الجمعة، 10 أبريل 2020

DHFL

DHFL

Dewan Housing Finance Corporation Ltd. (DHFL) is a deposit-taking housing finance company, headquartered in Mumbai with branches in major cities across India.[2][3] DHFL was established to enable access to economical housing finance to the lower and middle income groups in semi-urban and rural parts of India. DHFL is the second housing finance company to be established in the country.[4] The company also leases commercial and residential premises. DHFL is among the 50 biggest financial companies in India.[5]

DHFL is rated ICRA D by ICRA Limited
History
DHFL was established and incorporated by Rajesh Kumar Wadhawan on 11 April 1984. The name of the company was changed to Dewan Housing Development Finance Ltd. and later to Dewan Housing Finance Corporation.[7]

In 2010, DHFL acquired Deutsche Postbank Home Finance unit for ₹1079 crores.[8] On 18 December 2013, DHFL acquired 74% stake DHLF Pramerica Life Insurance Company Ltd.[9]

On 29 January 2019, Cobrapost, an Indian investigative journalist group, published an exposé of DHFL for using various shell corporations to siphon more than ₹ 31,000 crores of public money for the personal gains of the DHFL's primary stakeholders: Kapil Wadhawan, Aruna Wadhawan and Dheeraj Wadhawan.[10] In the same article, Cobrapost also raised allegations of political donations worth crores of rupees, in violation of Section 182 of Companies Act, 2013 for political donations, made by DHFL to MODI BJP Bharatiya Janata Party.[11] DHFL filed a response with the Bombay Stock Exchange saying the allegations raised by Cobrapost were untrue. DHFL, also rebutted these allegations in a hosted investors / analysts conference and clarified that the ₹ 31,000 crore loans mentioned in the allegation comprise of its project loan portfolio. Also the company tried to clarify that the advances commented by Cobrapost should be ₹ 21,000 Crores and not ₹ 31,000 crores. Following the Cobrapost allegations, Indian credit rating agencies reaffirmed their high safety rating for the financial instruments issued by DHFL.[12]

Even after the emergence of serious allegations of misconduct against its business, the Indian credit rating agencies continued to issue high safety ratings for the DHFL financial products, but, on 6 June 2019, DHFL defaulted on its debt repayment, resulting in a debt rating downgrade, immediately wiping out 16% of the value from its stock price. At the time, the fall in DHFL stock price was a all year low. This rapid decline in stock price resulted in a loss of investor confidence.[13][14]

On 20th November 2019, the Reserve Bank of India removed the board of directors of the company citing corporate governance failure and the company's defaulted payment obligations.[15]

Current issues and Probes against DHFL
In 2019, DHFL stopped payment of bonds and defaulted on its loan obligations. This caused its stock to fall over 97% and a government intervention in the company.[16][17][18][19][20]

In August 2019, as efforts to draft a resolution plan by restructuring DHFL debt into equity, a few of the DHFL bond holders moved to the debt recovery tribunal, which could impact the resolution process.[21] The company meanwhile offered to repay all investors in full with due process of inter-creditor-agreement.[22]

In October 2019, the Enforcement Directorate conducted raids at several places of DHFL offices and promoter residences and found links of money laundering activity in loans given to firms closely linked to the promoters of the company.[23] Additionally the trail of the loan given by DHFL to Sunblink real estate in 2010 lead to gangster Iqbal Mirchi, an accomplice of the organized crime mastermind Dawood Ibrahim.[24]

On November 20th, 2019, under Section 45-IE (I) of the Reserve Bank of India Act, 1934, the Indian central bank removed the board of directors of Dewan Housing Finance Corporation Limited (DHFL). The reasons cited by the banking regulator for the dismissal of the DHFL board of directors were: inadequate governance and the various defaults on its payment obligations.[25]

On January 27, 2020, the promoter of DHFL, Kapil Wadhawan was arrested under the Prevention of Money Laundering Act (PMLA). The arrest was connected to his firm's alleged involvement in providing loans to the organized criminal enterprise of Dawood Ibrahim.[26] On February 22, 2020, the PMLA court granted bail to Kapil Wadhwan. The Bombay high court upheld the bail decision by PMLA court, rejecting Indian Enforcement Directorate requests to stay the bail application.[27]

The ED has linked Yes Bank for various fraud and transactions amounting to 3700 crores as debentures in DHFL. The central bank appointed administrator at Dewan Housing Finance (DHFL) has ordered a transaction audit at the non-bank lender after allegations of money laundering surfaced in the aftermath of the regulatory action on Yes Bank. [28]

Operations
As of June 2018, DHFL has 209 branches and 113 service centres.[29] It also has a representative office in London.

Love Wedding Repeat

Love Wedding Repeat

Love Wedding Repeat is an upcoming romantic comedy film written and directed by Dean Craig. It stars Olivia Munn, Sam Claflin, Aisling Bea and Eleanor Tomlinson.

It is scheduled to be released on April 10, 2020, by Netflix.
Premise
Troubles arise for a man when he is abruptly reunited with an old flame at his sister’s wedding.

Cast
Olivia Munn as Dina
Sam Claflin as Jack
Aisling Bea as Rebecca
Freida Pinto as Amanda
Eleanor Tomlinson as Hayley
Joel Fry as Bryan
Allan Mustafa as Chaz
Jack Farthing as Marc
Tim Key as Sidney
Production
The film was announced in April 2019, with Olivia Munn, Sam Claflin, Freida Pinto and Eleanor Tomlinson cast. Filming is due to begin in Italy in May.[1][2]

Release
In May 2019, Netflix acquired distribution rights to the film.[3] The film was released on April 10, 2020

Final Fantasy VII Remake

Final Fantasy VII Remake

Final Fantasy VII Remake[a] is an action role-playing game developed and published by Square Enix. The game is a remake of the 1997 PlayStation game Final Fantasy VII. Square Enix developed the remake as a multi-part series, with the first entry released for the PlayStation 4 on April 10, 2020, with timed exclusivity for one year.

Players control mercenary Cloud Strife as he and a group known as AVALANCHE oppose Shinra, a megacorporation, from using the planet's life essence as an energy source. The gameplay combines real-time action with other strategic elements.

Remake was announced in 2015 following years of fan requests and rumors. Several key staff members returned, including character designer Tetsuya Nomura as director and main character designer, director Yoshinori Kitase as producer, writer Kazushige Nojima, and music composer Nobuo Uematsu. The staff redesigned the characters to balance realism and stylization.
Final Fantasy VII Remake aims to retell the story of the original Final Fantasy VII. Players control Cloud Strife, a former Shinra soldier turned mercenary who joins the eco-terrorist group AVALANCHE to fight the Shinra Corporation, who have been draining the planet's life energy. The game is a full remake with real-time polygonal graphics, as opposed to the pre-rendered environments of the original.[1][2]

Exploration and battle mechanics both take place in real-time, like Final Fantasy XV. The game features an altered "Active Time Battle" (ATB) system from the original, which gradually fills up slowly, or can fill faster with attacks. Once it is filled, the player can halt the action and use special abilities such as magic, items, and special moves. The player can also assign these special abilities to shortcut buttons, allowing them to play entirely in real-time without pausing. Each special ability uses up a segment of the ATB bar.[3] The player can also switch between party members at any time. Each party member has their own individual skills, such as Cloud's close-quarters melee attacks and Barret's long-range distance attacks.[4] Players are also able to use magic and summons, and a Limit Break gauge allows characters to perform more powerful attacks once charged. Producer Yoshinori Kitase stated that while the game has more real-time elements, there would still be strategic elements, such as selecting weapons and magic for each character to wield.
Cloud Strife is a former first-class SOLDIER, an elite class of fighters who work for the Shinra Electric Power Company which rules the world. Disillusioned with his former employer, Cloud joins Avalanche, an eco-terrorist organization, to bomb Shinra's energy reactors. Shinra drain spiritual energy from the planet, called mako, to provide power and create technologies. Cloud's terrorist cell is led by the temperamental Barret Wallace. After the first bombing Cloud is haunted by memories of Sephiroth, a mysterious and powerful former high-ranking SOLDIER. Cloud also becomes reacquainted with his childhood friend Tifa Lockhart who is affiliated with Avalanche and fights off strange ghost-like hooded creatures.

After the second bombing, Cloud is split from everyone and meets Aerith Gainsborough who is being chased by Shinra. Aerith is the last descendant of the ancients who were the original stewards of the planet and have magical powers. Shinra believes they can use her power for gains. After finding Tifa, the group learn that Shinra plans to drop the plate where rich people live onto the slum where Avalanche hides in retaliation for the attacks on the mako reactors. Cloud, Tifa and Barret fail to stop Shinra's plan with most of their terrorist cell being killed. Meanwhile Aerith, helping with evacuations, is caught by Shinra.

While cleaning out the rubbles after the destruction of their slum, Tifa, Cloud and Barret discover an underground Shinra research lab. Horrified by the experiments they find inside, they decide to attack Shinra headquarters and rescue Aerith before she is subjected to anything like it. While saving Aerith, the group also rescues a talking wolf-like creature called Red XIII who joins their fight. Aerith explains that the strange ghost-like hooded creatures the group has been fighting are called Whispers. Their job is to ensure destiny happens. If someone tries to change the future from what is meant to be, they will automatically correct it even if it means bringing someone back from the dead. Meanwhile Sephiroth steals an experiment from Shinra thought to be connected to the extinction of the ancients.

On their way to escape the headquarters, Sephiroth murders the president of Shinra which makes his son Rufus the new leader of the company. Meanwhile the building becomes engulfed in Whispers. The group escape on a half-built highway while fighting off their pursuers, Cloud on a motorcycle and the rest in a truck. At the end of the highway the characters catch up to what appears to be a Sephiroth from an alternative timeline. Sephiroth offers the group the freedom to choose their own destiny if they can defeat the Whispers. Afterwards Sephiroth offers Cloud to join him. When Cloud refuses, Sephiroth gives him seven seconds to change whatever he wants. Cloud apparently goes back in time and saves Zack Fair's life creating multiple unacknowledged time paradoxes.

After Cloud returns to his group, they agree to continue chasing the Sephiroth from their own dimension despite no one having explained to them who he is.

Development
Background
Final Fantasy VII was developed by Square for the PlayStation console and released in 1997.[5] Its staff included producer and series creator Hironobu Sakaguchi, director and co-writer Yoshinori Kitase, artist Yusuke Naora, character designer Tetsuya Nomura, and writer Kazushige Nojima.[6] The game was a critical and commercial success, and established the Final Fantasy series as a major franchise.[5] It was expanded through the multimedia project Compilation of Final Fantasy VII, comprising additional games, films, and other media.[7]

In the early 2000s, Square announced a remake for PlayStation 2 alongside Final Fantasy VIII and IX, but nothing further was heard of the project.[8][9] It was abandoned because of the increased challenge of developing on new hardware, and would have necessitated cutting content.[10] The staff were also preoccupied with developing Final Fantasy XIII and its sequels, and Remake would have been an equally large or larger project hard to undertake at the same time. Once the XIII series ended, the team was free to pursue other projects.[11]

Demand for a remake grew following a PlayStation 3 tech demo at the 2005 Electronic Entertainment Expo, showcasing the opening of VII with Square's new Crystal Tools engine. Further demand came during the game's impending tenth anniversary in 2007. On both occasions, Square denied that any remake was in development,[12][13][14] for reasons including their focus on new games, the necessity to cut elements to make a remake manageable, the difficulty of developing for modern hardware, and the amount of development time it would require.[15][16][17][18][19]

The Remake project finally began when Final Fantasy producer Shinji Hashimoto broached the subject to Kitase, Nojima, and Nomura. All three were reaching a stage of life that they defined as "that age": all felt that if they waited much longer, they might not be alive to or would be too old to develop a remake, and passing the project on to a new generation did not feel right.[20][21][22] Another reason for developing the remake was that Square Enix was creating a growing library of PlayStation 4 titles, and the team hoped to increase the console's popularity.[22]

Design
The game entered full production by late 2015, led by Business Division 1, an internal production team within Square Enix.[23][24][25] While Nomura was involved with the project from the start, he only discovered he was the director after seeing himself credited in an internal company presentation video, as he had expected Kitase to fill the role. He revealed that Kitase himself thought Nomura expected to become director.[20] Nomura worked as director for both Final Fantasy VII Remake and Kingdom Hearts III.[26] Despite there already being a story in place, which greatly simplified production on some fronts, Nojima was brought back in to create new story material.[11][20] Another project leader was Naoki Hamaguchi, who had previously served as a programmer for Lightning Returns: Final Fantasy XIII and project lead for Mobius Final Fantasy.[24] The game's soundtrack has contributions from original Final Fantasy VII composer Nobuo Uematsu, along with Masashi Hamauzu and Mitsuto Suzuki.[27] It features newly arranged and orchestrated tracks from the original game, in addition to original material such as "Hollow", a theme song by Uematsu.[27] It was the first time Uematsu and Kitase had worked together since Final Fantasy X (2001), with Kitase initially believing Uematsu would refuse as he had long since left Square Enix and found success as an independent composer.[28]

While the team had the option of merely creating a remastered version of VII with better graphics as many fans had requested, they noted that its graphics and many of its mechanics had become dated by modern standards. With this in mind, they decided to do a full remake, rebuilding the game systems to suit contemporary tastes and using current gaming technology to recreate the world of VII.[20][22] This decision triggered the creation of Remake's action-based battle system, in addition to the most representative modern title for the Final Fantasy series being the 2009 fighting game Dissidia Final Fantasy. With this in mind, the battle system draws from that action-based style while not going over to an entirely action-based system.[11] Nomura and Mitsunori Takahashi are handling the battle system, the latter of whom had worked on both the Kingdom Hearts series and Dissidia 012 Final Fantasy.[29] One of the game designers was Kyohei Suzuki, a veteran of the company's Business Division 4 who had previously worked as a planner for Kingdom Hearts 358/2 Days and Kingdom Hearts Coded.[30] The team aimed to retain all the original gameplay mechanics that were well-liked by players.[29]

While developing the scenario, the team needed to work carefully, so the game did not come over as too nostalgic. They also needed to make decisions about what could be carried over from the original and what needed adjustment due to changes in social norms since the original's release.[10][11][23] The scenario for the first installment was completed in December 2015.[31] The game is fully voiced, with the original plan being for the voice actors from the CGI movie Final Fantasy VII: Advent Children to reprise their roles.[23][31] Ultimately, the English characters were recast for Remake.[32] According to Kitase, choosing a new generation of voices for the characters was part of the game's rebirth as Remake.[33]

Rather than using the character models and graphical style of Advent Children, which by that point had been developed using ten-year-old technology, the team decided to create new designs and models for characters: Nomura wished to balance the realism of Advent Children with deformed stylization. Nomura was in charge of the revamped main character designs, while designer Roberto Ferrari was in charge of designs for secondary characters. Character modeling was supervised by Visual Works, Square Enix's CGI development branch.[10][23]

Rather than developing their own engine, Square Enix licensed Epic Games' Unreal Engine 4 to develop the game, with Square Enix and Epic Games Japan working together to optimize the engine for Remake.[34][35] The team also received technical assistance from the developers of Kingdom Hearts III, as the latter game was developed using the same engine.[31] The game's lighting is augmented with the lighting engine Enlighten.[36] To help with the action gameplay and video quality, Square Enix originally partnered with video game developer CyberConnect2, with the two companies keeping in close contact due to different development styles.[10]

In 2017, the game's development focus shifted from being developed with external partners to being a primarily internal project.[24] One of the most significant changes was the fact that the game was planned as a multi-game release: according to Kitase, this was because trying to fit the game onto a single release would entail cutting large parts of the game, which went against the team's vision. By splitting the game into multiple parts, the team can give players more substantial access to areas in the game, such as within the city of Midgar, which was mostly inaccessible in the original.[10] Each game is planned to be on a similar scale to Final Fantasy XIII.[11] The first installment focused on the city of Midgar due to its iconic status among the Final Fantasy community.[33]

Release
Rumors of a Final Fantasy VII remake appeared in 2014.[37] It was announced at the 2015 Electronic Entertainment Expo (E3) during the PlayStation conference, and received a standing ovation.[38][39] Visual Works created the announcement trailer.[20] Square Enix's stock prices rose to their highest rating since November 2008, and the YouTube release of the reveal trailer garnered over 10 million views in the following two weeks.[40][41] The game was next showcased at the 2015 PlayStation Experience, demonstrating cutscenes and gameplay from the opening sequence.[42]

During the Final Fantasy 30th anniversary opening ceremony event hosted by Square Enix in Tokyo on January 31, 2017 — the 20th anniversary of Final Fantasy VII— the game's first piece of CGI key art was unveiled, along with announcements for a collaboration event with Mobius Final Fantasy.[43] On February 18, Nomura revealed two screenshots, showing off the updated HUD.[44] Due to its lack of footage since 2015, switch to internal development, and other projects Nomura was involved in, there were concerns about the status of the project. Speaking following E3 2018, Nomura stated that the game was in development, with his full attention shifted to it when Kingdom Hearts III was completed.[26][45]

After years without substantial footage, a teaser trailer was shown during PlayStation's May 2019 State of Play broadcast. Kitase announced that the team had wanted to "try something new" on the State of Play broadcast by showing the trailer.[46] The release date, March 3, 2020, was revealed the following month in a second teaser trailer during an orchestral concert dedicated to the music of Final Fantasy VII in Los Angeles.[47] Further release details were announced at the company's E3 2019 press conference, including different editions of Remake.[48] Kitase later clarified at the event that Square Enix had yet to determine the number of games in the Remake series, adding that they were in the process of planning the second installment.[49]

An extended gameplay showcase and demo was playable at E3 2019, demonstrating parts of the opening mission, including some of the exploration, combat system, and first boss battle. The playable demo has received a positive reception in early previews, with praise towards the graphics, gameplay and combat system.[4][50][51][52][53][54] At E3 2019, it won three awards at the Game Critics Awards for Best of Show, Best Console Game, and Best Role-Playing Game,[55] as well as the best looking Unreal Engine game at E3 2019.[56] Extended footage of the demo, as well as an additional trailer, was featured at the 2019 Tokyo Game Show.[57] In December 2019, it was announced that the game would be a timed PlayStation 4 exclusive until 2021, with no further details about its release on other platforms.[58][59] In January 2020, the team decided to push the release date back from March 3 to April 10, 2020.[60] A demo of the game was released on the PlayStation Store on March 2, 2020, covering a part of the first chapter.[61]

On March 30, 2020, Square Enix announced that Europe and Australia would be receiving physical copies of Final Fantasy VII Remake early, due to growing concerns of COVID-19's effect on distribution.[62][63] This does not apply to digital downloads, as they are not directly impacted by the global supply chain. The official release date for digital copies remains April 10, 2020.

Reception
Final Fantasy VII Remake received "generally favorable" reviews, according to review aggregator Metacritic.[64]

Tamoor Hussain, writing for GameSpot, declared that while Remake is only the initial entry in a full reimagining of the original game, "It is rich in details that were previously unexplored, realizes new storytelling ambitions with confidence, and presents fresh perspectives that feel both meaningful and essential." He summarizes that it "tells a smaller, more personal Final Fantasy 7 tale and marries it with a smart mashup of action and RPG gameplay to deliver a must-play experience."[71]

Notes

UFC 249

UFC 249

UFC 249: Ferguson vs. Gaethje is a mixed martial arts event produced by the Ultimate Fighting Championship originally planned to take place on April 18, 2020 at Tachi Palace Hotel & Casino in Lemoore, California.[1] Due to the 2019–20 coronavirus pandemic, the event was eventually postponed (see section below)
Background
A UFC Lightweight Championship bout between the current champion Khabib Nurmagomedov and former interim champion Tony Ferguson (also The Ultimate Fighter: Team Lesnar vs. Team dos Santos welterweight winner) was slated to headline this event.[1] The pairing had previously been scheduled and cancelled for various reasons on four separate occasions (The Ultimate Fighter: Team McGregor vs. Team Faber Finale, UFC on Fox: Teixeira vs. Evans, UFC 209 and UFC 223) over the last four years.[3][4][5][6] The bout was cancelled for a fifth time due to issues related to the 2019–20 coronavirus pandemic (see section below).
A featherweight bout between Jeremy Stephens and Calvin Kattar was expected to take place at UFC 248.[7] However, Stephens was removed from the card in mid-January with an injury.[8] The pairing was rescheduled for this event.[9]

A heavyweight bout between Shamil Abdurakhimov and Ciryl Gane was scheduled for the event. However, it was announced on March 5 that Gane was forced to pull out of the event after he was struck by a pneumothorax in training and the bout was eventually scrapped.[10]

A welterweight bout between former Bellator Welterweight Champion Lyman Good and Belal Muhammad was scheduled for this event.[11] The pairing was previously expected to meet at UFC 205 in November 2016, but Good was pulled from that event after being notified by USADA due to a potential anti-doping violation stemming from an out-of-competition drug test.[12] However, Good pulled out due to injury on April 4 and the bout was scrapped.[13]

A women's strawweight bout between former UFC Women's Strawweight Champions Jéssica Andrade and Rose Namajunas was expected to co-headline the event.[14] The pairing met previously at UFC 237 in May 2019, when Andrade won via second round TKO to capture the title.[15] However, Namajunas pulled out on April 8 due to personal reasons, with her manager citing a pair of deaths in the family related to the 2019–20 coronavirus pandemic as the reason.[16][17]

COVID-19 pandemic
On March 12, New York governor Andrew Cuomo issued an order restricting mass gatherings and sporting events due to the 2019–20 coronavirus pandemic.[18] On March 16, UFC president Dana White announced via a letter to employees shared to the public that this event "is still scheduled as planned, but the location may change".[19] On March 18, the New York State Athletic Commission announced that the event would not be sanctioned to take place at the event's original site, the Barclays Center in Brooklyn.[20] On March 23, White revealed that he already had a new location for this event, but would only confirm that it will be held behind closed doors.[21] He added two days later that the card could feature a different lineup depending on the logistics.[22]

Khabib Nurmagomedov stated on March 30 that he was in Dagestan and his participation at the event could be jeopardized by travel bans related to the pandemic.[23] He stated on April 1 that he would probably not be competing at the event due to those restrictions and reinforced that people should be in quarantine nowadays.[24][25] He later confirmed that he would compete if a location was given and they were able to move him there, but did not see it happening.[26]

The UFC announced on April 6 that Nurmagomedov would be replaced by former WSOF Lightweight Champion Justin Gaethje, with an interim title to be disputed between him and Tony Ferguson.[27] The rest of the card also suffered a few changes, with the following fights being added as well:[28]

A heavyweight bout between former UFC Heavyweight Championship challenger Francis Ngannou and Jairzinho Rozenstruik. The bout was originally scheduled to headline UFC on ESPN: Ngannou vs. Rozenstruik on March 28, but the event was cancelled due to the pandemic.[29]
A heavyweight bout between Greg Hardy and Yorgan de Castro; the bout was originally scheduled for UFC on ESPN: Ngannou vs. Rozenstruik.
A welterweight bout between Vicente Luque and Niko Price; both fighters were expected to face different opponents at UFC Fight Night: Overeem vs. Harris.
Islam Makhachev was expected to face Alexander Hernandez in a lightweight bout, but was removed from the event due to travel restrictions and replaced by Omar Antonio Morales Ferrer.
A bantamweight bout between Marlon Vera and former UFC Flyweight Championship challenger Ray Borg; Vera was expected to compete against a different opponent at UFC
Ottman Azaitar was expected to face Khama Worthy in a lightweight bout, but was removed from the event due to travel restrictions and replaced by Michael Johnson.
A light heavyweight bout between Ryan Spann and Sam Alvey; Alvey was expected to compete against a different opponent at UFC on ESPN: Ngannou vs. Rozenstruik.
The following fights were removed from the event and are expected to be rescheduled for future cards:[28]

A light heavyweight bout between Magomed Ankalaev and Ion Cuțelaba (a rematch from their meeting at UFC Fight Night: Benavidez vs. Figueiredo).[31]
A heavyweight bout between Ben Rothwell and Gian Villante.
A middleweight bout between Karl Roberson and Makhmud Muradov.
A bantamweight bout between Hunter Azure and Umar Nurmagomedov.
A location for the event was not revealed, but Dana White said the UFC's temporary home would host U.S.-based fighters who aren't barred from traveling domestically.[32] It was later revealed that the event was expected to take place at Tachi Palace Hotel & Casino in Lemoore, California, the site of several events for the defunct World Extreme Cagefighting and Tachi Palace Fights promotions.[33]

On April 9, White announced that this event would not take place as scheduled after top-level executives at both Disney and ESPN intervened, while saying that all future events are currently postponed.[34][35] It was later revealed that the 40th Governor of California, Gavin Newsom, influenced the decision of canceling the event

Hart Island

Hart Island

Hart Island, sometimes referred to as Hart's Island,[a] is located at the western end of Long Island Sound, in the northeast Bronx, New York City. Measuring approximately 1 mile (1.6 km) long by 0.33 miles (0.53 km) wide, Hart Island is part of the Pelham Islands archipelago, to the east of City Island.

The island's first public use was as a training ground for the United States Colored Troops in 1864. Since then, Hart Island has been the location of a Union Civil War prison camp, a psychiatric institution, a tuberculosis sanatorium, a potter's field with mass burials, a homeless shelter, a boys' reformatory, a jail, and a drug rehabilitation center. Several other structures, such as an amusement park, were planned for Hart Island but not built. During the Cold War, Nike defense missiles were stationed on Hart Island. The island was intermittently used as a prison and a homeless shelter until 1967, and the last inhabited structures were abandoned in 1977. The island now serves as the city's potter's field, run by the New York City Department of Correction until 2019, when the New York City Council voted to transfer jurisdiction to the New York City Department of Parks and Recreation.

The remains of more than one million people are buried on Hart Island, though since the first decade of the 21st century, there are fewer than 1,500 burials a year. Burials on Hart Island include individuals who were not claimed by their families or did not have private funerals; the homeless and the indigent; and mass burials of disease victims.

Access to the island is restricted by the Department of Correction, which operates an infrequent ferryboat service and imposes strict visitation quotas. Burials are conducted by inmates at the Rikers Island jail. The Hart Island Project, a public charity founded by visual artist Melinda Hunt, has tried to improve access to the island and make burial records more easily available. Prior to 2019, several laws to transfer jurisdiction to the Parks Department had been proposed to ease public access to Hart Island.
Early history
Before European colonization, Hart Island was occupied by the Siwanoy tribe of Native Americans, who were indigenous to the area. In 1654, English physician Thomas Pell purchased the island from the Siwanoy as part of a 9,166-acre (37.09 km2) property.[4]:75[7]:140[13] Pell died in 1669 and ownership passed to his nephew Sir John Pell, the son of British mathematician John Pell. The island remained in the Pell family until 1774, when it was sold to Oliver De Lancey. It was later sold to the Rodman, Haight, and Hunter families, in that order.[4]:75 According to Elliott Gorn, Hart Island had become "a favorite pugilistic hideaway" by the early 19th century. Bouts of bare-knuckle boxing held on the island could draw thousands of spectators.[7]:140

The first public use of Hart Island was training the 31st Infantry Regiment of the United States Colored Troops beginning in 1864.[14][15]:15 A steamboat called John Romer shuttled recruits to the island from the Battery at the southern tip of Manhattan. A commander's house and a recruits' barracks were built; the barracks included a library and a concert room;[4]:75 it could house 2,000 to 3,000 recruits at a time, and over 50,000 men were ultimately trained there.[4]:76

In November 1864, construction of a prisoner-of-war camp on Hart Island with room for 5,000 prisoners started.[4]:75 The camp was used for four months in 1865 during the American Civil War. The island housed 3,413 captured Confederate Army soldiers.[15]:16 Of these, 235 died in the camp and were buried in Cypress Hills Cemetery. Following the Civil War, indigent veterans were buried on the island in soldier's plots, which were separate from the potter's field and at the same location. Some of these soldiers were moved to West Farms Soldiers Cemetery in 1916 and others were removed to Cypress Hills Cemetery in 1941.[16]

Addition of cemetery
The first burials on Hart Island were those of 20 Union Army soldiers during the American Civil War.[1] On May 27, 1868, New York City purchased the island from Edward Hunter, who also owned nearby Hunter Island, for $75,000.[1][3][7]:141[15]:18 City burials started shortly afterward.[1] In 1869, a 24-year-old woman named Louisa Van Slyke, who died in Charity Hospital, was the first person to be buried in the island's 45-acre (180,000 m2) public graveyard.[6][7]:138[17] The cemetery then became known as "City Cemetery" and "Potter's Field".[18]

By 1880, The New York Times described the island as "the Green-Wood of Five Points", comparing an expansive cemetery in Brooklyn with a historically poor neighborhood in Manhattan. The newspaper also said of Hart Island, "This is where the rough pine boxes go that come from Blackwell's Island", in reference to the influx of corpses being transported from the hospitals on modern-day Roosevelt Island.[19] The potter's field on Hart Island replaced two previous potter's fields on the current sites of Washington Square Park and New York Public Library Main Branch in Manhattan. The number of burials on Hart Island exceeded 500,000 by 1958.[20]

Juxtaposition of uses
Hart Island was used as a quarantine station during the 1870 yellow fever epidemic. In that period, the island contained a women's psychiatric hospital called The Pavilion, which was built 1885, as well as a tubercularium.[21] There was also an industrial school with 300 students on the island.[19] After an 1892 investigation found the city's asylums were overcrowded, it was proposed to expand those on Hart Island from 1,100 to 1,500 beds
In the late 19th century, Hart Island became the location of a boys' workhouse, which was an extension of the prison and almshouse on Blackwell Island. A workhouse for men was established in 1895, and was followed by a workhouse for young boys ten years later.[7]:141 By the early 20th century, Hart Island housed about 2,000 delinquent boys as well as elderly male prisoners from Blackwell's penitentiary.[23] The prison on Hart Island grew; it had its own band and a Catholic prison chapel.[4]:77 The cornerstone for the $60,000 chapel was laid in 1931[24] and it was opened the following year.[25]

In 1924, John Hunter sold his 4-acre (1.6 ha) tract of land on Hart Island's west side to Solomon Riley, a millionaire real estate speculator from Barbados.[26] Riley subsequently proposed to build an amusement park on Hart Island, which would have served the primarily black community of Harlem in Manhattan.[7]:141–142 It was referred to as the "Negro Coney Island"[26] because at the time, African Americans were banned from the Rye Playland and Dobbs Ferry amusement parks in the New York City area.[7]:142[26] Riley had started building a dance hall, boardinghouses, and a boardwalk, and purchased sixty steamboats for the operation.[7]:142[26] The state government raised concerns about the proposed park's proximity to a jail and hospital,[27] and the city condemned the land in 1925.[28] Riley was later paid $144,000 for the seizure.[29]

After World War II
The prison population of Hart Island was moved to Rikers Island during World War II, and Hart Island's former workhouse was used as a disciplinary barracks by the United States Armed Forces. Rikers Island soon became overcrowded with prisoners.[7]:142 The New York City Department of Correction reopened Hart Island as a prison following the war, but the facilities were considered inadequate.[30] The New York City Board of Estimate approved the construction of a homeless shelter on the island in 1950; it was intended to serve 2,000 people.[4]:78 The homeless shelter operated from 1951 to 1954;[7]:142 it was also used to house alcoholics.[31] Residents of nearby City Island opposed the inclusion of the homeless shelter.[7]:142[32] The New York City Welfare Department closed the homeless shelter and the Department of Correction regained control of the island.[4]:78 The Department of Correction opened an alcoholism treatment center on Hart Island in 1955.[33] A courthouse, which ruled on cases involving the homeless, was opened on Hart Island.[34] The island housed between 1,200 and 1,800 prisoners serving short sentences of between 10 days and two years.[35]

In 1956, the island was retrofitted with Nike Ajax missile silos. Battery NY-15, as the silos were known, were part of the United States Army base Fort Slocum from 1956 to 1961 and were operated by the army's 66th Antiaircraft Artillery Missile Battalion. The silos were underground and were powered by large generators.[7]:142[17] Some silos were also built on Davids' Island. The integrated fire control system that tracked the targets and directed missiles was at Fort Slocum. The last components of the missile system were closed in 1974.[36]

Construction of a new $7 million workhouse on Hart Island to replace the existing facility was announced in 1959.[37] A baseball field was dedicated at the Hart Island prison the following year.[38] It was named Kratter Field, after Marvin Kratter, a businessman who had donated 2,200 seats saved from the demolished Ebbets Field stadium.[7]:142 The seats deteriorated after being outdoors for several years, and by 2000, had been donated to various people and organizations.[39]

The island continued to be used as a prison until 1966, when the prison was closed due to changes in the penal code.[4]:79[7]:142 After it closed, a drug rehabilitation center was proposed for Hart Island.[40] The center became Phoenix House, which opened in 1967; it quickly grew into a settlement with 350 residents and a vegetable garden. Phoenix House hosted festivals that sometimes attracted crowds of more than 10,000 people.[7]:141 Phoenix House published a newsletter known as The Hart Beat and organized baseball games against other organizations such as City Island's and NBC's teams.[4]:79 In 1977, after regular ferry service to Hart Island ended, Phoenix House moved from the island to a building in Manhattan.[7]:142[8][41]

Since then, proposals to re-inhabit the island have failed. In 1972, the city considered converting it into a residential resort but the plan abandoned.[8] New York City mayor Ed Koch created a workhouse on the island for persons charged with misdemeanors in 1982 but not enough prisoners were sent there. Six years later, another proposal called for a homeless shelter and a workhouse to be built on Hart Island, but this plan was abandoned because of opposition from residents of City Island.[7]:142

Abandonment of structures and use as cemetery
Originally, City Cemetery occupied 45 acres (18 ha) on the northern and southern tips of Hart Island, while the center two-thirds of the island was habitable.[8] In 1985, sixteen bodies infected with AIDS were buried at the southern tip of Hart Island, away from the rest of the corpses, because it was believed that the dead AIDS victims would contaminate the other corpses with the disease.[42] The first pediatric AIDS victim to die in New York City is buried in the only single grave on Hart Island with a concrete marker that reads SC (special child) B1 (Baby 1) 1985.[6]:83[42] Since then, thousands of AIDS victims have been buried on Hart Island, but the precise number of AIDS victims buried on the island is unknown.[42]

From 1991 to 1993, New York artist Melinda Hunt and photographer Joel Sternfeld photographed Hart Island for their book of the same name,[43] which was published in 1998.[43][44] Hunt subsequently founded the Hart Island Project organization in 1994 to help the families and friends of those buried on Hart Island.[43][45] Another media work, the 2018 documentary One Million American Dreams, documents the history of Hart Island and delves briefly into the lives of various individuals buried there.[46][47]

There is a section of old wooden houses and masonry institutional structures dating back to the late 19th and early 20th centuries that have fallen into disrepair. Military barracks from the Civil War period were used prior to the construction of workhouse and hospital facilities.[48] In the late 2010s, the Hart Island Project and City Island Historical Society started petitioning for Hart Island to be listed on the National Register of Historic Places (NRHP).[49] The New York State Office of Parks, Recreation and Historic Preservation labeled the island a "site of historical significance" in 2016, given that Hart Island met three of the four criteria for being listed on the NRHP.[50]

The island was significantly affected by Hurricane Sandy in 2012, and some of the shoreline was eroded, which exposed many of the skeletons buried on the island.[51][52] Following this, the city announced a restoration of the shoreline.[53] The federal government gave $13.2 million toward the shoreline project in 2015, but the work was delayed for several years. The start of restoration was initially slated for 2020, but in August 2019, the city announced that shoreline work would begin the following month.[54] That December, control of the island passed to the New York City Department of Parks and Recreation.[55][56][57]

Cemetery
Hart Island contains New York City's 131-acre (0.53 km2) potter's field, or public cemetery. The potter's field is variously described as the largest tax-funded cemetery in the United States,[58] the largest-such in the world,[45][59] and one of the largest mass graves in the United States.[60][61] More than one million dead are buried on the island, though since the 2000s, the burial rate has declined to fewer than 1,500 a year.[6][59][60][62] One-third of annual burials are infants and stillborn babies, which has been reduced from a proportion of one-half since the Children's Health Insurance Program began to cover all pregnant women in New York State in 1997.[62] According to a 2006 New York Times article, there had been 1,419 burials at the potter's field during the previous year: of these, 826 were adults, 546 were infants and stillborn babies, and 47 were dismembered body parts.[17]

Burials
The dead are buried in trenches. Babies are placed in coffins, which are stacked in groups of 1,000, measuring five coffins deep and usually in twenty rows.[6] Adults are placed in larger pine boxes placed according to size, and are stacked in sections of 150, measuring three coffins deep in two rows.[6][7]:138[12] There are seven sizes of coffins, which range from 1 to 7 feet (0.30 to 2.13 m) long.[63] Each box is labeled with an identification number, the person's age, ethnicity, and the place where the body was found, if applicable.[51][64] Inmates from the Rikers Island jail are paid $0.50 per hour to bury bodies on Hart Island.[51][65]

The bodies of adults are frequently disinterred when families are able to locate their relatives through DNA, photographs and fingerprints kept on file at the Office of the Medical Examiner.[6] There were an average of 72 disinterments per year from 2007 to 2009. As a result, the adults' coffins are staggered to expedite removal.[7]:138 Children, mostly infants, are rarely disinterred.[6] Regulations stipulate that the coffins generally must remain untouched for 25 years, except in cases of disinterment.[4]:78

Approximately half of the burials are of children under five who are identified and died in New York City's hospitals, where the mothers signed papers authorizing a "City Burial." The mothers were generally unaware of what the phrase meant. Many other interred have families who live abroad or out of state and whose relatives search extensively; these searches are made more difficult because burial records are currently kept within the prison system. An investigation into the handling of the infant burials was opened in response to a criminal complaint made to the New York State Attorney General's Office in 2009.[66]

Burial records on microfilm at the Municipal Archives indicate that until 1913, burials of unknowns were in single plots, and identified adults and children were buried in mass graves.[65][67] In 1913, the trenches became separate to facilitate the more frequent disinterment of adults. The potter's field is also used to dispose of amputated body parts, which are placed in boxes labeled "limbs". Ceremonies have not been conducted at the burial site since the 1950s.[6]:83 In the past, burial trenches were re-used after 25–50 years, allowing for sufficient decomposition of the remains. Since then, however, historic buildings have been demolished to make room for new burials.[7]:139 Because of the number of weekly interments made at the potter's field at the expense of taxpayers, these mass burials are straightforward and are conducted by Rikers Island inmates, who stack the coffins in two rows, three high and 25 across, and each plot is marked with a concrete marker. A tall, white, peace monument was erected by New York City prison inmates at the top of a hill that was known as "Cemetery Hill" following World War II[68] and was dedicated in October 1948.[69]

Disease victims' burials
During the 1980s, those who had died from AIDS were the only people to be buried in separate graves. The first AIDS victims' bodies were delivered in body bags and buried by inmate workers wearing protective jumpsuits. When it was later discovered that the corpses could not spread HIV, the city started burying AIDS victims in the mass graves.[42] In 2008, the island was selected as a site for mass burials during a particularly extreme flu pandemic, available for up to 20,000 bodies.[70]

During the 2020 coronavirus pandemic in New York City, Hart Island was designated as the temporary burial site for victims of COVID-19 if deaths overwhelmed the capacity of mortuaries; this option was chosen in lieu of using city parks for such a purpose.[71][72][73] Deaths at home within the city had increased significantly, though the corpses were not tested for COVID-19.[74] Preparations for mass graves began at the end of March 2020.[70] On April 9, 2020, Reuters reported that private contractors were hired to replace inmate labor for mass grave burials,[75] and burials began.[76][77]

Records
Many burial records were destroyed by arson in late July 1977. Remaining records of burials before 1977 were transferred to the Municipal Archives in Manhattan; while records after that date are still kept in handwritten ledgers, these are now transcribed into a digital database that is partially available online.[78][79] A Freedom of Information Act (FOI) request for 50,000 burial records was granted to the Hart Island Project in 2008.[80][81] A lawsuit concerning "place of death" information redacted from the Hart Island burial records was filed against New York City in July 2008 and was settled out of court in January 2009.[82]

Notable people buried
Those interred on Hart Island are not necessarily homeless or indigent. Many of the dead either had families who could not afford the expenses of private funerals or were not claimed by relatives within a month of death. Notable burials include the playwright, film screenwriter, and director Leo Birinski, who died alone and in poverty, was buried there in 1951.[59] The American novelist Dawn Powell was buried on Hart Island in 1970, five years after her death, when the executor of her estate refused to reclaim her remains after they had been used for medical studies. Academy Award winner Bobby Driscoll, who was found dead in 1968 in an East Village tenement, was buried on Hart Island because his remains could not be identified in a timely fashion.[83] T-Bone Slim, the labor activist, songwriter, and Wobbly, was buried on Hart Island after his body was found floating in the Hudson River.[84]
Public engagement
Hart Island Project
Founded by New York artist Melinda Hunt in 1994,[45][b] the Hart Island Project is a nonprofit organization devoted to improving access to the island and its burial data.[43][45] The organization helps families obtain copies of public burial records; arranges visits to grave sites; and operates a website to help people find relatives interred on the island.[86][87][88] Historian Thomas Laqueur writes:

Woody Guthrie's song about the unnamed Mexican migrant dead has had a long resonant history. Hunt, in an emotionally related gesture, has researched, for years, in order to publish the names of as many as 850,000 paupers who lie in 101 acres of Hart Island where the city buries its anonymous dead.[89]

Since 2009, the city has given burial records for the island to the Hart Island Project. In turn, the organization maintains an online database of burial records from 1980 onward.[90] The project has led to reforms of access to Hart Island such as opening the island monthly to everyone[91] and legislation that requires the Department of Correction to publish burial records online.[92]

The Hart Island Project has digitally mapped grave trenches using Global Positioning System (GPS) data. In 2014, an interactive map with GPS burial data and storytelling software "clocks of anonymity" was released as the "Traveling Cloud Museum", which collects publicly submitted stories of those who are listed in the burial records.[58] Traveling Cloud Museum was updated in 2018 to include a map created with GeoTIFF images collected by a drone. The map displays nearly 69,000 intact burials and allows people who knew the deceased to add stories, photographs, epitaphs, songs and videos linked to a personal profile, as well as identify AIDS victims.[93][94]

In 2012, the Westchester Community College hosted an art exhibition of people whose graves were located through the Hart Island Project with Hunt's help.[95][96][97] The Hart Island Project also collaborated with British landscape architects Ann Sharrock and Ian Fisher to present a landscape strategy to the New York City Council and the Parks Department.[59] Sharrock introduced the concept that Hart Island is a natural burial facility and outlined a growing interest in green burials in urban settings.[98]

Legislation
On October 28, 2011, the New York City Council Committee on Fire and Criminal Justice held a hearing titled "Oversight: Examining the Operation of Potter's Field by the N.Y.C., Department of Correction on Hart Island".[99][100] Legislation passed in 2013 requires the Department of Correction to make two sets of documents available on the Internet: a database of burials and a visitation policy.[90][101] In April 2013, the Department of Correction published an online database of burials on the island.[92] The database contains data about all persons buried on the island since 1977 and is composed of 66,000 entries.[45][48]

Transfer to Parks Department
A bill to transfer jurisdiction to the New York City Department of Parks and Recreation was introduced on April 30, 2012.[102][103] The Hart Island Project testified in favor of this bill on September 27, 2012, but the bill was not passed.[104]

The bill was reintroduced in March 2014,[98] and Bill 0134 had a public hearing on January 20, 2016.[98][105][106][107] The bill ultimately failed because neither the Parks Department nor the Department of Correction supported the move. The Parks Department stated that the operation of an active cemetery was outside its purview while the Department of Correction preferred that another city agency take control of Hart Island.[98]

In 2018, City Council member Ydanis Rodríguez and three colleagues re-introduced the bill a second time.[108] In supporting the bill, Rodriguez stated that he wanted relatives of Hart Island's deceased to be able to access their loved ones' graves.[109][110] The bill was passed in the New York City Council in November 2019, with most council members voting in favor of transferring jurisdiction to the Parks Department.[111][112] The following month, mayor Bill de Blasio signed the legislation, as well as three other bills, including one that would allow the ferry service to be operated by the New York City Department of Transportation.[55][113][114]

Access
The only access to Hart Island is by ferryboat.[8] Hart Island and the pier on Fordham Street on City Island are restricted areas under the jurisdiction of the New York City Department of Correction. Family members who wish to visit the island must request a visit ahead of time with the Department of Correction. New York City's government offers no provisions for individuals who want to visit Hart Island without contacting the prison system.[115][116] The city government allows family members to visit the island and leave mementos at grave sites, and maintains an online and telephone system for family members to schedule grave site visits.[117] Other members of the public are permitted to visit by prior appointment only.[118]

The city formerly operated a 24/7 ferry service between City and Hart Islands, which ran every forty-five minutes during the day and less frequently at night.[119] The ferries also transported corpses. By the 1960s, two ferryboats were used for the Hart Island ferry service; the Michael Cosgrove (built 1961) and the Fordham (in service 1922–1982).[4]:78[120] The service was extremely expensive to operate; in 1967, about 1,500 people per month used the service and the city spent $300,000 per year to keep it running.[119] By 1977, the city had discontinued frequent ferry service and provided seven trips a day.[8] The Department of Correction offered one guided tour of the island in 2000.[121] Following the signing of a bill in 2019, the ferry was to be operated at a higher frequency by the New York City Department of Transportation.[55]

The process of visiting the island has been improved due to efforts by the Hart Island Project and the New York Civil Liberties Union.[117] An ecumenical group named the Interfaith Friends of Potter's Field and another organization called Picture the Homeless has also advocated for making the island more accessible.[7]:144 In July 2015, the Department of Correction instituted a new policy, wherein up to five family members and their guests were allowed to visit grave sites on one weekend per month.[122] The first visit took place on July 19, 2015.[123] Visits to individual graves, which take place twice a month, are restricted to individuals who had a close relationship with the deceased. Visits to Hart Island's gazebo, which occur once a month, are available to the general public.[116] The ferry leaves from a restricted dock on City Island. In 2017, the city government increased the maximum number of visitors per month from 50 to 70.[124] The Department of Correction has opposed further loosening of restrictions on accessing Hart Island; a The New York Times article quoted a Corrections official as saying: "As long as D.O.C. runs the facility, we are going to run it with the D.O.C. mentality

Hot cross buns

Hot cross buns

A hot cross bun is a spiced sweet bun usually made with fruit, marked with a cross on the top, and traditionally eaten on Good Friday in the United Kingdom, Ireland, Australia, India, Canada, New Zealand, South Africa, the United States and some parts of the Americas.

The bun marks the end of Lent and different parts of the hot cross bun have a certain meaning, including the cross representing the crucifixion of Jesus, and the spices inside signifying the spices used to embalm him at his burial.[1][2]

They are now available all year round in some places.[3] Hot cross buns may go on sale in the United Kingdom, Australia and New Zealand even as early as New Year's Day[4] or after Christmas
History
In many historically Christian countries, plain buns made without dairy products (forbidden in Lent until Palm Sunday) are traditionally eaten hot or toasted during Lent, beginning with the evening of Shrove Tuesday (the evening before Ash Wednesday) to midday Good Friday.

The Greeks in 6th century AD may have marked cakes with a cross.[6]

One theory is that the Hot Cross Bun originates from St Albans, in England, where Brother Thomas Rodcliffe, a 14th-century monk at St Albans Abbey, developed a similar recipe called an 'Alban Bun' and distributed the bun to the local poor on Good Friday, starting in 1361.[7]

In the time of Elizabeth I of England (1592), the London Clerk of Markets issued a decree forbidding the sale of hot cross buns and other spiced breads, except at burials, on Good Friday, or at Christmas. The punishment for transgressing the decree was forfeiture of all the forbidden product to the poor. As a result of this decree, hot cross buns at the time were primarily made in domestic kitchens. Further attempts to suppress the sale of these items took place during the reign of James I of England (1603–1625).[8]

The first definite record of hot cross buns comes from a London street cry: "Good Friday comes this month, the old woman runs. With one or two a penny hot cross buns", which appeared in Poor Robin's Almanac for 1733.[9] Food historian Ivan Day states, "The buns were made in London during the 18th century. But when you start looking for records or recipes earlier than that, you hit nothing."[3]

Traditions
English folklore includes many superstitions surrounding hot cross buns. One of them says that buns baked and served on Good Friday will not spoil or grow mouldy during the subsequent year. Another encourages keeping such a bun for medicinal purposes. A piece of it given to someone ill is said to help them recover.[10]

If taken on a sea voyage, hot cross buns are said to protect against shipwreck. If hung in the kitchen, they are said to protect against fires and ensure that all breads turn out perfectly. The hanging bun is replaced each year.[10]

Other versions
In the United Kingdom, the major supermarkets produce variations on the traditional recipe such as toffee, orange-cranberry, salted caramel and chocolate, and apple-cinnamon.[11]

In Australia, coffee-flavoured buns are also sold in some bakeries.[12] There are also sticky date and caramel versions, as well as mini versions of the traditional bun.[13] Other newer variations that can be purchased from major supermarkets include chocolate and cherry, butterscotch[14], apple & cinnamon, banana and caramel and white chocolate and raspberry.[15]

The not cross bun is a variation on the hot cross bun. It uses the same ingredients but instead of having a cross on top, it has a smiley face in reference to it being "not cross" in the sense of not angry. The not cross bun was first sold commercially in 2014 by an Australian bakery, Ferguson Plarre Bakehouses, in response to supermarkets selling hot cross buns as early as Boxing Day (26 December).[16]

In Slovakia and in the Czech Republic, mazanec is a similar cake or sweet bread eaten at Easter. It often has a cross marked on top.[17]

The cross
The traditional method for making the cross on top of the bun is to use shortcrust pastry;[18][19] however, more recently,[when?] recipes have recommended a paste consisting of flour and water

كيني دالغليش

كيني دالغليش

السير كينيث ماتيوسون دالغليش، من مواليد 4 مارس 1951 في دالمارنوك في غلاسغو في اسكتلندا، لاعب كرة قدم اسكتلندي سابق ومدرب كرة قدم يعتبر أحد أفضل اللاعبين الذين مروا في تاريخ نادي ليفربول الإنكليزي، وقد لقبه جمهور النادي بـ (الملك كيني)، كما اختاره بيليه ضمن قائمة أفضل 125 لاعب حي في مارس 2004. وقد قلدته ملكة بريطانيا في عام 2018 لقب الفارس ( السير ) نظير إنجازاته في عالم كرة القدم

بدأ دالغليش مسيرته الكروية مع نادي سيلتك في عام 1969، وقد لعب معهم حتى عام 1977، وقد شارك في تلك الفترة في 204 مباريات وسجل 112 هدف، وفي عام 1977 انتقل نادي ليفربول الإنجليزي، ولعب معهم حتى عام 1990، وقد شارك في معهم في تلك الفترة في 355 مباراة وسجل 118 هدف.

و قد لعب مع منتخب اسكتلندا لكرة القدم في كأس العالم لكرة القدم 1974 وكأس العالم لكرة القدم 1978 وكأس العالم لكرة القدم 1982، وقد شارك مع المنتخب في 102 مباراة وسجل 30 هدف.

و قد درب منذ عام 1985 وحتى عام 1991 نادي ليفربول الإنجليزي، ومنذ عام 1991 وحتى عام 1996 درب نادي بلاكبيرن روفرز، وفي موسم 1997/1998 درب نادي نيوكاسل يونايتد الإنجليزي، وفي عام 2000 درب نادي سيلتك الاسكتلندي. وفي صيف عام 2009 عرض عليه المدير الفني في نادي ليفربول رافائيل بينيتز العودة إلى النادي ليتسلم مهام الإشراف على أكاديمية النادي.ويعود في شتاء عام 2011 إلى نادي ليفربول ليتولى تدريب الفريق خلف للمدرب الأسبق روي هودجسون الذي اقيل مؤخرا وعاد لنفس المنصب الذي غادره فالأنفيلد قبل 20 سنة.

في يوم 16 مايو 2012 قرر مالك النادي (جون هنري) إقالة الملك كيني بطريقة لم تعجب كثير من مشجعي ليفربول.حصل دالغليش على لقب فارس عام 2018 تقديراً لعمله الخيري ودعمه لعائلات هيلزبورو بالإضافة إلى إنجازاته في كرة القدم.

زياد علي

زياد علي محمد