الاثنين، 10 فبراير 2020

Oscars

The Academy Awards, more popularly known as the Oscars,[1] are awards for artistic and technical merit in the film industry. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette, officially called the "Academy Award of Merit", although more commonly referred to by its nickname, the "Oscar". The statuette depicts a knight rendered in the Art Deco style.

The award was originally sculpted by George Stanley from a design sketch by Cedric Gibbons.[2] AMPAS first presented it in 1929 at a private dinner hosted by Douglas Fairbanks in the Hollywood Roosevelt Hotel in what would become known as the 1st Academy Awards.[3][4] The Academy Awards ceremony was first broadcast by radio in 1930 and was televised for the first time in 1953. It is the oldest worldwide entertainment awards ceremony and is now televised live worldwide.[5] It is also the oldest of the four major annual American entertainment awards; its other three equivalents – the Emmy Awards for television, the Tony Awards for theater, and the Grammy Awards for music – are modeled after the Academy Awards.[6]

The 91st Academy Awards ceremony, honoring the best films of 2018, was held on February 24, 2019, at the Dolby Theatre, in Los Angeles, California. The ceremony was broadcast on ABC. A total of 3,096 Oscar statuettes have been awarded from the inception of the award through the 91st ceremony.[7] It was the first ceremony since 1989 not to have a host.[8]

The 92nd Academy Awards ceremony, honoring the best films of 2019, was held on February 9, 2020. The ceremony was again being broadcast on ABC. It took place at the Dolby Theatre in Los Angeles, California, for the 18th consecutive year
History
The first Academy Awards presentation was held on May 16, 1929, at a private dinner function at the Hollywood Roosevelt Hotel with an audience of about 270 people.[10]

The post-awards party was held at the Mayfair Hotel.[5] The cost of guest tickets for that night's ceremony was $5 ($74 in 2019 dollars). Fifteen statuettes were awarded, honoring artists, directors and other participants in the film-making industry of the time, for their works during the 1927–28 period. The ceremony ran for 15 minutes.

Winners were announced to media three months earlier. That was changed for the second ceremony in 1930. Since then, for the rest of the first decade, the results were given to newspapers for publication at 11:00 pm on the night of the awards.[5] This method was used until 1940, when the Los Angeles Times announced the winners before the ceremony began; as a result, the Academy has, since 1941, used a sealed envelope to reveal the names of the winners.[5]

Notable milestones
The first Best Actor awarded was Emil Jannings, for his performances in The Last Command and The Way of All Flesh. He had to return to Europe before the ceremony, so the Academy agreed to give him the prize earlier; this made him the first Academy Award winner in history. At that time, winners were recognized for the entirety of their work done in a certain category during the qualifying period; for example, Jannings received the award for two movies in which he starred during that period, and Janet Gaynor later won a single Oscar for performances in three films. With the fourth ceremony, however, the system changed, and professionals were honored for a specific performance in a single film. For the first six ceremonies, the eligibility period spanned two calendar years.[5]

At the 29th ceremony, held in 1957, the Best Foreign Language Film category was introduced. Until then, foreign-language films had been honored with the Special Achievement Award.

The 74th Academy Awards, held in 2002, presented the first Academy Award for Best Animated Feature.[11]

Since 1973, all Academy Awards ceremonies have ended with the Academy Award for Best Picture.

Traditionally, the previous year's winner for Best Actor and Best Supporting Actor present the awards for Best Actress and Best Supporting Actress, while the previous year's winner for Best Actress and Best Supporting Actress present the awards for Best Actor and Best Supporting Actor.

Oscar statuette
Academy Award of Merit (Oscar statuette)
See also § Awards of Merit categories
The best known award is the Academy Award of Merit, more popularly known as the Oscar statuette.[7] Made of gold-plated bronze on a black metal base, it is 13.5 in (34.3 cm) tall, weighs 8.5 lb (3.856 kg), and depicts a knight rendered in Art Deco style holding a crusader's sword standing on a reel of film with five spokes. The five spokes represent the original branches of the Academy: Actors, Writers, Directors, Producers, and Technicians.[12]

The model for the statuette is Mexican actor Emilio "El Indio" Fernández.[13] Sculptor George Stanley (who also did the Muse Fountain at the Hollywood Bowl) sculpted Cedric Gibbons' design. The statuettes presented at the initial ceremonies were gold-plated solid bronze. Within a few years, the bronze was abandoned in favor of Britannia metal, a pewter-like alloy which is then plated in copper, nickel silver, and finally, 24-karat gold.[7] Due to a metal shortage during World War II, Oscars were made of painted plaster for three years. Following the war, the Academy invited recipients to redeem the plaster figures for gold-plated metal ones.[14] The only addition to the Oscar since it was created is a minor streamlining of the base. The original Oscar mold was cast in 1928 at the C.W. Shumway & Sons Foundry in Batavia, Illinois, which also contributed to casting the molds for the Vince Lombardi Trophy and Emmy Award's statuettes. From 1983 to 2015,[15] approximately 50 Oscars in a tin alloy with gold plating were made each year in Chicago by Illinois manufacturer R.S. Owens & Company.[16] It would take between three and four weeks to manufacture 50 statuettes.[13] In 2016, the Academy returned to bronze as the core metal of the statuettes, handing manufacturing duties to Walden, New York-based Polich Tallix Fine Art Foundry.[17][18] While based on a digital scan of an original 1929 Oscar, the statuettes retain their modern-era dimensions and black pedestal. Cast in liquid bronze from 3D-printed ceramic molds and polished, they are then electroplated in 24-karat gold by Brooklyn, New York–based Epner Technology. The time required to produce 50 such statuettes is roughly three months.[19] R.S. Owens is expected to continue producing other awards for the Academy and service existing Oscars that need replating.[20]

Naming
The Academy officially adopted the name "Oscar" for the trophies in 1939. However, the origin of the nickname is disputed.[21]

One biography of Bette Davis, who was a president of the Academy in 1941, claims she named the award after her first husband, band leader Harmon Oscar Nelson. A frequently mentioned originator is Margaret Herrick, the Academy executive secretary, who, when she first saw the award in 1931, said the statuette reminded her of "Uncle Oscar", a nickname for her cousin Oscar Pierce.[22]

Columnist Sidney Skolsky, who was present during Herrick's naming in 1931, wrote that "Employees have affectionately dubbed their famous statuette 'Oscar.'"[23] The Academy credits Skolsky with "the first confirmed newspaper reference" to Oscar in his column on March 16, 1934, which was written about that year's 6th Academy Awards.[24] The 1934 awards appeared again in another early media mention of Oscar: a Time magazine story.[25] In the ceremonies that year, Walt Disney was the first to thank the Academy for his "Oscar" during his acceptance speech.[26]

Engraving
To prevent information identifying the Oscar winners from leaking ahead of the ceremony, Oscar statuettes presented at the ceremony have blank baseplates. Until 2010, winners returned their statuettes to the Academy and had to wait several weeks to have their names inscribed on their respective Oscars. Since 2010, winners have had the option of having engraved nameplates applied to their statuettes at an inscription-processing station at the Governor's Ball, a party held immediately after the Oscar ceremony. The R.S. Owens company has engraved nameplates made before the ceremony, bearing the name of every potential winner. The nameplates for the non-winning nominees are later recycled.[27][28]

Ownership of Oscar statuettes
Since 1950, the statuettes have been legally encumbered by the requirement that neither winners nor their heirs may sell the statuettes without first offering to sell them back to the Academy for US$1. If a winner refuses to agree to this stipulation, then the Academy keeps the statuette. Academy Awards not protected by this agreement have been sold in public auctions and private deals for six-figure sums.[29] In December 2011, Orson Welles' 1941 Oscar for Citizen Kane (Academy Award for Best Original Screenplay) was put up for auction, after his heirs won a 2004 court decision contending that Welles did not sign any agreement to return the statue to the Academy.[30] On December 20, 2011, it sold in an online auction for US$861,542 ($0.98 million today).[31]

In 1992, Harold Russell needed money for his wife's medical expenses. In a controversial decision, he consigned his 1946 Oscar for Best Supporting Actor for The Best Years of Our Lives to Herman Darvick Autograph Auctions, and on August 6, 1992, in New York City, the Oscar sold to a private collector for $60,500 ($110,200 today). Since he won the award before 1950, he was not required to offer it to the Academy first. Russell defended his decision, saying, "I don't know why anybody would be critical. My wife's health is much more important than sentimental reasons. The movie will be here, even if Oscar isn't." Harold Russell is the only Academy Award-winning actor to ever sell an Oscar.[32]

While the Oscar is owned by the recipient, it is essentially not on the open market.[33] Michael Todd's grandson tried to sell Todd's Oscar statuette to a movie prop collector in 1989, but the Academy won the legal battle by getting a permanent injunction. Although some Oscar sales transactions have been successful, some buyers have subsequently returned the statuettes to the Academy, which keeps them in its treasury.[29]

Other awards presented by the Academy
See also § Special categories (below).
In addition to the Academy Award of Merit (Oscar award), there are nine honorary (non-competitive) awards presented by the Academy from time to time (except for the Academy Honorary Award, the Technical Achievement Award, and the Student Academy Awards, which are presented annually):[34]

Governors Awards:
The Academy Honorary Award (annual) (which may or may not be in the form of an Oscar statuette);
The Irving G. Thalberg Memorial Award (since 1938) (in the form of a bust of Thalberg);
The Jean Hersholt Humanitarian Award (since 1957) (in the form of an Oscar statuette);
The Academy Scientific and Technical Awards:
Academy Award of Merit (non-competitive) (in the form of an Oscar statuette);
Scientific and Engineering Award (in the form of a bronze tablet);
Technical Achievement Award (annual) (in the form of a certificate);
The John A. Bonner Medal of Commendation (since 1978) (in the form of a medal);
The Gordon E. Sawyer Award (since 1982); and
The Academy Student Academy Awards (annual).
The Academy also awards Nicholl Fellowships in Screenwriting.

Nomination
Since 2004, Academy Award nomination results have been announced to the public in mid-January. Prior to that, the results were announced in early February.

Voters
The Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization, maintains a voting membership of over 7,000 as of 2018.[35]

Academy membership is divided into different branches, with each representing a different discipline in film production. Actors constitute the largest voting bloc, numbering 1,311 members (22 percent) of the Academy's composition. Votes have been certified by the auditing firm PricewaterhouseCoopers (and its predecessor Price Waterhouse) since the 7th Academy Awards in 1935. The firm mails the ballots of eligible nominees to members of the Academy in December to reflect the previous eligible year with a due date sometime in January of the next year, then tabulates the votes in a process that takes thousands of hours.[36][37][38]

All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination or a member may submit a name based on other significant contributions to the field of motion pictures.

New membership proposals are considered annually. The Academy does not publicly disclose its membership, although as recently as 2007 press releases have announced the names of those who have been invited to join. The 2007 release also stated that it has just under 6,000 voting members. While the membership had been growing, stricter policies have kept its size steady since then.[39]

In 2012, the results of a study conducted by the Los Angeles Times were published describing the demographic breakdown of approximately 88% of AMPAS' voting membership. Of the 5,100+ active voters confirmed, 94% were Caucasian, 77% were male, and 54% were found to be over the age of 60. 33% of voting members are former nominees (14%) and winners (19%).[40]

In May 2011, the Academy sent a letter advising its 6,000 or so voting members that an online system for Oscar voting would be implemented in 2013.[41]

Rules
According to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in Los Angeles County, California, and play for seven consecutive days, to qualify (except for the Best Foreign Language Film, Best Documentary Feature, and Best Documentary Short Subject).[42][43]

The Best Foreign Language Film award does not require a U.S. release. It requires the film to be submitted as its country's official selection.

The Best Documentary Feature award requires either week-long releases in both Los Angeles County and New York City during the previous calendar year, or a qualifying award at a competitive film festival from the Documentary Feature Qualifying Festival list (regardless of any public exhibition or distribution), or a submission in the Foreign Language Film category as its country's official selection.[44]

The Best Documentary Short Subject award has noticeably different eligibility rules from most other competitive awards. First, the qualifying period for release does not coincide with a calendar year, instead covering a one-year period starting on September 1 and ending on August 31 of the calendar year before the ceremony. Second, there are multiple methods of qualification. The main method is a week-long theatrical release in either Los Angeles County or New York City during the eligibility period. Films also can qualify by winning specified awards at one of a number of competitive film festivals designated by the Academy. Finally, a film that is selected as a gold, silver, or bronze medal winner in the Documentary category of the immediately previous Student Academy Awards is also eligible.[45]

For example, the 2009 Best Picture winner, The Hurt Locker, was actually first released in 2008, but did not qualify for the 2008 awards, as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the 2009 awards. Foreign films must include English subtitles, and each country can submit only one film per year.[46]

Rule 2 states that a film must be feature-length, defined as a minimum of 40 minutes, except for short-subject awards, and it must exist either on a 35 mm or 70 mm film print or in 24 frame/s or 48 frame/s progressive scan digital cinema format with a minimum projector resolution of 2048 by 1080 pixels.[47] Effective with the 90th Academy Awards, presented in 2018, multi-part and limited series will be ineligible for the Best Documentary Feature award. This followed the win of O.J.: Made in America, an eight-hour presentation that was screened in a limited release before being broadcast in five parts on ABC and ESPN, in that category in 2017. The Academy's announcement of the new rule made no direct mention of that film.[48]

Producers must submit an Official Screen Credits online form before the deadline; in case it is not submitted by the defined deadline, the film will be ineligible for Academy Awards in any year. The form includes the production credits for all related categories. Then, each form is checked and put in a Reminder List of Eligible Releases.

In late December, ballots, and copies of the Reminder List of Eligible Releases are mailed to around 6,000 active members. For most categories, members from each of the branches vote to determine the nominees only in their respective categories (i.e. only directors vote for directors, writers for writers, actors for actors, etc.). In the special case of Best Picture, all voting members are eligible to select the nominees. In all major categories, a variant of the single transferable vote is used, with each member casting a ballot with up to five nominees (ten for Best Picture) ranked preferentially.[49][50][51] In certain categories, including Foreign Film, Documentary and Animated Feature, nominees are selected by special screening committees made up of members from all branches.

In most categories, the winner is selected from among the nominees by plurality voting of all members.[49][51] Since 2009, the Best Picture winner has been chosen by instant runoff voting.[51][52] Since 2013, re-weighted range voting has been used to select the nominees for the Best Visual Effects.[53][54]

Film companies will spend as much as several million dollars on marketing to awards voters for a movie in the running for Best Picture, in attempts to improve chances of receiving Oscars and other movie awards conferred in Oscar season. The Academy enforces rules to limit overt campaigning by its members so as to try to eliminate excesses and prevent the process from becoming undignified. It has an awards czar on staff who advises members on allowed practices and levies penalties on offenders.[55] For example, a producer of the 2009 Best Picture nominee The Hurt Locker was disqualified as a producer in the category when he contacted associates urging them to vote for his film and not another that was seen as the front-runner (The Hurt Locker eventually won).
The major awards are presented at a live televised ceremony, commonly in late February or early March following the relevant calendar year, and six weeks after the announcement of the nominees. It is the culmination of the film awards season, which usually begins during November or December of the previous year. This is an elaborate extravaganza, with the invited guests walking up the red carpet in the creations of the most prominent fashion designers of the day. Black tie dress is the most common outfit for men, although fashion may dictate not wearing a bow-tie, and musical performers sometimes do not adhere to this. (The artists who recorded the nominees for Best Original Song quite often perform those songs live at the awards ceremony, and the fact that they are performing is often used to promote the television broadcast.)

The Academy Awards is the world's longest-running awards show televised live in all U.S. time zones (excluding territories outside mainland North America), Canada, and the United Kingdom, and gathers billions of viewers elsewhere throughout the world.[56] The Oscars were first televised in 1953 by NBC, which continued to broadcast the event until 1960, when ABC took over, televising the festivities (including the first color broadcast of the event in 1966) through 1970. NBC regained the rights for five years (1971–75), then ABC resumed broadcast duties in 1976 and its current contract with the Academy runs through 2028.[57] The Academy has also produced condensed versions of the ceremony for broadcast in international markets (especially those outside of the Americas) in more desirable local timeslots. The ceremony was broadcast live internationally for the first time via satellite since 1970, but only two South American countries, Chile and Brazil, purchased the rights to air the broadcast. By that time, the television rights to the Academy Awards had been sold in 50 countries. A decade later, the rights were already being sold to 60 countries, and by 1984, the TV rights to the Awards were licensed in 76 countries.

The ceremonies were moved up from late March/early April to late February, since 2004, to help disrupt and shorten the intense lobbying and ad campaigns associated with Oscar season in the film industry. Another reason was because of the growing TV ratings success coinciding with the NCAA Basketball Tournament, which would cut into the Academy Awards audience. (In 1976 and 1977, ABC's regained Oscars were moved from Tuesday to Monday and went directly opposite NBC's NCAA title game.) The earlier date is also to the advantage of ABC, as it now usually occurs during the highly profitable and important February sweeps period. Some years, the ceremony is moved into the first Sunday of March in order to avoid a clash with the Winter Olympic Games. Another reason for the move to late February and early March is also to avoid the awards ceremony occurring so close to the religious holidays of Passover and Easter, which for decades had been a grievance from members and the general public.[58] Advertising is somewhat restricted, however, as traditionally no movie studios or competitors of official Academy Award sponsors may advertise during the telecast. The production of the Academy Awards telecast currently holds the distinction of winning the most Emmys in history, with 47 wins and 195 nominations overall since that award's own launch in 1949.[59]

After many years of being held on Mondays at 9:00 pm Eastern/6:00 p.m Pacific, since the 1999 ceremonies, it was moved to Sundays at 8:30 pm ET/5:30 pm PT.[60] The reasons given for the move were that more viewers would tune in on Sundays, that Los Angeles rush-hour traffic jams could be avoided, and an earlier start time would allow viewers on the East Coast to go to bed earlier.[61] For many years the film industry opposed a Sunday broadcast because it would cut into the weekend box office.[62] In 2010, the Academy contemplated moving the ceremony even further back into January, citing TV viewers' fatigue with the film industry's long awards season. However, such an accelerated schedule would dramatically decrease the voting period for its members, to the point where some voters would only have time to view the contending films streamed on their computers (as opposed to traditionally receiving the films and ballots in the mail). Furthermore, a January ceremony on Sunday would clash with National Football League playoff games.[63] In 2018, the Academy announced that the ceremony would be moved from late February to mid February beginning with the 92nd Academy Awards in 2020.[64]

Originally scheduled for April 8, 1968, the 40th Academy Awards ceremony was postponed for two days, because of the assassination of Dr. Martin Luther King, Jr.. On March 30, 1981, the 53rd Academy Awards was postponed for one day, after the shooting of President Ronald Reagan and others in Washington, D.C.[65]

In 1993, an In Memoriam segment was introduced,[66] honoring those who had made a significant contribution to cinema who had died in the preceding 12 months, a selection compiled by a small committee of Academy members.[67] This segment has drawn criticism over the years for the omission of some names. Criticism was also levied for many years regarding another aspect, with the segment having a "popularity contest" feel as the audience varied their applause to those who had died by the subject's cultural impact; the applause has since been muted during the telecast, and the audience is discouraged from clapping during the segment and giving silent reflection instead. This segment was later followed by a commercial break.

In terms of broadcast length, the ceremony generally averages three and a half hours. The first Oscars, in 1929, lasted 15 minutes. At the other end of the spectrum, the 2002 ceremony lasted four hours and twenty-three minutes.[68][69] In 2010, the organizers of the Academy Awards announced winners' acceptance speeches must not run past 45 seconds. This, according to organizer Bill Mechanic, was to ensure the elimination of what he termed "the single most hated thing on the show" – overly long and embarrassing displays of emotion.[70] In 2016, in a further effort to streamline speeches, winners' dedications were displayed on an on-screen ticker.[71] During the 2018 ceremony, host Jimmy Kimmel acknowledged how long the ceremony had become, by announcing that he would give a brand-new jet ski to whoever gave the shortest speech of the night (a reward won by Mark Bridges when accepting his Best Costume Design award for Phantom Thread).[72] The Wall Street Journal analyzed the average minutes spent across the 2014–2018 telecasts as follows: 14 on song performances; 25 on the hosts' speeches; 38 on prerecorded clips; and 78 on the awards themselves, broken into 24 on the introduction and announcement, 24 on winners walking to the stage, and 30 on their acceptance speeches.[73]

Although still dominant in ratings, the viewership of the Academy Awards has steadily dropped; the 88th Academy Awards were the lowest-rated in the past eight years (although with increases in male and 18–49 viewership), while the show itself also faced mixed reception. Following the show, Variety reported that ABC was, in negotiating an extension to its contract to broadcast the Oscars, seeking to have more creative control over the broadcast itself. Currently and nominally, AMPAS is responsible for most aspects of the telecast, including the choice of production staff and hosting, although ABC is allowed to have some input on their decisions.[74] In August 2016, AMPAS extended its contract with ABC through 2028: the contract neither contains any notable changes nor gives ABC any further creative control over the telecast.[75]

TV ratings
Historically, the telecast's viewership is higher when box-office hits are favored to win the Best Picture award. More than 57.25 million viewers tuned to the telecast for the 70th Academy Awards in 1998, the year of Titanic, which generated close to US$500 million at the North American box office and US$1.2 billion worldwide pre-Oscars, with the final box office haul during its initial 1997–98 run being US$600.8 million in the US and US$1.84 billion worldwide, both sky-high box office records back then (they would remain unsurpassed for 12 years, until 2010).[76] The 76th Academy Awards ceremony, in which The Lord of the Rings: The Return of the King (pre-telecast box office earnings of US$368 million) received 11 Awards including Best Picture, drew 43.56 million viewers.[77] The most watched ceremony based on Nielsen ratings to date, however, was the 42nd Academy Awards (Best Picture Midnight Cowboy) which drew a 43.4% household rating on April 7, 1970.[78]

By contrast, ceremonies honoring films that have not performed well at the box office tend to show weaker ratings, despite how much critically acclaimed those films have been. The 78th Academy Awards which awarded low-budget independent film Crash (with a pre-Oscar gross of US$53.4 million) generated an audience of 38.64 million with a household rating of 22.91%.[79] In 2008, the 80th Academy Awards telecast was watched by 31.76 million viewers on average with an 18.66% household rating, the lowest-rated and least-watched ceremony at the time, in spite of celebrating 80 years of the Academy Awards.[80] The Best Picture winner of that particular ceremony was another independent film (No Country for Old Men).

Venues
In 1929, the first Academy Awards were presented at a banquet dinner at the Hollywood Roosevelt Hotel. From 1930 to 1943, the ceremony alternated between two venues: the Ambassador Hotel on Wilshire Boulevard and the Biltmore Hotel in downtown Los Angeles.

Grauman's Chinese Theatre in Hollywood then hosted the awards from 1944 to 1946, followed by the Shrine Auditorium in Los Angeles from 1947 to 1948. The 21st Academy Awards in 1949 were held at the Academy Award Theatre at what had been the Academy's headquarters on Melrose Avenue in Hollywood.[81]

From 1950 to 1960, the awards were presented at Hollywood's Pantages Theatre. With the advent of television, the awards from 1953 to 1957 took place simultaneously in Hollywood and New York, first at the NBC International Theatre (1953) and then at the NBC Century Theatre, after which the ceremony took place solely in Los Angeles. The Oscars moved to the Santa Monica Civic Auditorium in Santa Monica, California, in 1961. By 1969, the Academy decided to move the ceremonies back to Downtown Los Angeles, this time to the Dorothy Chandler Pavilion at the Los Angeles County Music Center. In the late 1990s and early 2000s, the ceremony returned to the Shrine.

In 2002, Hollywood's Dolby Theatre (previously known as the Kodak Theatre) became the presentation's current venue

الأحد، 9 فبراير 2020

شيلبا شيتي

شيلبا شيتي (بالإنجليزية: Shilpa Shetty) مواليد 8 يونيو 1975 في مانغلور، كارناتاكا، الهند، هي ممثلة هندية بدأت مسيرتها الفنية عام 1993، أول أفلامها كان bazzigar مع النجمان شاروخان و كاجول وأختاها نيتا شتي و الممثلة شاميتا شيتي و أخوها المخرج روهيت شيتي، وتقيم حاليا شيلبا في مومباي، ورشحت أكثر من 3 مرات بمسابقة أفضل ممثلة لجائزة فيلم فير عملت في منظمة بيتا لحقوق الحيوان وهي صاحبة حزام أسود في رياضة الكاراتيه القتالية وتجيد أيضاً لعب رياضة كرة السلة الرائعة وتتمتع الممثلة شيلبا شيتي بروح فكاهية ومرحة وهي صاحبة أجمل جسم في بوليود وهي أيضاً فاتنة وجميلة.كما كانت لها علاقة سابقة مع اكشاي كومار التي انتهت سنة 2002.
الأعمال
أفلام
أنا ماهر و أنت غير ماهر
أوم شانتي أوم

Shilpa Shetty

Shilpa Shetty Kundra (born 8 June 1975)[2] is an Indian actress primarily known for her work in Hindi films and the winner of Celebrity Big Brother 5.
Shetty was born in Mangalore.[citation needed] In 2016, during a visit to a fashion show in Dhaka, Shetty mentioned that her Bengali ancestors hailed from Sylhet in Bangladesh as well as her future plans on visiting her ancestral Sylheti homestead and acting in a Bangladeshi film.[3] Her father Surendra and her mother, Sunanda are both manufacturers of tamper-proof water caps in the pharmaceutical industry. In Mumbai, Shetty attended St. Anthony Girls' High School in Chembur, Mumbai, and later attended Podar College in Matunga. A trained Bharatanatyam dancer, she was also captain of the volleyball team at school.[4]

In 1991, after completing her tenth grade examinations, Shetty began her career as a model with a Limca television commercial, and subsequently featured in several other commercials and advertisements, following which she began receiving offers for film roles. Shetty continued to pursue her career as a model, until she became an actress.[5]

Acting career
Debut and early roles (1993–1994)
In September 1992, Shetty signed for and began working on her first film – the romantic drama Gaata Rahe Mera Dil[6] – to be directed by Dilip Naik which tells the story of a girl involved in a love triangle between two men (played by Ronit Roy and Rohit Roy). However, the film went unreleased, which meant that Shetty's debut release was her next film, Abbas-Mustan's thriller Baazigar, alongside Shah Rukh Khan and Kajol. Inspired by the Hollywood film A Kiss Before Dying, the film featured Shetty in the supporting role of Seema Chopra, a girl who is murdered by her revenge-seeking boyfriend, played by Khan. Baazigar proved to be a major box office hit and finished up as the fourth-highest-grossing film of the year.[7] Both the film as well as Shetty's performance received critical appreciation; Shetty eventually received the Best Supporting Actress and the Lux New Face of the Year (now known as Best Female Debut) nominations at the annual Filmfare Awards ceremony.[8]

In 1994, Shetty had three film releases.[7] Her first release that year was the action drama Aag, in which she played her first leading role. Co-starring Govinda and Sonali Bendre, the film saw Shetty portray Bijli, a village belle who is actually a plainclothes policewoman assigned to arrest a murderer (played by Govinda) at any cost. Aag emerged as a moderate box office success and fetched a mixed to positive critical reception, as did Shetty's performance. Shetty next starred alongside Akshay Kumar, Saif Ali Khan, Raageshwari and Shakti Kapoor in the action comedy Main Khiladi Tu Anari. In the film, Shetty played the dual roles of Mona (a cabaret dancer and a gangster's girlfriend) and her look-alike Basanti (a village belle). The film which marked Shetty's first of many collaborations with Kumar proved to be a super-hit at the box office. Both the film as well as Shetty's performance received major critical acclaim; the success of Main Khiladi Tu Anari proved to be a breakthrough for Shetty. Her third and final release that year was the romantic drama Aao Pyaar Karen opposite Saif Ali Khan. The film which narrates the love story of a wealthy man and his maid (played by Khan and Shetty respectively) under-performed at the box office.[7]

Public recognition and widespread success (1995–1999)
In 1995, Shetty starred in Hathkadi, where she was working alongside actors such as Saif Ali Khan, Govinda and Madhoo, but they failed at the box office. She made her Tamil film debut with the 1996 released Mr. Romeo alongside actors Prabhu Deva and Madhoo. The film was a sleeper musical hit at the box office. 1997 was one of her busiest years: she appeared in six different films, beginning with the Telugu language film Veedevadandi Babu. Her first major Bollywood film of that year was the action thriller Auzaar. Shilpa portrayed the character of Prathna Thakur alongside actors Salman Khan and Sanjay Kapoor. In 1998, she had one release, Pardesi Babu, for which she received critical acclaim and won the Bollywood Movie Award for Best Supporting Actress.

Critically acclaimed roles; commercial success (2000–2007)
In 2000, Shetty received acclaim for her role in Dhadkan, which earned reasonable takings at the Indian box office.[9] She received several nominations under the Best Actress category in award ceremonies. She would later go on to star with Anil Kapoor and Karisma Kapoor in the film Rishtey (2002). Her comic performance as an eccentric fisherwoman was appreciated and she received a nomination under the Filmfare Best Supporting Actress Award category and nominations for Best Comedian as well.[10]

In 2004, Shetty appeared in Garv, in which she portrayed a Muslim orphan and disillusioned table dancer starring opposite Salman Khan. According to Shetty, she chose to do the film because she liked the subject. The film was a police drama.[11] She received much acclaim for her performance in Phir Milenge, where she made a sensitive portrayal of a successful city high-flyer who contracts HIV from unprotected sex and becomes a social outcast as a result. The film, based on 1993's Philadelphia, was perceived to have tackled a social taboo as yet unaddressed by Bollywood.[5] The film earned Shetty a Filmfare Best Actress nomination, and provided an impetus for her HIV-related charity work (see below). Film critic Taran Adarsh from IndiaFM noted: "Phir Milenge belongs to Shilpa Shetty completely. She delivers, what can be rightly called, the performance of her career."[12] This marked a break from the previous trend of superficial song-and-dance items in favour of roles which have a greater depth of character,[11] exemplified by her film Dus (2005), an action thriller. Although it received average returns at the box office,[13] Shetty stated that she had taken the role to reinvent herself by portraying the rather unconventional character of an anti-terrorist squad member.[11]

In 2005, Shetty starred opposite Upendra in the Kannada film Auto Shankar. The film was a major box office success and it earned her the name "The Gabbar Singh of the South" due to her villainous role in the film.[14] The same year, she starred in the film Fareb with her younger sister Shamita Shetty. Shetty had one release in 2006, the much delayed Shaadi Karke Phas Gaya Yaar. The film was a box office flop, but she got good reviews for her role as a not entirely likeable wife.[15] In 2006, she was a judge alongside Farah Khan & Sanjay Leela Bhansali on Jhalak Dikhhla Jaa, a Sony Entertainment Television dance show based on the original UK show Strictly Come Dancing.

Shetty was once featured in Mani Ratnam's stage show Netru, Indru, Naalai.

2007 proved to be Shetty's most successful year at the box office. Her first release, Life in a... Metro, won a significant reception and became the first Bollywood movie to premiere at Leicester Square.[16] The film performed well at the box office and was declared a semi-hit within three weeks. Additionally, the film was critically acclaimed and Shetty's performance was appreciated, with Rajeev Masand of CNN-IBN writing: "It's a terrific performance and unquestionably Shilpa's best to date".[17] Her second release, alongside three Deols ( Dharmendra, Sunny and Bobby), the drama Apne, was also a box office success.

Shetty starred in the unreleased 2010 Indo-Chinese drama The Desire, a film rescued during production by her mother, who stepped in when its producer abandoned the project unfinished.

Off-screen work
In February 2006, Shetty lent support to a BBC World Service Trust television show designed to tackle the problem of HIV-AIDS in India.[18] According to reports, she participated in order to show solidarity with HIV-AIDS sufferers.[18] According to Shetty, the issue was particularly close to her heart as she had portrayed an HIV-positive sufferer in her 2004 film Phir Milenge. Speaking about the film and HIV in general, Shetty said: "Why not a film on HIV positive patients? It is a social stigma in our society. We made this film to highlight this problem ... This film will bring about a social awareness about AIDS in our country. It is high time we talked about this in our society".[11]

In March 2006, various sources reported Shetty's joining PETA as part of an advertising campaign against the use of wild animals in circuses.[19] According to a PETA India press release, Shetty is a long-time PETA supporter and has assisted the campaign by posing for photographs in a figure-hugging tiger costume. She explained that her crouching in a cage was uncomfortable during the photoshoot, but that her discomfort was insignificant compared to the pain suffered by the creatures. "These once dignified animals only leave their cages, which are barely larger than the size of their bodies, for a few minutes each day to be forced into the ring to perform tricks which make no sense and are upsetting to them. The best way to help animals suffering in circuses is to boycott the circus".[20] Shetty revealed in a later interview that she felt strongly about this cause and that she was appalled to hear of the cruel treatment suffered by such animals. "I thought I should stop that. If I can make a little difference to their lives, why not go for it?"[11]

In September 2006, alongside Farah Khan and Sanjay Leela Bhansali, Shetty began the first season of the dance reality show Jhalak Dikhhla Jaa. In January 2007, Shetty was a contestant on and the subsequent winner of the British reality television series Celebrity Big Brother 5.[21] She was the first Indian celebrity included in the show. Reportedly paid Rs.31.5 m (£367,500 GBP) for her participation,[22] she said to presenter Davina McCall, "I just want every Indian to be extremely proud that I'm in here".[23] As for her participation, she stated: "I have zero expectations. The only thing I really hope to keep is my self-respect and my dignity."[24] Her sister Shamita told The Times of India that this "is the boldest decision Shilpa has taken so far."[25] During her stay on the show, Shetty instructed fellow housemates Carole Malone and Ken Russell in meditation,[26] and flirted with Dirk Benedict[27] but tempers started to fray by Day 7 as a clique formed in the house disapproving of Shilpa's presence.[28][29] Following a worldwide controversy that publicised her as a target of racist bullying within the house, Shetty won the contest after gaining 63% of the public vote and described the experience as "incredible and overwhelming". She further thanked the public for "a fantastic opportunity to make my country proud".[30]

In August 2008, Shetty began hosting the second season of the reality television series Bigg Boss, the Indian version of the international reality television series Big Brother.

In February 2009, Shetty and Raj Kundra became part owners of the Indian Premier League franchise cricket team Rajasthan Royals by paying approximately US$15.4 million for an 11.7% stake. Shetty also co-owns the Indian chain of spas and salon called Iosis.[31][32]

Alongside Sajid Khan and Terrence Lewis, Shetty featured as a talent judge for the dance reality show Nach Baliye (seasons 5, 6 and Shriman v/s Shrimati), from 2012 to 2014.
In March 2014, Shetty began hosting the reality television show Soney Ka Dil, which she also co-produced along with Kundra. The show format is based on featuring ordinary people who have contributed their extraordinary help to others in need.[33] The same year, Shetty turned into a film producer with the action film Dishkiyaaoon, a box-office flop.[34]

With a black belt in karate,[35] Shetty launched her fitness Yoga DVD in 2015.[36]

From early 2016 to the present day, she has been judging a dance reality show Super Dancer on Sony Entertainment channel along with co-judges Geeta Kapoor and Anurag Basu.

In 2017, The Indian government selected Shetty as a brand ambassador of the Swachh Bharat Mission, a campaign to improve sanitation throughout India.[37] On 20 January 2020, She received the Champions of Change award for her work in that campaign
Obscenity charge
In April 2006, a Madurai court issued non-bailable warrants against Shetty and actress Reema Sen for "posing in an obscene manner" in photographs published by a Tamil newspaper.[39] The report stated that the two actresses had failed to comply with earlier summonses, hence the issuance of the warrants.[39] The petitioner submitted that the paper had published "very sexy and medium blow-ups" in its December 2005 and January 2006 issues, and alleged that these violated the Indecent Representation of Women (Prohibition) Act 1986, Young Persons (Harmful Publications) Act 1956, and the Indian Penal Code Section 292 (Sale of Obscene Books). The petitioner further demanded that the images be confiscated under the terms of the Press and Registration of Book Act 1867.[39]

Shetty responded that she had not received any court summons and also discounted the charges. She further claimed that the pictures were freeze-frame shots from a recent movie that only exposed her navel. "As far as my photographs go, what is obscene about it? If navel-showing is obscenity, then our traditional Indian outfit – the traditional sari – should be banned in the first place."[40]

In January 2007, outgoing Chief Justice Y.K. Sabharwal confirmed that Shetty had written to him requesting that he enunciate guidelines against frivolous lawsuits against the artists, but he had refused her plea on the grounds that she should have filed a formal petition instead of writing a letter.[41]

Racism controversy
During her stay on Celebrity Big Brother 5, Shetty was alleged to be the target of racism and bullying by some other housemates, chiefly Jade Goody, Jo O'Meara and Danielle Lloyd.[42] After correcting Goody's mother, who mispronounced Shetty's name as 'Shiwpa', Shetty was mocked for her Indian accent and was branded "The Indian" and was referred to as a "dog" by Lloyd. Referring to Shetty, O'Meara generalised that all Indians were thin because they were "sick all the time" as a result of undercooking their food, following their belief that Shetty had undercooked a chicken,[43] which had given O'Meara diarrhoea.[44] Lloyd also mentioned that she disliked Shetty touching her food because she did not "know where her hands have been".[45]

After Shetty had attempted to dispose of the left-over chicken soup down the toilet and had caused a blockage, housemate Jack Tweed suggested that she should pick the bones out with her teeth[44] and allegedly referred to her as a "fucking Paki",[46] although show producers denied this and stated that the word used was "cunt".[47][48] During a fierce argument, Goody told Shetty that she needed to "spend a day in the slums", although the media falsely reported this as "go back to the slums".[49] Claiming that she did not know Shilpa's surname, Goody referred to her as "Shilpa Fuckawallah", "Shilpa Daroopa", and "Shilpa Poppadom", later claiming that they were non-racist references to Indian food.[50][51] Lloyd had opined that Shetty's English-speaking skills were lacking and said she should "fuck off home
Shetty had been reduced to tears on several occasions, confiding to fellow housemate Ian Watkins: "I feel like I'm losing my dignity."[44] After the show, Goody stated that she understood her comments appeared as racist and apologized for any offence caused.[53] On 14 February 2007, Shetty said "Jade and Danielle did apologise. And I've forgiven them. Anyone, who knows me, knows I forgive and forget easily." On 17 February 2007, Shetty said that she wanted to forgive Jo O'Meara, but she and other Celebrity Big Brother contestants had difficulty contacting her.[54] After Goody apologised to Shetty for her behaviour, Tweed stated that he was very disappointed with Goody for apologizing, and called Shetty a "dick" after previously describing her as a "wanker". Shetty speculated that she might be a victim of racism,[55] but later retracted it by claiming: "People say things in anger."[50]  In May 2007, Lloyd attended the premiere of Shetty's film Life in a... Metro in London, in which the two were photographed together. . Controversially, one of the housemates was Jade Goody, Shetty's Celebrity Big Brother co-contestant, with whom she was involved in the racism controversy. Goody left the series early after receiving news that she had cervical cancer, of which she later died on 22 March 2009.

The screening of the racial comments on UK television resulted in national and international media coverage, responses from the UK and Indian governments,[56] and the show's suspension during the 2008 season.[57] Many agencies and corporations cancelled their contracts with the housemates accused of racism, citing the allegations as the reason for the terminations. Also, many sponsors of the Big Brother series cancelled[58] or suspended[59] their sponsorship of the show. After conducting an investigation, Ofcom ruled that Channel 4 had breached the Ofcom code of conduct, and statutory sanctions were placed on the network.[60]

Richard Gere kissing incident
On 15 April 2007, the American actor Richard Gere hugged and kissed a compliant Shetty repeatedly on the cheek during an AIDS-awareness event.[61] In response, a number of protesters, including members of the Hindu group Shiv Sena,[62] beat burning effigies of Gere with sticks.[63] The protests occurred in a variety of cities, including Varanasi, Bhopal, Kanpur, Indore, Delhi and Mumbai.[64] Others set fire to glamour shots of Shetty. Some groups demanded an apology from her and threatened to ban her movies in the state.[65] Shiv Sena leaders denied involvement in the protests, but Shiv Sena member of parliament Sanjay Raut observed that the protests are "just a manifestation of the anger of the general public" and that there was "nothing wrong with expressing contempt at such an act".[66]

Shetty responded to these protests by saying, "I understand this (kissing) is his (Gere's) culture, not ours. But this was not a big thing or so obscene for people to overreact in such a manner. I struggle to understand these people's sentiments, but mainly I do not want a foreigner to take bad memories from here."[64] On 26 April 2007, an Indian court in Rajasthan issued a warrant for Shetty and Gere's arrest.[67] A two-judge bench of the Supreme Court headed by the Chief Justice of India subsequently dismissed the suit and suspended the arrest warrants.[68] Gere has since expressed regret for causing any offence and Shetty has said: "so much has been blown out of proportion".[69]

Personal life
Having worked with Akshay Kumar in Main Khiladi Tu Anari (1994), Shetty began dating him on the set of Insaaf (1997), the latter having just broken up with actress Raveena Tandon.[5] Shetty spoke openly about her relationship with Kumar. The Indian media speculated on an engagement, and reported that Kumar wanted Shetty to quit films and settle down. Shetty had stated, however, that she had no plans to marry. The couple broke up in 2000 whilst filming Dhadkan.[9]

In February 2009, Shetty got engaged to Raj Kundra, with whom she was co-owner of the Indian Premier League (IPL) cricket team Rajasthan Royals. The two married on 22 November 2009.[70][71] The couple gave birth to a son, Viaan Raj Kundra, on 21 May 2012.[72]

In the media
In February 2007, Shetty attended a reception at the House of Commons by invitation of Keith Vaz MP to meet with then Prime Minister Tony Blair. She was also invited to meet Queen Elizabeth II at Marlborough House in London in March 2007. During an interview on This Morning, Shetty confirmed that she had been asked to act in the British EastEnders soap opera, and turned it down as it would mean all her other arrangements would have to go on hold.[73]

She was the subject of a Sky One documentary entitled The Real Shilpa Shetty, which was produced by British television production company Twofour. The large number of commercial offers that Shilpa received after winning Celebrity Big Brother 5 themselves became reason for controversy with an increasing number of accusations about her riding the "racism" wave to commercial gain.[74] She was on the cover of the first issue of OK! Magazine to be sold in India.[75]

In early September 2007, she modelled at the Wills Lifestyle India Fashion Week.[76] Next on her agenda is a cookery book titled Soul Curry and the role of Sita in Uru Patel's international venture Hanuman.[77]

In early May 2019 the actress, who has long been the poster girl for fitness, launched a holistic wellness app, The Shilpa Shetty app,[78] which features yoga routines, functional training, special regimes (for women who are pregnant, struggling with menstrual cramps and so on), and daily nutrition charts for each program. “I think lifestyle modifications are the need of the hour. There's something for everyone on the app.[79] You can do the workouts within the comfort of your home, without any equipment,” Shilpa says.

Jordan Peterson

Jordan Bernt Peterson (born June 12, 1962) is a Canadian clinical psychologist and a professor of psychology at the University of Toronto. His main areas of study are in abnormal, social, and personality psychology,[1] with a particular interest in the psychology of religious and ideological belief[2] and the assessment and improvement of personality and performance.[3]

Peterson has bachelor's degrees in political science and psychology from the University of Alberta and a Ph.D. in clinical psychology from McGill University. He was a post-doctoral fellow at McGill from 1991 to 1993 before moving to Harvard University, where he was an assistant professor in the psychology department.[4][5] In 1998, he returned to Canada to become a faculty member in the psychology department at the University of Toronto, where he eventually became a full professor.[6]

Peterson's first book, Maps of Meaning: The Architecture of Belief (1999), examined several academic fields to describe the structure of systems of beliefs and myths, their role in the regulation of emotion, creation of meaning, and several other topics such as motivation for genocide.[7][8][9] His second book, 12 Rules for Life: An Antidote to Chaos, was published in January 2018.[4][10][11]

In 2016, Peterson released a series[12] of YouTube videos criticizing political correctness and the Canadian government's Bill C-16, "An Act to amend the Canadian Human Rights Act and the Criminal Code". The act added "gender identity and expression" as a prohibited ground of discrimination,[a][13] which Peterson characterised as an introduction of compelled speech into law,[14][15][16] although legal experts have disagreed.[17] He subsequently received significant media coverage, attracting both support and criticism.[4][10][11] Several writers have associated Peterson with an "Intellectual Dark Web
Early life
Peterson was born on June 12, 1962.[23] He grew up in Fairview, Alberta, a small town northwest of his birthplace (Edmonton).[24] He was the eldest of three children born to Walter and Beverley Peterson. Beverley was a librarian at the Fairview campus of Grande Prairie Regional College, and Walter was a school teacher.[25][26] His middle name is Bernt (/ˈbɛərənt/ BAIR-ənt),[27] after his Norwegian great-grandfather.[28]

When Peterson was 13, he was introduced to the writings of George Orwell, Aldous Huxley, Aleksandr Solzhenitsyn, and Ayn Rand by his school librarian Sandy Notley (the mother of Rachel Notley, leader of the Alberta New Democratic Party and 17th Premier of Alberta).[29] He worked for the New Democratic Party (NDP) throughout his teenage years, but grew disenchanted with the party. He saw his experience of disillusionment resonating with Orwell's diagnosis, in The Road to Wigan Pier, of "the intellectual, tweed-wearing middle-class socialist" who "didn't like the poor; they just hated the rich".[25][30] He left the NDP at age 18.[31]

Education
After graduating from Fairview High School in 1979, Peterson entered the Grande Prairie Regional College to study political science and English literature.[2] He later transferred to the University of Alberta, where he completed his B.A. in political science in 1982.[31] Afterwards, he took a year off to visit Europe. There he began studying the psychological origins of the Cold War, 20th-century European totalitarianism,[2][32] and the works of Carl Jung, Friedrich Nietzsche, Aleksandr Solzhenitsyn,[25] and Fyodor Dostoevsky.[32] He then returned to the University of Alberta and received a B.A. in psychology in 1984.[33] In 1985, he moved to Montreal to attend McGill University. He earned his Ph.D. in clinical psychology under the supervision of Robert O. Pihl in 1991, and remained as a post-doctoral fellow at McGill's Douglas Hospital until June 1993, working with Pihl and Maurice Dongier.[2][34]

Career
From July 1993 to June 1998,[1] Peterson lived in Arlington, Massachusetts, while teaching and conducting research at Harvard University as an assistant professor in the psychology department. During his time at Harvard, he studied aggression arising from drug and alcohol abuse and supervised a number of unconventional thesis proposals.[31] Two former Ph.D. students, Shelley Carson, a psychologist and teacher from Harvard, and author Gregg Hurwitz recalled that Peterson's lectures were already highly admired by the students.[4] In July 1998, he returned to Canada and eventually became a full professor at the University of Toronto.[1][33]

Peterson's areas of study and research are in the fields of psychopharmacology, abnormal, neuro, clinical, personality, social, industrial and organizational,[1] religious, ideological,[2] political, and creativity psychology.[3] Peterson has authored or co-authored more than a hundred academic papers[35] and has been cited almost 8,000 times as of mid-2017.[36]

For most of his career, Peterson had an active clinical practice, seeing about 20 people a week. He had been active on social media, and in September 2016 he released a series of videos in which he criticized Bill C-16.[12][29][37] As a result of new projects, he decided to put the clinical practice on hold in 2017[10] and temporarily stopped teaching as of 2018.[26][38]

In June 2018, Peterson debated with Sam Harris at the Orpheum Theatre in Vancouver while moderated by Bret Weinstein, and again in July at the 3Arena in Dublin and The O2 Arena in London while moderated by Douglas Murray, over the topic of religion and God.[39][40] In April 2019, Peterson debated professor Slavoj Žižek at the Sony Centre in Toronto over happiness under capitalism versus Marxism.[41][42]

Works
Books
Maps of Meaning: The Architecture of Belief (1999)
In 1999 Routledge published Maps of Meaning: The Architecture of Belief. The book, which took Peterson 13 years to complete, describes a comprehensive theory about how people construct meaning, form beliefs and make narratives using ideas from various fields including mythology, religion, literature, philosophy and psychology in accordance to the modern scientific understanding of how the brain functions.[31][5][43]

According to Peterson, his main goal was to examine why both individuals and groups participate in social conflict, explore the reasoning and motivation individuals take to support their belief systems (i.e. ideological identification[31]) that eventually results in killing and pathological atrocities like the Gulag, the Auschwitz concentration camp and the Rwandan genocide.[31][5][43] He considers that an "analysis of the world's religious ideas might allow us to describe our essential morality and eventually develop a universal system of morality".[43] Jungian archetypes play an important role in the book.[4]

In 2004, a 13-part TV series based on Peterson's book Maps of Meaning: The Architecture of Belief aired on TVOntario.[25][33][44]

12 Rules for Life: An Antidote to Chaos (2018)
In January 2018, Penguin Random House published Peterson's second book, 12 Rules for Life: An Antidote to Chaos. The work contains abstract ethical principles about life, in a more accessible style than Maps of Meaning.[10][4][11] To promote the book, Peterson went on a world tour.[45][46][47] As part of the tour, Peterson was interviewed in the UK by Cathy Newman on Channel 4 News which generated considerable attention, as well as popularity for the book.[48][49][50][51] The book topped bestselling lists in Canada, the US, and the United Kingdom.[52][53] As of January 2019, Peterson is working on a sequel to 12 Rules for Life.[54]

YouTube channel and podcasts
In 2013, Peterson began recording his lectures ("Personality and Its Transformations", "Maps of Meaning: The Architecture of Belief"[55]) and uploading them to YouTube. His YouTube channel has gathered more than 1.8 million subscribers and his videos have received more than 65 million views as of August 2018.[37][56] In January 2017, he hired a production team to film his psychology lectures at the University of Toronto. He used funds received on the crowdfunding website Patreon after he became embroiled in the Bill C-16 controversy in September 2016. His funding through Patreon has increased from $1,000 per month in August 2016 to $14,000 by January 2017, more than $50,000 by July 2017, and over $80,000 by May 2018.[29][37][57][58] In December 2018, Peterson decided to delete his Patreon account after Patreon's bans of political personalities who were violating Patreon's terms of service regarding hate speech.[59][60]

Peterson has appeared on many podcasts, conversational series, as well other online shows.[56][61] In December 2016, Peterson started his own podcast, The Jordan B. Peterson Podcast, which has included academic guests such as Camille Paglia, Martin Daly, and James W. Pennebaker.[62] On his YouTube channel he has interviewed Stephen Hicks, Richard J. Haier, and Jonathan Haidt among others.[62] In March 2019, the podcast joined the Westwood One network with Peterson's daughter as a co-host on some episodes.[63] Peterson supported engineer James Damore in his action against Google.[11]

Biblical lectures
In May 2017, Peterson began The Psychological Significance of the Biblical Stories,[64] a series of live theatre lectures, also published as podcasts, in which he analyzes archetypal narratives in Book of Genesis as patterns of behavior ostensibly vital for personal, social and cultural stability.[11]

In March 2019, Peterson had his invitation of a visiting fellowship at Cambridge University rescinded. He had previously said that the fellowship would give him "the opportunity to talk to religious experts of all types for a couple of months", and that the new lectures would have been on Book of Exodus.[65] A spokesperson for the University said that there was "no place" for anyone who could not uphold the "inclusive environment" of the university.[66] After a week, the vice-chancellor Stephen Toope explained that it was due to a photograph with a man wearing an Islamophobic shirt.[67] The Cambridge student union released a statement of relief, considering the invitation "a political act to ... legitimise figures such as Peterson" and that his work and views are not "representative of the student body".[68] Peterson called the decision a "deeply unfortunate ... error of judgement" and expressed regret that the Divinity Faculty had submitted to an "ill-informed, ignorant and ideologically-addled mob".[69][70]

Self Authoring Suite
In 2005, Peterson and his colleagues set up a for-profit company to provide and produce a writing therapy program with a series of online writing exercises.[71] Titled the Self Authoring Suite,[25] it includes the Past Authoring Program (a guided autobiography); two Present Authoring Programs which allow the participant to analyze their personality faults and virtues in terms of the Big Five personality model; and the Future Authoring Program which guides participants through the process of planning their desired futures. The latter program was used with McGill University undergraduates on academic probation to improve their grades, as well as since 2011 at Rotterdam School of Management, Erasmus University.[72][73] The programs were developed partially from research by James W. Pennebaker at the University of Texas at Austin and Gary Latham at the Rotman School of Management of the University of Toronto.[4] Peterson's co-authored 2015 study showed significant reduction in ethnic and gender-group differences in performance, especially among ethnic minority male students.[73][74] According to Peterson, more than 10,000 students have used the program as of January 2017, with drop-out rates decreasing by 25% and GPAs rising by 20%.[25]

Political views

BSC Glasgow

BSC Glasgow Football Club is a Scottish football team originating in the Broomhill area of Glasgow, although from 2016 home matches are being played at Recreation Park in Alloa, Clackmannanshire. The club was formed in 2014 as a senior team associated with Broomhill Sports Club, a multi-sport youth organisation. They were elected to the Scottish Lowland Football League, in the fifth tier of the Scottish football league system, for the 2014–15 season.
History
Broomhill Sports Club was founded in Broomhill, Glasgow, in June 2004 as a multi-sports club for children. By 2014 the club had grown to cater for 700 children in sports including football, karate, netball and hockey.

BSC Glasgow F.C. was launched in 2014 as a senior football team associated with the sports club, to provide a pathway into adult football for players from the youth teams.[2] The club successfully applied to join the Scottish Lowland Football League for the 2014–15 season, and won the SFA South Region Challenge Cup in their first season.

Ground
From the 2016–17 season, BSC reached an agreement with Scottish League One side Alloa Athletic to share Recreation Park, with a view to the club reaching their long-term goal of having their own facility located in Glasgow.[3] The club previously ground-shared with Maryhill at Lochburn Park for their first two seasons in the Lowland League.

Current squad
As of 1 February 2020[4]

Millwall


Millwall Football Club (/ˈmɪlwɔːl/)[1] is a professional football club in Bermondsey, South East London, England. They compete in the EFL Championship, the second tier of English football. Founded as Millwall Rovers in 1885, the club has retained its name despite having last played in the Millwall area of the Isle of Dogs in 1910. From then until 1993, the club played at what is now called The Old Den in New Cross, before moving to its current home stadium nearby, called The Den. The traditional club crest is a lion rampant, referred to in the team's nickname 'The Lions'. Millwall's traditional kit consists of blue shirts, white shorts, and blue socks.



In Millwall's 92 seasons in the Football League from 1920–21 to 2018-19, the club have been promoted eleven times (five times as champions) and relegated nine times. They have spent the majority of their existence yo-yoing between the second and third tiers of English football. The club did have a brief spell in the top flight between 1988 and 1990, in which they achieved their highest ever league finish of tenth place in the First Division in 1988–89. Millwall reached the 2004 FA Cup final and qualified for Europe for the first time in their history, playing in the UEFA Cup. The club have also won two League One play-off finals in 2010 and 2017, the Football League Group Cup in 1983, and were Football League Trophy finalists in 1999.



In the media, Millwall's supporters have often been associated with hooliganism, with numerous films having been made fictionalising their notoriety. The fans are renowned for their terrace chant "No one likes us, we don't care". Millwall have a long-standing rivalry with West Ham United. The local derby between the two sides has been contested almost a hundred times since 1899. The club also share a rivalry with Leeds United, and contest the South London derby with local rivals Crystal Palace and Charlton Athletic.

The club was founded as Millwall Rovers by the workers of J.T. Morton's canning and preserve factory in the Millwall area of the Isle of Dogs in London's East End in 1885.[3] J.T. Morton was founded in Aberdeen in 1849 to supply sailing ships with food, the company opened their first English cannery and food processing plant at Millwall dock in 1872 and attracted a workforce from across the country, including the east coast of Scotland, primarily Dundee.[3] The club secretary was 17-year-old Jasper Sexton, the son of the landlord of The Islander pub in Tooke Street where Millwall held their club meetings.[4] Millwall Rovers' first fixture was held on a piece of waste ground on Glengall Road, on 3 October 1885 against Fillebrook, a team that played in Leytonstone. The newly formed team were beaten 5–0.[3]



Rovers found a better playing surface for the 1886–87 season, at the rear of the Lord Nelson pub and it became known as the Lord Nelson Ground.[3] In November 1886, the East End Football Association was formed, along with the Senior Cup Competition. Millwall made it to the final against London Caledonians, which was played at Leyton Cricket Ground. The match finished 2–2 and the teams shared the cup for six months each.[5] Millwall won the East London Senior Cup at the first attempt. The club also won the cup in the following two years, and the trophy became their property.[3][5]



In April 1889, a resolution was passed for Millwall to drop "Rovers" from their name, and they began playing under the name Millwall Athletic, inspired by their move to their new home The Athletic Grounds.[5][6] They were founding members of the Southern Football League which they won for the first two years of its existence, and were runners-up in its third.[7] They were forced to move to a new ground North Greenwich in 1901, as the Millwall Dock Company wanted to use their land as a timberyard.[8] Millwall Athletic reached the semi-finals of the FA Cup in 1900 and 1903, and were also champions of the Western Football League in 1908 and 1909.[9] On 10 October 1910, Millwall played their last game as an East London club against Woolwich Arsnenal in the London Challenge Cup.[10] Millwall won the game 1–0 in front of a crowd of 3000.[10]



Millwall moved to a new stadium, named The Den, in New Cross, South London in 1910.[11] The club had previously occupied four different grounds in the 25 years since their formation in East London; limited expansion space on the Isle of Dogs meant The Lions had to move to boost support and attendances.[8] The estimated cost of The Den was £10,000.[8] The first match played at the new ground was on 22 October 1910 against reigning Southern League champions Brighton & Hove Albion, who won 1–0.[12]



Entering the Football League: 1920–1939

Millwall, who had now also dropped "Athletic" from their name, were invited to join the Football League in 1920 for the 1920–21 season, along with 22 other clubs, through the creation of the new Football League Third Division.[13] The Southern League was shorn of its status, with almost all its clubs deciding to leave—Millwall followed suit.[13] Millwall's first Football League match was on 28 August 1920 at The Den, and they were 2–0 winners against Bristol Rovers.[14]



In the 1925–26 season Millwall had 11 consecutive clean sheets, a Football League record, which they hold jointly with York City and Reading.[15] Millwall became known as a hard-fighting Cup team and competed in various memorable matches, notably defeating three-time league winners and reigning champions Huddersfield Town 3–1 in the third round of the 1926–27 FA Cup.[16] In the 1927–28 season Millwall won the Third Division South title and scored 87 goals at home in the league, an English record which still stands.[15] Matches against Sunderland and Derby County saw packed crowds of 48,000-plus in the 1930s and 1940s.[17] Their 1937 FA Cup run saw Millwall reach the semi-finals for the third time, and a fifth-round game against Derby still stands as Millwall's record attendance of 48,762.[16][17] Millwall were the 11th best supported team in England in 1939, despite being in the Second Division.[18] Millwall were one of the most financially wealthy clubs in England. The club proposed plans to improve the Den and signed international players.[19] Winger Reg 'JR' Smith was capped twice, scoring two goals for England in 1938.[20] The Lions were pushing for promotion to the First Division toward the end of the decade, but one week into the 1939–40 season, World War II broke out and Millwall were robbed of their aim.[19]



Wartime doldrums and relegation to fourth tier: 1940–1965

On 7 April 1945, Millwall appeared in a Football League War Cup final at Wembley Stadium against Chelsea, but because it was a wartime cup final it is not acknowledged in the record books.[21] With the war in Europe in its last days, the number of spectators allowed to attend games was relaxed. The attendance was 90,000, the largest crowd Millwall have ever played in front of, which included King George VI, whom the team were introduced to before kick-off.[22]



The loss of so many young men during the Second World War made it difficult for clubs to retain their former status. This was especially true for Millwall, who appeared to suffer more than most. From being one of the country's biggest clubs before the war, Millwall were reduced to one of its smallest afterward.[21] The Den sustained severe bomb damage on 19 April 1943, and one week later a fire, determined to have been caused by a discarded cigarette, also destroyed an entire stand.[21] The club accepted offers from neighbours Charlton Athletic, Crystal Palace and West Ham United to stage games at their grounds.[21] On 24 February 1944, Millwall returned to The Den, to play in an all-standing stadium. This was achieved with considerable volunteer labour by Lions fans.[21]



Millwall's fortunes fluctuated in the immediate post war years, they were relegated to Division Three South in 1948 and had to apply for re-election to the league in 1950 after finishing in the bottom two. An upswing in fortunes saw Millwall finish 5th, 4th, and then runners up in Division Three South in 1952–53 season; but with only the Champions being promoted, Millwall found themselves stuck in the third tier despite averaging crowds of over 20,000. Millwall then suffered a down swing in fortunes with a number of bottom-half finishes. One highlight of the period was one of the biggest giantkilling upsets in the Fourth Round of the 1956–57 FA Cup on 26 January 1957, when Millwall beat Newcastle United 2–1 in front of a crowd of 45,646.[23] Millwall suffered the ill fortune of becoming a founding member of Division Four[24] in 1958. While initially suffering from this reorganisation, the de-regionalisation of Third Division North and Third Division South opened up the way for promotion via the runner up spots. Millwall won the Division Four Title in 1962 with the help of 23 Goals from Peter Burridge and 22 from Dave Jones. They were relegated again in the 1963–64 season, but were to bounce back by winning back-to-back promotions as runner up. This is the last time Millwall played in the fourth tier.[25]



Unbeaten home record and the class of '71: 1966–1987

Later in the decade, Millwall established a record of 59 home games without defeat (43 wins and 16 draws) from 22 August 1964 to 14 January 1967. During this spell, Millwall played 55 different teams, kept 35 clean sheets, scored 112 goals and conceded 33.[26] This was thanks largely to managers Billy Gray, who laid the foundations, and Benny Fenton, a former player who continued to build on Gray's side. All the players, which included winger Barry Rowan, goalkeeper Alex Stepney and strikers Hugh Curran and Len Julians, were presented with a commemorative gold cigarette lighter by the Football Association.[26] The record was eventually broken by Liverpool, who were unbeaten for 63 games at home between 1978 and 1981.[26]



In the early 1970s, the Millwall team included many notable and memorable players, now remembered by some fans as "The Class of '71". This was a team that included; goalkeeper Bryan King, defender Harry Cripps, goalscoring midfielder Derek Possee, Millwall's most capped international player to date, Eamon Dunphy[27] and the club's longest serving player, Barry Kitchener.[28] They missed out on promotion to Division One by one point.[29] By remaining unbeaten at home in Division Two for the 1971–72 season, Millwall became the only club to go through an entire season without losing a match at home in four different divisions 1927–28 Division Three South, 1964–65 Division Four, 1965–66 Division Three and 1971–72 Division Two.[30] In 1974, Millwall hosted the first game to be played on a Sunday against Fulham.[31] The Lions reached the quarter-finals of the League Cup in 1974, and again in 1977.[32]



George Graham managed Millwall from 1983 to 1986, and during that time he guided the club to a Football League Group Cup win, beating Lincoln City 3–2 in the final in the 1982–83 season.[33] The 1984–85 season was particularly successful, Millwall reached the FA Cup quarter-finals and gained promotion to the Second Division, going unbeaten at home again in Division Three, winning 18 games and drawing five.[34] In the FA Cup they were beaten 1–0 by First Division Luton Town at Kenilworth Road. The match is remembered for all the wrong reasons, after hooligans rioted at the game. 81 people (including 31 police officers) were injured in the disturbances.[35]



Promotion to top tier, new stadium and administration: 1988–2000

Graham's replacement was Glaswegian John Docherty. In his second season as manager, Millwall won the Second Division championship and gained promotion to the top flight of English football for the first time in the club's history.[37][38] Starting the 1988–89 season strongly, Millwall topped the league on 1 October 1988 having played six games (winning four and drawing two) and rarely slipped out of the top five before Christmas. This was mainly due to Tony Cascarino and Teddy Sheringham, who scored 99 goals between them in three seasons playing together.[39] Millwall's first top division season ended with a tenth-place finish, which was the lowest place occupied by the club all season. The following season, they briefly led the league for one night in September 1989 after beating Coventry City 4–1, but won only two more games all season and were relegated in 20th place at the end of the 1989–90 season.[40]



Just before relegation was confirmed, Docherty was sacked and replaced by ex-Middlesbrough manager Bruce Rioch.[41] Striker Teddy Sheringham, who later played for England and was the highest-scoring player throughout the Football League in the 1990–91 season,[42] was sold to Nottingham Forest for £2 million after Millwall's 6–2 defeat to Brighton & Hove Albion in the Second Division play-offs.[43] Rioch left Millwall in 1992 to be succeeded by Irish defender Mick McCarthy. McCarthy guided Millwall to third place in the new Division One at the end of the 1993–94 season.[44] This was their first season at a new ground, at first known as The New Den (to distinguish it from its predecessor) but now called simply The Den, which was opened by the Labour party leader John Smith on 4 August 1993.[45] The new ground was the first all-seater stadium to be built in England after the Taylor report on the Hillsborough disaster.[46] The Lions knocked Arsenal out of the 1994–95 FA Cup in a third-round replay, beating them 2–0 at Highbury.[47] They also reached the quarter-finals of the League Cup in 1995.[32] Millwall lost 5–1 on aggregate to Derby County in the play-off semi-finals that same 1994–95 season, in a tie blighted by crowd trouble.[4] McCarthy resigned to take charge of the Republic of Ireland national team on 5 February 1996, shortly after Millwall had been knocked off the top of the Division One table by Sunderland, following a 6–0 defeat.[44]



Jimmy Nicholl of Raith Rovers was appointed as McCarthy's replacement, but could not reverse the slump in form which saw Millwall relegated at the end of the 1995–96 season in 22nd place.[4] Just five months earlier they had been top of Division One, but now Millwall found themselves in the third tier for the 1996–97 season. The club experienced severe financial difficulties that resulted in them being placed in financial administration for a short time.[4] Nicholl was relieved of his duties and John Docherty returned on a short-term basis to stabilise the club.[4]



Millwall came out of administration, and new chairman Theo Paphitis appointed ex-West Ham United manager Billy Bonds as manager.[48] The 1997–98 season was not a successful one, with the club hovering close to relegation to the fourth tier. Bonds was sacked and replaced by Keith "Rhino" Stevens, with Alan McLeary as his assistant. McLeary was later promoted to the role of joint-manager alongside Stevens.[4] Stevens and McLeary led Millwall to their first ever official appearance at Wembley Stadium.[4] The Lions reached the 1999 Football League Trophy Final with a golden goal win against Gillingham in the semi-finals, and a 2–1 aggregate victory over Walsall in the regional final. They faced Wigan Athletic in the final but, while playing in front of 49,000 of their own fans, lost 1–0 to an injury-time goal.[49] Millwall also lost 1–0 on aggregate to Wigan in the Second Division play-off semi-finals the 1999–2000 season.[49]



Champions, FA Cup Final and European football: 2001–2004

Mark McGhee was named as Millwall's new manager in September 2000, and eight months later the club won promotion as Division Two champions, with the team built by Keith Stevens, after five years in the third tier of the league.[4] They finished with 93 points, a club record.[50] Winning the first match of the 2001–02 season 4–0 at home to Norwich City set the team up well for a good year, in which Millwall qualified for the Division One play-offs, but lost to eventual winners Birmingham City 2–1 in the semi-finals. Millwall finished mid-table in the 2002–03 season and McGhee was sacked soon after the start of the 2003–04 season.[51]



In 2003, Dennis Wise, ex-Chelsea and England player, became caretaker, and subsequently permanent player-manager, of the club. In his first season in charge Wise led the club to the first FA Cup Final in their history.[52] When Millwall took to the field at the Millennium Stadium in Cardiff they were only the second team from outside the top flight to play in the Cup final since 1982, and were the first team from outside the Premier League to reach the final since the foundation of the top tier in 1992.[53] The club was missing 16 players from their squad due to suspension or injury. They played the Cup final on 22 May 2004, losing 3–0 to Manchester United.[54] As United had already qualified for the UEFA Champions League, Millwall were assured of playing in the UEFA Cup. Midfielder Curtis Weston, substituted for Wise with one minute of normal time remaining, became the youngest Cup final player in history at 17 years 119 days, beating the 125-year-old record of James F. M. Prinsep.[55] In the 2004–05 UEFA Cup, Millwall lost 4–2 on aggregate in the first round proper to Hungarian champions Ferencváros, with Wise scoring both Millwall's goals.[56]



Upheaval, stability and first play-off success: 2005–2013

In 2005, Theo Paphitis announced that he was stepping down as chairman of the club with Jeff Burnige to replace him from May 2005.[58] At the end of the 2004–05 season, manager Dennis Wise announced that he was leaving as he was unable to form a working relationship with the new chairman.[52] Former Millwall striker Steve Claridge was announced as the new player-manager of Millwall. However, when Burnige then stepped down just two months after taking up the post, it was announced on 27 July that Claridge had been sacked after just 36 days, without ever taking charge of the team in a competitive match.[59] Former Wolverhampton Wanderers manager Colin Lee replaced him but lasted only five months in charge of the club.[59] On 21 December, with the club bottom of the Championship, he became the club's Director of Football and was replaced as manager by 32-year-old player Dave Tuttle, on a short-term contract until the end of the 2005–06 season.[60] Tuttle had no prior experience in football management. In February 2006, Lee left the club altogether. Millwall experienced a difficult season, having had four managers in 2005. Their 13 goals scored at home was the second worst in Football League history.[15] Their relegation to League One was confirmed on 17 April 2006 with a 2–0 loss against Southampton. In the closed season Nigel Spackman was appointed as the new manager, but he lasted only four months after a string of bad results.[61] In September 2006, Theo Paphitis (chairman from 1997 to 2005) ended his nine-year association with the club after a year-long spell as a non-executive director.[62] On 19 March 2007, Willie Donachie signed a two-year contract following some progress which had seen the club climb to 11th place in the league.[63] Before Donachie took charge, Millwall had taken only six points from their first ten games. In the 2007–08 season Millwall sat bottom of the table at the beginning of October. Donachie was sacked on 8 October, with Richard Shaw and Colin West becoming caretaker managers.[63]

In March 2007, Chestnut Hill Ventures, led by American John Berylson, which have interests in business and financial services, retail, property and sport, invested £5 million into the club. The continued investment of Berylson, who has since become the club's major shareholder and chairman,[64] has steered The Lions on a better course on and off the pitch. The appointment of Kenny Jackett as manager on 6 November 2007, proving crucial.[65] Over the course of the next two seasons Jackett led Millwall to two top six finishes in League One, in fifth and third place respectively. He won the League One Manager of the Month award three times while in charge of the club.[66] Several of his key signings helped propel Millwall toward the play-offs, and eventual promotion. After a play-off final defeat in the 2008–09 season against Scunthorpe United and losing out on automatic promotion on the last day of the 2009–10 season to Leeds United by one point, Millwall made it back to Wembley, finally breaking the play-off hoodoo run of five successive failures in 1991, 1994, 2000, 2002 and 2009, with a 1–0 win in the 2010 League One play-off final against Swindon Town, securing a return to the Football League Championship after a four-year absence.[57]

Millwall's first game back in the Championship was a 3–0 away win at Bristol City. The game had been much hyped due to City's signing of then-England goalkeeper David James. Only days after the defeat, Steve Coppell resigned as City manager.[67] The Lions celebrated the 125th anniversary of the club on 2 October 2010, which was the closest home game date to the first fixture Millwall ever played against Fillebrook on 3 October 1885. Millwall drew 1–1 with Burnley and wore a special one-off kit for the game, made by manufacturers Macron, which bore the names of every footballer who had played for the club.[68] Kenny Jackett celebrated five years in charge of the club in November 2012, with a 4–1 victory away at Nottingham Forest.[69] After a strong start to the 2012–13 season, including a 13-game unbeaten run and flirting with the play-offs,[70] Millwall finished poorly, with only five wins in the last 23 games, narrowly avoiding relegation on the last day of the season.[71] Their poor league form coincided with reaching the semi-final of the FA Cup for the fifth time in their history.[72] They played Wigan Athletic at Wembley Stadium on 14 April 2013, losing 2–0 to the eventual cup winners.[73] Kenny Jackett resigned on 7 May 2013.[74] He was Millwall's fourth-longest serving manager.[75] After a month of searching, Millwall appointed St Johnstone boss Steve Lomas as their new manager on 6 June 2013.[76] His appointment provoked mixed emotions among some supporters, due to him being a former captain of West Ham United, their biggest rival.[77] Club record goalscorer Neil Harris returned to Millwall as a coach on 23 June 2013 after retiring as a player through injury.[78] Millwall sacked Lomas on 26 December 2013, after winning only five of his first 22 games in charge.[79] Harris and youth team coach Scott Fitzgerald took over as joint caretaker-managers.[79] On 4 January 2014 Millwall lost 4–1 at Southend United in the FA Cup, a team 31 places below them in the football pyramid. Harris described the performance as a "shambles."[80]

FA Cup giant-killers and fifth trip to Wembley in eight years: 2014–present

The club appointed Ian Holloway as their new manager on 6 January 2014, with the club sitting 21st in the table. He was given the priority of maintaining their Football League Championship status, which he achieved. Millwall went unbeaten in the last eight games of the 2013–14 season and finished in 19th place, four points above the relegation zone.[81][82] The following season, Holloway was sacked on 10 March 2015 with the team second from bottom in the Championship, and Neil Harris was reinstated as caretaker manager until the end of the season.[83] He was unable to ensure survival, however, as Millwall's relegation to League One was confirmed on 28 April with one game of the 2014–15 season still to play.[84] Harris was confirmed as Millwall's permanent manager the next day.[85] In his first full season in charge, Harris led Millwall to a fourth-place finish in League One and a play-off final at Wembley, which the Lions lost 3–1 to Barnsley.[86]

In the 2016–17 FA Cup, Millwall reached the Quarter-finals for the tenth time in their history, knocking out Premier League opposition in three consecutive rounds: Bournemouth in the third round, Watford in the fourth round, and reigning Premier League champions Leicester City in the fifth round.[87] On 28 February 2017, Millwall beat Peterborough United 1–0 and increased their unbeaten run to 16 games in all competitions, and have gone nine games without conceding a goal for the first time since the 1925–26 season.[88] Millwall made it to the League One play-off final at Wembley for the second successive year, after beating Scunthorpe United 3–2 in the semi-final. They were promoted back to the Championship following a 1–0 playoff final victory over Bradford City, thanks to an 85th-minute winner from Steve Morison, his 86th goal for the club.[89] In Millwall's return to the Championship in the 2017–18 season the team went on a club record 17-game unbeaten run; their longest streak in the second tier, which surpassed a record of 15 set in 1971.[90] During the undefeated run they won six away wins in a row, equalling a club record set in the 2008–09 season.[91] In the 2018-19 FA Cup, Millwall once again reached the Quarter-finals for an 11th time, only losing to Premier League side Brighton on penalties. In the previous round they knocked out Premier League side Everton, to equal Southampton's FA Cup 'Giant-killings' record, having knocked out 25 top-flight teams when not in the top flight themselves.[92]

On 3 October 2019, Neil Harris resigned as Millwall manager with the club sitting in 18th place with two wins from their first ten Championship games.[93] Harris led Millwall to Wembley twice, with one promotion, and two FA Cup quarter-finals during his tenure.[93] He was the Lions fifth longest-serving manager, having spent four and a half years at the club.[75] On 21 October, he was replaced by former Stoke City boss Gary Rowett.[94]

Colours, crest and nickname
Kit
Millwall's traditional kit has predominantly consisted of blue shirts, white shorts and blue socks throughout their 125-year history.[2] For the first 50 years, up until 1936, they played in a traditional navy blue, similar to the colours of Scotland national team.[2] This colour was chosen because it paid homage to the Scottish roots of the club,[3] with the nucleus of the first Millwall Rovers squad being from Dundee.[95] In 1936, newly appointed Millwall manager Charlie Hewitt opted to change the kit colour from navy blue to a lighter royal blue,[96] and the team have played in this colour for the best part of 74 years, with the exception of 1968–75 and 1999–2001, in which the team played in an all-white strip.[2] Their kit for the 2010–11 season celebrated the 125th anniversary of the club, with Millwall adopting the darker navy blue of their first strip.[97] The club has retained this colour since.[2] As for change colours, yellow or white has been a frequent choice. The club had a grey away kit for the 2002–03 season, and also a green and white striped away kit for the 2003–04 season. Millwall wore a special one-off camouflage kit to commemorate the centenary of the First World War against Brentford on 8 November 2014. It went on sale to fans, with proceeds going to Headley Court, a rehabilitation centre for injured members of the British Armed Forces.[98]

Badge
The club crest has been a rampant lion since 1936, which was also introduced by Charlie Hewitt.[96] There have been many variations of the lion; the first was a single red lion, often mistakenly said to be chosen because of the club's Scottish roots.[99] The lion bore a striking resemblance to signs used by pubs named The Red Lion.[99] From 1956 to 1974 Millwall's crest was two leaping red lions facing each other.[2] Former chairman Theo Paphitis brought back the badge in 1999, where it was used for a further eight years. The current crest is a leaping lion, which first appeared on a Millwall kit in 1979.[2] It remained until 1999 and was re-introduced again in 2007.[2] The club mascot is a giant lion called Zampa, named after Zampa Road, the road The Den is located on.[100]

The Lions
The team nickname is The Lions, previously The Dockers.[101][102] The original Dockers name arose from the job of many of the club's supporters in the early 1900s.[3] The club did not like the moniker and changed the nickname after press headlined Millwall as 'Lions of the South', after knocking Football League leaders Aston Villa out of the 1899–1900 FA Cup. Millwall, then a Southern League side, went on to reach the semi-final.[103] The club adopted the motto: We Fear No Foe Where E'er We Go.[104] In the 2000s the club started to recognise its unique link with London's docks by introducing Dockers' Days, and archiving the club's dock roots in the Millwall FC Museum.[105] Dockers' Days bring together past successful Millwall teams who parade on the pitch at half-time. Supporters who were dockers are allowed to attend the game for free.[105] In 2011, Millwall officially named the east stand of The Den as the 'Dockers Stand' in honour of the club's former nickname
Millwall began life on the Isle of Dogs and inhabited four different grounds in the club's first 25 years.[8] Their first home was a piece of waste ground called Glengall Road, where they only stayed for one year. From 1886 to 1890 they played behind The Lord Nelson pub on East Ferry Road, which was known as the Lord Nelson Ground, before being forced to leave by the landlady, who received a better offer for its use.[8]

They moved to their third home, The Athletic Grounds, on 6 September 1890.[8] This was their first purpose-built ground, with a grandstand that seated 600 people and an overall capacity of between 10,000 and 15,000. The club was forced to move on again though, this time by the Millwall Dock Company who wanted to use it as a timberyard. They relocated in 1901 to a location near their second home, which became known as North Greenwich.[8] They remained an east London club for a further nine years, with the last game played on the Isle of Dogs on 8 October 1910 against Portsmouth, which Millwall won 3–1.

On 22 October 1910, Millwall crossed the river to South London, moving to Cold Blow Lane in New Cross. The fifth ground was called The Den, built at a cost of £10,000 by noted football ground architect Archibald Leitch. The first game played there was against Brighton & Hove Albion, which Brighton won 1–0.[12] Millwall remained there for 83 years, until moving to their sixth and current ground, at first known as The New Den but now called simply The Den, on 4 August 1993. The ground has an all-seated capacity of 20,146.[108][17] A Sporting Lisbon team, managed by Bobby Robson helped open the ground by playing a friendly, which The Lions lost 2–1.
Bermondsey redevelopment controversy
In September 2016 Lewisham Council approved a compulsory purchase order (CPO) of land surrounding The Den rented by Millwall, as part of a major redevelopment of the "New Bermondsey" area. The plans were controversial because the developer, Renewal, is controlled by offshore companies with unclear ownership, and is seen by the club and local community to be profiteering by demolishing existing homes and businesses as well as Millwall's car-park and the Millwall Community Trust facility to build up to 2,400 new private homes, with no social housing. The club contemplated the possibility of having to relocate to Kent. Millwall had submitted their own plans for regeneration centred around the club itself, but the council voted in favour of Renewal's plans.[109]

In December 2016 Private Eye reported how Renewal had been founded by a former Lewisham Council leader and senior officer, suggesting potential bias, and that the decision to approve Renewal's plans may have been made as far back as 2013 despite the fact that no due diligence had been able to be carried out by PricewaterhouseCoopers due to "poor" and "limited" access to information and management at Renewal, which is controlled from the Isle of Man and British Virgin Islands.[110]

In the face of mounting community opposition and media scrutiny, the Council said in January 2017 it will not proceed with the CPO.[111] However, it was later reported to be taking legal advice regarding other avenues of securing the CPO, and Council cabinet members will decide how to proceed after a "review". Private Eye reported that Millwall are continuing to explore relocation options in Kent.[112]

Traditional songs
A tradition at The Den is the playing of the official club song[113] "Let 'em Come", by Roy Green, as Millwall and the opposing team walk onto the pitch. It was specifically written for the club and the lyrics represent old London culture, such as eating jellied eels[114] and having a glass of beer before going to the game. The song ends with all home fans standing, arms raised (usually in the direction of the travelling fans singing the last line, "Let 'em all... come down.... to The Den!" A television drama about a Millwall supporter and ex-docker, starring David Jason, featured a lyric from the song in its title, Come Rain Come Shine. The song was played on repeat at Wembley Stadium after Millwall gained promotion to the Championship in 2010.[115] The song "Shoeshine Boy" by the Mills Blue Rhythm Band was played as the entrance song before "Let 'em Come".[116]

Other songs that have been regularly played at The Den over the years in the build-up to a game include "London Calling" by The Clash, "No Surrender" by Bruce Springsteen, "Town Called Malice" by The Jam and "House of Fun" by Madness, which features the lyric "welcome to the lion's den...". Status Quo's cover version of "Rockin' All Over the World" is played after every home win.[117]

Rivalries
Millwall were listed eighth out of a list of 92 Football League clubs with the most rivals, with West Ham United, Leeds United, Crystal Palace, Charlton Athletic, Portsmouth, and Gillingham considering them a major rival

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