الأحد، 9 فبراير 2020

حرس الحدود

حرس الحدود، أحد الأسلحة الهامة في الجيش ومهمته الأساسية هي حماية الحدود من الاختراق غير المشروع وكذلك منع عمليات التسلل والتهريب غير المشروع للبضائع والممنوعات مثل المخدرات والأسلحة وغيرها.

تقوم حرس الحدود بتنظيم دوريات منتظمة على مدار 24 ساعة في اليوم لمختلف النقاط الحدودية وما بينها.

يستخدم حرس الحدود الدوريات الراكبة والسائرة والهجانة والطيران وكذلك دوريات الكلاب لتعقب الممنوعات وآثار الهاربين والمهربين.
مهام حرس الحدود
حماية الحدود من عمليات التهريب غير المشروع كالمخدرات والاسلحة
حماية الحدود من التسلل الفردي أو الجماعي
إنقاذ التائهين في الصحراء وتتبع آثارهم.
التبليغ المبكر عن أي تحرك مشبوه للجيش خلف حدود الدول المجاروة.
الحفاظ على الأمن في منظقة الحدود
الحفاظ على البيئة في منطقة الحدود.
ويضاف إليها بعض مهمات حماية الحدود والإنقاذ البحرية حيث أن بعض الدول يكون بها حرس الحدود وخفر السواحل تحت مظلة واحدة هي حرس الحدود

الأسلحة الخاصة في حرس الحدود
الهجانة : أو القوات راكبة الجمال هي أحد الأسلحة الهامة في حرس الحدود وذلك لصعوبة المناخ الصحراوي ووعورة الطرق التي لا تستطيع السيارات السير عليها وخاصة في المدقات الجبلية الضيقة.

وعادة ما يكون هؤلاء الأفراد من نفس بيئة المكان الذي يقومون فيه بالخدمة.

مقتفو الأثر أو قصاصو الأثر : هم من البدو المدربين منذ نعومة أظفارهم على اقتفاء الأثر والتعرف على الأشخاص من أثار الأقدام والأثار الأخرى التي قد تخفى على العين غير المدربة.

الكميرات الحرارية: أجهزة تقنية تكشف أي حرارة تصدر عن جسم أي كائن حي لذلك هي فعالة في عمليات الكشف عن المتسللين والمهربين في الظلام الدامس ليلاً.

يمكن لهذه الكميرات الرؤية على مدى عشرات الكيلو مترات، وتظهر صورة المهرب وما يحمله من مهربات واسلحه على الشاشة بلونين أبيض وأسود مما يتيح لحرس الحدود اخذ الحذر عند التعامل مع هذا المهرب أو المتسلل. خصوصا إذا كان خطر ومسلح قد يبادر بإطلاق النار.

حرس الحدود في مرآة الإعلام
لفتت بطولات وأهمية حرس الحدود انتباه صناع السينما فكانت عدة أفلام مصرية تناولت هذا السلاح ومنها:

عين الصقر (بطولة نور الشريف)
عبود على الحدود (بطولة علاء ولي الدين)
موضوعات متعلقة
جيش
خفر السواحل
حرس الحدود الإسرائيلي
أمن المطار

جدارة

جدارة هي منظومة توظيف الكتروني تابعة لوزارة الخدمة المدنية في المملكة العربية السعودية. تمكن المواطنين طالبي العمل من تقديم طلبات التوظيف في الجهات الحكومية المتوافقة مع مؤهلاتهم وتخصصاتهم. ويتم ذلك من خلال تسجيل بياناتهم الشخصية ومؤهلاتهم، وخبراتهم العملية، مع إرفاق الوثائق اللازمة إلكترونيا، لتمر بمراحل التدقيق والمطابقة والترشيح الآلي. وصل عدد المسجلين في نظام جدارة إلى 1,143,510 مستخدم في عام 2017م.
آلية استخدام نظام جدارة
التسجيل في الخدمة بإنشاء حساب خاص بالمستخدم
تسجيل بيانات السيرة الذاتية
إدخال بيانات المؤهلات العلمية
الإطلاع على الإعلانات والوظائف والتقديم عليها
الإطلاع على نتائج الترشيح
الترشيح
يتم التوظيف في نظام جدارة بحسب ظروف العرض والطلب وفق ثلاث حالات تتضمن التوظيف المباشر في حال كان يزيد عدد المتقدمين أو المتقدمات على الوظائف المعلنة، والمفاضلة للوظائف التي عددها يقل عن عدد المتقدمين والمتقدمات، والمسابقات الوظيفية للوظائف التي تتطلب قياس معارف وقدرات ومهارات يتم اكتسابها بواسطة الخبرة العملية بالإضافة للدرجة العلمية من خلال الامتحانات النظرية والعملية.

الوظائف
يختص نظام جدارة باستقبال طلبات وظائف الجهات الحكومية وتشمل:

الوظائف المشمولة بسلم رواتب الوظائف التعليمية
الوظائف المشمولة بسلم رواتب الوظائف الصحية .
الوظائف المشمولة بسلم رواتب الموظفين العام من المرتبة الأولى حتى المرتبة العاشرة.

كيان

الكيان هو شيء موجود في حد ذاته فعلا أو افتراضا، حيث أنه ليس من الضروري أن يكون الكيان ملموساً إذ يمكن اعتبار الأوصاف المجردة للأشياء والأفعال كائنات، كما أنه لا يشترط للكيان أن يصف الاشياء الحية فقط. في مجال الأعمال التجارية، يمكن للكيان أن يكون شخصاً أو إدارة معينة أو فريقاً أو شركة أو تعاونية.

الغرض من هذه الكيانات هو

تعظيم الاستراتيجيات الضريبية
حماية المسؤولية
ضمان حماية الأصول
الحفاظ على الثروة من خلال ايجاد طرق متعددة للدخل
تحسين الفرص.
في بعض الأحيان، يتم استخدام كلمة "كائن" بمعنى الوجود، سواء كان هذا الوجود مادياً أو مجازياً، على سبيل المثال، يمكن اعتبار اللغة كائناً غير مادي بينما الموظف عبارة عن كيان مادي ملموس.

استخدامات متخصصة للكيان
في لغة ترميز النص الفائق، كيان هو مقتطف الشفرة (على سبيل المثال، "®" ل "العلامات التجارية المسجلة") وهو ما فسره متصفحات الويب لعرض أحرف خاصة. انظر قائمة لغة الترميز القابلة للامتداد و لغة ترميز النص الفائق مراجع كيان الحرف.
وهو كيان قانوني هو كيان قادر على تحمل الحقوق والالتزامات القانونية، مثل أي شخص طبيعي أو شخصية اعتبارية (مثل كيان تجاري أو كيان الشركات).
في السياسة، كما يستخدم المصطلح للكيان الانقسامات الإقليمية لبعض البلدان (مثل البوسنة والهرسك)
في ألعاب الكمبيوتر ومحركات اللعبة، الكيان هو كائن حيوي مثل حرف لاعب أو العنصر.
في كيان العمارة الأنظمة المفتوحة هو روتين النشطة داخل الطبقة.
في في إتش دي إل، الكيان هي الكلمة الرئيسية لتحديد كائن جديد.
كيان SGML  هي اختصار لبعض قطعة توسيع النص لغة الترميز القياسي العام.
كيان قاعدة بيانات هو إما شيء في العالم على غرار الرسم أو عنصر في طريقة الكيانات والعلاقات.
الكيان SUMO  هي العقدة الجذر وتقف على الطبقة العالمية من الأفراد.

السبت، 8 فبراير 2020

Alka Lamba

Alka Lamba (born 21 September 1975) is an Indian politician.[1] After serving the Indian National Congress in various capacities for more than 20 years, she quit to join the Aam Aadmi Party on 26 December 2014.[2] In February 2015, Lamba was elected to the Delhi Legislative Assembly from Chandni Chowk. She quit AAP in September 2019 citing disrespect for her within the party. On 6 September 2019, she formally returned to the Congress party.[3] She was however disqualified from the Delhi assembly by Delhi speaker for violating the rules for party change over in a gesture of strong warning to tainted turncoats. [4].

Lamba began her career as a student leader, and is former President of Delhi University Students' Union, former National President of National Students' Union of India, former General Secretary of Delhi Pradesh Congress Committee and former Secretary of All India Congress Committee. She is Chairperson of the NGO Go India Foundation
Political career
Lamba was only 19 years old when she began her political career in 1994 as a second year B.Sc. student. She joined the National Students' Union of India (NSUI), the student wing of the Congress party and was promptly given the responsibility of being Delhi State Girl Convener. After one year in 1995, she contested the Delhi University Students' Union (DUSU) election for the post of President and won by a huge margin. In 1996, she worked as All India Girl Convener for NSUI, and in 1997 she was appointed as the President of all India (NSUI).[7][8]

In 2002, she was appointed as the General Secretary of All India Mahila Congress. In 2003, she unsuccessfully contested Delhi Assembly elections from Moti Nagar Constituency against the senior BJP leader Madan Lal Khurana. In 2006 she became a member of All India Congress Committee (AICC) and was appointed as General Secretary of Delhi Pradesh Congress Committee (DPCC). At the same time she was also appointed as Vice Chairperson of National Institute of Public Cooperation and Child Development (NIPCCD), an autonomous body of Ministry of Women and Child Development, Government of India.[7] She was a Secretary All India Congress Committee (AICC) at the Indian National Congress from 2007 to 2011.[9][10][11] She left Indian National Congress in December 2014 to join Aam Aadmi Party.[12] In February 2015, Lamba contested in Delhi Legislative Assembly election from Chandni Chowk constituency on Aam Aadmi Party's ticket. She defeated her nearest rival, Suman Kumar Gupta of Bharatiya Janata Party, by a margin of 18,287 votes.[13]

Lamba has visited the UK, Russia, the US, China, and Venezuela to attend seminars and give speeches about women's empowerment, human rights and sustainable development in third world nations. In 2005, she visited Venezuela to attend the World Festival of Youth and Students. In 2006, she visited the US to attend a conference on international women's leadership programs. In 2007 and 2008, she visited London to attend the UN's International Widows Day and tourism and cultural festival. In 2008–2009, Lamba visited Nepal to attend a seminar on disaster management programs. In 2010, Lamba travelled across Brunei, Singapore, Bangladesh, Sri Lanka, Malaysia, and Maldives with the 2010 Delhi Commonwealth Games Queen's Baton Relay.[7][11]

Controversies
In August 2015, a few months after she had been elected MLA for the Chandni Chowk constituency, Lamba was charged with vandalism and destruction of property in an incident which occurred within her own constituency. On 10 August 2015, a mob armed with lathis, swagger sticks and cricket bats attacked and badly vandalized a liquor shop located in the Kashmere Gate area of old Delhi. CCTV footage recorded shows Lamba leading the attack and vandalising the shop along with her supporters.[14] The footage shows her reaching straight for the shop counter and violently pushing and spilling and throwing away the items on the counter. Following this, her supporters also vandalised the shop.[14] According to reports, this happened because the shopkeeper was a BJP supporter and had objected to the AAP defacing his shop windows with posters eulogising Lamba and her party.

Representing National Commission for Women on 16 July 2012, as one of the member of the enquiry team of 2012 Guwahati molestation case, Lamba met the victim of a Guwahati molestation case, held a press-conference and revealed the victim's identity. The 'tip-off' made local media houses work overtime to find the victim's real identity. Some TV channels interviewed the victim's neighbours to come to the conclusion that the girl's name was not what she was forced to say by the channel that recorded her molestation and near-stripping. Such acts of Lamba's were widely criticised. Following this, she was removed from the fact-finding committee of NCW.[15][16]

Social work
Lamba started the non-governmental organisation India Foundation in 2006 with the aim of empowering women and youth and encouraging them to take part in the political, social and economic development of India. The NGO deals mainly with women's issues.[7][15] The organisation arranged a blood donation campaign in 250 districts of India on 15 August 2010, the 63rd Independence Day of India, with the goal of collecting 63000 units of blood; it made a record when over 65,000 people donated blood in one day throughout the nation and worldwide. The campaign was promoted by famous Bollywood personalities including Salman Khan, Ritesh Deshmukh, and Dia Mirza.[17] On the appeal by Salman Khan, Aamir Khan and many other Bollywood celebrities donated blood.[18] Russian Ambassador to India Alexander Kadakin also appreciated and extended his support to this campaign

إلزه لاسكر شولر

إلزه لاسكر شولر (بالألمانية: Else Lasker-Schüler). هي شاعرة تعبيرية يهودية ألمانية. ولدت عام 1869 في البرفيلد بألمانيا، وتوفيت عام 1945 في القدس. كانت إلزه لاسكر شولر ابنةً لأحد رجال البنوك اليهود. كانت على صداقةً بالعديد من الفنانين التشكيليين والأدباء من عصر التعبيرية، وشاركت في إصدار صحيفة (العاصفة). وفي عام 1933 هاجرت إلى سويسرا وفي عام 1937 هاجرت إلى القدس حيث ماتت هناك.

أعمالها
اليوم السابع «Der siebente Tag» (قصائد 1905).
المجموعة الكاملة لقصائدها (1917).
البيانو الأزرق الخاص بي «Mein biaues Klavier» (قصائد 1943).

Else Lasker-Schüler

Elisabeth „Else“ Lasker-Schüler geb. Schüler (geboren am 11. Februar 1869 in Elberfeld (heute Stadtteil von Wuppertal); gestorben am 22. Januar 1945 in Jerusalem) war eine deutsch-jüdische Dichterin. Sie gilt als herausragende Vertreterin der avantgardistischen Moderne und des Expressionismus in der Literatur. Sie trat aber auch als Zeichnerin hervor.
Else Schüler wurde am 11. Februar 1869 in Elberfeld, heute ein Stadtteil von Wuppertal, geboren und wuchs im Briller Viertel von Elberfeld auf. Sie war das jüngste von sechs Kindern von Jeanette Schüler geb. Kissing (1838–1890). Die Mutter wurde zu einer zentralen Gestalt ihrer Dichtung. Ihr Vater war Aaron Schüler (1825–1897), ein Privatbankier. Er wurde später Vorbild für die Hauptfigur des Dramas Die Wupper. Jeanette Kissing war nach dem Tod ihrer Eltern von der Familie des Verlegers und Politikers Leopold Sonnemann in Frankfurt am Main aufgenommen worden. Dessen Frau Rosa war Jeanettes Ziehmutter. Elses Vater Aaron Schüler und der Berliner Bankier Julius Israel Schüler (1827–1908) waren Brüder von Rosa Sonnemann. Jeanette lernte Aaron Schüler über dessen Bruder Julius kennen.

Else galt als Wunderkind der Familie, denn sie konnte bereits mit vier Jahren lesen und schreiben. Ab 1880 besuchte sie das Lyceum West an der Aue. Nachdem sie die Schule abgebrochen hatte, erhielt sie Privatunterricht im Hause ihrer Eltern.

Als sie 13 Jahre alt war, starb ihr Lieblingsbruder Paul. Ihre Mutter starb am 27. Juli 1890; es bedeutete für sie „die Vertreibung aus dem Paradies“.[1]

Ehen und erste Gedichte
1894 heiratete Else Schüler den Arzt Jonathan Berthold Lasker, einen älteren Bruder des langjährigen Schachweltmeisters Emanuel Lasker, und zog nach Berlin um. Dort arbeitete sie im Rahmen ihrer zeichnerischen Ausbildung.

1897 starb ihr Vater. Am 24. August 1899 wurde ihr Sohn Paul (1899–1927) geboren. In diesem Jahr wurden erste Gedichte veröffentlicht; ihr erster Gedichtband Styx folgte 1901.

Am 11. April 1903 wurde die Ehe von Else Lasker-Schüler und Berthold Lasker geschieden.[A 1] Am 30. November heiratete sie den Schriftsteller Georg Lewin, dem sie sein Pseudonym Herwarth Walden vorschlug.

Weitere Veröffentlichungen
1906 erschien Lasker-Schülers erstes Prosawerk Das Peter Hille-Buch nach Hilles Tod; er war einer ihrer engsten Freunde. 1907 erschien die Prosasammlung Die Nächte der Tino von Bagdad. 1909 publizierte sie das Schauspiel Die Wupper, das jedoch zunächst nicht zur Aufführung kam. Mit dem Gedichtband Meine Wunder (1911) wurde Lasker-Schüler zur führenden deutschen Expressionistin.

Nach der Trennung von Herwarth Walden 1910 wurde 1912 auch die zweite Ehe geschieden. Walden heiratete noch im selben Jahr in London die Schwedin Nell Roslund. Ohne eigenes Einkommen lebte Else Lasker-Schüler jetzt von der Unterstützung durch Freunde, insbesondere Karl Kraus. Im Sommer 1912 begegnete Else Lasker-Schüler Gottfried Benn. Es entstand eine intensive Freundschaft, die sich literarisch in einer großen Zahl von Liebesgedichten niederschlug, die sie Benn widmete.

Der Briefwechsel mit Franz Marc
Für das Titelblatt der Doppelnummer des Septemberhefts 1912 von Herwarth Waldens Kunstzeitschrift Der Sturm schuf Franz Marc den Holzschnitt Versöhnung („Es wird ein großer Stern in meinen Schoß fallen …“), eine Illustration des gleichnamigen Gedichts von Else Lasker-Schüler.[2] Im Dezember 1912 lernten Franz und Maria Marc die inzwischen von Herwarth Walden geschiedene Dichterin in Berlin kennen.[3] Bereits vor diesem Treffen hatten Marc und Lasker-Schüler, zwischen denen sich eine enge Freundschaft entwickelte, korrespondiert. Bis zum Sommer 1914 kam es zu einem regen Briefwechsel zwischen dem Prinzen Jussuf von Theben (Else Lasker-Schüler) und dem Blauen Reiter (Franz Marc).[4] Von den privaten eigenhändig bemalten Kartengrüßen und Briefen sind 66 von Else Lasker-Schüler, 28 von Franz Marc erhalten. Während Lasker-Schüler ein Ineinander und Nebeneinander von Bild und Schrift setzte, verwendete Marc die Vorderseite einer Korrespondenzkarte für eine Aquarell- oder Tuschzeichnung, betitelte sie und schrieb auf die Rückseite.

Dem ersten Briefgruß Marcs mit dem programmatischen Titel Der blaue Reiter präsentiert Eurer Hoheit sein blaues Pferd folgte das Aquarell Der Turm der blauen Pferde als Neujahrsgruß auf das Jahr 1913. Marc hatte die Postkarte aus einer Bleistiftskizze entwickelt. Sie ist der einzig erhaltene farbige Entwurf für das verschollene gleichnamige Ölgemälde.[5]

Im Ausstellungskatalog Else Lasker-Schüler: Die Bilder betont Ricarda Dick, Marc habe mit der Übernahme von Bildzeichen der Dichterin in seine Aquarelle „das Spiel des poetischen Dialogs“ erwidert und ihre Schrift-Bild-Kompositionen mit seinen Mitteln bereichert: So sind dem vorderen Pferd Halbmonde und Sterne eingeschrieben oder, wie sie einmal selbst geschrieben hatte, in die „Haut [sind] Hieroglyphen eingeschnitten […] bis ins Mark“. Damit führe ihr das Aquarell vor Augen, „wie ihre zeichenhaften Elemente ins Bild integriert werden können, ohne den Charakter zu verlieren“.[6]

Nach Peter Klaus Schuster liegt das Einzigartige dieser Künstlerfreundschaft in der „doppelten Doppelbegabung“: „So wie sich Franz Marc in seinen Karten über das Bild hinaus als poetischer Maler zeige, antworte Else Lasker-Schüler in ihren Briefen nicht nur mit Worten, sondern auch mit Zeichnungen“.[7]

Mit dem letzten Kartengruß sandte Marc das Bild einer arkadischen bayerischen Voralpenszene. Das Aquarell Schloss Ried mit einer Märchenlandschaft, in der ein blauer Reiter auf blauem Pferd mit dem Speer Hirsche jagt, war für den kranken Sohn Paul gedacht. Es diente ihr als Frontispiz gegenüber der Titelseite ihres Romans Der Malik.[8] Die Briefe an den blauen Reiter Franz Marc, die zwischen 1913 und 1915 in den Zeitschriften Die Aktion und Der Brenner erschienen waren, wurden 1915 von Else Lasker-Schüler überarbeitet und als erster Teil des 1919 veröffentlichten Romans „Der Malik.“ Eine Kaisergeschichte mit selbstgezeichneten Bildern und Zeichnungen verwendet, mit der gedruckten Widmung: „Meinem unvergeßlichen Freund Franz Marc / DEM BLAUEN REITER / in Ewigkeit“.[9]

Emigration und Exil
Der Tod ihres Sohnes Paul 1927 stürzte die Dichterin in eine tiefe Krise.

Zusammen mit Richard Billinger erhielt die Dichterin 1932 den letztmals vor der nationalsozialistischen Machtergreifung vergebenen Kleist-Preis. Am 19. April 1933, nach tätlichen Angriffen und angesichts der Bedrohung ihres Lebens, emigrierte sie nach Zürich, erhielt dort jedoch Arbeitsverbot. Die Kantonale und die Städtische Fremdenpolizei mit ihren Kontrolldetektiven erteilten nur befristete Aufenthaltsgenehmigungen und erzwangen dadurch ständige Ortswechsel.[10] Von Zürich aus unternahm sie 1934 und 1937 zwei Reisen nach Palästina, „ihrem Hebräerland“.

1938 wurde ihr die deutsche Staatsbürgerschaft aberkannt, sie wurde „schriftenlos“, wie es in der Schweiz heißt.[11] 1939 reiste sie zum dritten Mal nach Palästina. Der Kriegsbeginn hinderte sie an einer Rückkehr in die Schweiz. Zudem hatten ihr die Schweizer Behörden das Rückreisevisum verweigert.[12]

In Jerusalem wohnte Lasker-Schüler zunächst im Hotel Vienna und ab Mai 1940 im Hotel Atlantic, beide an der belebten Ben Jehuda Street. Ihr letztes Zuhause war ab Sommer 1941 ein privates Zimmer zur Untermiete in der King George Street in Rechavia. Die Dichterin bezog eine monatliche „Ehrenrente“, die je zu Hälfte von der Jewish Agency und von dem Verleger Salman Schocken aufgebracht wurde und ihr eine finanziell einigermaßen gesicherte Existenz ermöglichte. Die meisten ihrer Freunde verlor sie in der Emigration. Doch pflegte sie einen kleinen Freundeskreis mit ebenfalls Emigrierten, zumeist Schriftstellern und Philosophen, darunter Werner Kraft, Martin Buber, Samuel Hugo Bergman, Salman Schocken und Ernst Simon.[13] Den Religionsphilosophen Simon verehrte sie in den letzten Lebensjahren leidenschaftlich, wie aus zahlreichen Gedichten und Briefen hervorgeht. In ihrem Nachlass befanden sich 14 Briefe von Simon aus den Jahren 1940–1943. In ihrem 1943 veröffentlichten, letzten Gedichtband Mein blaues Klavier – Neue Gedichte sind 12 Gedichte Simon gewidmet.[14] Die Verehrung Lasker-Schülers zu Simon hat Christa Ludwig in einem biografischen Roman über die Dichterin thematisiert.[15]

Lasker-Schüler fühlte sich in Palästina verzweifelt. Sie hatte sich das Leben in Jerusalem anders vorgestellt und war enttäuscht. Dazu trugen neben ihrem eigenen Verlust der Heimat und ihrer zahlreichen Freunde in Deutschland die Kriegssituation bei, die Ermordungen von Juden in Konzentrationslagern, die nach und nach bekannt wurden, ferner die Unruhen und Aufstände von Juden und Arabern in Palästina unter britischem Mandat und die Bestimmungen aus dem Weißbuch von 1939 mit der drastischen Einfuhrbeschränkung für jüdische Flüchtlingsschiffe in den Häfen. Gleichzeitig engagierte sich Lasker-Schüler für eine friedliche Verständigung von Juden mit den Arabern und war als rastlose, alte Dichterin nach Aussagen vieler Zeitgenossen in den Straßen Jerusalems stadtbekannt.

Lasker-Schüler, über 70 Jahre alt und verarmt, nicht in der Lage nach Europa zurückzukehren, aber immer noch als „Prinz Yussuf“ verkleidet, wurde unter Siedlern und Intellektuellen in Jerusalem zum Spottobjekt. „Im Gegenzug bezeichnete sie ihr einst geliebtes ‚Erez-Israel‘ (Land Israel) als ‚Erez-Miesrael‘ (Land des Elends). Sie gründete ‚Kraal‘, einen literarischen Salon, den Martin Buber, der Philosoph, am 10. Januar 1942 im französischen Kulturzentrum eröffnete.“[16]

Einige führende jüdische Schriftsteller und vielversprechende Dichter besuchten ihre literarischen Programme, aber Lasker-Schüler durfte nach einiger Zeit keine Lesungen und Vorträge halten, weil sie auf Deutsch gehalten wurden. Verzweifelt bat sie den Rabbiner der deutschen Synagoge in Jerusalem, sie möge noch einmal sein Gotteshaus benutzen dürfen:

„Wo immer ich war, darf man kein Deutsch sprechen. Ich möchte den letzten Kraal-Abend für einen bereits gebrochenen Dichter arrangieren, um aus seinen Übersetzungen eines großen Hebräers zu rezitieren“.[17]

In ihren letzten Jahren arbeitete Lasker-Schüler an ihrem Drama IchundIch (IandI), das ein Fragment blieb. Ihr Gedichtband Mein Blaues Klavier (1943, My Blue Piano) wurde jedoch in einer limitierten Auflage von 330 Exemplaren fertiggestellt. „Ihr literarischer Abschied war ihr letzter Versuch, die Einsamkeit des Exils zu überwinden. Bezeichnenderweise widmete sie ihr Werk ‚mit gutem Willen meinen unvergesslichen Freunden in den Städten Deutschlands und denen, die wie ich auf der ganzen Welt verbannt und zerstreut wurden‘. In einem ihrer letzten Lebenszeichen bat sie die Alliierten, ihre Heimatstadt Wuppertal und die Umgebung von Bombenangriffen verschont zu lassen.“[18]

1944 erkrankte sie schwer. Nach einem Herzanfall am 16. Januar starb Else Lasker-Schüler am 22. Januar 1945. Sie wurde auf dem Ölberg in Jerusalem begraben.
Nachdem der Ölberg bei der Teilung Jerusalems 1948 unter jordanische Verwaltung gekommen war, wurde Lasker-Schülers Grab, wie viele andere historische Gräber auch, zerstört. Der von Leopold Krakauer geschaffene Grabstein wurde nach der israelischen Eroberung Ostjerusalems im Sechstagekrieg neben einer Schnellstraße gefunden, welche die jordanische Verwaltung 1960 quer durch den jahrtausendealten jüdischen Friedhof hatte bauen lassen. 1975 wurde der Grabstein an seinem heutigen Ort aufgestellt. Er liegt auf einem weißen Sockel. Eine hebräisch und deutsch beschriftete Tafel verkündet, wer unter dem Stein geruht hat.[19]

Werk
Else Lasker-Schüler hat ein umfangreiches lyrisches Werk, drei Dramen, als Prosawerke kürzere Skizzen und Erzählungen, sowie Briefe und Dokumente und zahlreiche Zeichnungen hinterlassen. Als Vorreiterin der avantgardistischen Moderne etablierte sie sich vor allem durch ihre psalmodierende Lyrik und ihr poetisches Milieudrama Die Wupper.[20]

Lyrik
Zu ihren Lebzeiten erschienen ihre Gedichte sowohl in verschiedenen Zeitschriften, wie z. B. der Zeitschrift ihres zweiten Mannes Der Sturm, in der Fackel von Karl Kraus oder auch im Kampf sowie in einer ganzen Reihe von ihr selbst zusammengestellten und zum Teil auch illustrierten Gedichtbänden, darunter:

Styx (erster veröffentlichter Gedichtband 1902)
Der siebente Tag (zweiter Gedichtband 1905)
Meine Wunder (Erstausgabe 1911)
Hebräische Balladen (1913)
Gesammelte Gedichte (1917)
Mein blaues Klavier (1943) Letzter Gedichtband aus dem Exil, benannt nach dem Gedicht Mein blaues Klavier
In ihrem Werk nimmt Liebeslyrik einen breiten Raum ein, aber daneben finden sich tief religiöse Gedichte, Gebete. Die Übergänge sind dabei oft fließend. Vor allem das spätere Werk ist reich an biblischen und allgemeiner orientalischen Motiven. Lasker-Schüler ist sehr frei gegenüber den äußeren Regeln poetischer Form, dabei gelingen ihr aber Werke von großer innerer Konzentration. Auch vor sprachlichen Neuschöpfungen schreckt sie nicht zurück.

Ein hervorragendes Beispiel ihrer Dichtkunst ist Ein alter Tibetteppich, ein Gedicht, das nach seiner Erstveröffentlichung im „Sturm“ viele Nachdrucke erfahren hat, den ersten davon in der „Fackel“:

Ein alter Tibetteppich
Deine Seele, die die meine liebet,
Ist verwirkt mit ihr im Teppichtibet.
Strahl in Strahl, verliebte Farben,
Sterne, die sich himmellang umwarben.
Unsere Füße ruhen auf der Kostbarkeit,
Maschentausendabertausendweit.
Süßer Lamasohn auf Moschuspflanzenthron,
Wie lange küßt dein Mund den meinen wohl
Und Wang die Wange buntgeknüpfte Zeiten schon?
Drama
Ihr erstes und wichtigstes Drama Die Wupper schrieb Else Lasker-Schüler 1908. Veröffentlicht wurde es 1909, die Uraufführung fand am 27. April 1919 im Deutschen Theater Berlin statt. Nach dem Zweiten Weltkrieg wurde das Drama im Jahr 1958 in Düsseldorf von Hans Bauer mit einem Bühnenbild von Teo Otto neu inszeniert.

Lasker-Schülers Theaterstück Arthur Aronymus (Anonymus?), das 1933 im Berliner Schillertheater kurz vor der Premiere stand, wurde von den Nationalsozialisten sofort vom Spielplan genommen. In diesem Stück hat die hellsichtige Dichterin die Judenverfolgung vorweggenommen:

Unsere Töchter wird man verbrennen auf Scheiterhaufen
Nach mittelalterlichem Vorbild.
Der Hexenglaube ist auferstanden
Aus dem Schutt der Jahrhunderte.
Die Flamme wird unsere unschuldigen jüdischen Schwestern verzehren.
Der Bezug zum politischen Zeitgeschehen wird noch deutlicher im letzten, unvollendeten Drama der Dichterin – IchundIch –, an dem sie im Jerusalemer Exil bis kurz vor ihrem Tod arbeitete. Mit IchundIch entstand eine vielschichtige Fortsetzung von Goethes Faust, in welcher Mephisto und Faust vom Höllengrund aus beobachten, wie Hitler Stück um Stück die Welt erobert. Schließlich muss auch Mephisto angesichts der Gräueltaten erkennen, dass das Böse nicht unterstützt werden darf. Gemeinsam mit Faust bittet er Gott um Vergebung. Sie werden beide in den Himmel aufgenommen, während das Dritte Reich in einem Flammenmeer untergeht.

IchundIch führte zu zahlreichen Kontroversen unter Werkkundigen der Dichterin. Während die einen Else Lasker-Schüler nahezu prophetische Weitsicht unterstellten, da sie schon weit vor 1944 den Untergang des Nazi-Regimes beschrieb, sahen andere in dem Drama vielmehr Anzeichen geistigen Verfalls. So schrieb Armin Juhre voller Bewunderung: „Welcher der vielen deutschen emigrierten Schriftsteller hat sich je zu solcher Kühnheit aufgeworfen?“ Ernst Ginsberg bemerkt dagegen 1958 in einem Brief an den Nachlassverwalter Manfred Sturmann: „Ich habe es nur mit tiefster Erschütterung, ja ich gestehe: zuweilen nur unter Tränen lesen können. […] Man spürt die geistige Nacht über die greise Dichterin hereinbrechen, über die nur noch seltene Sternschnuppen hinzucken.“ So war das Werk viele Jahre lang nur zu wissenschaftlichen Zwecken überhaupt einsehbar: IchundIch wurde zunächst gar nicht, 1961 in wenigen Ausschnitten und erst 1969 kritisch kommentiert vollständig im Jahrbuch der Deutschen Schillergesellschaft veröffentlicht. Es wurde schließlich am 10. November 1979 im Großen Schauspielhaus Düsseldorf welturaufgeführt, am 8. Dezember 1979 folgte die Aufführung im Schauspielhaus Wuppertal. Zum 150. Geburtstag zeigt das Schauspiel Wuppertal (Wuppertaler Bühnen) Else Lasker-Schülers IchundIch in einer spartenübergreifenden Rauminstallation in den Riedel-Hallen in der Regie von Dedi Baron.[21]

Die Sehnsucht nach Jerusalem
Die Dichtung Else Lasker-Schülers, die von Jerusalem und dem Gelobten Land erzählt, steht im Spannungsfeld zwischen idealen Bildvorstellungen und den realen politischen und persönlichen Lebensumständen.[22] Das Jerusalem, dem die Sehnsucht gilt, mag im Herzen liegen, mag ein Kindheitstraum oder der Ort geschützter Kindheit und märchenhafter Phantasiewelt sein, zumeist ist es jedoch das verheißene Jenseitsbild. In Prosa und Gedicht verflechten sich daher biblische Bilder, die Geschichte des jüdischen Volkes, individuelle Exilerfahrungen und das sinnliche Erleben des Landes und der Stadt Jerusalem. Gershom Scholem verweist in diesem Zusammenhang auf eine „Opposition von messianischer und geschichtlicher Existenz“.[23]

Zeitgenössische Rezeption

Franz Kafka schrieb an Felice Bauer über Else Lasker-Schüler: „Ich kann ihre Gedichte nicht leiden, ich fühle bei ihnen nichts als Langweile über ihre Leere und Widerwillen wegen des künstlichen Aufwandes. Auch ihre Prosa ist mir lästig aus den gleichen Gründen, es arbeitet darin das wahllos zuckende Gehirn einer sich überspannenden Grossstädterin. Aber vielleicht irre ich da gründlich, es gibt viele, die sie lieben, Werfel z. B. spricht von ihr nur mit Begeisterung. Ja, es geht ihr schlecht, ihr zweiter Mann hat sie verlassen, soviel ich weiss, auch bei uns sammelt man für sie; ich habe 5 K hergeben müssen, ohne das geringste Mitgefühl für sie zu haben; ich weiss den eigentlichen Grund nicht, aber ich stelle mir sie immer nur als eine Säuferin vor, die sich in der Nacht durch die Kaffeehäuser schleppt.“[24]

An dem Tag, als Else Lasker Schüler starb, notierte Werner Kraft in seinem Tagebuch den Beginn ihres Gedichts Gebet:[25]

Ich suche allerlanden eine Stadt,
Die einen Engel vor der Pforte hat.
Ich trage seinen großen Flügel
Gebrochen schwer am Schulterblatt
Und in der Stirne seinen Stern als Siegel!
Von diesen Zeilen ist auch das Else-Lasker-Schüler-Denkmal „Engel für Jerusalem“ inspiriert.

Nachleben
Denkmale und Gedenktafeln
Skulptur Engel für Jerusalem von Horst Meister im Aminadav-Wald neben dem Kennedy Memorial bei Jerusalem.
In der Nähe des Kasino-Kreisels in der Innenstadt von Wuppertal-Elberfeld erinnert seit 1989 ein Denkmal des Künstlers Stephan Huber an die Dichterin. Es geht auf eine Initiative von Heinrich Böll zurück und zitiert mit dem Titel Meinwärts das Endwort des Gedichts Weltflucht. Die Skulptur besteht aus zwei einander zugewandten Mosaik-Stelen aus schwarzem Granit mit dem Abbild der sich gleichsam selbst betrachtenden Dichterin.[26]
In Berlin-Halensee, Katharinenstraße 5 erinnert eine Gedenktafel an die Künstlerin, die hier von 1909 bis 1911 lebte und mit ihrem Mann Herwarth Walden die Zeitschrift Der Sturm herausgab.
In Berlin-Schöneberg, Motzstraße 7, erinnert eine Gedenktafel an Else Lasker-Schüler. Sie lebte hier von 1924 bis 1933 im Hotel Sachsenhof.
Film und Theater
1979: Film Ich räume auf (nach der gleichnamigen Streitschrift der Dichterin). Mit Gisela Stein als Else Lasker-Schüler. Produktion: WDR, Regie: Georg Brintrup.[27][28]
1989: Spielfilm Berlin Jerusalem (GB, F, NL, Italien). Der Film von Amos Gitai (Drehbuch, Regie) beruht auf den Biografien von Else Lasker-Schüler und Manja Schochat. UT: … oder die Geschichte zerstörter Utopien.
Das Theaterstück Verscheucht von Gerold Theobalt ist eine szenische Hommage an Else Lasker-Schüler. Es wurde 2006 am Zürcher Schauspielhaus uraufgeführt. Das Theaterstück Stiefmutterland, ebenfalls von Gerold Theobalt, schildert ihren Weg aus Wuppertal nach Berlin und ihre Freundschaft mit dem Vagantendichter Peter Hille. Beide Stücke waren Auftragsarbeiten der Else-Lasker-Schüler-Gesellschaft.
1989: Theaterstück Fetzen Paradies. Eine Biographie-Collage mit Texten aus Else Lasker-Schülers Werken aus ihrer Zeit in Berlin. Die sieben Teile verdeutlichen die Tragik und Poesie ihrer Lebensphasen. Schauspiel und Zusammenstellung der Texte: Isabella Mamatis, Regie: Ilona Zaripov. Die Produktion wurde im In- und Ausland insgesamt 175 Mal aufgeführt.
Musik
2005: Auf dem Album Ich träume so leise von dir vom „Else-Lasker-Schüler-Projekt“ interpretieren bekannte Sängerinnen (z. B. Katja Riemann, Suzie Kerstgens, Mieze Katz oder Elke Brauweiler) Gedichte von Lasker-Schüler als Lieder.
2006: CD-Einspielung des Else Lasker-Schüler-Zyklus von Wilhelm Rettich. 26 Lieder und Gesänge für eine Singstimme und Klavier, komponiert 1923–1928.[29]
2006: Uraufführung des Liederzyklus Tenet von David Philip Hefti in Zürich. Vier Lieder für Sopran und Ensemble nach Gedichten von Else Lasker-Schüler, komponiert 2003.
Namensgeberin Else Lasker-Schüler
In Wuppertal wurde 1990 die Else-Lasker-Schüler-Gesellschaft als politische literarische Gesellschaft gegründet.
Else-Lasker-Schüler-Dramatikerpreis (seit 1993)
Eine Gesamtschule in Wuppertal-Elberfeld ist nach ihr benannt, die sich als Schule ohne Rassismus bezeichnet.
Eine Straße benannten nach Else Lasker-Schüler die Städte Berlin (Bezirk Schöneberg, 1998), München (2012), Köln, Wuppertal, Haan, Solingen, Geseke, Göttingen, Wolfsburg, Telgte, Hanau, Bensheim und Zürich.
Der Asteroid (20074) Laskerschueler wurde nach ihr benannt.
Philatelistisches
Anlässlich ihres 150. Geburtstags gab die Deutsche Post AG ein Postwertzeichen im Nennwert von 70 Eurocent heraus. Der Erstausgabetag war der 7. Februar 2019. Der Entwurf stammt von der Grafikerin Julia Warbanow aus Berlin.

Internet
Im Jahr 2020 wurde Else Lasker-Schüler von der Suchmaschine Google mit einem Doodle geehrt. Anlass war der Jahrestag der Veröffentlichung des blauen Klaviers.[30]

Ausstellungen
Zeichnungen. (Schiller-Nationalmuseum Marbach am Neckar, 22. Januar bis 2. April 1995)
Sieh in mein verwandertes Gesicht. (Kunsthalle Barmen, 9. April bis 28. Mai 1995)
Else Lasker-Schülers Jerusalem. (Hebräische Universität Jerusalem, 1995)
I and I, drawings by Else Lasker-Schüler. (Israel Museum, 1997)
Schrift – Bild – Schrift. (August-Macke-Haus Bonn, 29. Oktober 2000 bis 18. Februar 2001)
Erbittert nicht, aber traurig war ich. Ausstellung über E.L-S., 27. November 2006 bis 26. Januar 2007. Schweiz: Zentralbibliothek Zürich. Unterstützt vom ELS-Archiv an der Nationalbibliothek Jerusalem
Der Prinz von Theben. Else Lasker-Schüler: Dichterin, Zeichnerin, Rebellin. (3. Juni bis 9. September 2007, Felix-Nussbaum-Haus, Osnabrück)
Himmel und Hölle zwischen 1918 und 1989. Die verbrannten Dichter. Kunstmuseum Solingen seit dem 30. März 2008, seitdem dort als Dauerausstellung in Verbindung mit dem Deutschen Zentrum für verfolgte Künste
Else Lasker-Schüler. Die Bilder. 8. September 2010 bis 9. Januar 2011, Jüdisches Museum Frankfurt / 21. Januar 2011 bis 1. Mai 2011, Hamburger Bahnhof Berlin – Museum für Gegenwart
Else Lasker-Schüler: Gestirne und Orient. Die Künstlerin im Kreis des Blauen Reiters. Franz Marc Museum, Kochel am See / 23. September 2012 bis 6. Januar 2013
fluxus 32: Else Lasker-Schüler und Moshe Spitzer 1943 in Jerusalem. Literaturmuseum der Moderne, Marbach am Neckar/ 14. April 2015 bis 27. September 2015
Else Lasker-Schüler. "Prinz Jussuf von Theben" und die Avantgarde. Von der Heydt-Museum, Wuppertal/ 6. Oktober 2019 bis 16. Februar 2020
Werke
Erstausgaben (chronologisch)


Madonna

Madonna Louise Ciccone (/tʃɪˈkoʊni/, Italian: [tʃikˈkoːne]; born August 16, 1958) is an American singer, songwriter, actress, and businesswoman. Referred to as the "Queen of Pop" since the 1980s, Madonna is known for pushing the boundaries of songwriting in mainstream popular music and for the imagery she uses onstage and in music videos. She has frequently reinvented her music and image while maintaining autonomy within the recording industry. Her works have been praised by music critics and have sparked controversy. Madonna is often cited as an influence by other artists.

Born and raised in Michigan, Madonna moved to New York City in 1978 to pursue a career in modern dance. After performing as a drummer, guitarist, and vocalist in the rock bands Breakfast Club and Emmy, Madonna signed with Sire Records in 1982 and released her eponymous debut album the next year. She followed it with a series of successful albums, including global bestsellers Like a Virgin (1984) and True Blue (1986) as well as Grammy Award winners Ray of Light (1998) and Confessions on a Dance Floor (2005). Many of her songs have reached the top of record charts worldwide, including "Like a Virgin", "La Isla Bonita", "Like a Prayer", "Vogue", "Take a Bow", "Frozen", "Music", "Hung Up", and "4 Minutes".

Madonna's popularity was further enhanced by her roles in films such as Desperately Seeking Susan (1985), Dick Tracy (1990), A League of Their Own (1992), and Evita (1996). While Evita earned her a Golden Globe Award for Best Actress, many of her other films received poor reviews. As a businesswoman, Madonna founded an entertainment company called Maverick (including the label Maverick Records) in 1992. Her other ventures include fashion design, children's books, health clubs, and filmmaking. She contributes to various charities, having founded Ray of Light Foundation in 1998 and Raising Malawi in 2006.

Having sold more than 300 million records worldwide, Madonna is noted as the best-selling female recording artist of all time by Guinness World Records. The Recording Industry Association of America listed her as the third highest-certified female artist in the U.S., with 64.5 million album units. According to Billboard, Madonna is the most successful solo artist in its Hot 100 chart history. She is also the highest-grossing solo touring artist of all time, accumulating U.S. $1.4 billion from her concert tickets. Inducted into the Rock and Roll Hall of Fame in her first year of eligibility, Madonna topped VH1's countdown of 100 Greatest Women in Music. Rolling Stone listed her among the 100 Greatest Artists of All Time and the 100 Greatest Songwriters of All Time.
Life and career
1958–1981: Early life and career beginnings
Madonna Louise Ciccone was born to Catholic parents Madonna Louise (née Fortin; 1933–1963) and Silvio Anthony "Tony" Ciccone[6] in Bay City, Michigan, on August 16, 1958.[7] Her father's parents were Italian emigrants from Pacentro, while her mother was of French-Canadian descent.[8] Tony worked as an engineer designer for Chrysler and General Motors. Since Madonna had the same name as her mother, family members called her "Little Nonni". Madonna later commented about her name, "How could I be anything else but what I am having been named Madonna? I would either have ended up a nun or this."[9] She has two older brothers, Anthony and Martin, and three younger siblings, Paula, Christopher, and Melanie.[10]

Upon being confirmed in the Catholic Church in 1966, she adopted Veronica as a confirmation name.[11] She was raised in the Detroit suburbs of Pontiac and Avon Township (now Rochester Hills). Months before her mother died of breast cancer at age 30 on December 1, 1963, Madonna noticed changes in her behavior and personality, although she did not understand the reason.[6] Her mother was at a loss to explain her medical condition, and often began to cry when Madonna questioned her about it. Madonna later acknowledged that she had not grasped the concept of her mother dying.[12]

Madonna turned to her paternal grandmother for solace. The Ciccone siblings resented housekeepers and rebelled against anyone brought into their home who they thought would try to take the place of their beloved mother. Madonna later told Vanity Fair that she saw herself in her youth as a "lonely girl who was searching for something. I wasn't rebellious in a certain way. I cared about being good at something. I didn't shave my underarms and I didn't wear make-up like normal girls do. But I studied and I got good grades... I wanted to be somebody." Terrified that her father Tony could be taken from her as well, Madonna was often unable to sleep unless she was near him.[6]
In 1966, Tony married the family's housekeeper Joan Gustafson. They had two children, Jennifer and Mario.[10] Madonna resented her father for getting remarried, and began rebelling against him, which strained their relationship for many years afterward.[6] She attended St. Frederick's and St. Andrew's Catholic Elementary Schools, and West Middle School. Madonna was known for her high grade point average, and achieved notoriety for her unconventional behavior. She would perform cartwheels and handstands in the hallways between classes, dangle by her knees from the monkey bars during recess, and pull up her skirt during class—all so that the boys could see her underwear.[13]

Madonna's father put her in classical piano lessons, but she later convinced him to allow her to take ballet lessons.[14] Christopher Flynn, her ballet teacher, persuaded her to pursue a career in dance.[15] She later attended Rochester Adams High School where she became a straight-A student and a member of the cheerleading squad.[16] After graduating, she received a dance scholarship to the University of Michigan and studied over the summer at the American Dance Festival in Durham, North Carolina.[17][18]

At the age of 19, Madonna began studying dance under the tutelage of Martha Graham, the noted American dancer and choreographer. It was Graham who gave her the nickname "Madame X"; she titled her 2019 album Madame X in reference to this.[19]

In 1978, Madonna dropped out of college and relocated to New York City.[20] She had little money while working as a waitress at Dunkin' Donuts and with modern dance troupes, taking classes at the Alvin Ailey American Dance Theater and eventually performing with Pearl Lang Dance Theater.[21][18][22] Madonna said of her move to New York, "It was the first time I'd ever taken a plane, the first time I'd ever gotten a taxi cab. I came here with $35 in my pocket. It was the bravest thing I'd ever done."[23] She started to work as a backup dancer for other established artists. One night, while returning from a rehearsal, a pair of men held her at knifepoint and forced her to perform fellatio. She later found the incident to be "a taste of my weakness, it showed me that I still could not save myself in spite of all the strong-girl show. I could never forget it."[24]

While performing as a backup singer and dancer for the French disco artist Patrick Hernandez on his 1979 world tour, Madonna became romantically involved with musician Dan Gilroy[13] and they lived in an abandoned synagogue in Corona, Queens.[25][26] Together, they formed her first rock band, the Breakfast Club, for which Madonna sang and played drums and guitar.[27] In 1980[10] or 1981[28] she left Breakfast Club and, with her then boyfriend Stephen Bray as drummer, formed the band Emmy. The two began writing songs together, but Madonna later decided to promote herself as a solo act.[29] Her music impressed DJ and record producer Mark Kamins who arranged a meeting between Madonna and Sire Records founder Seymour Stein.[28]

1982–1985: Madonna, Like a Virgin, and first marriage
After Madonna signed a singles deal with Sire, her debut single, "Everybody", was released in October 1982, and the second, "Burning Up", in March 1983. Both became big club hits in the United States, reaching number three on Hot Dance Club Songs chart compiled by Billboard magazine.[30] After this success, she started developing her eponymous debut album, Madonna, which was primarily produced by Reggie Lucas of Warner Bros. However, she was not happy with the completed tracks and disagreed with Lucas' production techniques, so decided to seek additional help.[31]

Madonna moved in with boyfriend John "Jellybean" Benitez, asking his help for finishing the album's production.[31] Benitez remixed most of the tracks and produced "Holiday", which was her third single and her first international top-ten hit. The overall sound of Madonna was dissonant and in the form of upbeat synthetic disco, using some of the new technology of the time, like the Linn drum machine, Moog bass and the OB-X synthesizer.[31][32] The album was released in July 1983 and peaked at number eight on the Billboard 200 six months later, in 1984. It yielded two top-ten singles on the Billboard Hot 100, "Borderline" and "Lucky Star".[33][34]
Madonna's look and style of dressing, her performances, and her music videos influenced young girls and women. Her style became one of the female fashion trends of the 1980s. Created by stylist and jewelry designer Maripol, the look consisted of lace tops, skirts over capri pants, fishnet stockings, jewelry bearing the crucifix, bracelets, and bleached hair.[35][36] Madonna's popularity continued to rise globally with the release of her second studio album, Like a Virgin, in November 1984. It became her first number-one album in Germany, Italy, the Netherlands, New Zealand, Spain, the UK, and the US.[33][37] Like a Virgin became the very first album by a female to sell over five million copies in the U.S.[38] It was later certified diamond, and has sold over 21 million copies worldwide.[39]

The album's title track served as its first single, and topped the Hot 100 chart for six consecutive weeks.[40] It attracted the attention of conservative organizations who complained that the song and its accompanying video promoted premarital sex and undermined family values,[41] and moralists sought to have the song and video banned.[42] Madonna received huge media coverage for her performance of "Like a Virgin" at the first 1984 MTV Video Music Awards. Wearing a wedding dress and white gloves, Madonna appeared on stage atop a giant wedding cake and then rolled around suggestively on the floor. MTV retrospectively considered it one of the "most iconic" pop performances of all time.[43] The second single, "Material Girl", reached number two on the Hot 100 and was promoted by a music video recreating Marilyn Monroe's performance of "Diamonds Are a Girl's Best Friend" from the 1953 film Gentlemen Prefer Blondes. While filming this video, Madonna started dating actor Sean Penn. They married on her birthday in 1985.[44]
Madonna entered mainstream films in February 1985, beginning with a brief appearance as a club singer in Vision Quest, a romantic drama film. Its soundtrack contained two new singles, her U.S. number-one single, "Crazy for You", and another track "Gambler".[47] She also played the title role in the 1985 comedy Desperately Seeking Susan, a film which introduced the song "Into the Groove", her first number-one single in the UK.[48] Her popularity relegated the film as a Madonna vehicle, despite not having lead actress billing.[49] The New York Times film critic Vincent Canby named it one of the ten best films of 1985.[50]

Beginning in April 1985, Madonna embarked on her first concert tour in North America, The Virgin Tour, with the Beastie Boys as her opening act. She progressed from playing CBGB and the Mudd Club to playing large sporting arenas. The tour saw the peak of Madonna wannabe phenomenon, with lots of female attendees dressing like her.[51] At that time, she released two more hits, "Angel" and "Dress You Up", making all four singles from the album peak inside the top five on the Hot 100 chart.[52] In July, Penthouse and Playboy magazines published a number of nude photos of Madonna, taken in New York in 1978. She had posed for the photographs as she needed money at the time, and was paid as little as $25 a session.[53] The publication of the photos caused a media uproar, but Madonna remained "unapologetic and defiant".[54] The photographs were ultimately sold for up to $100,000.[53] She referred to these events at the 1985 outdoor Live Aid charity concert, saying that she would not take her jacket off because "[the media] might hold it against me ten years from now."[54][55]

1986–1991: True Blue, Who's That Girl, Like a Prayer, and Dick Tracy
In June 1986, Madonna released her third studio album, True Blue, which was inspired by and dedicated to her husband Penn.[56] Rolling Stone was impressed with the effort, writing that the album "sound[s] as if it comes from the heart".[57] Five singles were released—"Live to Tell", "Papa Don't Preach", "True Blue", "Open Your Heart", and "La Isla Bonita"—all of which reached number one in the US or the UK.[47][58] The album topped the charts in 28 countries worldwide, an unprecedented achievement at the time, and remains Madonna's best-selling studio album, with sales of 25 million copies.[59][60] True Blue was featured in the 1992 edition of Guinness World Records as the best-selling album by a woman of all time.
Madonna starred in the critically panned film Shanghai Surprise in 1986, for which she received her first Golden Raspberry Award for Worst Actress.[62] She made her theatrical debut in a production of David Rabe's Goose and Tom-Tom; the film and play both co-starred Penn.[63] The next year, Madonna was featured in the film Who's That Girl. She contributed four songs to its soundtrack, including the title track and "Causing a Commotion".[34] Madonna embarked on the Who's That Girl World Tour in June 1987, which continued until September.[64][65] It broke several attendance records, including over 130,000 people in a show near Paris, which was then a record for the highest-attended female concert of all time.[66] Later that year, she released a remix album of past hits, You Can Dance, which reached number 14 on the Billboard 200.[33][67] After an annulment in December 1987, Madonna filed for divorce from Penn in January 1989, citing irreconcilable differences.[44]

In January 1989, Madonna signed an endorsement deal with soft-drink manufacturer Pepsi. In one Pepsi commercial, she debuted "Like a Prayer", the lead single and title track from her fourth studio album. The music video featured Catholic symbols such as stigmata and cross burning, and a dream of making love to a saint, leading the Vatican to condemn the video. Religious groups sought to ban the commercial and boycott Pepsi products. Pepsi revoked the commercial and canceled her sponsorship contract.[68][69] "Like a Prayer" topped the charts in many countries, becoming her seventh number one on the Hot 100.[34][47]

Madonna co-wrote and co-produced Like a Prayer with Patrick Leonard, Stephen Bray, and Prince.[70] Music critic J. D. Considine from Rolling Stone praised it "as close to art as pop music gets ... proof not only that Madonna should be taken seriously as an artist but that hers is one of the most compelling voices of the Eighties."[71] Like a Prayer peaked at number one on the Billboard 200 and sold 15 million copies worldwide.[33][72] Other successful singles from the album were "Express Yourself" and "Cherish", both peaked at number two in the US, as well as the UK top-five "Dear Jessie" and the US top-ten "Keep It Together".[34][47] By the end of the 1980s, Madonna was named as the "Artist of the Decade" by MTV, Billboard and Musician magazine.[73][74][75]

Madonna starred as Breathless Mahoney in the film Dick Tracy (1990), with Warren Beatty playing the title role.[76] The film went to number one on the U.S. box office for two weeks and Madonna received a Saturn Award nomination for Best Actress.[77][78] To accompany the film, she released the soundtrack album, I'm Breathless, which included songs inspired by the film's 1930s setting. It also featured the U.S. number-one song "Vogue"[79] and "Sooner or Later".[80] While shooting the film, Madonna began a relationship with Beatty, which dissolved by the end of 1990
In April 1990, Madonna began her Blond Ambition World Tour, which was held until August.[82] Rolling Stone called it an "elaborately choreographed, sexually provocative extravaganza" and proclaimed it "the best tour of 1990".[83] The tour generated strong negative reaction from religious groups for her performance of "Like a Virgin", during which two male dancers caressed her body before she simulated masturbation.[64] In response, Madonna said, "The tour in no way hurts anybody's sentiments. It's for open minds and gets them to see sexuality in a different way. Their own and others".[84] The live recording of the tour won Madonna her first Grammy Award, in the category of Best Long Form Music Video.[85]

The Immaculate Collection, Madonna's first greatest-hits compilation album, was released in November 1990. It included two new songs, "Justify My Love" and "Rescue Me".[86] The album was certified diamond by RIAA and sold over 31 million copies worldwide, becoming the best-selling compilation album by a solo artist in history.[87][88] "Justify My Love" reached number one in the U.S. becoming her ninth number-one[47] Its music video featured scenes of sadomasochism, bondage, same-sex kissing, and brief nudity.[89][90] The video was deemed too sexually explicit for MTV and was banned from the network.[89]

In December 1990 Madonna decided to leave Jennifer Lynch's film, Boxing Helena, which she had previously agreed to star in, without any explanation to the producers.[91] Around this time, Madonna had an eight-month relationship with rapper Vanilla Ice; he ended their relationship because of Madonna's Sex book.[92] Her first documentary film, Truth or Dare (known as In Bed with Madonna outside North America),[93] was released in May 1991. Chronicling her Blond Ambition World Tour, it became the highest-grossing documentary of all time (surpassed eleven years later by Michael Moore's Bowling for Columbine).[94]

1992–1997: Maverick, Erotica, Sex, Bedtime Stories, Evita, and motherhood
In 1992, Madonna starred in A League of Their Own as Mae Mordabito, a baseball player on an all-women's team. It reached number one on the box-office and became the tenth highest-grossing film of the year in the U.S.[95] She recorded the film's theme song, "This Used to Be My Playground", which became her tenth Hot 100 number-one hit, the most by any female artist at the time.[47] The same year, she founded her own entertainment company, Maverick, consisting of a record company (Maverick Records), a film production company (Maverick Films), and associated music publishing, television broadcasting, book publishing and merchandising divisions. The deal was a joint venture with Time Warner and paid Madonna an advance of $60 million. It gave her 20% royalties from the music proceedings, the highest rate in the industry at the time, equaled only by Michael Jackson's royalty rate established a year earlier with Sony.[96]

The first two projects released simultaneously from the venture were Madonna's fifth studio album, Erotica, and her coffee table book, Sex. Consisting of sexually provocative and explicit images, photographed by Steven Meisel, the book received strong negative reaction from the media and the general public, but sold 1.5 million copies at $50 each in a matter of days.[97][98] The widespread backlash overshadowed Erotica, which ended up as her lowest selling album at the time.[98] Despite positive reviews, it became her first studio album since her debut album not to score any chart-topper in the U.S. The album entered the Billboard 200 at number two and yielded the Hot 100 top-ten hits "Erotica" and "Deeper and Deeper".[33][47] Madonna continued her provocative imagery in the 1993 erotic thriller, Body of Evidence, a film which contained scenes of sadomasochism and bondage. It was poorly received by critics.[99][100] She also starred in the film Dangerous Game, which was released straight to video in North America. The New York Times described the film as "angry and painful, and the pain feels real.
In September 1993, Madonna embarked on The Girlie Show World Tour, in which she dressed as a whip-cracking dominatrix surrounded by topless dancers. In Puerto Rico she rubbed the island's flag between her legs on stage, resulting in outrage among the audience.[64] In March 1994, she appeared as a guest on the Late Show with David Letterman, using profanity that required censorship on television, and handing Letterman a pair of her panties and asking him to smell it.[102] The releases of her sexually explicit book, album and film, and the aggressive appearance on Letterman all made critics question Madonna as a sexual renegade. Critics and fans reacted negatively, who commented that "she had gone too far" and that her career was over.[103]

Biographer J. Randy Taraborrelli described her ballad "I'll Remember" (1994) as an attempt to tone down her provocative image. The song was recorded for Alek Keshishian's film With Honors.[104] She made a subdued appearance with Letterman at an awards show and appeared on The Tonight Show with Jay Leno after realizing that she needed to change her musical direction in order to sustain her popularity.[105] With her sixth studio album, Bedtime Stories (1994), Madonna employed a softer image to try to improve the public perception.[105] The album debuted at number three on the Billboard 200 and generated two U.S. top-five hits, "Secret" and "Take a Bow", the latter topping the Hot 100 for seven weeks, the longest period of any Madonna single.[106] Something to Remember, a collection of ballads, was released in November 1995. The album featured three new songs: "You'll See", "One More Chance", and a cover of Marvin Gaye's "I Want You".[47][107] Around this time Madonna started dating rapper Tupac Shakur, but it ended in 1994. The next year, Shakur revealed in a letter to Madonna that he ended the relationship because she was white.[108] She later became romantically involved with fitness trainer Carlos Leon.[109]

In the 1996 musical, Evita, Madonna played the title role of Eva Perón.[110][111] For a long time, Madonna had desired to play Perón and wrote to director Alan Parker to explain why she would be perfect for the part. She said later, "This is the role I was born to play. I put everything of me into this because it was much more than a role in a movie. It was exhilarating and intimidating at the same time. And I am prouder of Evita than anything else I have done."[112] After securing the role, she had vocal training and learned about the history of Argentina and Perón. During filming Madonna became ill several times, after finding out that she was pregnant, and from the intense emotional effort required with the scenes.[113] After Evita's release in December 1996, Madonna's performance was praised by film critics.[114] Zach Conner from Time magazine commented, "It's a relief to say that Evita is pretty damn fine, well cast and handsomely visualized. Madonna once again confounds our expectations."[115] Madonna won a Golden Globe Award for Best Actress in Motion Picture Musical or Comedy for the role.[116]

The Evita soundtrack, containing songs mostly performed by Madonna, was released as a double album.[117] It included "You Must Love Me" and "Don't Cry for Me Argentina"; the latter reached number one in countries across Europe.[118] Madonna was presented with the Artist Achievement Award by Tony Bennett at the 1996 Billboard Music Awards.[119] On October 14, 1996, she gave birth to Lourdes "Lola" Maria Ciccone Leon, her daughter with Leon.[120] Biographer Mary Cross writes that although Madonna often worried that her pregnancy would harm Evita, she reached some important personal goals: "Now 38 years old, Madonna had at last triumphed on screen and achieved her dream of having a child, both in the same year. She had reached another turning point in her career, reinventing herself and her image with the public."[121] Her relationship with Carlos Leon ended in May 1997 and she declared that they were "better off as best friends".[122][123]

1998–2002: Ray of Light, Music, second marriage, and touring comeback
After Lourdes's birth, Madonna became involved in Eastern mysticism and Kabbalah, introduced to her by actress Sandra Bernhard.[124] Her seventh studio album, Ray of Light, (1998) reflected this change in her perception and image.[125][126] She collaborated with electronica producer William Orbit and wanted to create a sound that could blend dance music with pop and British rock.[127] American music critic Ann Powers explained that what Madonna searched for with Orbit "was a kind of a lushness that she wanted for this record. Techno and rave were happening in the 90s and had a lot of different forms. There was very experimental, more hard stuff like Aphex Twin. There was party stuff like Fatboy Slim. That's not what Madonna wanted for this. She wanted something more like a singer-songwriter, really. And William Orbit provided her with that
The album garnered critical acclaim, with Slant Magazine calling it "one of the great pop masterpieces of the '90s"[128] Ray of Light was honored with four Grammy Awards—including Best Pop Album and Best Dance Recording—and was nominated for both Album of the Year and Record of the Year.[129] Rolling Stone listed it among "The 500 Greatest Albums of All Time".[130] Commercially, the album peaked at number-one in numerous countries and sold more than 16 million copies worldwide.[131] The album's lead single, "Frozen", became Madonna's first single to debut at number one in the UK, while in the U.S. it became her sixth number-two single, setting another record for Madonna as the artist with the most number two hits.[47][132] The second single, "Ray of Light", debuted at number five on the Billboard Hot 100.[133] The 1998 edition of Guinness Book of World Records documented that "no female artist has sold more records than Madonna around the world".[134]

Madonna founded Ray of Light Foundation which focused on women, education, global development and humanitarian.[135] She signed on to play a violin teacher in the 1999 film Music of the Heart but left the project, citing "creative differences" with director Wes Craven.[136] She recorded the single "Beautiful Stranger" for the 1999 film Austin Powers: The Spy Who Shagged Me, which earned her a Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.[85] Madonna starred in the 2000 film The Next Best Thing, and contributed two songs to the film's soundtrack; "Time Stood Still" and a cover of Don McLean's 1971 song "American Pie".[137]

Madonna released her eighth studio album, Music, in September 2000. It featured elements from the electronica-inspired Ray of Light era, and like its predecessor, received acclaim from critics. Collaborating with French producer Mirwais Ahmadzaï, Madonna commented: "I love to work with the weirdos that no one knows about—the people who have raw talent and who are making music unlike anyone else out there. Music is the future of sound."[138] Stephen Thomas Erlewine from AllMusic felt that "Music blows by in a kaleidoscopic rush of color, technique, style and substance. It has so many depth and layers that it's easily as self-aware and earnest as Ray of Light."[139] The album took the number-one position in more than 20 countries worldwide and sold four million copies in the first ten days.[129] In the U.S., Music debuted at the top, and became her first number-one album in eleven years since Like a Prayer.[140] It produced three singles: the Hot 100 number-one "Music", "Don't Tell Me", and "What It Feels Like for a Girl".[47] The music video of "What It Feels Like for a Girl" depicted Madonna committing acts of crime and vandalism, and was banned by MTV and VH1.[141]

She first met director Guy Ritchie, who would later become her second husband, in the summer of 1998 and gave birth to their son Rocco John Ritchie on August 11, 2000 in Los Angeles. Rocco and Madonna suffered complications from the birth due to her experiencing placenta praevia. He was christened at Dornoch Cathedral in Dornoch, Scotland, on December 21, 2000. Madonna married Ritchie the following day at nearby Skibo Castle.[142][143] After an eight-year absence of touring, Madonna started her Drowned World Tour in June 2001.[64] The tour visited cities in the U.S. and Europe and was the highest-grossing concert tour of the year by a solo artist, earning $75 million from 47 sold-out shows.[144] She also released her second greatest-hits collection, titled GHV2, to coincide with the home video release of the tour. GHV2 debuted at number seven on the Billboard 200.[145]

Madonna starred in the film Swept Away, directed by Ritchie. Released direct-to-video in the UK, the film was a commercial and critical failure.[146] In May 2002 she appeared in London in the West End play Up For Grabs at the Wyndhams Theatre (billed as 'Madonna Ritchie'), to universally bad reviews and was described as "the evening's biggest disappointment" by one.[147][148] That October, she released "Die Another Day", the title song of the James Bond film Die Another Day, in which she had a cameo role, described by Peter Bradshaw from The Guardian as "incredibly wooden".[149] The song reached number eight on the Billboard Hot 100 and was nominated for both a Golden Globe Award for Best Original Song and a Golden Raspberry Award for Worst Original Song.[47]

2003–2006: American Life and Confessions on a Dance Floor
Following Die Another Day, Madonna collaborated with fashion photographer Steven Klein in 2003 for an exhibition installation named X-STaTIC Pro=CeSS. It included photography from a photo shoot in W magazine, and seven video segments. The installation ran from March to May in New York's Deitch Projects gallery and also traveled the world in an edited form.[150] The same year, Madonna released her ninth studio album, American Life, which was based on her observations of American society.[151] She explained that the record was "like a trip down memory lane, looking back at everything I've accomplished and all the things I once valued and all the things that were important to me." Larry Flick from The Advocate felt that "American Life is an album that is among her most adventurous and lyrically intelligent" while condemning it as "a lazy, half-arsed effort to sound and take her seriously."[152][153] The title song peaked at number 37 on the Hot 100.[47] Its original music video was canceled as Madonna thought that the clip, featuring violence and war imagery, would be deemed unpatriotic since America was then at war with Iraq.[154] With four million copies sold worldwide, American Life was the lowest-selling album of her career at that point
Madonna gave another provocative performance later that year at the 2003 MTV Video Music Awards, when she kissed singers Britney Spears and Christina Aguilera while singing the track "Hollywood".[156][157] In October 2003, she provided guest vocals on Spears' single "Me Against the Music".[158] It was followed with the release of Remixed & Revisited. The EP contained remixed versions of songs from American Life and included "Your Honesty", a previously unreleased track from the Bedtime Stories recording sessions.[159] Madonna also signed a contract with Callaway Arts & Entertainment to be the author of five children's books. The first of these books, titled The English Roses, was published in September 2003. The story was about four English schoolgirls and their envy and jealousy of each other.[160] The book debuted at the top of The New York Times Best Seller list and became the fastest-selling children's picture book of all time.[161]

The next year Madonna and Maverick sued Warner Music Group and its former parent company Time Warner, claiming that mismanagement of resources and poor bookkeeping had cost the company millions of dollars. In return, Warner filed a countersuit alleging that Maverick had lost tens of millions of dollars on its own.[162][163] The dispute was resolved when the Maverick shares, owned by Madonna and Ronnie Dashev, were purchased by Warner. Madonna and Dashev's company became a wholly owned subsidiary of Warner Music, but Madonna was still signed to Warner under a separate recording contract.[162]

In mid-2004 Madonna embarked on the Re-Invention World Tour in the U.S., Canada, and Europe. It became the highest-grossing tour of 2004, earning around $120 million and became the subject of her documentary I'm Going to Tell You a Secret.[164][165] In November 2004, she was inducted into the UK Music Hall of Fame as one of its five founding members, along with the Beatles, Elvis Presley, Bob Marley, and U2.[166] Rolling Stone ranked her at number 36 on its special issue of the 100 Greatest Artists of All Time, featuring an article about her written by Britney Spears.[167] In January 2005, Madonna performed a cover version of the John Lennon song "Imagine" at Tsunami Aid.[168] She also performed at the Live 8 benefit concert in London in July 2005
Her tenth studio album, Confessions on a Dance Floor, was released in November 2005. Musically the album was structured like a club set composed by a DJ. It was acclaimed by critics, with Keith Caulfield from Billboard commenting that the album was a "welcome return to form for the Queen of Pop."[170] The album won a Grammy Award for Best Electronic/Dance Album.[85] Confessions on a Dance Floor and its lead single, "Hung Up", went on to reach number one in 40 and 41 countries respectively, earning a place in Guinness World Records.[171] The song contained a sample of ABBA's "Gimme! Gimme! Gimme! (A Man After Midnight)", only the second time that ABBA has allowed their work to be used. ABBA songwriter Björn Ulvaeus remarked "It is a wonderful track—100 per cent solid pop music."[172] "Sorry", the second single, became Madonna's twelfth number-one single in the UK.[48]

Madonna embarked on the Confessions Tour in May 2006, which had a global audience of 1.2 million and grossed over $193.7 million, becoming the highest-grossing tour to that date for a female artist.[173] Madonna used religious symbols, such as the crucifix and Crown of Thorns, in the performance of "Live to Tell". It caused the Russian Orthodox Church and the Federation of Jewish Communities of Russia to urge all their members to boycott her concert.[174] At the same time, the International Federation of the Phonographic Industry (IFPI) announced officially that Madonna had sold over 200 million copies of her albums alone worldwide.[175]

While on tour Madonna founded charitable organization Raising Malawi and partially funded an orphanage in and traveling to that country. While there, she decided to adopt a boy named David Banda in October 2006.[176] The adoption raised strong public reaction, because Malawian law requires would-be parents to reside in Malawi for one year before adopting, which Madonna did not do.[177] She addressed this on The Oprah Winfrey Show, saying that there were no written adoption laws in Malawi that regulated foreign adoption. She described how Banda had been suffering from pneumonia after surviving malaria and tuberculosis when she first met him.[178] Banda's biological father, Yohane, commented, "These so-called human rights activists are harassing me every day, threatening me that I am not aware of what I am doing ... They want me to support their court case, a thing I cannot do for I know what I agreed with Madonna and her husband." The adoption was finalized in May 2008.[179][180]

2007–2011: Filmmaking, Hard Candy, and business ventures
Madonna released and performed the song "Hey You" at the London Live Earth concert in July 2007.[181] She announced her departure from Warner Bros. Records, and declared a new $120 million, ten-year 360 deal with Live Nation.[182] In 2008, Madonna produced and wrote I Am Because We Are, a documentary on the problems faced by Malawians; it was directed by Nathan Rissman, who worked as Madonna's gardener.[183] She also directed her first film, Filth and Wisdom. The plot of the film revolved around three friends and their aspirations. The Times said she had "done herself proud" while The Daily Telegraph described the film as "not an entirely unpromising first effort [but] Madonna would do well to hang on to her day job."[184][185] On March 10, 2008, Madonna was inducted into the Rock and Roll Hall of Fame in her first year of eligibility.[186] She did not sing at the ceremony but asked fellow Hall of Fame inductees and Michigan natives The Stooges to perform her songs "Burning Up" and "Ray of Light".[187]

Madonna released her eleventh studio album, Hard Candy, in April 2008. Containing R&B and urban pop influences, the songs on Hard Candy were autobiographical in nature and saw Madonna collaborating with Justin Timberlake, Timbaland, Pharrell Williams and Nate "Danja" Hills.[188] The album debuted at number one in 37 countries and on the Billboard 200.[189][190] Caryn Ganz from Rolling Stone complimented it as an "impressive taste of her upcoming tour",[191] while BBC correspondent Mark Savage panned it as "an attempt to harness the urban market".

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