الخميس، 9 أبريل 2020

البحث

البحث

البحث العلمي أو البحث أو التجربة التنموية هو أسلوب منظم في جمع المعلومات الموثوقة وتدوين الملاحظات والتحليل الموضوعي لتلك المعلومات باتباع أساليب ومناهج علمية محددة بقصد التأكد من صحتها أو تعديلها أو إضافة الجديد لها، ومن ثم التوصل إلى بعض القوانين والنظريات والتنبؤ بحدوث مثل هذه الظواهر والتحكم في أسبابها. . أيضا هي وسيلة يمكن بواسطتها الوصول إلى حلِّ مشكلة محددة، أو اكتشاف حقائق جديدة عن طريق المعلومات الدقيقة. البحث العلمي هو الطريق الوحيد للمعرفة حول العالم. فالبحث العلمي يعتمد على الطريقة العلمية، والطريقة العلمية تعتمد على الأساليب المنظمة الموضوعة في الملاحظة وتسجيل المعلومات ووصف الأحداث وتكوين الفرضيات. هي خطوات منظمة تهدف إلى الاكتشاف وترجمة الحقائق. هذا ينتج عنه فهم للأحداث والاتجاهات والنظريات ويعمل على وجود علم تطبيقى خلال القوانين والنظريات. كلمة بحث من الممكن أن تعرف على أنها مجموعة من المعلومات محدد ودائماً تكون مرتبطة بالعلم وطرق العلم المختلفة. وهو يستخدم لإنشاء أو تأكيد الحقائق، لتأكيد مرة أخرى على نتائج لأعمال سابقة، أو لحل مشاكل قائمة أو جديدة، أو لدعم مبرهنة أو تطوير نظرية جديدة. كما قد يكون مشروع بحثي للتوسع مشاريع سابقة بنفس المجال. ولاختبار صحة الأدوات، أو الإجراءات، أو التجارب، قد تعتمد البحوث على تكرار عناصر من مشاريع سابقة، أو على تكرار المشروع كله. الأهداف الرئيسية للبحوث الأساسية (مقارنة بالبحوث التطبيقية) هي توثيق، واكتشاف، وتأويل، و/أو بحث وتطوير أساليب ونظم لترقي المعرفة الإنسانية. مناهج البحث تعتمد على فلسفة العلوم، والتي تختلف اختلافا كبيرا ما وبين الإنسانيات والعلوم.

هناك أشكال عديدة للبحث منها البحوث العلمية والبحوث الإنسانية والبحوث الفنية، وبحوث الأعمال التجارية والاقتصادية والاجتماعية، والبحث الممارس، الخ.
نشأة البحث العلمي
أول من استخدم هذا المنهج لأساليب البحث هم علماء النفس والاجتماع في القرن التاسع عشر إذا يذكر بعض الدارسين أن أحد علماء النفس ويدعى إرنست وبر (ernest weber) كان أول من حاول قياس نماذج محددة من السلوك البشري في الاربيعينيات من ذلك القرن ممهدا الطريق لآخرين تبعوه في استخدام الطريقة ذاتها .ويمكن القول بأن تلك المحاولات الأولى هي التي قادت إلى تأسيس معرفي جيد أدى في بداية القرن العشرين إلى وسم الخطوط العريضة لمعالم البحث العلمي في الدراسات الإنسانية. في تلك المرحلة المبكرة من نشأة هذا النوع من البحوث كانت معظم طرق القياس مقصورة على نماذج محدودة من السلوكيات وذلك نظرا لمحدوية أساليب التحليل وبدائبتها حيث اقتصرت معظم تلك الجهود على استخدام طرق الإحصاء الوصفي المعروف بضعفة في تقرير نتائج بحثية يعتد بها . لم يدم الأمر طويلا بعد ذلك إذا قام علماء الإحصاء بابتكار طرق جديدة ودقيقة في أساليب التحليل عرفت فيما بعد بالإحصاء الاستنتاجي فتحت الباب على مصراعيه للباحثين للدخول في دراسة تفصيلات أكثر واستطاعت تقديم نتائج أدق من ذي قبل وأصبح بالإمكان مع هذا المنهج الإحصائي الجديد أن يتعرف الباحثون على معلومات دقيقة وقيمة في بحوثهم مهما كان حجم مجتمع الدراسة وذلك من خلال النتائج التي يحصلون عليها من العينة ولقد كان لنجاح الدراسات النفسية والاجتماعية في توظيف أسلوب البحث العلمي لخدمتها أثر كبير في توجبه معظم الدراسات الإنسانية إلى الأخذ بهذا النهج.

أهمية البحث العلمي
يعتبر البحث العلمي أهم أداة لمعرفة حقائق الكون و الإنسان و الحياة، و يتيح البحث العلمي للباحث الاعتماد على نفسه في اكتساب المعلومات، كما أنه يسمح للباحث الاطلاع على مختلف المناهج واختيار الأفضل منها ويجعل من الباحث شخصيةً مختلفة من حيث التفكير والسلوك، والانضباط، والحركة ..

تأويل نتائج البحث.
التطبيق العملي لنتائج البحث.
الخدمة المثبتة في المكتبة.
البحث الشخصي.
يقدم البحث العلمي مقترحات لحل مشكلة أو ظاهرة معينة.
تقودنا الأبحاث العلمية إلى التعرف على المجتمعات الأخرى، و زيادة المعرفة، و الثقافة.
أهداف البحث العلمي
الإنسان دائما ما يسعى إلى البحث عن كل ماهو جديد في جميع المجالات وأهمها المجال العلمي، فعملية البحث العلمي لها أهداف أهمها:

1 - الوصول إلى حقائق جديد

ومن الممكن أن تكون تلك الحقائق الجديدة موجودة من قبل ولكن لم تكتشف بعد فيأتي الباحث العلمي وبمنهجية محددة يختبر تلك الحقائق ومتغيراتها ليصل إلى حقيقة كلية جديدة.

2- معرفة المستقبل

معرفة المستقبل من خلال التنبؤ العلمي والمعرفة والتحليل الاستباقي للمشكلات ومتغيراتها لا يحدث إلا من خلال اتباع الباحثين للمناهج والأساليب العلمية الصحيحه

3- تقديم حلول قوية للمشكلات

4- الابتكار والتجديد

5- زيادة المعرفة المكتسبة للبشرية

أشكال البحوث
البحث العلمي يعتمد على تطبيق المنهج العلمي الذي يسخر الفضول. هذا البحث يقدم المعلومات العلمية والنظريات لتفسير لطبيعة وخصائص العالم. فإنه يجعل التطبيقات العملية الممكنة. ويتم تمويل البحث العلمي من جانب السلطات العامة، من خلال المنظمات الخيرية والمجموعات الخاصة، بما في ذلك العديد من الشركات. ويمكن تقسيم البحث العلمي في تصنيفات مختلفة وفقا للأكاديمية والتخصصات التطبيقية. البحث العلمي هو المعيار المستخدم على نطاق واسع للحكم على مكانة مؤسسة أكاديمية، مثل كليات إدارة الأعمال، ولكن يجادل البعض بأن مثل هو تقييم غير دقيق للمؤسسة، وذلك لأن جودة البحث لا أقول عن جودة التعليم (وهذه تفعل لم تكن متطابقة بالضرورة تماما).

البحث في الإنسانيات ينطوي على أساليب مختلفة مثل التأولية والسميوطيقية، وبطريقة مختلفة، علوم النسبوية. علماء العلوم الإنسانية، عادة، لا يبحثون عن الجواب الصحيح ولكن يستكشفون القضايا والتفاصيل التي تحيط بها. المهم هو السياق. ويمكن أن يكون السياق اجتماعي أو تاريخي أو سياسي أو ثقافي أو عرقي. من أمثلة البحث في الإنسانيات هو البحث التاريخي، والذي يتجسد في المنهج التاريخي. المؤرخون يستخدمون المصادر الأولية وغيرها من الأدلة للتحقيق من موضوع ما بمنهجية، ومن ثم، كتابة تاريخها في شكل أحداث من الماضي.

البحث الفني، وينظر إليه كـ"بحث القائم على الممارسة"،وهو يشكل من البحث حول الأعمال الإبداعية ويكون الموضوع هو البحث والمبحوث عنه بنفس الوقت. و يوفر شكلا بديلا للأساليب العلمية البحتة للبحث عن المعرفة والحقيقة.

النشر الأكاديمي
النشر الأكاديمي هو نظام ضروري في مجال البحث إذ يتيح للأكاديميين مراجعة البحث فيما يعرف بـ "مراجعة الأقران" ومنثم جعلها متاحة لجمهور أوسع. يختلف النظام على نطاق واسع من مجال إلى آخر، وهو دائم التغير ولو ببطء في أغلب الأحيان. ينشر معظم الأعمال الأكاديمية كمقال في دورية أو بشكل كتاب. وهناك أيضا مجموعة كبيرة من البحوث تنشر على شكل أطروحة أو رسالة أكاديمية. ويمكن الاطلاع على هذه الأشكال من البحوث في قواعد بيانات مخصصة للأطروحات والرسائل.

أنشأت معظم المجالات الأكاديمية مجلات خاصة بها ومنافذ أخرى للنشر، من خلال العديد من الدوريات الأكاديمية والتي قد تكون متعددة التخصصات إلى حد ما. وتهتم هذه الدوريات بنشر عمل من مجالات عدة متميزة أو بمجالات فرعية. تختلف أنواع المنشورات التي تنمي المعرفة و البحث اختلافا كبيرا بين الحقول؛ من الطباعة إلى النشر الإلكتروني. وعادة تخضع كل الدراسات المنشورة إلى حد ما لتقييم صحتها أو موثوقيتها من أجل منع نشر أي نتائج غير مثبتة.

خطوات إجراء البحوث
غالبا ما يجري البحث باستخدام نموذج هيكل الساعة الرملية البحثية.. نموذج الساعة الرملية يبدأ مع طائفة واسعة من مواضيع البحث، ثم يركز على المعلومات المطلوبة من خلال "أسلوب المشروع" (تماما مثل عنق الساعة الرملية)، ثم يتوسع البحث بالمناقشة وبالنتائج. الخطوات الرئيسية في إجراء البحوث هي:

تحديد مشكلة البحث
استعراض الأدب المكتوب حول الموضوع
تحديد الغرض من البحث
تحديد أسئلة البحث و الفرضيات المحددة
جمع البيانات
تحليل وتفسير البيانات
تقديم التقارير وتقييمات البحوث
طرق ومناهج البحث العلمي
1) الدراسة الاستقرائية

الدراسة الاستقرائية (وتعرف أيضاً بالدراسة الاستنتاجية والاستدلالية) هي دراسة جوهرها استنباط قصد النص المراد دراسته من خلال النص نفسه ودون الحاجة لكتب أخرى تفسر أو تشرح النص. وقد شاع فن الدراسة الاستقرائية قديماً ولكنه عاد للظهور مرة أخرى في العصر الحديث ، ويستخدم هذا النوع من الدراسات بشكل موسع في مجال علوم الرياضيات.

2) المنهج الوصفي ، ويعرف بأنه استخدام القدر المتاح من البيانات في تفسير ظاهرة معينة ، ثم استغلال نتائج هذا الاستخدام في تفسير هذه الظاهرة موضوعياً.

3) المنهج التاريخي؛

4) المنهج التجريبي.

منشورات
يتخصص النشر الأكاديمي بالبحوث والمنح العلمية. ينشر معظم العمل الأكاديمي على شكل مقالات في دوريات أو شكل أطروحات علمية. ومن أهم المنشورات العلمية في القرن العشرين والواحد والعشرين هي مجلة نيتشر.

مراجع
 دليل فراسكاتي: الممارسة القياسية المقترحة للدراسات الاستقصائية للبحث والتنمية التجريبية، الطبعةالسادسة). 27 مايو 2012[وصلة مكسورة]
 الحيزان،محمد عبدالعزيز.البحوث الاعلامية.الرياض،1431
 "أهمية البحث العلمي | المرسال". www.almrsal.com. مؤرشف من الأصل في 22 أبريل 2019. اطلع عليه بتاريخ 11 نوفمبر 2018.
 "تعريف البحث العلمي واهميته ومنهج البحث العلمي واهدافه - أكاديمية الوفاق". أكاديمية الوفاق. 2017-12-30. مؤرشف من الأصل في 28 أبريل 2019. اطلع عليه بتاريخ 20 نوفمبر 2018.
 ج. سكوت أرمسترونج وتاد سبيري (1994). "p/,m مدرسة الأعمال: البحث مقابل التدريس" (PDF). الطاقة & البيئة. 18 (2): 13–43. مؤرشف من الأصل (PDF) في 20 يونيو 2010.
 ج. سكوت أرمسترونغ وسولبرغ الأقران (1968). "في تفسير عامل تحليل". نشرة العلوم النفسية 70: 361-364
 تروخم، و.م.ك. مجموعة معرفة أساليب البحث (2006)
 كريسويل، ج.و. (2008). البحث التربوي: التخطيط والإدارة، تقييم والبحث الكمي والنوعي (3). أبر سادل ريفر، نيو جيرسي: برنتس هول. 2008 ISBN 0-13-613550-1 (صفحات 8-9)
أشرف حسين محروس، قاعة بحث: دراسة تطبيقية، كلية الآداب - جامعة المنوفية، شبين الكوم، 2008.
أحمد شلبي، كيف تكتب بحثاً أو رسالة: دراسة منهجية لكتابة البحوث وإعداد رسائل الماجستير والدكتوراة، مكتبة النهضة المصرية، القاهرة، 1976.
عبد الرحمن بدوي، مناهج البحث العلمي، وكالة محاضرات في مناهج البحث والمكتبات، وكالة المطبوعات، الكويت، 1977.

شم النسيم

شم النسيم

شم النسيم (بالقبطية: Ϭⲱⲙ ̀ⲛⲛⲓⲥⲓⲙ)‏, Shom Ennisim) هو عطلة وطنية مصرية بمناسبة بداية فصل الربيع. يقع شم النسيم دائما في اليوم التالي لعيد الفصح المسيحي الشرقي (اتباعا لتقاليد أكبر طائفة مسيحية في البلاد، القبطية الأرثوذكسية).

على الرغم من موعده المرتبط بالمسيحية، يعد شم النسيم عطلة يحتفل بها المصريون من كل الأديان، لذلك فهو يعتبر مهرجان وطني وليس ديني. الخصائص الرئيسية للعيد هي:

يقضي الناس كل اليوم في التنزه في المساحات الخضراء، الحدائق العامة، على النيل أو في حديقة الحيوان.
الطعام التقليدي الذي يتم تناوله في هذا اليوم يتكون أساسا من الفسيخ (بوري رمادي مملح مجفف) والخس والبصل الأخضر، الترمس والبيض المسلوق الملون.
التاريخ
وفقا لسجلات كتبها فلوطرخس خلال القرن الأول، اعتاد المصريون القدماء على تقديم السمك المملح والخس والبصل إلى آلهتهم خلال مهرجان الربيع المعروف باسم "Shemu".

بعد تنصير مصر، أصبح العيد مرتبطا مع عيد الربيع المسيحي وهو عيد الفصح. مع مرور الوقت، تحول عيد Shemu إلى شكله الحالي وموعده الحالي وبحلول وقت الفتح الإسلامي لمصر كان العيد قد استقر على عيد الفصح يوم الاثنين. لكون التقويم الإسلامي تقويما قمريا وبالتالي غير ثابت بالنسبة إلى السنة الشمسية، ظل العيد مرتبط بالمسيحية في موعده. بعدما أصبحت مصر عربية تحول مصطلح Shemu إلى شم النسيم، وهو الاسم الذي إلى حد ما يمثل بدقة الطريقة التي يحتفل بها المصريون في العيد.

Robert Downey Jr

Robert Downey Jr

Robert John Downey Jr. (born April 4, 1965)[1] is an American actor, producer, and singer. His career has been characterized by critical and popular success in his youth, followed by a period of substance abuse and legal troubles, before a resurgence of commercial success in middle age. In 2008, Downey was named by Time magazine among the 100 most influential people in the world,[2][3] and from 2013 to 2015, he was listed by Forbes as Hollywood's highest-paid actor.[2][4] His films have grossed over $14.4 billion worldwide,[5] making him the second highest-grossing box-office star of all time.[6]

At the age of five, he made his acting debut in Robert Downey Sr.'s film Pound in 1970. He subsequently worked with the Brat Pack in the teen films Weird Science (1985) and Less Than Zero (1987). In 1992, Downey portrayed the title character in the biopic Chaplin, for which he was nominated for the Academy Award for Best Actor and won a BAFTA Award. Following a stint at the Corcoran Substance Abuse Treatment Facility on drug charges, he joined the TV series Ally McBeal, for which he won a Golden Globe Award; however in the wake of two drug charges, one in late 2000 and one in early 2001, he was fired and his character terminated. He stayed in a court-ordered drug treatment program shortly after and has maintained his sobriety since 2003.

Initially, bond completion companies would not insure Downey, until Mel Gibson paid the insurance bond for the 2003 film The Singing Detective.[7] He subsequently went on to star in the black comedy Kiss Kiss Bang Bang (2005), the thriller Zodiac (2007), and the action comedy Tropic Thunder (2008); for the latter he was nominated for an Academy Award for Best Supporting Actor. Downey gained wider recognition for starring as Tony Stark / Iron Man in ten films within the Marvel Cinematic Universe, beginning with Iron Man (2008). He has also played the title character in Guy Ritchie's Sherlock Holmes (2009), which earned him his second Golden Globe, and its sequel (2011).
Early life and family
Downey was born in Manhattan, New York City, the younger of two children. His father, Robert Downey Sr., is an actor and filmmaker, while his mother, Elsie Ann (née Ford), was an actress who appeared in Downey Sr.'s films.[8] Downey's father is of half Lithuanian-Jewish, one-quarter Hungarian-Jewish, and one-quarter Irish descent,[9][10][11][12] while Downey's mother had Scottish, German, and Swiss ancestry.[13][14][15] Robert's original family name was Elias which was changed by his father to enlist in the Army.[16] Downey and his older sister Allyson grew up in Greenwich Village.[17]

As a child, Downey was "surrounded by drugs." His father, a drug addict, allowed Downey to use marijuana at age six, an incident which his father later said he regretted.[17] Downey later stated that drug use became an emotional bond between him and his father: "When my dad and I would do drugs together, it was like him trying to express his love for me in the only way he knew how." Eventually, Downey began spending every night abusing alcohol and "making a thousand phone calls in pursuit of drugs."[18][19]

During his childhood, Downey had minor roles in his father's films. He made his acting debut at the age of five, playing a sick puppy in the absurdist comedy Pound (1970), and then at seven appeared in the surrealist Western Greaser's Palace (1972).[14] At the age of 10, he was living in England and studied classical ballet as part of a larger curriculum.[20][21] He attended the Stagedoor Manor Performing Arts Training Center in upstate New York as a teenager. When his parents divorced in 1978, Downey moved to California with his father, but in 1982, he dropped out of Santa Monica High School, and moved back to New York to pursue an acting career full-time.[22]

Downey and Kiefer Sutherland, who shared the screen in the 1988 drama 1969, were roommates for three years when he first moved to Hollywood to pursue his career in acting.[23]

Career
1983–1995: Beginnings and critical acclaim
Downey began building upon theater roles, including in the short-lived off-Broadway musical American Passion at the Joyce Theater in 1983, produced by Norman Lear. In 1985, he was part of the new, younger cast hired for Saturday Night Live, but following a year of poor ratings and criticism of the new cast's comedic talents, he and most of the new crew were dropped and replaced.[22] Rolling Stone magazine named Downey the worst SNL cast member in its entire run, stating that the "Downey Fail sums up everything that makes SNL great."[24] That same year, Downey had a dramatic acting breakthrough when he played James Spader's character's sidekick in Tuff Turf and then a bully in John Hughes's Weird Science. He was considered for the role of Duckie in John Hughes's film Pretty in Pink (1986),[25] but his first lead role was with Molly Ringwald in The Pick-up Artist (1987). Because of these and other coming-of-age films Downey did during the 1980s, he is sometimes named as a member of the Brat Pack.[22][26]

In 1987, Downey played Julian Wells, a drug-addicted rich boy whose life rapidly spirals out of his control, in the film version of the Bret Easton Ellis novel Less Than Zero. His performance, described by Janet Maslin in The New York Times as "desperately moving",[27] was widely praised, though Downey has said that for him "the role was like the ghost of Christmas Future" since his drug habit resulted in his becoming an "exaggeration of the character" in real life.[28] Zero drove Downey into films with bigger budgets and names, such as Chances Are (1989) with Cybill Shepherd and Ryan O'Neal, Air America (1990) with Mel Gibson, and Soapdish (1991) with Sally Field, Kevin Kline, and Whoopi Goldberg.[29][30][31]

In 1992, he starred as Charlie Chaplin in Chaplin, a role for which he prepared extensively, learning how to play the violin as well as tennis left-handed. He had a personal coach in order to help him imitate Chaplin's posture, and a way of carrying himself.[32] The role garnered Downey an Academy Award nomination for Best Actor at the Academy Awards 65th ceremony, losing to Al Pacino in Scent of a Woman.[33]

In 1993, he appeared in the films Heart and Souls with Alfre Woodard and Kyra Sedgwick and Short Cuts with Matthew Modine and Julianne Moore, along with a documentary that he wrote about the 1992 presidential campaigns titled The Last Party (1993).[34][35][36] He starred in the 1994 films, Only You with Marisa Tomei, and Natural Born Killers with Woody Harrelson.[37][38] He then subsequently appeared in Restoration (1995), Richard III (1995), Two Girls and a Guy (1997),[39] as Special Agent John Royce in U.S. Marshals (1998), and in Black and White (1999).[40][41][42][43]

1996–2001: Career troubles
From 1996 through 2001, Downey was arrested numerous times on charges related to drugs including cocaine, heroin, and marijuana[44] and went through drug treatment programs unsuccessfully, explaining in 1999 to a judge: "It's like I have a shotgun in my mouth, and I've got my finger on the trigger, and I like the taste of the gun metal." He explained his relapses by claiming to have been addicted to drugs since the age of eight, due to the fact that his father, also an addict previously, had been giving them to him.[45]

In April 1996, Downey was arrested for possession of heroin, cocaine, and an unloaded .357 Magnum handgun while he was speeding down Sunset Boulevard. A month later, while on parole, he trespassed into a neighbor's home while under the influence of a controlled substance, and fell asleep in one of the beds.[46][47] He received three years of probation and was ordered to undergo compulsory drug testing. In 1997, he missed one of the court-ordered drug tests, and had to spend six months in the Los Angeles County jail.[48]

After Downey missed another required drug test in 1999, he was arrested once more. Despite Downey's lawyer, John Stewart Holden, assembling the same team of lawyers that successfully defended O.J. Simpson during his criminal trial for murder,[45] Downey was sentenced to a three-year prison term at the California Substance Abuse Treatment Facility and State Prison in Corcoran, California. At the time of the 1999 arrest, all of Downey's film projects had wrapped and were close to release. He had also been hired to provide the voice of the devil on the NBC animated television series God, the Devil and Bob, but was fired when he failed to show up for rehearsals.[49][50]

After spending nearly a year in the California Substance Abuse Treatment Facility and State Prison, Downey, on condition of posting a $5,000 bail, was unexpectedly freed when a judge ruled that his collective time in incarceration facilities (spawned from the initial 1996 arrests) had qualified him for early release.[17] A week after his 2000 release, Downey joined the cast of the hit television series Ally McBeal, playing the new love interest of Calista Flockhart's title character.[51] His performance was praised and the following year he was nominated for an Emmy Award in the Outstanding Supporting Actor in a Comedy Series category and won a Golden Globe for Best Supporting Actor in a mini-series or television film.[52][53] He also appeared as a writer and singer on Vonda Shepard's Ally McBeal: For Once in My Life album, and he sang with Sting a duet of "Every Breath You Take" in an episode of the series. Despite the apparent success, Downey claimed that his performance on the series was overrated and said, "It was my lowest point in terms of addictions. At that stage, I didn't give a fuck whether I ever acted again."[28] In January 2001, Downey was scheduled to play the role of Hamlet in a Los Angeles stage production directed by Mel Gibson.[54]

Before the end of his first season on Ally McBeal, over the Thanksgiving 2000 holiday, Downey was arrested when his room at Merv Griffin's Hotel and Givenchy Spa in Palm Springs, California was searched by the police, who were responding to an anonymous 911 call. Downey was under the influence of a controlled substance and in possession of cocaine and Valium.[55][56] Despite the fact that, if convicted, he would have faced a prison sentence of up to four years and eight months, he signed on to appear in at least eight more Ally McBeal episodes.[57]

In April 2001, while he was on parole, a Los Angeles police officer found him wandering barefooted in Culver City. He was arrested for suspicion of being under the influence of drugs, but was released a few hours later,[58] even though tests showed he had cocaine in his system.[59] After this last arrest, producer David E. Kelley and other Ally McBeal executives ordered last-minute rewrites and reshoots and fired Downey from the show, despite the fact that Downey's character had resuscitated Ally McBeal's ratings.[60] The Culver City arrest also cost him a role in the high-profile film America's Sweethearts,[59] and the subsequent incarceration prompted Mel Gibson to shut down his planned stage production of Hamlet as well. In July 2001, Downey pleaded no contest to the Palm Springs charges, avoiding jail time. Instead, he was sent into drug rehabilitation and received three years of probation, benefiting from California Proposition 36, which had been passed the year before with the aim of helping nonviolent drug offenders overcome their addictions instead of sending them to jail.[17][61]

The book Conversations with Woody Allen reports that director Woody Allen wanted to cast Downey and Winona Ryder in his film Melinda and Melinda in 2005, but was unable to do so, because he could not get insurance on them, stating, "We couldn't get bonded. The completion bonding companies would not bond the picture unless we could insure them. We were heartbroken because I had worked with Winona before [on Celebrity] and thought she was perfect for this and wanted to work with her again. And I had always wanted to work with Bob Downey and always thought he was a huge talent."[62]

In a December 18, 2000 article for People magazine entitled "Bad to Worse", Downey's stepmother Rosemary told author Alex Tresnlowski, that Downey had been diagnosed with bipolar disorder "a few years ago" and added that his bipolar disorder was "the reason he has a hard time staying sober. What hasn't been tried is medication and intensive psychotherapy".[63] In the same article, Dr. Manijeh Nikakhtar, a Los Angeles psychiatrist and co-author of Addiction or Self-Medication: The Truth, claimed she received a letter from Downey in 1999, during his time at Corcoran II, asking for advice on his condition. She discovered that "no one had done a complete [psychiatric] evaluation [on him] ... I asked him flat out if he thought he was bipolar, and he said, 'Oh yeah. There are times I spend a lot of money and I'm hyperactive, and there are other times I'm down.'"[63] In an article for the March 2007 issue of Esquire, Downey stated that he wanted to address "this whole thing about the bipolar" after receiving a phone call from "the Bipolar Association" asking him about being bipolar. When Downey denied he had ever said he was bipolar, the caller quoted the People article, to which Downey replied, "'No! Dr. Malibusian said [I said I was bipolar] ... ', and they go, 'Well, it's been written, so we're going to quote it.'"[64] Downey flatly denied being "depressed or manic" and that previous attempts to diagnose him with any kind of psychiatric or mood disorder have always been skewed because "the guy I was seeing didn't know I was smokin' crack in his bathroom. You can't make a diagnosis until somebody's sober."[64]

2001–2007: Career comeback
After five years of substance abuse, arrests, rehab, and relapse, Downey was ready to work toward a full recovery from drugs and return to his career. In discussing his failed attempts to control his addictive behavior in the past, Downey told Oprah Winfrey in November 2004 that "when someone says, 'I really wonder if maybe I should go to rehab?' Well, uh, you're a wreck, you just lost your job, and your wife left you. Uh, you might want to give it a shot."[65] He added that after his last arrest in April 2001, when he knew he would likely be facing another stint in prison or another form of incarceration such as court-ordered rehab, "I said, 'You know what? I don't think I can continue doing this.' And I reached out for help, and I ran with it. You can reach out for help in kind of a half-assed way and you'll get it and you won't take advantage of it. It's not that difficult to overcome these seemingly ghastly problems ... what's hard is to decide to do it."[65]

Downey got his first post-rehabilitation acting job in August 2001, lip-syncing in the video for Elton John's single "I Want Love".[66] Video director Sam Taylor-Wood shot 16 takes of the video and used the last one because, according to John, Downey looked completely relaxed and "The way he underplays it is fantastic".[67]

Downey was able to return to the big screen after Mel Gibson, who had been a close friend to Downey since both had co-starred in Air America, paid Downey's insurance bond for the 2003 film The Singing Detective (directed by his Back To School co-star Keith Gordon).[7] Gibson's gamble paved the way for Downey's comeback and Downey returned to mainstream films in the mid-2000s with Gothika, for which producer Joel Silver withheld 40% of his salary until after production wrapped as insurance against his addictive behavior. Similar clauses have become standard in his contracts since.[68] Silver, who was getting closer to Downey as he dated his assistant Susan Levin, also got the actor the leading role in the comedy thriller Kiss Kiss Bang Bang, the directorial debut of screenwriter Shane Black.[69]

After Gothika, Downey was cast in a number of leading and supporting roles, including well-received work in a number of semi-independent films: A Guide to Recognizing Your Saints, Good Night, and Good Luck, Richard Linklater's dystopian, rotoscoped A Scanner Darkly (in which Downey plays the role of a drug addict), and Steven Shainberg's fictional biographical film of Diane Arbus, Fur, where Downey's character represented the two biggest influences on Arbus's professional life, Lisette Model and Marvin Israel.[70] Downey also received great notice for his roles in more mainstream fare such as Kiss Kiss Bang Bang and Disney's poorly received The Shaggy Dog.[71]

On November 23, 2004, Downey released his debut musical album, The Futurist, on Sony Classical, for which he designed the cover art and designed the track listing label on the CD with his son Indio.[72] The album received mixed reviews,[73][74] but Downey stated in 2006 that he probably will not do another album, as he felt that the energy he put into doing the album was not compensated.[75]

In 2006, Downey returned to television when he did voice acting on Family Guy in the episode "The Fat Guy Strangler". Downey had previously telephoned the show's production staff and asked if he could produce or assist in an episode creation, as his son Indio is a fan of the show. The producers of the show accepted the offer and created the character of Patrick Pewterschmidt, Lois Griffin's long lost, mentally disturbed brother, for Downey.[76]

Downey signed on with publishers HarperCollins to write a memoir, which in 2006, was already being billed as a "candid look at the highs and lows of his life and career". In 2008, however, Downey returned his advance to the publishers, and canceled the book without further comment.[77]

In 2007, Downey appeared in David Fincher's mystery thriller Zodiac, which was based on a true story. He played the role of San Francisco Chronicle journalist Paul Avery, who was reporting the Zodiac Killer case.[78]

2008–present: Iron Man, blockbuster films and further success
With all of the critical success Downey had experienced throughout his career, he had not appeared in a "blockbuster" film. That changed in 2008 when Downey starred in two critically and commercially successful films, Iron Man and Tropic Thunder. In the article Ben Stiller wrote for Downey's entry in the 2008 edition of The Time 100, he offered an observation on Downey's commercially successful summer at the box office:

Yes, Downey is Iron Man, but he really is Actor Man ... In the realm where box office is irrelevant and talent is king, the realm that actually means something, he has always ruled, and finally this summer he gets to have his cake and let us eat him up all the way to the multiplex, where his mastery is in full effect.

— Ben Stiller, The 2008 Time 100, entry No. 60, "Robert Downey Jr."[79]
In 2007, Downey was cast as the title character in the film Iron Man,[80] with director Jon Favreau explaining the choice by stating: "Downey wasn't the most obvious choice, but he understood what makes the character tick. He found a lot of his own life experience in 'Tony Stark'."[81] Favreau insisted on having Downey as he repeatedly claimed that Downey would be to Iron Man what Johnny Depp is to the Pirates of the Caribbean series: a lead actor who could both elevate the quality of the film and increase the public's interest in it.[46][82][83][84] For the role Downey had to gain more than 20 pounds (9 kilograms) of muscle in five months to look like he "had the power to forge iron".[85]

Iron Man was globally released between April 30 and May 3, 2008, grossing over $585 million worldwide[86] and receiving rave reviews which cited Downey's performance as a highlight of the film.[87][88][89] By October 2008, Downey had agreed to appear as Iron Man in two Iron Man sequels, as part of the Iron Man franchise, as well as The Avengers, featuring the superhero team that Stark joins, based on Marvel's comic book series The Avengers.[90] He first reprised the role in a small appearance as Iron Man's alter ego Tony Stark in the 2008 film The Incredible Hulk, as a part of Marvel Studios' depicting the same Marvel Universe on film by providing continuity among the movies.[91]

After Iron Man, Downey appeared alongside Ben Stiller and Jack Black in the Stiller-directed Tropic Thunder. The three actors play a Hollywood archetype—with Downey playing self-absorbed multi-Oscar-winning Australian method actor Kirk Lazarus—as they star in an extremely expensive Vietnam-era film called Tropic Thunder. Lazarus undergoes a "controversial skin pigmentation procedure" in order to take on the role of African-American platoon sergeant Lincoln Osiris, which required Downey to wear dark makeup and a wig. Both Stiller and Downey feared Downey's portrayal of the character could become controversial:

Stiller says that he and Downey always stayed focused on the fact that they were skewering insufferable actors, not African Americans. "I was trying to push it as far as you can within reality", Stiller explains. "I had no idea how people would respond to it". Stiller screened a rough cut of the film [in March 2008] and it scored high with African Americans. He was relieved at the reaction. "It seems people really embrace it", he said.[92]

When asked by Harry Smith on CBS's The Early Show who his model was for Lazarus, Downey laughed before responding, "Sadly, my sorry-ass self."[93]

Released in the United States on August 13, 2008, Tropic Thunder received good reviews with 83% of reviews positive and an average normalized score of 71, according to the review aggregator websites Rotten Tomatoes and Metacritic, respectively.[94][95] It earned US$26 million in its North American opening weekend and retained the number one position for its first three weekends of release. The film grossed $180 million in theaters before its release on home video on November 18, 2008. Downey was nominated for the Academy Award for Best Supporting Actor for his portrayal of Lazarus.[96]

الأحد، 5 أبريل 2020

Candle

Candle

A candle is an ignitable wick embedded in wax, or another flammable solid substance such as tallow, that provides light, and in some cases, a fragrance. A candle can also provide heat or a method of keeping time.

A person who makes candles is traditionally known as a chandler.[1] Various devices have been invented to hold candles, from simple tabletop candlesticks, also known as candle holders, to elaborate candelabra and chandeliers.[2]

For a candle to burn, a heat source (commonly a naked flame from a match or lighter) is used to light the candle's wick, which melts and vaporizes a small amount of fuel (the wax). Once vaporized, the fuel combines with oxygen in the atmosphere to ignite and form a constant flame. This flame provides sufficient heat to keep the candle burning via a self-sustaining chain of events: the heat of the flame melts the top of the mass of solid fuel; the liquefied fuel then moves upward through the wick via capillary action; the liquefied fuel finally vaporizes to burn within the candle's flame.

As the fuel (wax) is melted and burned, the candle becomes shorter. Portions of the wick that are not emitting vaporized fuel are consumed in the flame. The incineration of the wick limits the length of the exposed portion of the wick, thus maintaining a constant burning temperature and rate of fuel consumption. Some wicks require regular trimming with scissors (or a specialized wick trimmer), usually to about one-quarter inch (~0.7 cm), to promote slower, steady burning, and also to prevent smoking. Special candle-scissors called "snuffers" were produced for this purpose in the 20th century and were often combined with an extinguisher. In modern candles, the wick is constructed so that it curves over as it burns. This ensures that the end of the wick gets oxygen and is then consumed by fire—a self-trimming wick
Prior to the candle, people used oil lamps in which a lit wick rested in a container of liquid oil. Liquid oil lamps had a tendency to spill, and the wick had to be advanced by hand.[citation needed] Romans began making true dipped candles from tallow, beginning around 500 BC.[5] European candles of antiquity were made from various forms of natural fat, tallow, and wax. In Ancient Rome, candles were made of tallow due to the prohibitive cost of beeswax.[6] It is possible that they also existed in Ancient Greece, but imprecise terminology makes it difficult to determine.[6] The earliest surviving candles originated in Han China around 200 BC. These early Chinese candles were made from whale fat.

During the Middle Ages, tallow candles were most commonly used. By the 13th century, candle making had become a guild craft in England and France. The candle makers (chandlers) went from house to house making candles from the kitchen fats saved for that purpose, or made and sold their own candles from small candle shops.[7] Beeswax, compared to animal-based tallow, burned cleanly, without smoky flame. Beeswax candles were expensive, and relatively few people could afford to burn them in their homes in medieval Europe. However, they were widely used for church ceremonies.[8]

In the 18th and 19th centuries, spermaceti, a waxy substance produced by the sperm whale, was used to produce a superior candle that burned longer, brighter and gave off no offensive smell.[9] Later in the 18th century, colza oil and rapeseed oil came into use as much cheaper substitutes.

Modern eraThe manufacture of candles became an industrialized mass market in the mid 19th century. In 1834, Joseph Morgan,[10] a pewterer from Manchester, England, patented a machine that revolutionised candle making. It allowed for continuous production of molded candles by using a cylinder with a moveable piston to eject candles as they solidified. This more efficient mechanized production produced about 1,500 candles per hour. This allowed candles to be an affordable commodity for the masses.[11] Candlemakers also began to fashion wicks out of tightly braided (rather than simply twisted) strands of cotton. This technique makes wicks curl over as they burn, maintaining the height of the wick and therefore the flame. Because much of the excess wick is incinerated, these are referred to as "self-trimming" or "self-consuming" wicks.[12]

In the mid-1850s, James Young succeeded in distilling paraffin wax from coal and oil shales at Bathgate in West Lothian and developed a commercially viable method of production.[13] Paraffin could be used to make inexpensive candles of high quality. It was a bluish-white wax, which burned cleanly and left no unpleasant odor, unlike tallow candles. By the end of the 19th century, candles were made from paraffin wax and stearic acid.

By the late 19th century, Price's Candles, based in London, was the largest candle manufacturer in the world.[14] Founded by William Wilson in 1830,[15] the company pioneered the implementation of the technique of steam distillation, and was thus able to manufacture candles from a wide range of raw materials, including skin fat, bone fat, fish oil and industrial greases.

Despite advances in candle making, the candle industry declined rapidly upon the introduction of superior methods of lighting, including kerosene and lamps and the 1879 invention of the incandescent light bulb. From this point on, candles came to be marketed as more of a decorative item.

Delhi govt

Delhi govt

The Government of the National Capital Territory of Delhi (Government of NCT of Delhi or simply Government of Delhi) is the governing authority of the Indian national capital territory of Delhi and its 11 districts. It consists of an executive, led by the Lieutenant Governor of Delhi, a judiciary and a legislature. The present Legislative Assembly of Delhi is unicameral, consisting of 70 members of the legislative assembly (MLA).

The Supreme Court of India in Government of NCT of Delhi v. Union of India ruled that according to the Article 239AA of the Indian constitution, that although the government had to keep him/her informed of its decisions, Delhi's lieutenant governor did not have any independent decision-making powers and had to follow the "aid and advice" of the chief minister-led council of ministers of the Government of Delhi on matters which the Delhi Legislative Assembly could legislate on, viz., all items on the State List (items on which only state legislatures can legislate) and the Concurrent List (items on which both the Parliament of India and the state legislatures can legislate) barring 'police, 'public order' and 'land'.[1][2][3][4][5][6] The court added that on matters referred to him/her, the LG was bound to follow the orders of the president
The Municipal Corporation of Delhi (MCD) handles civic administration for the city as part of the Panchayati Raj Act. New Delhi, an urban area in Delhi, is the seat of both the State Government of Delhi and the Government of India. The National Capital Territory of Delhi (NCT) has five local municipal corporations namely, North Delhi Municipal Corporation (NDMC), South Delhi Municipal Corporation (SDMC), East Delhi Municipal Corporation (EDMC), New Delhi Municipal Council (NDMC) and Delhi Cantonment Board.

The Lieutenant Governor of Delhi is appointed by the President of India, as agent of President and not head of state like governor, on the advice of the Central government.

The Delhi High Court has jurisdiction over Delhi, which also has two lower courts: the Small Causes Court for civil cases, and the Sessions Court for criminal cases. Unlike other states in India, the Delhi Police reports to the Ministry of Home Affairs, Government of India and not the state government. Headed by the Police Commissioner, it is one of the largest metropolitan police forces in the world.[7] The headquarters of Delhi Police are located at ITO.

History
The Legislative Assembly of Delhi was first constituted on 17 March 1952 under the Government of Part C States Act, 1951, but it was abolished on 1 October 1956. Its legislative assembly was re-established in the year of 1993, after the Constitution (Sixty-ninth Amendment) Act, 1991 came into force, followed by the Government of National Capital Territory of Delhi Act, 1991 the Sixty-ninth Amendment to the Constitution of India, declared the Union Territory of Delhi to be formally known as National Capital Territory of Delhi.[8]

The first Chief Minister (CM) of Delhi was Ch. Braham Prakash (INC) and the first women CM was Sushma Swaraj of BJP. Sheila Dikshit (INC) has been the CM for the maximum times (three) and oversaw immense development of the city during her tenure. New Delhi owes much of its growth to her tenure. Guru Radha Kishan (CPI) had the rare distinction of representing his constituency in MCD (DMC initially) for most years continuously by an individual and Ch. Prem Singh (INC) has won the maximum elections for different civic bodies in Delhi.

Atal Bihari Vajpayee

Atal Bihari Vajpayee

Atal Bihari Vajpayee (Hindustani pronunciation: [əʈəl bɪhaːɾiː ʋaːdʒpai]; 25 December 1924 – 16 August 2018) was an Indian politician, statesman and poet. He served three terms as the Prime Minister of India, first for a term of 13 days in 1996, then for a period of 13 months from 1998 to 1999, followed by a full term from 1999 to 2004. A member of the Bharatiya Janata Party (BJP), he was the first Indian prime minister not of the Indian National Congress party to have served a full five-year term in office.

He was a member of the Indian Parliament for over five decades, having been elected ten times to the Lok Sabha, the lower house, and twice to the Rajya Sabha, the upper house. He served as the Member of Parliament for Lucknow, retiring from active politics in 2009 due to health concerns. He was among the founding members of the Bharatiya Jana Sangh (BJS), of which he was president from 1968 to 1972. The BJS merged with several other parties to form the Janata Party, which won the 1977 general election. In March 1977, Vajpayee became the Minister of External Affairs in the cabinet of Prime Minister Morarji Desai. He resigned in 1979, and the Janata alliance collapsed soon after. Former members of the BJS formed the BJP in 1980, with Vajpayee its first president.

During his tenure as prime minister, India carried out the Pokhran-II nuclear tests in 1998. Vajpayee sought to improve diplomatic relations with Pakistan, travelling to Lahore by bus to meet with Prime Minister Nawaz Sharif. After the 1999 Kargil War with Pakistan, he sought to restore relations through engagement with President Pervez Musharraf, inviting him to India for a summit at Agra.

The administration of Narendra Modi declared in 2014 that Vajpayee's birthday, 25 December, would be marked as Good Governance Day. In 2015, he was conferred India's highest civilian honour, the Bharat Ratna, by the President of India, Pranab Mukherjee. He died on 16 August 2018 of age-related illness.
Early life and education
Vajpayee was born into a Hindu Brahmin family on 25 December 1924 in Gwalior, Madhya Pradesh.[1] His mother and father were Krishna Devi and Krishna Bihari Vajpayee.[2] His father was a school teacher in their home town.[3] His grandfather, Shyam Lal Vajpayee, had migrated to Morena near Gwalior from his ancestral village of Bateshwar in the Agra district of Uttar Pradesh.[2]

Vajpayee did his schooling at the Saraswati Shishu Mandir in Gwalior. In 1934, he was admitted to the Anglo-Vernacular Middle (AVM) School in Barnagar, Ujjain district, after his father joined as headmaster. He subsequently attended Gwalior's Victoria College (now Maharani Laxmi Bai Govt. College of Excellence) to study for a BA in Hindi, English and Sanskrit. He completed his post-graduation with an MA in Political Science from DAV College, Kanpur.[1][4]

His activism started in Gwalior with Arya Kumar Sabha, the youth wing of the Arya Samaj movement, of which he became the general secretary in 1944. He also joined the Rashtriya Swayamsevak Sangh (RSS) in 1939 as a swayamsevak, or volunteer. Influenced by Babasaheb Apte, he attended the Officers Training Camp of the RSS during 1940 to 1944, becoming a pracharak (RSS terminology for a full-time worker) in 1947. He gave up studying law due to the partition riots. He was sent to Uttar Pradesh as a vistarak (a probationary pracharak) and soon began working for the newspapers of Deendayal Upadhyaya: Rashtradharma (a Hindi monthly), Panchjanya (a Hindi weekly), and the dailies Swadesh and Veer Arjun.[4][5][6]

Early political career (1942–1975)
By 1942, at the age of 16 years, Vajpayee became an active member of the Rashtriya Swayamsevak Sangh. In August 1942, he and his elder brother Prem were arrested for 24 days during the Quit India Movement. He was released after giving a written undertaking stating that while he was a part of the crowd, he did not participate in the militant events in Bateshwar on 27 August 1942.[7]

In 1951, Vajpayee was seconded by the RSS, along with Deendayal Upadhyaya, to work for the newly formed Bharatiya Jana Sangh, a Hindu right-wing political party associated with the RSS. He was appointed as a national secretary of the party in charge of the Northern region, based in Delhi. He soon became a follower and aide of party leader Syama Prasad Mukherjee. In 1954, Vajpayee was with Mukherjee when the latter went on a hunger strike in Kashmir to protest the perceived inferior treatment of non-Kashmiri Indian visitors to the state.[citation needed] Mukherjee died in prison during this strike. In the 1957 Indian general election, Vajpayee contested elections to the Lok Sabha, the lower house of the Indian Parliament. He lost to Raja Mahendra Pratap in Mathura, but was elected from Balrampur. In the Lok Sabha his oratorial skills so impressed Prime Minister Jawaharlal Nehru that he predicted that Vajpayee would someday become the Prime Minister of India.[8][9][10]

Vajpayee's oratorial skills won him the reputation of being the most eloquent defender of the Jana Sangh's policies.[11] After the death of Deendayal Upadhyaya, the leadership of the Jana Sangh passed to Vajpayee.[12] He became the national president of the Jana Sangh in 1968,[13] running the party along with Nanaji Deshmukh, Balraj Madhok, and L. K. Advani.[12]

Janata and the BJP (1975–1995)
Vajpayee was arrested along with several other opposition leaders during the Internal Emergency imposed by Prime Minister Indira Gandhi in 1975.[3][14] Initially interned in Bangalore, Vajpayee appealed his imprisonment on the grounds of bad health, and was moved to a hospital in Delhi.[15] Gandhi ended the state of emergency in 1977. A coalition of parties, including the BJS, came together to form the Janata Party, which won the 1977 general elections.[16] Morarji Desai, the chosen leader of the alliance, became the prime minister. Vajpayee served as the Minister of External Affairs, or foreign minister, in Desai's cabinet.[17] As foreign minister, Vajpayee became the first person in 1977 to deliver a speech to the United Nations General Assembly in Hindi.[17]

The Janata Party collapsed soon after Desai resigned as Prime Minister along with Vajpayee from his post in 1979.[15][18] The erstwhile members of the Bharatiya Jana Sangh came together to form the Bharatiya Janata Party (BJP) in 1980, with Vajpayee as its first President.[19]

The 1984 general elections were held in the wake of Prime Minister Indira Gandhi's assassination by her Sikh bodyguards. While he had won the 1977 and the 1980 elections from New Delhi, Vajpayee shifted to his home town Gwalior for the election.[20] Vidya Razdan was initially tipped to be the Congress (I) candidate. Instead, Madhavrao Scindia, scion of the Gwalior royal family, was brought in on the last day of filing nominations.[21] Vajpayee lost to Scindia, managing to secure only 29% of the votes.[20]

Under Vajpayee, the BJP moderated the Hindu-nationalist position of the Jana Sangh, emphasising its connection to the Janata Party and expressing support for Gandhian Socialism.[22] The ideological shift did not bring it success: Indira Gandhi's assassination generated sympathy for the Congress, leading to a massive victory at the polls. The BJP won only two seats in parliament.[22][23][24] Vajpayee offered to quit as party president following BJP's dismal performance in the election,[25] but stayed in the post until 1986.[26][27][28] He was elected to the Rajya Sabha in 1986 from Madhya Pradesh,[29] and was briefly the leader of the BJP in parliament.[30]

In 1986, L. K. Advani took office as president of the BJP.[23] Under him, the BJP returned to a policy of hardline Hindu nationalism.[22] It became the political voice of the Ram Janmabhoomi Mandir Movement, which sought to build a temple dedicated to the Hindu deity Rama in Ayodhya. The temple would be built at a site believed to be the birthplace of Rama after demolishing a 16th-century mosque, called the Babri Masjid, which then stood there.[31] The strategy paid off for the BJP; it won 86 seats in the Lok Sabha in the 1989 general election, making its support crucial to the government of V. P. Singh.[22] In December 1992, a group of religious volunteers led by members of the BJP, the Rashtriya Swayamsevak Sangh (RSS) and the Vishwa Hindu Parishad (VHP), tore down the mosque.[32][11]

He spoke about his 'life-changing moment' at a public rally on the 1996 Lok Sabha election trail. He said "But I learned a lesson that changed my life. I took a pledge I’d never rote-learn a speech. It was my first speech at AVM School."[1] He served as Member of Parliament, Lok Sabha, from Lucknow

Rajinikanth

Rajinikanth

Shivaji Rao Gaekwad (born 12 December 1950), known professionally as Rajinikanth or Rajni, is an Indian film actor who works primarily in Tamil cinema. In addition to acting, he has also worked as a producer and screenwriter. Hailed as Superstar or Thalaivaa (leader), Rajinikanth is widely regarded as the most popular actor in South India and is the highest-grossing actor in Tamil cinema history.[3] As of 2019, Rajinikanth has won six Tamil Nadu State Film Awards—four Best Actor Awards and two Special Awards for Best Actor—and a Filmfare Best Tamil Actor Award. The Government of India has honored him with the Padma Bhushan (2000) and the Padma Vibhushan (2016). He received the Chevalier Sivaji Ganesan Award for Excellence in Indian Cinema at the 4th Vijay Awards.[4] At the 45th International Film Festival of India (2014), he was conferred with the "Centenary Award for Indian Film Personality of the Year". At the 50th edition, he will be honored with the Icon of Global Jubilee award.[5]

Rajinikanth began acting in plays while working in the Bangalore Transport Service as a bus conductor. In 1973, he joined the Madras Film Institute to pursue a diploma in acting. Following his debut in K. Balachander's 1975 Tamil drama Apoorva Raagangal, his acting career commenced with a brief phase of portraying antagonistic characters in Tamil films. He had his first major role in Balachander's Telugu drama film Anthuleni Katha (1976), and got his breakthrough in Tamil with Moondru Mudichu (1976)—also directed by Balachander. His style and mannerisms in the latter earned recognition from the audience.[6] In 1978, he received critical acclaim for his roles in Mullum Malarum and Aval Appadithan; the former earned him a Tamil Nadu State Film Award Special Prize for Best Actor.[7] He played dual roles in the action thriller Billa (1980), which was a remake of the Bollywood film Don (1978). It was his biggest commercial success to that point and gave him the action hero image.[8]

The Suresh Krissna-directed Baashha, in which Rajinikanth played a crime boss, was a major commercial success in his career and earned him a 'god-like' status in Tamil Nadu.[9] Later that year he acted in K. S. Ravikumar's Muthu, which was dubbed into Japanese.[a] In Japan, the film grossed a record US$1.6 million in 1998 and was largely instrumental in creating a fan-base for Rajinikanth in the country.[11] Padayappa (1999), his second collaboration with Ravikumar, went on to become the highest-grossing Tamil film to that point.[12] After earning ₹26 crore (equivalent to ₹63 crore or US$8.9 million in 2019) for his role in Sivaji (2007), Rajinikanth became the highest-paid actor in Asia after Jackie Chan at the time. He played dual roles, as a scientist and an andro-humanoid robot, in the science fiction film Enthiran (2010) and its sequel 2.0 (2018), both beingIndia's most expensive production at the time of their release, and among the highest-grossing Indian films of all time.
Early life
Rajinikanth was born as Shivaji Rao Gaekwad on 12 December 1950 in a Marathi family in Bangalore, Mysore State (present day Karnataka).[14][1][15] His mother was a housewife,[c] and his father Ramoji Rao Gaekwad was a police constable.[1] He was named Shivaji Rao Gaekwad, after the Maratha Empire king Shivaji, and was brought up speaking Marathi at home and Kannada outside.[14] His ancestors hailed from Mavadi Kadepathar, Pune, Maharashtra, and Nachikuppam, Krishnagiri district, Tamil Nadu.[17][18] He is the youngest of four siblings in a family consisting of two elder brothers (Satyanarayana Rao and Nageshwara Rao) and a sister (Aswath Balubhai).[19][14] After his father's retirement from work in 1956, the family moved to the suburb of Hanumantha Nagar in Bangalore and built a house there.[14] He lost his mother at the age of nine.[20]

Rajinikanth had his primary education at the Gavipuram Government Kannada Model Primary School in Bangalore.[21] As a child, he was "studious and mischievous" with a great interest in cricket, football and basketball. During this time, his brother enrolled him at the Ramakrishna Math, a Hindu monastery set up by the Ramakrishna Mission. In the math, he was taught Vedas, tradition and history, which eventually instilled a sense of spirituality in him.[22] In addition to spiritual lessons, he also began acting in plays at the math. His aspiration towards theatre grew at the math and was once given an opportunity to enact the role of Ekalavya's friend from the Hindu epic Mahabharata. His performance in the play received praise from the Kannada poet D. R. Bendre.[14] After sixth grade, Rajinikanth was enrolled at the Acharya Pathasala Public School and studied there till completion of his pre-university course.[22] During his schooling at the Acharya Pathasala, he spent a lot of time acting in plays.

Upon completion of his school education, Rajinikanth performed several jobs including that of a coolie,[23] before getting a job in the Bangalore Transport Service (BTS) as a bus conductor.[24] He continued to take part in plays after the Kannada playwright Topi Muniappa offered him a chance to act in one of his mythological plays. He decided to take up an acting course in the newly formed Madras Film Institute after coming across an advertisement.[25] Though his family was not fully supportive of his decision to join the institute,[25] his friend and co-worker Raj Bahadur motivated him to join the institute and financially supported him during this phase.[26][27] During his stay at the institute, he was noticed by the Tamil film director K. Balachander.[28] The director advised him to learn to speak Tamil, a recommendation that Rajinikanth quickly followed.[29]

Acting career
Rajinikanth began his film career with the Tamil film Apoorva Raagangal (1975), directed by K. Balachander.[31] He was cast in a small role as the abusive husband of the female lead played by Srividya.[31][32][33] The film explored relationships between people with wide age differences and was deemed controversial upon release.[34] However, it received critical acclaim and won three National Film Awards including the Award for the Best Tamil Feature at the 23rd National Film Awards in 1976.[35] A review from The Hindu noted that: "Newcomer Rajinikanth is dignified and impressive".[36] His next release was Puttanna Kanagal's portmanteau Kannada film Katha Sangama (1976).[37] Rajinikanth appeared in the last segment of the film; he played the role as a village ruffian who rapes a blind woman in the absence of her husband.[38] Balachander cast him in a pivotal role in Anthuleni Katha, the Telugu remake of his own Tamil film Aval Oru Thodar Kathai (1974).[38] In Moondru Mudichu—the first Tamil film to feature him in a prominent role—he played a character that "blithely row[s] away" when his friend drowns accidentally in the lake only to fulfill his desire to marry the former's girlfriend.[39] His style of flipping the cigarette in the film made him popular among the audience.[40] In his final release of the year, Baalu Jenu, he was cast as the main antagonist which troubles the female lead.[38] He played similar roles in Balachander's Avargal (1977),[41] and P. Bharathiraja's 16 Vayadhinile (1977).[38][42] The same year, he made his first-ever appearance as a lead actor in the Telugu film Chilakamma Cheppindi.[43][44] S. P. Muthuraman experimented Rajinikanth in a positive role in Bhuvana Oru Kelvikkuri (1977).[45] The success of the film brought the duo together for 24 more films till the 1990s.[45] Rajinikanth played supporting and "villanous" roles in most of the films released during the year.[39] In Gaayathri he was cast as a pornographer who secretly films his relationship with his wife without her knowledge and in Galate Samsara he played the role of a married man who develops an affair with a cabaret dancer.[46] He had 15 of his films released during the year.[47]

Experimentation and breakthrough (1978–1989)
In 1978, Rajinikanth had 20 releases across Tamil, Telugu and Kannada.[48][49] His first film of the year was P. Madhavan's Shankar Salim Simon, in which he was among the three leads. Following that, he co-starred alongside Vishnuvardhan in the Kannada film Kiladi Kittu. He played the second lead in Annadammula Savaal, which starred Krishna; Rajinikanth reprised his role from the Kannada original. He then played an important role in the supernatural thriller Aayiram Jenmangal. In Maathu Tappada Maga, he was the main antagonist. Bairavi, directed by M.Bhaskar, was the first Tamil film to cast Rajinikanth as a solo hero.[50][51] It was for this film that he earned the sobriquet "Superstar".[51] S. Thanu, one of the film's distributors, set up a 35 feet (11 m) high cut-out of Rajinikanth.[52] His next appearance Ilamai Oonjal Aadukirathu, a quadrangular love story written and directed by C. V. Sridhar, saw him play the role of a man who sacrifices his love for his friend, played by Kamal Haasan. The film's success prompted Sridhar to remake the film in Telugu, Vayasu Pilichindi, which retained the original cast of the Tamil film.

His next film, Vanakkatukuriya Kathaliye, had an introductory song to mark his entry, a trend that would soon catch on in with his later films.[51] Mullum Malarum, released during the same period, received critical acclaim.[53] The film marked the directional debut of J. Mahendran, with a screenplay adapted from a novel of the same name published in Kalki.[51] It won that year's Filmfare Award for Best Tamil Film and a Special Prize (Best Actor) for Rajinikanth at the Tamil Nadu State Film Awards.[51] Following this, he made a foray into Malayalam cinema with I. V. Sasi's fantasy film Allauddinum Albhutha Vilakkum, which was based on a story from the Arabian Nights. The same year, he acted in Dharma Yuddam, in which he played a mentally ill person avenging the death of his parents. He then co-starred with N. T. Rama Rao in Tiger. Upon completion of Tiger, Rajinikanth had acted in 50 films over a period of four years, and in four languages. Some other popular films released during this period are the youthful entertainer Ninaithale Inikkum, the Tamil–Kannada bilingual Priya, the Telugu film Amma Evarikkaina Amma and the melodrama Aarilirunthu Arubathu Varai. Priya, based on a detective novel by Sujatha Rangarajan, had the distinction of being the first film of Rajinikanth to be shot mostly outside India, mainly in Southeast Asia.[51]

Raijinikanth, who credited Hindi film star Amitabh Bachchan as his inspiration,[54] began playing Amitabh Bachchan's roles in Tamil remakes of his films.[55] This began with Shankar Salim Simon (1978), a remake of Amar Akbar Anthony (1977), followed by Naan Vazhavaippen (1979), a remake of Majboor (1974).[56] He was subsequently cast in a series of roles modelled after Amitabh Bachchan in Tamil remakes of his films.[55] Rajinikanth starred in eleven Tamil remakes of Amitabh Bachchan films,[57] as well as a Telugu remake of Amar Akbar Anthony, Ram Robert Rahim (1980), alongside Sridevi.[56] The most successful of these were remakes of Salim-Javed films, such as Billa (1980), Thee (1981) and Mr. Bharath (1986)
During this phase of his career, Rajinikanth abruptly chose to quit acting, but was coaxed to return[58] with the Tamil film Billa (1980), a remake of the Bollywood blockbuster Don (1978), written by Salim-Javed and starring Amitabh Bachchan. Billa had Rajinikanth playing dual roles and eventually became his first ever commercial success. His pairing with Sridevi continued in Johnny, where he was once again cast in a double role. He also starred in Murattu Kaalai which was a commercial success.[45] The success of Billa was a turning point in Rajinikanth's career, disproving detractors that claimed Rajnikanth was "finished" and which saw him accepted as a full-fledged hero.[58] The success of Billa established Rajinikanth as the top star of South Indian cinema, overtaking Kamal Haasan.[59]

In 1981, he appeared in Garjanai which was shot simultaneously in Kannada and Malayalam, making it his last film in those two languages to date.[when?] In K. Balachander's first home production, Netrikan, he played dual roles as a womanising father and a responsible son.[45] His first full-length comedy was Thillu Mullu, directed by K. Balachander. He agreed to it solely due to the strong suggestion by his mentor that he should do non-commercial roles, to break the stereotyped action-hero mould by which he was getting famous at the time.[60] 1981 also saw the release of Thee, a remake of the 1975 Bollywood blockbuster Deewaar, also originally written by Salim-Javed and starring Amitabh Bachchan; in Thee, Rajinikanth reprised the role of Bachchan in the original.[61] In 1982, he starred in Pokkiri Raja, Moondru Mugam, Thanikattu Raja, Puthukavithai and Enkeyo Ketta Kural. Moondru Mugam had Rajinikanth playing three roles for the first time.[62]

By 1983, he was a popular actor across South Indian cinema, including Telugu and Kannada films.[63] In 1983, he starred in his first Bollywood film, Andha Kanoon, alongside Amitabh Bachchan and Hema Malini. The film went on to become one of the highest-grossing films of that time.[64] His 1984 film Naan Mahaan Alla, was directed by Muturaman and produced by K. Balachander. He acted in his first cameo role in the film Anbulla Rajinikanth.[65] He played a triple role in John Jani Janardhan. His performance in Nallavanuku Nallavan earned him a Filmfare Best Tamil Actor Award.[66] In his 100th film Sri Raghavendra (1985), he played the Hindu saint Raghavendra Swami.[67] His greatest success in Hindi films was his 101st film Bewafai. Released in 1985 with Rajesh Khanna as the lead hero and Rajinikanth as villain, it became a success and grossed Rs 11.95 crore at the box office that year.[68]

In the second half of the 1980s, Rajinikanth acted in commercially successful films such as Naan Sigappu Manithan (1985), Padikkathavan (1985), Mr. Bharath (1986), Velaikaran (1987), Guru Sishyan (1988) and Dharmathin Thalaivan (1988). In 1988, he made his only American film appearance in Bloodstone, directed by Dwight Little, in which he played an English-speaking Indian taxi driver.[69][70] Rajinikanth finished the decade with films including Rajadhi Raja, Siva, Raja Chinna Roja and Mappillai while also starring in a few Bollywood productions. Raja Chinna Roja was the first Indian film to feature live action and animation.[71][72]

Commercial stardom (1990–2001)
By the 1990s, Rajinikanth established himself as a commercial entertainer. Almost all the films released during this period were highly successful at the box office.

He began the decade with a blockbuster in Panakkaran (1990), which was a remake of Amitabh Bachchan's 1981 film Laawaris. His next two Tamil films, the fantasy comedy Athisaya Piravi, (a remake of Chiranjeevi's 1988 film Yamudiki Mogudu) which also released in 1990 and the family drama Dharmadorai (1991), did above-average business at the box office. His stint with Bollywood continued since the past decade as he went on to star in more Hindi films. Hum released in 1991 saw him doing the second main lead with Amitabh Bachchan became an inspiration for Badsha.[73] In 1991, he worked with Mani Ratnam in Thalapathi, which was heavily inspired by the Mahabharata.[74][75] in which he co-starred with actor Mammooty; the film dealt with the friendship between two unknown characters based on Karna and Duryodhana, respectively,[74] and was set in a more contemporary milieu and was both critically acclaimed and successful upon release.[67] He went on to appear in remakes of films from other languages, mostly from Hindi and Telugu. Annamalai, which released in 1992, was yet another friendship-centric film and was loosely based on the 1987 Bollywood film Khudgarz. Mannan, directed by P. Vasu, a remake of Kannada actor Rajkumar's 1986 blockbuster Anuraga Aralithu, also was released in 1992 and became a box office success. Rajinikanth wrote his first screenplay for the film Valli (1993), in which he also made a special appearance. He also starred in the film Yejaman, in which he played the role of Vaanavaraayan, a village chieftain. His romantic-comedy Veera (1994) was controversial for its climax but went on to become one of the highest-grossing films in 1994.[76]

He joined hands with Suresh Krishna for Baashha (1995), which emerged as an industry record,[77] and is routinely touted by fans and critics alike as a major-hit, as the film elevated him from being just another very popular actor to nearly demigod status among the masses.[78] He made a cameo in Peddarayudu for his friend Mohan Babu and also helped him in obtaining the remake rights. The same year, he acted in yet another gangster film, Aatank Hi Aatank with Aamir Khan which was also his last Hindi film in a major role till date. His film Muthu, a remake of Mohanlal's blockbuster Malayalam movie Thenmavin Kombathu, was another commercial success, directed by K. S. Ravikumar and produced by K. Balachander, and became the first Tamil film to be dubbed into Japanese, as Mutu: Odoru Maharaja.[79] The film grossed a record US$1.6 million in Japan in 1998 and was responsible for creating a large Japanese fan-base for the actor.[80] Muthu's success in Japan led American news magazine Newsweek to comment in a 1999 article that Rajinikanth had "supplanted Leonardo DiCaprio as Japan's trendiest heartthrob".[81] During a visit to Japan in 2006, Indian Prime Minister Manmohan Singh acknowledged the success of Muthu in the country during a speech, justifying the positive relationship between the two nations.[82] He also entered Bengali cinema through Bhagya Debata, which was released at the end of 1995. 1997's Arunachalam was another commercial success. Rajinikanth released his last film of the millennium with Padayappa (1999), which went on to become a blockbuster success. It starred Ramya Krishnan and Soundarya, the former critically acclaimed for her performance. It was also the last prominent role for veteran Tamil actor Sivaji Ganesan.

Struggles, resurgence and acclaim (2002–2010)
After a brief pause, Rajinikanth starred in Baba in 2002, for which he had also written the screenplay.[83] Released with much fanfare and hype at the time, the film featured a story revolving around the reforming of a gangster, later revealed to be the reincarnation of the Hindu saint Mahavatar Babaji, and fights against political corruption.[83] It fell short of market expectations and the high bids reportedly translated to heavy losses for the distributors. Rajinikanth himself repaid the losses incurred by the distributors.[84][85] The film was received with comments such as "the bloom was off the rose" and that "the gold does not glitter any more".[86] Pattali Makkal Katchi (PMK) leader S. Ramadoss condemned him for smoking and posing with beedis in the film. He was criticised for spoiling the Tamil youth by glorifying smoking and drinking. PMK volunteers attacked the theatres which screened the film and usurped film rolls and burned them.[87]

Two years later, Rajinikanth signed up for P. Vasu's Chandramukhi (2005), a remake of the Malayalam film Manichitrathazhu. Upon release the film was highly successful at the box office, and in 2007 it set the record of being the longest running Tamil film.[88] Chandramukhi was also dubbed in Turkish and in German as Der Geisterjäger and released in the respective nations.[89] Following Chandramukhi's release, it was reported that AVM Productions was set to produce a film directed by Shankar starring Rajinikanth — the largest collaboration yet for a Tamil film. The film was titled Sivaji and was released in the summer of 2007, following two years of filming and production. It became the first Tamil film to be charted as one of the "top-ten best films" of the United Kingdom and South Africa box offices upon release.[90][91] Rajinikanth received a salary of ₹26 crore (equivalent to ₹63 crore or US$8.9 million in 2019), for his role in the film, which made him the second highest-paid actor in Asia after Jackie Chan.[92][93][94] During the production of Sivaji, Soundarya Rajinikanth announced her intention of producing a computer-generated imagery film starring an animated version of her father titled Sultan: The Warrior. The film was set for release in 2008,[95][96] however, it entered development hell, and its development status would become unknown over the next few years
He worked with P. Vasu again for Kuselan, a remake of the Malayalam film Kadha Parayumbol, which was made simultaneously in Telugu as Kathanayakudu, in which Rajinikanth played an extended cameo role as himself, a film star in the Indian cinema, and as a best friend to the film's protagonist. According to Rajinikanth, the film somewhat narrated his early life.[98] The film, however, performed poorly at box offices and led to many distributors incurring major losses.[99] Rajinikanth also stated that he would work with Pyramid Saimira again to compensate for Kuselan.[100][101]

Rajinikanth worked again with Shankar for the science fiction film Enthiran.[102] The film was released worldwide in 2010 as the most expensive Indian film ever made, ultimately becoming the second highest-grossing film in India of its time.[103][104][105] Rajinikanth was paid a remuneration of ₹45 crore (equivalent to ₹81 crore or US$11 million in 2019) for the film.[106] The film's success lead to the Indian Institute of Management Ahmedabad to use the film as a case study to analyse the business of cinema and its success story in a post-graduate elective management course called Contemporary Film Industry: A Business Perspective. The course would also study Muthu.[107]

Hospitalisation and return (2011–present)
In January 2011, Rajinikanth was slated to appear in Rana, a period film to be produced by Soundarya Rajinikanth and directed by K. S. Ravikumar, who would work with the actor for a third time.[62] During the principal photography of the film on 29 April 2011, he suffered a mild foodborne illness on the sets, which led to vomiting, dehydration, and exhaustion.[108] He was treated at St. Isabel's Hospital for a day before being discharged.[109] Five days later, he was rushed to the same hospital again after suffering from breathlessness and fever.[110] He was diagnosed with bronchitis and was kept at the hospital for a week, while also spending a few days in an intensive care unit.[111] Several conflicting reports of discharge dates arose, as well as claims of Rajinikanth's health deteriorating.[112] Two days after his last discharge, Rajinikanth was admitted to the Sri Ramachandra Medical College and Research Institute on 16 May 2011 for recurring respiratory and gastrointestinal problems.[113] The hospital maintained that Rajinikanth was in stable condition and showed positive response to treatment.[112] It was widely reported that he required a kidney transplantation, which was later denied by Dhanush.[114]

On 21 May 2011, Aishwarya Rajinikanth released a photo of her and Rajinikanth in his hospital ward, both posing with a thumbs signal, responding to fans' negative reaction to news reports.[115] The hospital restricted unauthorised visitors.[116] Rajinikanth's brother, Sathyanarayana Rao Gaekwad, reported that the cause of the sudden illness was due to stress from rapid weight-loss and changes in diet, as well as withdrawal of alcohol consumption and smoking cessation.[117] After addressing fans in a 4-minute digitally recorded voice message to the media, Rajinikanth, under the advice of Amitabh Bachchan, travelled from Chennai to Singapore with his family on 21 May 2011, where he was to undergo further treatment for nephropathy at Mount Elizabeth Hospital.[118][119] After spending over two weeks at the hospital, he was finally discharged on 15 June 2011 and continued to recuperate in Singapore, before returning to Chennai on 13 July 2011.[120][121]

Despite several failed attempts to restart Rana upon his return, Rajinikanth reprised his Enthiran character, Chitti, in the Bollywood science-fiction film Ra.One (2011) in a guest appearance alongside Shah Rukh Khan and Kareena Kapoor.[122] In November 2011, it was decided that Rana would be shelved in favour of a new project, titled Kochadaiiyaan.[123] The motion capture film, which is the first of its kind in India, was released in 2014 to positive reviews.[124] Kochadaiiyaan, and the 3D release of Sivaji in 2012,[125] made Rajinikanth the first Indian actor to have appeared in four different forms of world cinema: black-and-white, colour, 3D and motion capture.[126] Following the completion of Kochadaiiyaan, Rajinikanth began work in Ravikumar's next directorial venture, titled Lingaa alongside Anushka Shetty and Sonakshi Sinha.[127][128] The film was released on 12 December 2014, coinciding with his birthday,[129] and received mixed reviews from critics.[130] Rajinikanth's next film was director Pa. Ranjith's crime drama Kabali, produced by S. Thanu. The film was released in July 2016.[131] Rajinikanth is filming for 2.0, a spiritual successor to Enthiran, that is under production since 2015 with no definite release date announced.
In August 2016, it was announced that Rajinikanth and Ranjith would work together again for a film with Dhanush as producer, titled as Kaala, in which Rajinikanth plays a Dharavi-dwelling gangster who fights against corporate takeover of the slum.[133] The film officially released on 7 June 2018. Rajinikanth upcoming film S. Shankar's 2.0 reprising the roles of Dr. Vaseegaran and Chitti, alongside Akshay Kumar and Amy Jackson.[134] It is the spiritual successor to the 2010 Tamil film Enthiran and it the most expensive Indian film made to date.[135][136] In 2019, Rajinikanth starred in Karthik Subbaraj's Petta, in which his performance received praise for his return to his vintage stereotypical style of acting. The combined gross earnings of Kaala, 2.0 and Petta by the end of January 2019 was determined to be over ₹1000 crore according to trade analysts.[137] Rajinikanth worked with AR Murugadoss in the film Darbar, which released in 2020.

Political career
Rajinikanth said: "Even God cannot save Tamil Nadu if AIADMK returns to power." Rajinikanth wholeheartedly supported the DMK and TMC alliance and asked the people of Tamil Nadu and his fans to vote for that alliance. This alliance had a complete victory in 1996. Rajinikanth also supported the DMK-TMC alliance in the parliamentary election, held the same year.[138]

Later in 2004, Rajinikanth said he would personally vote for the Bharatiya Janata Party (BJP) but would not extend his support to any front during the upcoming Indian general election.[139] The party, however, failed to win any seats in Tamil Nadu in the Lok Sabha.[140]

However several political analysts state Rajnikanth has missed his chance and unlike 1996 when he was at his peak it will be very difficult for him to make a significant impact in 2019.[141][142][143]

Rajinikanth announced entry into politics on 31 December 2017 and confirmed his intention to contest in the 2021 Tamil Nadu Legislative Assembly elections in all 234 constituencies. He stated that his party would resign if it was unable to fulfill its electoral promises within three years of coming into power.[144]

Acclaim and criticism
Acting style
Rajinikanth is widely regarded as the most popular South Indian film actor.[63][146][147] His popularity has been attributed to "his uniquely styled dialogues and idiosyncrasies in films, as well as his political statements and philanthropy".[148] Many also cite reasons for Rajinikanth's popularity as coming from his larger-than-life super-hero appearance in many films, supported by gravity-defying stunts and charismatic expressions, all while attempting to maintain modesty in real-life.[149] Almost every film of Rajinikanth has punchlines delivered by him in an inimitable style, and these punchlines often have a message or even warn the film's antagonists. These dialogues are usually fabricated to create new ones or even be taken in a comical way, but do not fail to create a sense of entertainment among viewers.[150][151] It is suggested by the media that actresses such as Gouthami and Nayanthara got their initial breakthrough after co-starring with Rajinikanth very early in their careers, giving other aspiring actors the urge to work with him.[152][153]

Rajinikanth is also the only Indian actor to be featured in the Central Board of Secondary Education (CBSE) syllabus, in a lesson titled From Bus Conductor to Superstar.[154] After opening his first official Twitter account in 2014, Rajinikanth received over 210,000 followers within 24 hours, which according to The Economic Times was deemed by social media research firms as the fastest rate of followers for any Indian celebrity, as well as among the top-10 in the world.[155] In 2015, a film about his fandom, For the Love of a Man, premiered at the 71st Venice International Film Festival.[156]

Comments on social issues
In 2002, Rajinikanth undertook a day-long fast to protest the Government of Karnataka's decision to not release Kaveri River water into Tamil Nadu, and announced that he would contribute ₹10 million (US$140,000) toward a plan to interlink Indian rivers.[157] He met with Indian Prime Minister Atal Bihari Vajpayee and many experts to canvass support for the project.[158] His hunger strike was independent of the Nadigar Sangam, who organised their own solidarity protest for the same cause. Film director Bharathi Raja lashed out against Rajinikanth, alleging that he is dividing the film industry and saying that he was a "traitor who had a tacit understanding with the Karnataka government".[159]

In 2008, Rajinikanth took part in a hunger strike organised by the Nadigar Sangam against Karnataka's stance on the Hogenakkal Falls water dispute, during which he gave a speech against politicians in Karnataka.[160] It led to the state announcing a ban on him and his film Kuselan (2008). The ban was lifted after Rajinikanth appeared on TV9 Kannada and issued an apology for his speech. He later thanked the Government of Karnataka for lifting the ban and allowing the film’s release in the state. The apology and subsequent gratitude towards Karnataka led to strong reactions from Nadigar Sangam members R. Sarathkumar, Sathyaraj and Radha Ravi, who called the apology a disgrace to Tamils and opined that his speech never provoked the sentiments of the Kannada people.[161] Rajinikanth's support toward fellow actor Ajith Kumar, who in 2010 condemned the forceful inclusion of Tamil cinema personae in political affairs, broke into a controversy.[162] In 2018, Rajinikanth received negative criticism and reactions after justifying police action during the Thoothukudi massacre.[163][164][165][166]

Personal life
Relationships
While he was working as a bus conductor in Bangalore, Rajinikanth met a medical student named Nirmala and started a relationship. After seeing him perform in a stage play, she encouraged him to pursue an acting career and sent an application to the Adyar Film Institute on his behalf and unbeknownst to him. Although he took up the offer and proceeded with his acting career, Rajinikanth has since lost contact with her.[167]

Family
Rajinikanth married Latha Rangachari, a student of Ethiraj College for Women who interviewed him for her college magazine.[168][169] The marriage took place on 26 February 1981, in Tirupati, Andhra Pradesh.[170] The couple has two daughters named Aishwarya Rajinikanth and Soundarya Rajinikanth. Latha runs a school named "The Ashram".

Aishwarya married actor Dhanush on 18 November 2004 and they have two sons, Yathra and Linga.[171][172] His younger daughter, Soundarya, works in the Tamil film industry as a director, producer and graphic designer. She married industrialist Ashwin Ramkumar on 3 September 2010 and have a son Ved Krishna.[173]. In September 2016, Soundarya revealed that she and her husband had filed for divorce by mutual consent due to irreconcilable differences.[174] In July 2017, the couple officially divorced.[175] She has married Vishagan Vanangamudi, an actor and businessman, on 11 February 2019 at Leela Palace in Chennai.[176][177][178][179][180]

Views
Rajinikanth is a follower of Hinduism, spiritualism, and a strong believer of spirituality.[181] He is also a practitioner of yoga and meditation. Rajinikanth has religiously visited major Hindu temples prior to the release of each of his films; for instance he visited the Tirumala Venkateswara Temple before the release of Sivaji in 2007 and visited Sathya Sai Baba at Prasanthi Nilayam in Andhra Pradesh before the release of Kuselan the following year.[182] He also occasionally leaves for pilgrimage to the Himalayas.[183]

He has often referred to Ramakrishna Paramahamsa,[184] Swami Satchidananda, Ragavendra Swami,[185] Mahavatar Babaji,[186] and Ramana Maharishi[184] as his favourite spiritual leaders.

He is an ardent devotee of Raghavendra Swami of Mantralayam and visits the temple regularly.[187]

Philanthropy
According to Naman Ramachandran, the author of Rajinikanth: The Definitive Biography, most of Rajinikanth's philanthropic activities went unpublicised because he chose to keep them undisclosed. In the 1980s, when superstitious beliefs in Tamil Nadu created a stigma towards eye donation, Rajinikanth took the case of campaigning in support of corneal transplantation via television and public speeches.[188] In 2011, Rajinikanth announced his support for the anti-corruption movement led by Anna Hazare and offered his commercial wedding venue, the Raghavendra Kalyana Mandapam, in Chennai free of cost for the India Against Corruption members to hold their fast.[189][190] Rajinikanth's fan associations regularly organise blood donation and eye donation camps and distribute food during his birthday

زياد علي

زياد علي محمد