الاثنين، 23 سبتمبر 2019

سيد هايك

سيد هايك (بالإنجليزية: Sid Haig) مواليد 14 يوليو 1939 في فريسنو، الولايات المتحدة، هو ممثل أمريكي بدأ مسيرته الفنية عام 1960.

الأعمال
تشي!
الماس للأبد
قصص مدهشة
جاكي براون
اقتل بيل الجزء 2
منبوذو الشيطان
ليلة الموتى الأحياء

Conguitos

Conguitos es una marca de productos de chocolate de Lacasa. Después de su gran éxito creando Lacasitos, Lacasa compró en 1987 la empresa zaragozana fabricante de Conguitos. Existen variedades, pero básicamente se trata de cacahuetes cubiertos de chocolate negro o blanco.

Productos
Existen 5 variedades de Conguitos:1​

Conguitos original (bolsa naranja): cacahuete tostado cubierto por chocolate negro o blanco.
Conguitos cacahuete + cereal (bolsa azul): presentan una capa de cereal encima del cacahuete que lo hace más crujiente y están recubiertos con chocolate con leche.
Shocobolas (bolsa lila): bolas de cereal recubiertas con chocolate con leche.
Galleta (a granel en tiendas de chucherías): galleta crujiente bañada con chocolate con leche.
Conguitos Color (bolsa amarilla): Conguitos originales pero con azúcar de colores.
Proceso de fabricación
El proceso de fabricación consta de 6 pasos:1​2​

Se tuestan los frutos secos durante 20 minutos aproximadamente.
Estos se introducen en unos bombos donde son rociados con glucosa y azúcar con el fin de protegerlos de agentes externos.
Una vez cubiertos de azúcar, se llevan a otros bombos donde van cubriéndose de chocolate por volteo del producto.
Tras este baño de chocolate, las grageas se abrillantan en unos bombos de acero inoxidable; este abrillantado es por fricción y dura unas 4 horas.
Posteriormente, se imprime en cada gragea con tinte alimenticio la cara de un Conguito.
Por último, se pasan a las distintas líneas de envasado automático, de donde salen con las distintas presentaciones que se venden en el mercado.
Historia
Los Conguitos fueron creados por un confitero llamado Federico Díaz Martínez e inscritos el 25 de marzo de 1963 en el Registro de la Propiedad Industrial.3​

Litigio con Chimpancitos
Hacia finales de 1965, o principios de 1966, Francisco Jerez Ortiz, industrial, en Madrid, cacahuetes bañados en chocolate, producto al que puso el nombre de Chimpancitos, en cuyas bolsas de plástico que servían de envases imitaba los colores y grafismos de los envases de Conguitos. La similitud del producto de Francisco originaba confusión en el público, preferentemente infantil, al que iba destinada la mercancía.3​

Federico Díaz se querelló contra Francisco Jerez, y la Audiencia Provincial de Madrid condenó a Francisco, como autor de un delito de infracción de la propiedad industrial, a un mes y un día de arresto, a multa de diez mil pesetas y a pagar una indemnización a Díaz con arreglo a los perjuicios inferidos, que sería fijada en ejecución de sentencia.3​

Jerez recurrió la sentencia, y la sala segunda del Supremo la anuló con la siguiente declaración:3​

«En el certificado —título de “Conguitos”— del Registro de la Propiedad Industrial se describe el gráfico de tres africanos, sin referencia a color o envase y la sentencia recurrida dice precisamente que esto último estaba registrado, por lo que comete error y ha de ser modificada».3​

Jerez solicitó inscripción en el Registro de la Propiedad Industrial de sus Chimpancitos el 10 de diciembre de 1965 y, con oposición de industriales, entre otros Díaz, le fue concedida la inscripción el 24 de septiembre de 1966. Jerez lanzó al mercado los Chimpancitos sin ánimo de imitar o de defraudar. Al no tener registrado Díaz el color del envase y de los grafismos de este para los Conguitos, no podía reconocerse que Jerez hubiese cometido el delito por el que fue condenado. Por todo ello, la sentencia recurrida fue anulada, y, en la dictada para sustituirla, los magistrados del Supremo absolvieron a Jerez del delito que le fuera imputado con todos los pronunciamientos favorables.3​

Adquisición por Lacasa
El nacimiento de los Lacasitos en 1982 y la adquisición de los Conguitos en 1987 por parte de Lacasa marcaron una nueva etapa de éxito y expansión para esta empresa. Los Conguitos ya gozaban de gran popularidad antes de su adquisición, y Lacasa se encargó de relanzarlos con una notoria campaña publicitaria que concluyó con la creación de la sociedad Chocolates Lacasa Portugal.

En los años 90, los Conguitos se trasladaron a Utebo (Zaragoza). En los años siguientes, Lacasa emprendió una política de adquisición de compañías del sector para consolidar su posición en el mercado de chocolates y dulces infantiles. En la actualidad, los productos Lacasa tienen fuerte presencia en el mercado español y están consolidando su presencia a nivel mundial.1​2​

Publicidad
La imagen del producto, aborigen ficticio de color, sonriente y de buena vida, bautizado por José Luis Izaguerri como Conguito, nació en 1961 del veterano publicista español Juan Tudela Férez como su primer trabajo de ilustrador para una agencia de Zaragoza. La idea nació bajo la influencia de la reciente independencia del Congo belga.4​

El diseño cambió a lo largo de su historia para ir adaptándose a los tiempos, siendo uno de los cambios más notables la sustitución de la lanza tribal por una mano con el dedo pulgar levantado en señal de aprobación.

En los años 80, los Conguitos se anunciaban en televisión con asiduidad, y en 1994 tenían un exitoso anuncio que representaba a grandes estrellas del momento como Tina Turner o Stevie Wonder en forma de Conguitos de dibujos animados, cantando y bailando la canción promocional.5​

La nueva campaña de 2010 puede verse en el canal de Conguitos en YouTube, donde también están reunidos anuncios de la marca de diversas décadas, así como una lista de reproducción con vídeos subidos por fans de todas las edades versionando la famosa canción «Somos los Conguitos» en carnavales y fiestas.6​

Durante 2011, Conguitos organizó la Conguitos Caravan Tour, un concurso de música con 8 conciertos en directo en 7 ciudades distintas de España.7​

Racismo
La imágen y publicidad de conguitos se puede considerar racista. Promueve la caricatura del estereotipo negro jovial y simple. Contiene diversos elementos típicos de la caricaturización negra racista, como la boca exagerada.

En un anuncio televisado de la marca se ve a una tribu presuntamente congolense de caracterización estereotípica a los que recoge una mano gigante para meter en la bolsa de conguitos. 

Fleabag

Fleabag is a British comedy-drama television show created and written by Phoebe Waller-Bridge, who also stars in the title role. Based on Waller-Bridge's one-woman show first performed in 2013, It was originally produced by Two Brothers Pictures for digital channel BBC Three in a co-production agreement with Amazon Studios.[1][2] Waller-Bridge plays Fleabag, an angry, confused, sexually voracious young woman living in London. Sian Clifford and Olivia Colman also star. Andrew Scott joined the cast in the second series. The programme frequently breaks the fourth wall, in which the protagonist talks to the camera.[3]

The show premiered on 21 July 2016 and concluded its second and final series on 8 April 2019.[4][5] Fleabag received widespread critical acclaim and various accolades, with Waller-Bridge being awarded the British Academy Television Award for Best Female Comedy Performance in 2017. The second series received eleven Primetime Emmy Award nominations and won six, including Outstanding Comedy Series, and Outstanding Lead Actress and Outstanding Writing for a Comedy Series for Waller-Bridge, with additional acting nominations for Clifford, Colman, and guest stars Fiona Shaw and Kristin Scott Thomas
Background
The show is adapted from Waller-Bridge's 2013 Edinburgh Festival Fringe one-woman play of the same name which won the Fringe First Award.[7][8][9] The initial idea of the character of Fleabag came from a challenge by a friend, where Waller-Bridge was given the task of creating a sketch for a 10-minute section in a stand-up storytelling night.[10]

Cast
Phoebe Waller-Bridge as Fleabag, a young woman living in London
Sian Clifford as Claire, Fleabag's sister
Olivia Colman as Fleabag's godmother, who is now in a relationship with Fleabag's father
Bill Paterson as Fleabag's dad
Brett Gelman as Martin, Claire's American husband
Hugh Skinner as Harry, Fleabag's ex-boyfriend
Hugh Dennis as Bank Manager, approached by Fleabag for a loan
Ben Aldridge as Arsehole Guy, one of Fleabag's love interests
Jamie Demetriou as Bus Rodent, one of Fleabag's love interests (series 1)
Jenny Rainsford as Boo, Fleabag's deceased best friend/business partner
Andrew Scott as The Priest, with whom Fleabag falls in love (series 2)
Fiona Shaw as Fleabag's counsellor (series 2)
Kristin Scott Thomas as Belinda, a successful businesswoman who meets Fleabag at an awards ceremony presented by Claire (series 2)
Ray Fearon as Hot Misogynist, who serves as Fleabag's lawyer and love interest (series 2)
Angus Imrie as Jake, Martin's teenage son and Claire's step-son
Christian Hillborg as Klare, Claire's Finnish business partner and love interest (series 2)
Jo Martin as Pam, who works at The Priest's church (series 2)
Both series of Fleabag received widespread acclaim from television critics. At review aggregation website Rotten Tomatoes, both series received approval ratings of 100%. The first series received an average rating of 8.5/10, based on 40 reviews, with the site's critical consensus reading: "Clever and viciously funny, Fleabag is a touching, wildly inventive comedy about a complicated young woman navigating the aftermath of trauma."[16] The second series received an average rating of 9.29/10, based on 78 reviews, with the critical consensus stating: "Fleabag jumps back into the fray with a bracing second season that upholds its predecessors' frenzied wit and delicate heart, replete with Phoebe Waller-Bridge's indefatigable charisma".[18] At Metacritic, the first series received a weighted average score of 88 out of 100, based on 19 critics,[17] while the second series received a score of 96, based on 19 critics, both signifying "universal acclaim".[19]

Emily Nussbaum of The New Yorker described the show's first series as "a precision black-humor mechanism, a warped and affecting fable about one single woman's existence."[20] Maureen Ryan at Variety called it "scathingly funny", concluding that "long after it’s pulled you in with its irreverence and jokes about sex, and beguiled you with its cutting wit and messily human characters, it reveals that it’s actually a tragedy".[21] Hank Stuever of The Washington Post characterised it as a "funny, highly profane but surprisingly poignant dramedy".[22] Mike Hale in The New York Times praised the show for its "restless, almost feral energy and its slap-in-the-face attitude."[23] Mary McNamara of the Los Angeles Times commended its unpredictability, acting, and "clear eye for truth that often becomes, like all good comedy, quite devastating".[24]

Serena Davies of The Daily Telegraph lauded the show's second series as "a near-perfect work of art".[25] Mary Elizabeth Williams of Salon praised its "brilliant swan song", finding the series' conclusion satisfying and "well-earned".[26] For Rolling Stone, Alan Sepinwall wrote that the "tragicomic masterpiece reaches new heights in its second outing".[27] James Poniewozik of The New York Times wrote that "the new season feels immediately confident, if inevitably less groundbreaking. Yet it continues to push its form".[28] At the show's conclusion Hannah Jane Parkinson of The Guardian described it as "the most electrifying, devastating TV in years", writing of the second series that "it seems as though many who either did not watch the first series, or who didn’t think it lived up to the hype, have been converted".[29]

In 2019, Fleabag was ranked 8th on The Guardian's list of the 100 best TV shows of the 21st century.

The Circle

The Circle is a 2017 American techno-thriller film directed by James Ponsoldt with a screenplay by Ponsoldt and Dave Eggers, based on Eggers' 2013 novel of the same name. The film stars Emma Watson and Tom Hanks, with John Boyega, Karen Gillan, Ellar Coltrane, Patton Oswalt, Glenne Headly, and Bill Paxton in supporting roles. It is the penultimate performance of Headly's career and the final performance of Paxton's career, and was released just after his death in February 2017.

The film premiered at the Tribeca Film Festival on April 26, 2017, and was theatrically released on April 28, 2017, by STXfilms and EuropaCorp. It received negative reviews but grossed $40 million worldwide against a budget of $18 million, becoming director Ponsoldt's highest grossing feature.
Plot
Through her friend Annie, call center intern Mae Holland secures a customer support position at The Circle, a tech and social media company. Mae's ex-boyfriend Mercer is less supportive. Mae takes the job, hoping to support her parents, particularly her father who suffers from multiple sclerosis. At a company meeting, CEO Eamon Bailey introduces SeeChange, which uses small cameras placed anywhere to provide real-time high-quality video. Mae rises quickly in The Circle, embracing social networking and meeting Ty Lafitte, who displays suspicion of other, more enthusiastic employees. At another company presentation emphasizing the need for accountability in politics, The Circle's Chief Operating Officer, Tom Stenton, introduces a political candidate who has agreed to open her daily workings to the public through SeeChange. Mae meets Ty again and he takes her to an area containing the cloud server where all information collected by SeeChange is to be kept. Mae is embarrassed when she realizes that Ty is the creator of True You, a popular Circle product, and she had not recognized him. He tells her that True You has grown out of his control, and its current utilization is not what he intended.

Later, Mae’s mother shows Mae a picture of a light fitting Mercer made from deer antlers. She photographs it and shares it on her Circle profile. The image attracts significant negative attention to Mercer, with people accusing him of killing the deer. Mercer confronts her at work and tells her to leave him alone. Distressed by Mercer’s reaction, Mae goes kayaking at night and the rough waters cause her kayak to capsize, requiring rescue by the Coast Guard. SeeChange cameras recorded her at the kayak premises and in the water, which is how the Coast Guard was able to save her. At the next meeting, Eamon introduces Mae to the crowd and they discuss her experience of the rescue. The kayaking experience moves her to become the first "Circler" to go "completely transparent”, which involves wearing a small camera and exposing her life to the world 24/7. Mae's transparency damages her relationships with her parents and Annie, as she accidentally shows too much of their lives and they distance themselves from her.

At a board meeting, Eamon announces support from all 50 states for voting through Circle accounts. Mae takes it a step further and suggests requiring every individual to have a Circle account, which they can then use to vote. Eamon and Tom approve, but the suggestion upsets Annie. At the next company-wide meeting, Mae says that The Circle believes it can find anyone on the planet in under 20 minutes and introduces a program to find wanted felons in the same time frame. The program identifies an escaped prisoner within 10 minutes, which causes the Circlers in the audience to erupt in applause. Mae uses this successful test to suggest transparency can be a force for good. Mae says that the program can find anyone, not just wanted felons, and someone suggests Mercer. Mae is initially hesitant to use the program to locate Mercer, but Tom persuades Mae to continue. Mercer is quickly located in an isolated cabin where he works on his antler projects. Startled by this, he flees and proceeds to lead those tracking him on a car chase. He loses control of his truck and crashes off a bridge to his death, which horrifies Mae. Three days later, still mourning the loss of Mercer, Mae calls Annie, who has also left The Circle, to her apparent benefit. Mae, however, finds that connection with others helps her cope with Mercer's death.

Mae returns to the Circle, despite her parents' pleas. Mae calls Ty to ask for a favor and Ty tells her something that he has discovered. At the next company-wide meeting, Mae explains how connection has helped her recover. She speaks with Eamon, and invites Tom onstage, then invites Eamon and Tom to go fully transparent. She explains that Ty has found all their email accounts and exposes them to the world, as no one should be exempt. Eamon and Tom, clearly upset, try to save face before Tom leaves the stage. Mae reiterates her point of transparency being good, with the support of the audience. She goes kayaking again, untroubled by the drones that surround her.

Cast
Emma Watson as Mae Holland
Tom Hanks as Eamon Bailey
John Boyega as Ty Lafitte
Karen Gillan as Annie Allerton
Ellar Coltrane as Mercer Regalado
Patton Oswalt as Tom Stenton
Bill Paxton as Vinnie Holland, Mae's father
Glenne Headly as Bonnie Holland, Mae's mother
Nate Corddry as Dan
Mamoudou Athie as Jared
Jimmy Wong as Mitch
Ellen Wong as Renata
Smith Cho as Gina
Poorna Jagannathan as Dr. Jessica Villalobos
Judy Reyes as Congresswoman Santos
Eve Gordon as Senator Williamson
Beck as himself
Production
Casting and financing
On December 15, 2014, Deadline reported that Tom Hanks would star in a film adaptation of Dave Eggers' 2013 novel The Circle, with James Ponsoldt writing and directing.[3] In January 2015, THR confirmed that Anthony Bregman would produce the film through his banner, Likely Story, along with Ponsoldt, Hanks, and Gary Goetzman.[3][4] On May 11, 2015, it was announced that Image Nation Abu Dhabi would fully finance the film, together with Walter Parkes and Laurie MacDonald, while IM Global would handle international sales.[5] IM GLOBAL later sold the rights to various distributors.[6] In June 2015, Emma Watson was officially set to play the lead role of Mae Holland in the film.[7][8] In August 2015, John Boyega was added to the cast.[9] In September 2015, Karen Gillan, Patton Oswalt, Bill Paxton, and Ellar Coltrane joined the cast.[10][11][12][13][14]

Filming
Principal photography on the film began on September 11, 2015, in Los Angeles, California.[8][15][16] On September 17, filming was taking place in Pasadena.[17] Reshoots were done in January 2017.[18]

Release
In February 2016, EuropaCorp acquired U.S and Canadian distribution rights to the film,[19] while STX Entertainment co-distributes.[20] The Circle premiered at the Tribeca Film Festival on April 26, 2017[21] and was released on April 28, 2017.[22]

Box office
The Circle grossed $20.5 million in the United States and Canada and $20.1 million in other territories, for a total of $40.6 million, against a production budget of $18 million.[2]

In North America, The Circle was released alongside How to Be a Latin Lover, Baahubali 2: The Conclusion and Sleight, and was projected to gross $10–12 million from 3,163 theaters during its opening weekend.[23] However, the film underperformed, debuting at number five with $9 million, behind The Fate of the Furious, How to Be a Latin Lover, Baahubali 2: The Conclusion and The Boss Baby.[24]

Critical response
On review aggregator Rotten Tomatoes, the film holds an approval rating of 15% based on 132 reviews, with an average rating of 4.15/10. The website's critical consensus reads, "The Circle assembles an impressive cast, but this digitally driven thriller spins aimlessly in its half-hearted exploration of timely themes."[25] On Metacritic, the film holds a score of 43 out of 100, based on 32 critics, indicating "mixed or average reviews".[26] Audiences polled by CinemaScore gave the film an average grade of "D+" on an A+ to F scale.[27]

Glenn Kenny of The New York Times criticized the film for its repetitiveness and lack of originality: "The novel is at its most trenchantly funny when depicting the exhausting nature of virtual social life, and it’s in this area, too, that the movie gets its very few knowing laughs. But it’s plain, not much more than 15 minutes in, that without the story’s paranoid aspects you’re left with a conceptual framework that’s been lapped three times over by the likes of, say, the Joshua Cohen novel Book of Numbers or the HBO comedy series Silicon Valley".[28] Dan Callahan of The Wrap wrote: "The main problem with The Circle is that the evil of the tech company is made so obvious right from the start."[29]

Eric Kohn of IndieWire awarded the film a C. He was especially critical of the film's tonal inconsistencies: "Recent years have seen a proliferation of deep-dive narratives on the information age, from the psychological thriller territory of Mr. Robot to the parodic extremes of Silicon Valley. Ponsoldt’s project is stuck in between those two extremes. On the one hand, it’s an Orwellian drama about surveillance society; at the same time, it’s a sincere workplace drama about young adulthood that shoehorns in some techno-babble for the sake of deepening its potential."[30]

Gregory Wakeman of Cinema Blend panned the film, arguing that "the movie's grand philosophical debate is so simplistic and comes from two opposing and extreme sides of the spectrum that it's basically rendered mute." He also wrote: "Smug, condescending, and completely without incident, The Circle is the reason why people hate Hollywood." Wakeman gave the film one-and-a-half stars out of five.[31] Likewise, Peter Travers of Rolling Stone awarded the film one star out of four. He wrote: "The Circle feels dull, dated and ripped from yesterday's headlines. It flatlines while you're watching it."[32]

In a positive review, John DeFore of The Hollywood Reporter wrote: "The film's final message isn't as difficult to grapple with as the world we're actually living in, but that doesn't make it easy." He also described the film as "a mainstream-friendly critique of social media."[33] Owen Gleiberman of Variety was positive as well, directing much of his praise towards the film's contemporary relevance: "You could call The Circle a dystopian thriller, yet it’s not the usual boilerplate sci-fi about grimly abstract oppressors lording it over everyone else. The movie is smarter and creepier than that; it’s a cautionary tale for the age of social-media witch hunts and compulsive oversharing. The fascist digital future the movie imagines is darkly intriguing to contemplate, because one’s main thought about it is how much of that future is already here."[34] Mick LaSalle of The San Francisco Chronicle also praised the film's timeliness: "What makes The Circle so valuable is not only that it’s showing us a ghastly possible path that the world may take, but that it articulates the mentality that could create and sustain it.

Messi

Lionel Andrés Messi Cuccittini[note 1] (Spanish pronunciation: [ljoˈnel anˈdɾez ˈmesi] (About this soundlisten);[A] born 24 June 1987) is an Argentine professional footballer who plays as a forward and captains both Spanish club Barcelona and the Argentina national team. Often considered the best player in the world and widely regarded as one of the greatest players of all time, Messi has a record-tying five Ballon d'Or awards,[note 2] four of which he won consecutively, and a record six European Golden Shoes. He has spent his entire professional career with Barcelona, where he has won a club-record 34 trophies, including ten La Liga titles, four UEFA Champions League titles and six Copas del Rey. A prolific goalscorer and a creative playmaker, Messi holds the records for most goals in La Liga (419), a La Liga and European league season (50), most hat-tricks in the UEFA Champions League (8), and most assists in La Liga (169) and the Copa América (12). He has scored 698 senior career goals for club and country.

Born and raised in central Argentina, Messi was diagnosed with a growth hormone deficiency as a child. At age 13, he relocated to Spain to join Barcelona, who agreed to pay for his medical treatment. After a fast progression through Barcelona's youth academy, Messi made his competitive debut aged 17 in October 2004. Despite being injury-prone during his early career, he established himself as an integral player for the club within the next three years, finishing 2007 as a finalist for both the Ballon d'Or and FIFA World Player of the Year award, a feat he repeated the following year. His first uninterrupted season was 2008–09, during which he helped Barcelona achieve the first treble in Spanish football. At 22 years old, Messi won the 2009 Ballon d'Or and the 2009 FIFA World Player of the Year award by record voting margins. Three successful seasons followed, with Messi winning three consecutive FIFA Ballons d'Or, including an unprecedented fourth. During the 2011–12 season, he set the La Liga and European records for most goals scored in a single season, while establishing himself as Barcelona's all-time top scorer in official competitions in March 2012. The following two seasons, Messi finished twice second for the Ballon d'Or behind Cristiano Ronaldo, his perceived career rival. Messi regained his best form during the 2014–15 campaign, breaking the all-time goalscoring records in both La Liga and the Champions League in November 2014,[note 3] and leading Barcelona to a historic second treble.

An Argentine international, Messi is his country's all-time leading goalscorer. At youth level, he won the 2005 FIFA World Youth Championship, finishing the tournament with both the Golden Ball and Golden Shoe, and an Olympic gold medal at the 2008 Summer Olympics. His style of play as a diminutive, left-footed dribbler drew comparisons with his compatriot Diego Maradona, who described Messi as his successor. After his senior debut in August 2005, Messi became the youngest Argentine to play and score in a FIFA World Cup during the 2006 edition, and reached the final of the 2007 Copa América, where he was named young player of the tournament. As the squad's captain from August 2011, he led Argentina to three consecutive finals: the 2014 FIFA World Cup, for which he won the Golden Ball, and the 2015 and 2016 Copas América. After announcing his international retirement in 2016, he reversed his decision and led his country to qualification for the 2018 FIFA World Cup, and a third-place finish at the 2019 Copa América.

According to France Football, Messi was the world's highest-paid footballer for five years out of six between 2009 and 2014, and was ranked the world's highest-paid athlete by Forbes in 2019. He was among Time's 100 most influential people in the world in 2011 and 2012. One of the most famous athletes in the world, Messi has been sponsored by sportswear company Adidas since 2006 and has established himself as their leading brand endorser.
Early life
Lionel Andrés Messi was born on 24 June 1987 in Rosario, the third of the four children of Jorge Messi, a steel factory manager, and his wife Celia Cuccittini, who worked in a magnet manufacturing workshop. On his father's side, he is of Italian and Spanish descent, the great-grandson of immigrants from the northcentral Adriatic Marche region of Italy and Catalonia, and on his mother's side, he has primarily Italian ancestry.[5] Growing up in a tight-knit, football-loving family, "Leo" developed a passion for the sport from an early age, playing constantly with his older brothers, Rodrigo and Matías, and his cousins, Maximiliano and Emanuel Biancucchi, both of whom became professional footballers.[9] At the age of four he joined local club Grandoli, where he was coached by his father, though his earliest influence as a player came from his maternal grandmother, Celia, who accompanied him to training and matches.[10] He was greatly affected by her death, shortly before his eleventh birthday; since then, as a devout Catholic, he has celebrated his goals by looking up and pointing to the sky in tribute of his grandmother.
A lifelong supporter of Newell's Old Boys, Messi joined the Rosario club when he was six years old. During the six years he played for Newell's, he scored almost 500 goals as a member of "The Machine of '87", the near-unbeatable youth side named for the year of their birth, and regularly entertained crowds by performing ball tricks during half-time of the first team's home games.[14][15] However, his future as a professional player was threatened when, at age 10, he was diagnosed with a growth hormone deficiency. As his father's health insurance covered only two years of growth hormone treatment, which cost at least $1,000 per month, Newell's agreed to contribute, but later reneged on their promise.[16] He was scouted by Buenos Aires club River Plate, whose playmaker, Pablo Aimar, he idolised, but they were also unable to pay for his treatment due to the country's economic collapse.[17][18] His goalscoring idol growing up was Ronaldo, with Messi calling him “the best forward I’ve ever seen”
As the Messi family had relatives in Catalonia, they sought to arrange a trial with Barcelona in September 2000. First team director Charly Rexach immediately wanted to sign him, but the board of directors hesitated; at the time it was highly unusual for European clubs to sign foreign players of such a young age. On 14 December, an ultimatum was issued for Barcelona to prove their commitment, and Rexach, with no other paper at hand, offered a contract on a paper napkin.[17][20] In February 2001, the family relocated to Barcelona, where they moved into an apartment near the club's stadium, Camp Nou. During his first year in Spain, Messi rarely played with the Infantiles due to a transfer conflict with Newell's; as a foreigner, he could only be fielded in friendlies and the Catalan league. Without football, he struggled to integrate into the team; already reserved by nature, he was so quiet that his teammates initially believed he was mute. At home, he suffered from homesickness after his mother moved back to Rosario with his brothers and little sister, María Sol, while he stayed in Barcelona with his father.[14][20][21]

After a year at Barcelona's youth academy, La Masia, Messi was finally enrolled in the Royal Spanish Football Federation (RFEF) in February 2002. Now playing in all competitions, he befriended his teammates, among whom were Cesc Fàbregas and Gerard Piqué.[22] After completing his growth hormone treatment aged 14,[23] Messi became an integral part of the "Baby Dream Team", Barcelona's greatest-ever youth side. During his first full season (2002–03), he was top scorer with 36 goals in 30 games for the Cadetes A, who won an unprecedented treble of the league and both the Spanish and Catalan cups.[22][24] The Copa Catalunya final, a 4–1 victory over Espanyol, became known in club lore as the partido de la máscara, the final of the mask. A week after suffering a broken cheekbone during a league match, Messi was allowed to start the game on the condition that he wear a plastic protector; soon hindered by the mask, he took it off and scored two goals in 10 minutes before his substitution.[25] At the close of the season, he received an offer to join Arsenal, his first from a foreign club, but while Fàbregas and Piqué soon left for England, he chose to remain in Barcelona.[20][26][27]

Club career
Barcelona
2003–05: Rise to the first team
During the 2003–04 season, his fourth with Barcelona, Messi rapidly progressed through the club's ranks, debuting for a record five teams in a single campaign. After being named player of the tournament in four international pre-season competitions with the Juveniles B, he played only one official match with the team before being promoted to the Juveniles A, where he scored 18 goals in 11 league games.[29][30] Messi was then one of several youth players called up to strengthen a depleted first team during the international break. French winger Ludovic Giuly explained how a teenage Leo caught the eye in a training session with Frank Rijkaard's first team: "He destroyed us all... They were kicking him all over the place to avoid being ridiculed by this kid, he just got up and kept on playing. He would dribble past four players and score a goal. Even the team's starting centre-backs were nervous. He was an alien."[31]

At 16 years, four months, and 23 days old, Messi made his first team debut when he came on in the 75th minute during a friendly against José Mourinho's Porto on 16 November 2003.[20][32] His performance, creating two chances and a shot on goal, impressed the technical staff, and he subsequently began training daily with the club's reserve side, Barcelona B, as well as weekly with the first team.[33] After his first training session with the senior squad, Barça's new star player, Ronaldinho, told his teammates that he believed the 16-year-old would become an even better player than himself.[34] Ronaldinho soon befriended Messi, whom he called "little brother", which greatly eased his transition into the first team
To gain further match experience, Messi joined Barcelona C in addition to the Juveniles A, playing his first game for the third team on 29 November. He helped save them from the relegation zone of the Tercera División, scoring five goals in ten games, including a hat-trick in eight minutes during a Copa del Rey match while man-marked by Sevilla's Sergio Ramos.[29][37] His progress was reflected in his first professional contract, signed on 4 February 2004, which lasted until 2012 and contained an initial buyout clause of €30 million. A month later, on 6 March, he made his debut for Barcelona B in the Segunda División B, and his buyout clause automatically increased to €80 million.[29][38] He played five games with the B team that season but did not score.[39] Physically he was weaker than his opponents, who were often much older and taller, and in training he worked on increasing his muscle mass and overall strength in order to be able to shake off defenders. Towards the end of the season, he returned to both youth teams, helping the Juveniles B win the league. He finished the campaign having scored for four of his five teams with a total of 36 goals in all official competitions.[29][37]

During the 2004–05 season, Messi was a guaranteed starter for the B team, playing 17 games throughout the campaign and scoring on six occasions.[34][40] Since his debut the previous November, he had not been called up to the first team again, but in October 2004, the senior players asked manager Frank Rijkaard to promote him.[34] Since Ronaldinho already played on the left wing, Rijkaard moved Messi from his usual position onto the right flank (though initially against the player's wishes), allowing him to cut into the centre of the pitch and shoot with his dominant left foot.[41][42] Messi made his league debut during the next match on 16 October, against Espanyol, coming on in the 82nd minute.[20] At 17 years, three months, and 22 days old, he was at the time the youngest player to represent Barcelona in an official competition.[36] As a substitute player, he played 77 minutes in nine matches for the first team that season, including his debut in the UEFA Champions League against Shakhtar Donetsk.[40][43] He scored his first senior goal on 1 May 2005, against Albacete, from an assist by Ronaldinho, becoming – at that time – the youngest-ever scorer for the club.[41][44] Barcelona, in their second season under Rijkaard, won the league for the first time in six years.[45]

2005–08: Becoming a starting eleven player
On 24 June 2005, his 18th birthday, Messi signed his first contract as a senior team player. It made him a Barcelona player until 2010, two years less than his previous contract, but his buyout clause increased to €150 million.[38] His breakthrough came two months later, on 24 August, during the Joan Gamper Trophy, Barcelona's pre-season competition. A starter for the first time, he gave a well-received performance against Fabio Capello's Juventus, receiving an ovation from the Camp Nou.[46] While Capello requested to loan Messi, a bid to buy him came from Inter Milan, who were willing to pay his €150 million buyout clause and triple his wages.[47] According to then-president Joan Laporta, it was the only time the club faced a real risk of losing Messi, but he ultimately decided to stay.[48] On 16 September, his contract was updated for the second time in three months and extended to 2014

ماجد المهندس

ماجد المهندس (25 أكتوبر 1971)، مغني عراقي، يحمل الجنسية السعودية منذ 2010.
حياته
ولد في مدينة بغداد لعائلة مسلمة تنحدر من الكوت في محافظة واسط عاش وتربى في مدينة الثورة حي الجميلة لديه ثلاثة أخوه وأختان بدأ العمل إلى جانب أبيه في مهنة الخياطة بمحله “المقص الذهبي” في سوق الكيارة، إلى أن شعر بأنّ ثمّة إحساساً كبيراً في داخله مستعدّ لأن يتفجّر في أي لحظة، فتمرّد على واقعه وهرب من منزله ومن ثمّ سافر إلى الأردن بعد معارضة والده الشديدة لدخول المجال الفني. ترك دراسة هندسة ميكانيك الطيران ، لولعه الشديد بالفن والغناء، لقّب نفسه بماجد المهندس. من منزله ليسكن في فندق شعبي ولم تفلح جهود والدته في اقناعه بالعودة إلى البيت وخوفا من الرضوخ لتوسلاتها سافر إلي الأردن ليغني في أحد المطاعم حتي جمع مبلغا من المال اشتري به عوداً ليعزف عليه وسيارة جديدة إلا أنه تلقى صدمة ، عندما تقدم للحصول علي اجازة الغناء بالإذاعة وخلال الاختبار فاجأته لجنة التحكيم بأنه لا يصلح للغناء مما جعله يعكف علي دراسة أصول الموسيقى  تلقى علوم الموسيقى خارج معاهد العراق· وقد تقدم للجنة اختبار الأصوات في الإذاعة العراقية، وكانت النتيجة تزكيته من أساتذة كبار منهم حسن الشكرجي، وياسين الراوي، وخليل إبراهيم، وعادل الشيمي، ومحمد نوشي· ومذاك اعتمد مطرباً شاباً في الإذاعة و التلفزيون العراقي·

حياته الأسرية
تزوج من سيدة تونسية تحمل الجنسية الفرنسية وتقيم في فرنسا ثم انفصل عن زوجته بعد أن أنجب منها ابنه محمد، وقد رفعت ضده دعوى للحصول على الحضانة الكاملة للطفل، ترك ذلك أثراً كبيراً في قلبه فطلب من صديق له كتابة كلمات أغنية (حبك قتلني محمد)  .

مشواره المهني
بداياته كانت في العام 1991 مع اغنية "المشكلة". أحب الموسيقى والغناء من صغره وتأثر بناظم الغزالي و سعدون جابر، غادر العراق إلى الأردن مع صديقه الشاعر عزيز الرسام بحثًا عن حلم النجومية، فسافرا إلى لكن صديقه تركه وطلب حق اللجوء السياسي إلى أستراليا ولم يعلمه بذلك، ما اضطره للعمل في محل "خياطة" والنوم فوق الطاولة التي يكوي الملابس عليها، حتى لا يموت من الجوع، إلى أن اشترى أول "عود" ليتدرب عليه وينمي موهتبه، إلاّ أنّه لم يجد في الغربة ما كان يؤول إليه، إذ لا شركات إنتاج تستقبله ولا أيادي نظيفة تحتضنه ما جعله مضطراً للعودة إلى العمل كخيّاط نهارا ً ومطرب وعازف على العود ليلاً في أحد الملاهي. التقى بالفنان فائق حسن الذي دعمه وأصبح مدير أعماله لاحقا انطلاقته الفنية كانت مع شركة الخيول حيث أنتجت له أول أعماله الفنية وأصدر معها أربعة ألبومات ، ذاع صيته في البلدان العربية· وكانت مشاركته الأولى في مهرجان الأغنية العربية في المنامة عام 2001 نقطة انطلاق بعد فوزه بالجائزة الأولى للأغنية العربية، ومن ثم مهرجان الأردن· وتتالت المشاركات والمهرجانات التي قدمتنه للجمهور، إلى أن أقام بشكل دائم في الإمارات انتقل لشركة روتانا لمالكها الأمير الوليد بن طلال للصوتيات حيث ازدادت شهرته الفنية. أطلق عليه جمهوره ومحبيه من كافة دول العالم العربي اسم أمير الغناء العربي وصاحب الصوت ألماسي.

تجربته في التمثيل
عام 2007 في مسلسل (راجل وست ستات) بجزئه الأول مع الفنان أشرف عبد الباقي

حصوله على الجنسية السعودية وإثارة الجدل
حصل على الجنسية السعودية في عام 2010 بمكرمة ملكية من الملك عبدالله بن عبدالعزيز آل سعود، و لم يتنازل عن الجنسيه العراقية. بعدما حظي بثقة الشاعر خالد التويجري فتم الاستعانة به لتلحين أوبريت الجنادريه 31 لكاتبها الشاعر ساري

إثار حصوله على الجنسية السعودية غضب وهجوم الجمهور العراقي وأعتبره البعض تخليه عن جنسيته وعن بلده العراق ورد عليهم قائلا:

« أنا أتشرف بكوني عراقيا ولم أتخل عن جنسيتي كما يشرفني حصولي على جنسية عربية تكريما لي ولبلدي الذي أمثله.. الجنسية السعودية حصلت عليها لتقديمي ألحانا لأكبر وأضخم مهرجان في بلدي الثاني السعودية، ويشرفني حمل هذه الجنسية فضلا عن بلدي الأم»
أثار غضب الجمهور العراقي في حفل فني له حيث قام بتقبيل العلم السعودي ووضعه حول رقبته فيما كان العلم العراقي موضوعا على لوح النوتات الموسيقية الذي أمامه موضحا

« في أغلب الحفلات يقوم الجمهور بإهداء إعلام الدول لي اثناء غنائي تعبيرا منهم عن الحب ويفتخرون بكوني أمثِّلهم وهذا شرف لي، وانا أقوم عادة بتقبيل العلم ووضعه على كتفي أمتنانا مني للجمهور وبعدها أضعه أمامي كما حصل في تلك الحفلة، حيث قبلت العلم العراقي ووضعته على كتفي ثم قمت بوضعه أمامي بعد أن أنتهت الأغنية وفي الاغنية الثانية قدم احد الحاضرين لي العلم السعودي فقمت بتقبيله وضعه على كتفي فقام أحد المغرضين بنشر الصورة على انها انتقاص من العلم العراقي وهذا غير صحيح، ولا أرى انه من الخطأ أن احمل علم السعودية بلدي الثاني الذي كرمني وأنا ممتن لجمهوري الرائع فيه كما انا أتشرف بالعراق وكل الدول العربية وأقول لكل من يزايد على وطنيتي انا ابن العراق ولدت فيه وتربيت فيه واعشق ترابه وأنا أبن السعودية احتضنتني وكرمتني كما أني أبن كل بلد عربي»
أغانيه الوطنية
قدم العديد من الأغاني الوطنية لبلده العراق ولغير بلدان مثل لبنان وفلسطين، من بين أغنياته الوطنية: تفرج يا عراق، جنة جنة، بلد الحبايب، لا تبكين يا غزة، صباح الخير يا لبنان، ويا وطنا. حيث شارك بعدها بأوبريت الضمير العربي الذي ضم العديد من المغنين العرب. قام المهندس بإعادة احياء العديد من الأغاني من التراث العراقي مثل: جنة جنة وميجنا. و أغاني وطنية للسعودية مثل: أغنية "وحدة وطن" في افتتاح مهرجان الجنادرية في دورته الخامسة والعشرين عام 2010. و"أبشرك حنّا بخير وسلامة" بمناسبة نجاح العملية الجراحية للملك عبد الله التي أجراها في الولايات المتحدة الأمريكية، وأغنية "الله يعز الدار" بمناسبة اليوم الوطني السعودي عام 2014، وأغنية تحمل اسم "الملك سلمان" في عام 2015، وأغنية "حيهم" بمناسبة زيارة الرئيس الأمريكي دونالد ترامب إلى المملكة العربية السعودية لحضور قمة الرياض عام 2017. كما شارك في مهرجان الجنادرية في دورته الثانية والثلاثون في أوبريت "أئمة وملوك" وعدد من الأغاني الأخرى عام 2018.

مقدمات المسلسلات
غنى كثير من شارات المسلسلات الخليجيه والمصرية :

(2006): الإختيار الصعب
(2007): نعم ولا
(2007): وجه آخر
(2008): أيوب
(2011): بوكريم برقبته سبع حريم
(2011): وجع الإنتصار
(2011): شوية أمل
(2012): البلطجي
(2014): للحب كلمة
(2015): العم صقر
(2016): بياعة النخي
(2017): أغنية "الخذلان " مسلسل قلبي معي
تعاوناته الفنية
خلال مسيرة ماجد المهندس الفنية، تعاون ماجد مع العديد من المطربين العراقيين والعرب أمثال قيصر الغناء كاظم الساهر، حسين الجسمي، محمد عبده (مغني)، منصور زايد، راشد الماجد رافق ماجد المهندس زميله المخرج والشاعر فائق حسن حيث اشتهر الثنائي بنجاحاتهم المتتالية.

الجوائز التي حصل عليها
 لبنان:جائزة أفضل مطرب عربي في حفل توزيع جوائز الموريكس دور.

الكرة الذهبية

الكرة الذهبية (بالفرنسية: Ballon d’Or) وتعرف أيضاً بـجائزة لاعب العام في أوروبا، هي جائزة سنوية مقدمة من طرف مجلة فرانس فوتبول تمنح لأفضل لاعب كرة قدم. منحت الجائزة أول مرة سنة 1956. كانت مجلة فرانس فوتبول الفرنسية هي وراء الفكرة وكانت هي التي تختار الاعب الذي سيمنح الجائزة ولكنه أصبح حاليا يتم اختيار الاعب بعد تصويت يتم من قبل الصحفيين المختصين بكرة القدم..

كانت الجائزة تمنح في البداية للاعبين الأوروربيين. في سنة 1995 تم تعديل القانون وأصبحت تمنح للاعبيين الذين يلعبون في أندية أوروبية. أصبح جورج ويا أول لاعب غير أوروبي يمنح الجائزة وذلك سنة 1995. في سنة 2007 أصبحت الجائزة تمنح لجميع الاعبين ولم تعد تقتصر على الاعبين المحترفين في الأندية الأوروبية.

في عام 2010 تم الاتفاق على إيقاف الجائزة و دمجها مع جائزة أفضل لاعب كرة قدم في العالم المقدمة من الفيفا تحت مسمى كرة الفيفا الذهبية. وفي عام 2016، لم تتوصل مجلة فرانس فوتبول مع الفيفا لاتفاق حول تجديد العقد، وبالتالي ستعود المجلة للتفرد بالكرة الذهبية، فيما أنشأت الفيفا جائزة جديدة بمسمى الأفضل (The Best).
التاريخ
أول لاعب فاز بجائزة الكرة الذهبية هو الإنجليزي ستانلي ماثيوس لاعب نادي بلاكبول آنذاك سنة 1956. قبل عام 1995، كانت تعرف الجائزة في الإعلام الإنجليزي بإسم جائزة أفضل لاعب أوروبي للسنة. لاعب إيه سي ميلان جورج ويا هو أول لاعب غير أوروبي يفوز بالجائزة وذلك سنة 1995 بعد تعديل القوانين بحيث أصبحت تمنح للاعبيين الذين يلعبون في أندية أوروبية بعد أن كانت تمنح للأوروبيين فقط. رونالدو لاعب إنتر ميلان آنذاك هو أول لاعب من أمريكا الجنوبية يفوز بالجائزة سنة 1997. كريستيانو رونالدو وليونيل ميسي فازا ب5 جوائز لكل منهما أكثر من أي لاعب آخر. ويعتبر ميشيل بلاتيني أول لاعب يفوز بالجائزة ل3 مرات متتالية أعوام 1983، 1984 و1985 بقميص يوفنتوس. لاعبين آخرين فازا بالجائزة 3 مرات، هما يوهان كرويف لاعب أجاكس وماركو فان باستن لاعب إيه سي ميلان. يعتبر نادي برشلونة الإسباني الأكثر فوزا برصيد 11 جائزة.

ما بين 2010 و2015، دمجت الجائزة مع جائزة أفضل لاعب كرة قدم في العالم المقدمة من طرف الفيفا، لتصبح تحت مسمى كرة الفيفا الذهبية. ولكن في عام 2016 لم تتوصل مجلة فرانس فوتبول لاتفاق حول تجديد العقد لتعود جائزة الكرة الذهبية إلى المجلة فيما أنشأت الفيفا جائزة جديدة بإسم جائزة الأفضل.
أرقام قياسية
ألمانيا (سنتا 1972 و1981) وهولندا (سنة 1988) هي الدول الوحيدة التي تنفاسوا 3 لاعبين منهم على الكرة الذهبية لنفس السنة.
إيه سي ميلان (سنتا 1988 و1989) وبرشلونة (سنة 2010)، هما الناديان الوحيدان اللذان تنفاسوا 3 لاعبين منهم على الكرة الذهبية لنفس السنة.
برشلونة هو النادي الوحيد الذي وضع على الأقل لاعب منه للتنافس على الكرة الذهبية ل10 سنوات متتالية منذ 2007 إلى 2017، والسلسلة انتهت.

زياد علي

زياد علي محمد