 1870, to her Mexican diplomat father, Enrique Mexía, and Sarah Wilmer. The marriage broke up in 1873, when Ynés was three years old, and her father went back to Mexico City. Her mother took the children, including Ynés and six others from a previous marriage,[1] and moved to Limestone County on an eleven-league grant that became the site of present-day Mexia, Texas.[2][3]

Mexía spent most of her childhood in Texas and received her secondary education in private schools in Philadelphia and Ontario, Canada.[3] She attended Saint Joseph's Academy in Emmitsburg, Maryland; after she finished there, she moved to Mexico City, where she lived at the family hacienda for 10 years and took care of her father, who died in 1896.[4][5] She planned to become a nun, but her father's will stipulated that if she did, she would be cut out of the inheritance she shared with a stepsister. She and her stepsister fought over the money with her father's mistress and a stepbrother.[1]

She married Herman de Laue, a Spanish-German merchant, in 1897, but the brief marriage ended upon his death in 1904.[4][6] Her second marriage, to D. Augustin Reygados, 16 years her junior, was also short-lived. He badly mismanaged her poultry business while she received medical treatment in San Francisco, leading her to divorce him in 1908.[4][7][1] After her marriage to Reygados ended, she began a career as a social worker in San Francisco. In 1921, she matriculated at the University of California, Berkeley, motivated by trips with the Sierra Club, where a botany class sparked her interest in the field; however, she never received a degree.[4][8] She died in Berkeley on July 12, 1938, from lung cancer after falling ill on a collecting trip to Mexico.[7][3]

Career and legacy
Mexía began her botany career at the age of 55 with a 1925 trip to western Mexico under the tutelage of Roxanna Ferris, a botanist at Stanford University. Mexía fell off a cliff and was injured, halting the trip, which yielded 500 specimens, including several new species. The first species to be named after her, Mimosa mexiae, was discovered on this excursion.[6]

Over the next 12 years, she traveled to Argentina, Chile, Denali (in 1928), Brazil (in 1929), Ecuador (in 1934), Peru and the Straits of Magellan (in 1935), and southwestern Mexico (in 1937) on seven different collecting trips, discovering one new genus, Mexianthus, and many new species among her 150,000 total specimens.[6][4][7] She frequently traveled alone, which was rare for women in the early 20th century.[9] During her trip to Western Mexico, she collected over 33,000 specimens,[4] including 50 new species.[10] In Ecuador, Mexía worked with the Bureau of Plant Industry and Exploration, part of Ecuador's Department of Agriculture.[11] There, she looked for the wax palm, cinchona, and herbs that bind to the soil.[11] Mexía once traveled up the Amazon River to its source in the Andes mountains with a guide and three other men in a canoe.[5] She also spent three months living with the Araguarunas,[A] a native group in the Amazon.[5] All of these excursions were funded by the sale of her specimens to collectors and institutions alike.[7] Specimens from these trips were stored in the Gray Herbarium at Harvard University and the Field Museum of Natural History in Chicago.[8]

She often lectured in the San Francisco Bay Area, sharing stories and photographs of her travels.[3] Notes on her expeditions appeared regularly in The Gull, the newsletter of the Audubon Society of the Pacific, between 1926 and 1935.[2][9] The Sierra Club Bulletin published two accounts of her adventures, "Three Thousand Miles up the Amazon" (SCB, 18:1 [1933], 88–96),[12] and "Camping on the Equator" (SCB, 22:1 [1937], 85–91).[12] Several accounts of her expeditions were published in Madrono, the journal of the California Botanical Society. It also published a biographical note after her death in 1938 (Madrono, October, 1938, Vol. IV, No. 8, 274–75).[13] She was a member of the California Botanical Society, the Sierra Club, the Audubon Association of the Pacific, the Sociedad Geografica de Lima, Peru, and had been made a life member of the California Academy of Sciences. She was also an honorary member of the Departamento Forestal y de Casa y Pesca de Mexico.[1]

Mexía was remembered by her colleagues for her expertise on life in the field and her resilience in the tough conditions,[6] as well as her impulsiveness and fractious but generous personality.[8] They lauded her meticulous, careful work and her skills as a collector.[7]

There is substantial agreement that Mexía collected some 150,000 specimens in her lifetime.[2][14] Estimates of new species range from two to 500.[2] The Sierra Club Bulletin credits her with two new genera.[2] Mexianthus, named for Mexía, is a genus of Asteraceae.[7]

Her specimen collections can be viewed at the California Academy of Sciences.[2] Portions are duplicated at the Academy of Natural Sciences, Philadelphia; Catholic University, Washington, D.C.; the Field Museum of Natural History, Chicago; Gray Herbarium, Harvard University; the University of California, Berkeley; and important museums and botanical gardens in London, Copenhagen, Geneva, Paris, Stockholm, and Zurich. Her personal papers are at the California Academy of Sciences and at the Bancroft Library at UC Berkeley.

Google Doodle
Mexía's legacy was recognized in the Google Doodle for September 15, 2019.
The standard author abbreviation Mexia is used to indicate this person as the author when citing a botanical name

سونام كابور

سونام كابور (بالهندية: सोनम कपूर) هي ممثلة هندية (من مواليد 9 يونيو 1985) في مومباي ، ماهاراشترا ، الهند
حياتها
ولدت ونشأت في كابور كيمبر في مومباي ، وهي الابنة البكر لأنيل كابور وسونيتا وهي من أصول سندية ،و لدى سونام ثلاثة اخوة . درست سونام العلوم السياسية والإقتصاد في جامعة شرق لندن، وتتحدث سونام اللغة الإنجليزية والهندية والبنجابية والمراثية .

المسيرة الفنية
بدأت سونام حياتها في بوليود عن طريق فيلم ساواريا مع رانبير كابور والذي كان أيضاً أول دخول له في بوليوود، وبدأت تظهر في عروض الأزياء والمجلات كمجلة GQ India النسخة الهندية من المجلة العالمة GQ.

Sonam kapoor

Sonam Kapoor (pronounced [soːnəm kəˈpuːr ]; born 9 June 1985), also known by her married name Sonam Kapoor Ahuja, is an Indian film actress. She has received a National Film Award and a Filmfare Award, and from 2012–2016, she appeared in Forbes India's Celebrity 100 list based on her income and popularity.

Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 drama Black. She later made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). However, this was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. Kapoor had her biggest commercial successes with brief roles in the biopics Bhaag Milkha Bhaag (2013) and Sanju (2018), and a leading role in the romance Prem Ratan Dhan Payo (2015); the latter two rank among the highest-grossing Bollywood films. Her acclaimed portrayal of Neerja Bhanot in the 2016 biographical thriller Neerja won her the National Film Award – Special Mention and a Filmfare Critics Award for Best Actress, and she followed it with a starring role in the 2018 female buddy film Veere Di Wedding, both of which rank among the highest-grossing female-led Hindi films.

Kapoor supports the raising awareness of breast cancer and LGBT rights. Known in the media for her outspoken personality, she is frequently credited as one of India's most fashionable celebrities. She is married to the businessman Anand Ahuja
Kapoor was born in the Bombay suburb of Chembur on 9 June 1985.[1] Her father is actor and producer Anil Kapoor, the son of the late filmmaker Surinder Kapoor and the founder of the Anil Kapoor Films Company. Her mother, Sunita, is a former model and designer.[4] Kapoor has two younger siblings: film producer Rhea and brother Harshvardhan.[5][6][7][8] She is the niece of film producer Boney Kapoor and actor Sanjay Kapoor; actress Sridevi and producer Mona Shourie (Boney's wives) are her aunts.[9] Kapoor's paternal cousins are actors Arjun Kapoor and Mohit Marwah, and maternal second cousin is actor Ranveer Singh.[10][11]

The family moved to the suburb of Juhu when Kapoor was one month old.[12] She was educated at the Arya Vidya Mandir school in Juhu,[13] where she confessed to being a "naughty" and "carefree" child who would bully the boys.[14] She excelled at sports such as rugby and basketball,[15] and trained in Kathak, classical music and Latin dance.[16] Kapoor, who practices Hinduism, states that she is "quite religious", and that it is a way of "reminding myself that I need to be thankful for so much".[17]

Kapoor's first job was as a waitress at age 15, although it lasted only a week.[18][19] As a teenager, she struggled with her weight: "I had every issue related to weight that I could have. I was unhealthy, I had bad skin, and I had hair growing on my face!"[20][21] Kapoor was diagnosed with insulin resistance and polycystic ovarian disease,[20] and has since begun an initiative to increase awareness of diabetes.[22] Kapoor enrolled at the United World College of South East Asia in Singapore for her pre-university education, where she studied theatre and arts.[12] She has said she later started courses in economics and political science through University of Mumbai correspondence programme, after returning from University of East London where she began her bachelor's degree in the same subjects but returned to Mumbai soon after she began.[23][24] The actress Rani Mukerji, a family friend, visited her family in Singapore on holiday while working on Black (2005). Kapoor, who had originally wanted to be a director and writer,[12] expressed a desire to work as a crew member on the film. On her father's recommendation to director Sanjay Leela Bhansali, she was appointed as his assistant.[24][25]

Debut and career fluctuations (2007–2012)
During the production of Black, Kapoor developed an interest in acting when Bhansali professed that he wanted to cast her in the lead in his next film, Saawariya. She was advised to lose weight; at the time, she weighed about 80 kilograms (180 lb).[26] Motivated by Bhansali's confidence in her, she lost 35 kilograms (77 lb) in two years.[20][26][27] Kapoor studied acting with Roshan Taneja, Jayati Bhatia and Feroz Abbas Khan,[12] and has cited actresses Waheeda Rehman and Nutan as influences, admiring their "path-breaking films ... [and] quality of doing different things"
Released in 2007, Saawariya saw Kapoor play a Muslim woman awaiting the return of her lover opposite Mukerji and Ranbir Kapoor.[29] It was the first Indian feature film produced by a Hollywood studio, Sony Pictures Entertainment.[30] Saawariya proved to be a major critical and commercial failure.[31][32] Writing for BBC, Jaspreet Pandohar called the film a "misfire on a massive scale".[33] Raja Sen of Rediff.com described her laugh as "almost as infectious as her father's", but wished that she had been "allowed to simper softly, instead of having a clearly overdubbed plastic giggle plastered onto her."[34] The film earned her a Filmfare Award for Best Female Debut nomination and the Stardust Award for Superstar of Tomorrow – Female.[1][35]

In 2009, Kapoor played an aspiring singer opposite Waheeda Rehman and Abhishek Bachchan in the Rakeysh Omprakash Mehra-directed drama Delhi-6. The film received mixed reviews from critics[36] and was not a box-office success.[37] CNN-IBN's Rajeev Masand referred to Kapoor as a "revelation", writing that she was "a firecracker, instinctive and uninhibited in what isn't even a conventional female lead".[38] Sonia Chopra of Sify described Kapoor as an "earnest and effortless performer", and found her character likeable, despite the "typical Delhi-girl recipe".[39]

Kapoor's first release in 2010 was Punit Malhotra's romantic comedy I Hate Luv Storys, opposite Imran Khan. She played an engaged woman who develops a one-sided attraction to her commitment-phobic co-worker. Khan said about Kapoor's craft, "We'd be shooting a scene from multiple angles—for three or four hours you're doing the same scene, the same lines—and here is this person [Kapoor] who brings consistency to her work, from the way she talks, to her accent."[40] Although Shubhra Gupta of The Indian Express called Kapoor's performance "stiff and rehearsed", Daily News and Analysis' Johnson Thomas found her "likeable and believable".[41][42] I Hate Luv Storys was Kapoor's first commercial success, earning ₹725.2 million (US$10 million) worldwide.[43][44][45]

Kapoor next played the eponymous role in Aisha, a romantic comedy adaptation of Jane Austen's novel Emma, which was produced by her sister Rhea. She described her role opposite Abhay Deol, Ira Dubey and Amrita Puri as "a meddlesome busybody with a passion for matchmaking and playing Cupid".[46][47] An Indo-Asian News Service reviewer thought that Kapoor had stood out with her performance, making "the best of a rather rare opportunity for an Indian leading lady to be part of a Bollywood film that salutes Victorian mores and Delhi's elitist affectations in one clean cool sweep".[48]

In 2011, Kapoor starred in Thank You, a comedy about three women who teach a lesson to their philandering husbands. The film, along with Kapoor's performance, received poor reviews;[49] Nikhat Kazmi of The Times of India called her "terribly out of sync".[50] She then played the romantic interest of Shahid Kapoor in the Pankaj Kapur-directed romantic drama, Mausam, which was also poorly received.[51] Despite doubts about her acting ability, critic Saibal Chatterjee of NDTV thought Kapoor conveyed "the essential vulnerability of a girl forever under duress, bringing out just the right mix of feminine fragility and native resolve".[52] The following year, Kapoor played a computer hacker opposite Abhishek Bachchan and Bipasha Basu in the Abbas–Mustan-directed action film, Players, a remake of 2003's The Italian Job. Her role was originally written for Katrina Kaif, who was unavailable for the film.[53] Although journalists had high expectations, it failed commercially,[54][55] and Sukanya Verma of Rediff.com remarked derogatively that Kapoor "truly entertains with her childish attempt to pass off as a Gold-medalist hacker".[56] Kapoor's string of poorly-received films began to hinder her career.[57][58]

Establishing with Raanjhanaa (2013–2015)
Kapoor's role in the Anand L. Rai-directed romantic drama Raanjhanaa (2013) marked a turning point in her career;[59] Geety Sahgal called it her best performance to date in The Indian Express.[60] Kapoor's role was that of Zoya Haider, a young Muslim student from Varanasi who is drawn into politics after the murder of her Sikh lover. To prepare for her part, Kapoor interacted with students, attended workshops and practised with theatre groups associated with Jawaharlal Nehru University.[61][62] She also studied Jaya Bachchan's work in Guddi (1971), which she felt was "perfect" for her role.[13] Discussing her character in the film, Kapoor described her approach to acting: "I have always tried to do different films and ... I try to be different for every character. I like doing different things to challenge myself in every way and don't like to repeat myself."[63] Although Raanjhanaa received mixed reviews, her performance was praised;[64] Rajeev Masand wrote that she "does some of her best work here, going smoothly from innocent to manipulative to cynical, without ever losing Zoya's inherent vulnerability".[65] With worldwide earnings of over ₹1 billion (US$14 million), Raanjhanaa was a commercial success[66] and Kapoor received her first nomination for the Filmfare Award for Best Actress
Kapoor followed the success of Raanjhanaa with a brief appearance in Bhaag Milkha Bhaag (2013), a biopic on athlete Milkha Singh. She received ₹11 (16¢ US) for the film, made on a budget of ₹300 million (US$4.3 million), citing her admiration for director Rakeysh Omprakash Mehra and the film itself as reasons for her appearance.[68][69] Critically praised,[70] Bhaag Milkha Bhaag was one of the top-grossing Bollywood films of the year.[71][72] The critic Sarita A. Tanwar wrote in her review that despite her minor role, Kapoor proved to "be the perfect warm counterpart to Milkha".[73] Both Raanjhanaa and Bhaag Milkha Bhaag received Filmfare Award for Best Film nominations, the latter of which won.[67][74]

In 2014, Kapoor portrayed the banker Mayera opposite Ayushmann Khurrana and Rishi Kapoor in the Yash Raj Films comedy-drama Bewakoofiyaan, in a role which Anupama Chopra found to be poorly written and an "uphill climb".[75] She next starred with Fawad Khan in the romantic comedy Khoobsurat, an adaptation of the 1980 film of the same name, playing the role which had originally been given to Rekha. Though she received a Filmfare Best Actress nomination for her performance,[76] critics were divided in their response, with Shilpa Jamkhandikar of Reuters calling her "loud and exasperating",[77] and Andy Webster of The New York Times comparing her to a young Anne Hathaway and highlighting her "Julia Roberts-like smile".[78] Later that year she met entrepreneur-model Sahir Berry on a social media network, and began a romantic relationship with him, although they broke up a few months later.[79][80]

In 2015, Kapoor starred as a runaway bride in Dolly Ki Doli, a comedy co-starring Pulkit Samrat, Rajkummar Rao and Varun Sharma.[81] Mint's Udita Jhunjhunwala criticised Kapoor's performance in the film, writing that her "range is too limited to bring alive a character that may have had heaps of potential on paper".[82] Shubhra Gupta wrote: "Kapoor is in almost every frame, and should have filled them all. But the treatment of the character shows up her limitations."[83] Despite the negative reviews for her performance, she was nominated for the Filmfare Award for Best Actress.[84] While filming Sooraj R. Barjatya's Prem Ratan Dhan Payo with Salman Khan in Gondal, Gujarat in February 2015, Kapoor was diagnosed with swine influenza, from which she recovered the following month.[85][86][87] Kapoor portrayed Rajkumari Maithili Devi, a princess looking for love. The film became one of the highest-grossing Bollywood films of all time.[88] She was praised by Rachit Gupta for her credibility as a royal,[89] and Komal Nahta thought that the role was significant enough to be a turning point in her career.[90] However, she won a Golden Kela Award for Worst Actress.[91]

Neerja, marriage and beyond (2016–present)
Following an appearance in the music video of Coldplay's "Hymn for the Weekend" (featuring Beyoncé),[92] Kapoor starred in Ram Madhvani's biographical thriller Neerja (2016). She was cast as the eponymous air hostess Neerja Bhanot, who died while saving the passengers of the hijacked Pan Am Flight 73 in 1986.[93] Kapoor felt responsible towards the project because it is about real events, and met Bhanot's family as a preparation for her role.[94] The film garnered wide critical acclaim, and several commentators considered Kapoor's performance to be her best to date.[95][96][97] Raja Sen found her performance to be career-defining, while Hindustan Times' Rohit Vats wrote that "she carries [the film] entirely on her shoulder. She looks earnest, scared, benevolent and bold, all at the same time."[98][99] Sen listed Kapoor as the best actress in Hindi cinema in 2016,[100] while Rajeev Masand invited her to his annual best actresses roundtable.[101] In addition to several other accolades, Kapoor won the Filmfare Critics Award for Best Actress and National Film Award – Special Mention.[102][103] With a worldwide gross over ₹1.35 billion (US$20 million), Neerja emerged as one of the highest-grossing Bollywood films featuring a female protagonist
After a two-year absence from the screen, Kapoor played a social worker in R. Balki's comedy-drama Pad Man (2018), based on a short story in Twinkle Khanna's book The Legend of Lakshmi Prasad. Co-starring Akshay Kumar and Radhika Apte, the film is inspired by the life of Arunachalam Muruganantham, who campaigned for menstrual hygiene in rural India.[106] Kapoor said that the length of the role is of little importance to her as long as the film has "relevance beyond just having a good time at the movies". She liked featuring in a film that addresses important social issues and is about something more than just entertainment.[107] Although finding her role to be "largely superfluous", Saibal Chatterjee wrote that Kapoor "makes the most of the limited opportunity";[108] Anna M. M. Vetticad of Firstpost commended her screen presence but disliked a romantic subplot involving her and Kumar, criticising the chemistry and age-gap between them.[109]

On 8 May 2018, Kapoor married Indian businessman Anand Ahuja in a traditional Sikh ceremony in Bandra.[110] The following month, she featured in Shashanka Ghosh's Veere Di Wedding, a female buddy film co-starring Kareena Kapoor, Swara Bhaskar and Shikha Talsania. The Hindu's Namrita Joshi found the film formulaic and clichéd, while Sweta Kaushal of Hindustan Times thought the film had "style but no soul" and was partly impressed with Kapoor's performance.[111][112] With earnings of over ₹1.34 billion (US$19 million), the film proved to her second top-grossing Hindi film not featuring a well-known male star.[113][114] Later that month, Kapoor featured in Rajkumar Hirani's biopic of the actor Sanjay Dutt, entitled Sanju, as one of Dutt's love interests. Kapoor said that despite her brief role, she agreed to the project to work with Hirani and to reunite with Ranbir Kapoor after her debut.[115] Anna M. M. Vetticad criticised the film's attempt to whitewash Dutt's misdeeds, but found Kapoor's portrayal of her small role "sweet".[116] On the other hand, Rajeev Masand called the film "consistently engaging", and wrote that Kapoor "hit the right notes as Sanjay Dutt’s [partner]".[117] Sanju broke several box-office records, becoming one of the highest-grossing Indian films.[118]

In 2019, Kapoor starred in the coming-of-age film Ek Ladki Ko Dekha Toh Aisa Laga (as Sonam K Ahuja), co-starring her father, Juhi Chawla, and Rajkummar Rao.[119] She played a closeted lesbian who has trouble coming out to her conservative family. She agreed to the project to break stereotypes about same-sex relationships in India.[120] Critics praised the film for its progressive story and for pushing boundaries in Hindi cinema, but it failed to do well commercially.[121][122] Kapoor will next star in Abhishek Sharma's film adaptation of Anuja Chauhan's novel The Zoya Factor, in which she plays the titular character.
In the media
Born into a prominent actor family, Kapoor has appeared in the media from an early age,[124] and is one of the highest-paid actresses in Bollywood.[125] After the success of Raanjhanaa and Bhaag Milkha Bhaag she was cited by Subhash K. Jha as one of the top actresses in India,[126] though a commentator for Rediff.com notes that several of her films have been commercial failures.[124] In 2009 she was the first Indian actress to appear on The Hollywood Reporter's "Next Generation: Asia Class", a list of newcomers in film.[127] Outspoken publicly,[128] Kapoor's comments about contemporaries and others in the Indian film industry have occasionally caused controversy.[129][130][131] In a 2015 interview, she acknowledged that her opinions often get her into trouble, but remarked that "I believe it pays to be honest in the longer run".[132]

Kapoor is a popular figure nationally, with a significant following on Twitter since 2009 and Facebook.[133][134] She appeared on The Huffington Post's list of "100 most influential women on Twitter" in 2015.[135] She has been described by the media as a style icon,[136][137] and featured on Rediff.com's list of "Bollywood's Best Dressed Actresses" in 2012 and 2013.[138][139] In 2013, the newspaper Hindustan Times and Indian edition of Vogue called her Style Icon (Reader's Choice) and Beauty of the Year, respectively.[140][141] Though Kapoor has earned praise for her dress sense and style, she has faced some criticism for wearing traditional Indian dresses.[137][142][143]

Kapoor was ranked seventh on The Times of India's 2010 "Most Desirable Woman" list, placing 14th, 28th and 14th the next three years,[144][145] and was in the top ten of UK magazine Eastern Eye's "World's Sexiest Asian Women" list from 2011 to 2014.[146] In 2012 and 2013 she also held 48th and 45th place, respectively, on the Indian edition of Forbes' "Celebrity 100" lists, based on the income and popularity of Indian celebrities.[147][148] She was named Woman of the Year by the men's magazine GQ India in 2013.[149] In 2014 and 2015, Kapoor reached 31st place and 26th position, respectively, peaking at the 18th position the following year with an annual income of ₹200 million (US$2.9 million).[150] Kapoor has acquired several titles at the Filmfare Glamour and Style Awards—in 2015 she won for Most Stylish Star (Female) and Absolut Elyx Style & Substance Award, and in 2016, she was named Most Stylish Star (Female) and Red Carpet Royalty.[151][152]

As well as endorsing brands such as Colgate, Electrolux, Lux, Mont Blanc, Oppo Mobile, Salvatore Ferragamo S.p.A. and Signature, Kapoor is the Indian ambassador for international cosmetics manufacturer L'Oréal.[153][154] In 2011, she was named Brand Ambassador of the Year at the NDTV Good Times Gadget Guru Awards.[155] Rediff.com reported in 2012 that she received ₹30 million (US$430,000) for each endorsement, making her one of the highest-paid celebrity endorsers in India.[124]

Philanthropy
Born into a prominent actor family, Kapoor has appeared in the media from an early age,[124] and is one of the highest-paid actresses in Bollywood.[125] After the success of Raanjhanaa and Bhaag Milkha Bhaag she was cited by Subhash K. Jha as one of the top actresses in India,[126] though a commentator for Rediff.com notes that several of her films have been commercial failures.[124] In 2009 she was the first Indian actress to appear on The Hollywood Reporter's "Next Generation: Asia Class", a list of newcomers in film.[127] Outspoken publicly,[128] Kapoor's comments about contemporaries and others in the Indian film industry have occasionally caused controversy.[129][130][131] In a 2015 interview, she acknowledged that her opinions often get her into trouble, but remarked that "I believe it pays to be honest in the longer run".[132]

Kapoor is a popular figure nationally, with a significant following on Twitter since 2009 and Facebook.[133][134] She appeared on The Huffington Post's list of "100 most influential women on Twitter" in 2015.[135] She has been described by the media as a style icon,[136][137] and featured on Rediff.com's list of "Bollywood's Best Dressed Actresses" in 2012 and 2013.[138][139] In 2013, the newspaper Hindustan Times and Indian edition of Vogue called her Style Icon (Reader's Choice) and Beauty of the Year, respectively.[140][141] Though Kapoor has earned praise for her dress sense and style, she has faced some criticism for wearing traditional Indian dresses.[137][142][143]

Kapoor was ranked seventh on The Times of India's 2010 "Most Desirable Woman" list, placing 14th, 28th and 14th the next three years,[144][145] and was in the top ten of UK magazine Eastern Eye's "World's Sexiest Asian Women" list from 2011 to 2014.[146] In 2012 and 2013 she also held 48th and 45th place, respectively, on the Indian edition of Forbes' "Celebrity 100" lists, based on the income and popularity of Indian celebrities.[147][148] She was named Woman of the Year by the men's magazine GQ India in 2013.[149] In 2014 and 2015, Kapoor reached 31st place and 26th position, respectively, peaking at the 18th position the following year with an annual income of ₹200 million (US$2.9 million).[150] Kapoor has acquired several titles at the Filmfare Glamour and Style Awards—in 2015 she won for Most Stylish Star (Female) and Absolut Elyx Style & Substance Award, and in 2016, she was named Most Stylish Star (Female) and Red Carpet Royalty.[151][152]

As well as endorsing brands such as Colgate, Electrolux, Lux, Mont Blanc, Oppo Mobile, Salvatore Ferragamo S.p.A. and Signature, Kapoor is the Indian ambassador for international cosmetics manufacturer L'Oréal.[153][154] In 2011, she was named Brand Ambassador of the Year at the NDTV Good Times Gadget Guru Awards.[155] Rediff.com reported in 2012 that she received ₹30 million (US$430,000) for each endorsement, making her one of the highest-paid celebrity endorsers in India.[124]

Philanthropy

Dulquer Salmaan

Dulquer Salmaan (born 28 July 1986), is an Indian actor and playback singer who works predominantly in Malayalam cinema, along with a few Tamil, Telugu, and Hindi films. The son of actor Mammootty, Dulquer graduated with a bachelor's degree in Business Management from Purdue University, and worked as a business manager before pursuing a career in acting.

After a three-month acting course at the Barry John Acting Studio, he made his debut in the 2012 action drama Second Show, for which he received the Filmfare Award for Best Male Debut. He received his first Filmfare Award for Best Actor nomination for his performance in Ustad Hotel (2012).

After the commercial success of the comedy ABCD: American-Born Confused Desi (2013) and the road thriller Neelakasham Pachakadal Chuvanna Bhoomi (2013), Salmaan appeared in the Tamil romantic comedy Vaayai Moodi Pesavum (2014). He then starred in the ensemble romantic drama Bangalore Days (2014), which ranks among the highest-grossing Malayalam films. He achieved further success in Tamil cinema with Mani Ratnam's critically and commercially successful romance O Kadhal Kanmani (2015). Subsequently, Salmaan garnered acclaim for portraying the title role in the 2015 romantic drama Charlie, winning him the Kerala State Film Award for Best Actor.

Salmaan married architect Amal Sufiya in 2011 with whom he has one daughter. Salmaan has been recognised in the media as a fashion icon.[2][3] He owns several entrepreneurship ventures and promotes various social causes
Early life
Dulquer Salmaan was born on 28 July 1986 in Kochi, Kerala, India.[4] Salmaan is the second child of actor Mammootty and his wife Sulfath. He has an elder sister, Surumi. He completed his primary level education at Toc-H Public School, Vyttila, Kochi and his secondary level education at Sishya School in Chennai.[5] He then moved to the United States and earned a bachelor's degree in Business Management from Purdue University. After graduation, he worked in the U.S. and later did an I.T.-related business in Dubai. He decided later to pursue a career in acting and attended a three-month course at the Barry John Acting Studio in Mumbai.[6] He stated in a 2012 interview that he chose acting because " ... somewhere down the lane, my life became monotonous and routine".[7]

Film career
Debut, breakthrough and stardom (2012–13)
In 2011, Salmaan signed on for debutante Srinath Rajendran's Second Show (2012) in which he played the role of Harilal, a gangster. When asked in an interview about his "unconventional entry with a bunch of newcomers", Salmaan stated that it was his conscious decision as he felt that " ... when an actor debuts, he has to earn the right to be a hero and not get it through a shortcut route."[7] The film received mixed reviews.[8] A critic for Sify stated, " ... it is Salmaan's amazing screen presence and a matured acting style that makes the movie an engaging watch",[9] while Paresh C Palicha of Rediff criticized his performance. "There is no denying that he looks dapper and has an attractive baritone (a gift of his gene pool). But that does not translate into good performance or acting."[10] The film was commercially successful and won him the Filmfare Award for Best Male Debut.[11][12]

Salmaan next starred in Anwar Rasheed's Ustad Hotel (2012). The film, which received the National Film Award for Best Popular Film Providing Wholesome Entertainment, was also a major success at the box office.[13] He also won praise for his portrayal of Faizy.[14] Anil R Nair, writing for The New Indian Express, stated, "The youthful and glamorous Dulquer has come out of his father’s shadow in the role of Faisi."[15] For his performance, Salmaan received his first nomination for the Filmfare Award for Best Actor.[16] His third film was Theevram, a crime thriller directed by Roopesh Peethambaran. The film, which released on November 2012, received mixed reviews and was a box office failur
In 2013, he signed on to appear in Martin Prakkat's comedy drama ABCD: American-Born Confused Desi in which he made his singing debut with "Johnny Mone Johnny". Both the song and the film became popular.[8][18] Though the film received mixed reviews, his performance was well received by critics. Sify stated: "it is Dulquer Salmaan's show all the way and in all fairness the young actor has given his heart and soul into his character."[19] He was also part of Amal Neerad's segment Kullante Bharya in the anthology film 5 Sundarikal (2013).[20] The film was critically acclaimed, with praise specially directed towards Kullante Bharya. Aswin J. Kumar of The Times of India wrote, " ... it's the tale of the nameless woman, 'Kullante Bharya' that stays with the viewer." He also praised Salmaan's performance as a photographer who was bound to his wheelchair.[21] Salmaan then collaborated with Sameer Thahir in Neelakasham Pachakadal Chuvanna Bhoomi (2013), a road movie.[22] The film and his performance was appreciated.[23] Salmaan starred in his "first love story", cinematographer Alagappan's romantic drama Pattam Pole (2013), co-starring debutante Malavika Mohanan. The film was a commercial failure.[18][24]

2014–present
In 2014, Salmaan took on another romantic role in Salalah Mobiles, with Nazriya Nazim opposite him; like Pattam Pole, Salalah Mobiles could not garner much success for the actor.[24] Salmaan's next appearance was in the Tamil-Malayalam bilingual Vaayai Moodi Pesavum (2014). While the Malayalam version Samsaaram Aarogyathinu Haanikaram was received poorly, the Tamil version received positive reviews and became a sleeper hit.[25][26] IANS said Salmaan is "a treat to watch" and added, "he earns extra brownie points for dubbing in his own voice and speaking flawless Tamil."[27] He received his second Filmfare Award for Best Male Debut for the film.[28]

In Anjali Menon's ensemble romantic comedy drama Bangalore Days (2014), Salmaan played Arjun with Nivin Pauly and Nazriya Nazim as his cousins. The film received positive reviews and emerged as one of the highest-grossing Malayalam films of all time, grossing around ₹500 million (US$7.2 million).[29] Later that year, he co-starred with Unni Mukundan in Lal Jose's Vikramadithyan. It was a commercial success.[25] He then performed in what he called his "most challenging film yet" in Renjith's Njaan (2014).[30] His performance received favorable reviews and earned him several accolades, including a second Best Actor nomination at Filmfare.[8][31]

In 2015, he acted opposite Nithya Menen in two films—Jenuse Mohamed's romantic comedy 100 Days of Love, and Mani Ratnam's Tamil romantic drama O Kadhal Kanmani.[32] The latter opened to positive reviews and became successful at the box office.[33] About Salmaan's performance, The Hindu's critic Baradwaj Rangan wrote: "Dulquer Salmaan checks off all boxes in the Can You Be The Next Madhavan? questionnaire", though he believed the film belonged primarily to Menen.[34] Salmaan next played the titular character in Martin Prakkat's Charlie (2015). The film generated a positive response from critics and received eight Kerala State Film Awards, with Salmaan receiving his first Best Actor Award.[35] He also received a third Best Actor nomination at Filmfare.[36]

Salmaan reunited with Sameer Thahir for his first release in 2016, Kali co-starring Sai Pallavi. When released, the film earned the highest opening day box office gross for a Malayalam film.[37] He then starred in Rajeev Ravi's crime drama Kammatipaadam (2016). The film garnered critical acclaim and became his third consecutive financial success in two years.[38]

He then appeared in Sathyan Anthikad's family drama Jomonte Suvisheshangal (2017).[39] Despite comparisons with 2016 Malayalam drama Jacobinte Swargarajyam,[40] the film did well commercially.[41] His next appearance was in Amal Neerad's romantic action film Comrade In America (2017). The Hindu called it "Dulquer's big hit of 2017".[42] He then portrayed four roles in the bilingual anthology Solo (2017) directed by Bejoy Nambiar. The film was critically panned[43] and "faced immense backlash from the audience."[44]

He next featured in the bilingual Mahanati, a biopic on actress Savitri. His Telugu debut, the film opened to positive reviews from critics and enjoyed commercial success at the box office. Salmaan's portrayal of Gemini Ganeshan was also acclaimed.[45] Later that year, Salmaan made his Hindi debut with Karwaan. Though the film received "mixed response", Salmaan's performance was appreciated.[46]

In 2019, he starred in Oru Yamandan Premakadha a Malayalam romantic comedy film directed by B. C. Noufal.[47] His upcoming releases for 2019 includes Abhishek Sharma's film adaptation of Anuja Chauhan's novel The Zoya Factor and Tamil-language romantic film Kannum Kannum Kollaiyadithaal.[48][49][50]

In addition, he has committed to star in Sreenath Rajendran's Kurup and untitled projects by Ra Karthik, Jai Singh, Salaam Bukhari and Lal Jose.[51][52][53][54][55]

Personal life and off-screen work
On 22 December 2011, he married architect Amal Sufiya in an arranged marriage. Amal comes from a North Indian Muslim family settled in Chennai.[56][57] The couple has a daughter born in May 2017.[58]

He has also been involved in several social service activities. He has acted in a short film as part of the Kerala motor vehicle department's safe riding campaign.[59] He donated 150 items, including clothing, shoes, books, school supplies and crockery items, as a part of the Chennai Gives initiative.[60] In addition, he is the owner of a web portal for trading cars and a dental business chain in Chennai.[61] He also is the director of the Bangalore-based Motherhood Hospital.

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