الثلاثاء، 10 سبتمبر 2019

Jaipur Pink Panthers

Jaipur Pink Panthers (JPP) is a professional kabaddi team belongs to Pink city of India Jaipur, competes in Pro Kabaddi League which is a professional Kabaddi league in India. The team is currently led by Deepak Niwas Hooda and coached by Srinivas Reddy. The team is owned by Abhishek Bachchan an Indian actor/ producer. Jaipur Pink Panthers play their home matches at Sawai Mansingh Indoor Stadium.

Although the team has gained immense popularity due to its association with celebrity owners,[1] Jaipur Pink Panthers won inaugural season of Pro Kabaddi League 2014 by defeating U Mumba by 35-24.[2][3] The team's performance however then dropped in PKL Season 2 and Season 3 but improved from the season 4 as it qualified for the playoffs. The leading raider of the side was Jasvir Singh, while the leading defender was Ran Singh. The official theme of the team is ‘Roar for Panthers’ and the official colours are pink and blue. Jaipur Pink Panthers are exclusively managed by GS Entertainment Worldwide which is headed by Mr.Bunty Walia, one of the leading film producers and Sports Entrepreneur and Mr Juspreet Singh Walia. This team is reference to a popular cartoon character Pink Panther.

The Sky Is Pink

The Sky Is Pink is an upcoming Indian Hindi-language biographical film directed by Shonali Bose and co-produced by Siddharth Roy Kapur, Ronnie Screwvala and Chopra under the banner of RSVP Movies, Roy Kapur Films and Purple Pebble Pictures. It stars Priyanka Chopra, Farhan Akhtar, Zaira Wasim, and Rohit Suresh Saraf. The film is the return of Chopra after a break of three years from Bollywood. It is based on the love story of a couple spanning 25 years, told through the lens of their spunky teenage daughter – Aisha Chaudhary, who was diagnosed with a terminal illness.[2]

The principal photography of film began in August 2018,[3] and the filming was completed on 11 March 2019.[4] It is scheduled for premiere at the Toronto International Film Festival on 13 September 2019, and will be released theatrically worldwide on 11 October
Cast
Priyanka Chopra as Aditi Chaudhary, Aisha's mother who's a mental health therapist by profession.[6][7]
Farhan Akhtar as Niren Chaudhary, Aisha's father
Zaira Wasim as Aisha Chaudhary, a motivational speaker diagnosed from pulmonary fibrosis
Rohit Suresh Saraf as Ishaan Chaudhary, Aisha's brother, and a composer and music producer
Filming
Filming began on 8 August 2018 in Mumbai.[8][9] The second schedule of the film began on 13 October 2018 in London[10] and wrapped on 17 October 2018. It was part of the Delhi schedule which wrapped in the last week of November 2018.[11] The filming is completed on 11 March 2019 in Andaman Islands[4] A song was shot in June 2019 in Mumbai for the film.[12]

Soundtrack
The film’s music is scored by music composer Pritam.[13]while lyrics are written by Gulzar.

Marketing and release
The first look of the film was released on 23 July 2019. The official poster was released on 8 September 2019.

The Sky Is Pink is scheduled to be premiered at the 44th Toronto International Film Festival on 13 September 2019, and will be released theatrically in worldwide on 11 October.[5]

The official trailer of the film was released by RSVP Movies on 10 September 2019.

Mourning of Muharram

The Mourning of Muharram (also known as the Remembrance of Muharram or Muharram Observances) is a set of rituals associated with mainly Shia Muslims;[1][2] and all believers in Islam, as well as some non-Muslims, also take part in the remembrance. The commemoration falls in Muharram, the first month of the Islamic calendar. Many of the events associated with the ritual take place in congregation halls known as Hussainia.

The event marks the anniversary of the Battle of Karbala, when Imam Hussein ibn Ali, a grandson of Muhammad, was killed by the forces of the second Umayyad caliph. Family members and companions accompanying him were killed or subjected to humiliation. The commemoration of this event during the yearly mourning season, with the Day of Ashura as the focal date, serves to define Shia communal identity.[3] Muharram observances are carried out in countries with a sizable Shia population.

Both Sunni and Shia Muslims mourn during Muharram, although Sunni Muslims do so to a much less extent. Storytelling, weeping, self-flagellation, and re-enactments of the Battle of Karbala form the crux of the observances.
Etymology
The words Azadari (Persian: عزاداری) or Sogvari (سوگواری) which mean mourning and lamentation; and Majalis-e Aza have been exclusively used in connection with the remembrance ceremonies for the martyrdom of Imam Hussain (A.S). Majalis-e Aza, also known as Aza-e Husayn, includes mourning congregations, lamentations, matam and all such actions which express the emotions of grief and above all, repulsion against what Yazid stood for.[2]

Expression of grief with thumping of the chest by Shia Muslims is known as Latmya, Latmaya or latmia in Arabic-Persian countries. In India and Pakistan it is called Matam or Matam-Dari/Sina Zannee (chest beating).[4]

Muharram rituals was often called by European observers "the Feast of Hasan and Hosayn," as the participants shout "Hasan! Hosayn!."[1]

The term majalis has both a grammatical meaning and a meaning which relates to Aza-e-Husayn. In its technical sense, a majalis is a meeting, a session or a gathering.[5]

Background
According to Shia sources, the mourning of Muharram was started by the family, especially women, of Muhammad (the Ahl-ul-Bayt) immediately after the death of his grandson and even before entering Damascus.[6] Following the battle of Karbala, Muhammad's granddaughter Zaynab bint Ali and sister of Imam Husayn, began mourning for the fallen and making speeches against Imam Husayn ibn Ali's opponents: Ibn Ziyad and Yazid I. News of Imam Husayn ibn Ali's martyrdom was spread by Imam Zain-ul-Abideen, who succeeded Imam Husayn as the Shia Imam, via sermons and speeches throughout Iraq, Syria and Hejaz.[7]

According to the History of the Prophets and Kings, when Ali ibn Husayn Zayn al-Abidin gave the sermon in presence of Yazid, he let them hold the mourning of Husain ibn Ali for three days in a formal manner.[8]

During the Umayyad Caliphate, the mourning of Husain ibn Ali’s Killing was performed furtively in the homes of Shia Imam and their followers, but during the Abbasid Caliphate this mourning was observed in public mosques by the Abbasid rulers to draw a people’s attention
As Chelkowski said, in fourth century in Baghdad, contemporaneous with the reigns of Sulton Muizz ad-Dawla of the Shia Buyid dynasty, the first public mourning ritual happened, and the market was closed by order of him on day of Ashura.[9] The mourning rituals evolved differently in different places, until the Safavid dynasty established a centralized Shia state in the 16th century:[10]:118 The annual mourning ceremonies and ritual cursing of Husayn's enemies acquired the status of a national institution. According to popular belief, Shia rituals spread to South Asia starting at the end of the 14th Century with the conquests of Tamerlane.[10]:120 Observance has since spread to countries such as India, Pakistan, Iraq, Iran, Turkey, Afghanistan, Syria, Nigeria, Tanzania, Saudi Arabia, Bangladesh, Yemen, Bahrain, Azerbaijan and Lebanon.
Shia
Shia Muslims around the world every year commemorate the mourning custom of death of Husayn ibn Ali, his family and his follower in months of Muharram and Safar. They entitle him "Prince of Martyrs" and know him as a spiritual and political savior. He still has an important role in the religious and national consciousness of the people.

According to the Shia belief, taking part in the mourning ritual will be a help to salvation on the Day of Judgment, as Elias Canetti (winner of Nobel Prize) said “[it] became the very core of the Shiite faith ... of all the traditional religions of lament which could be adduced for closer consideration -- that of the Islamic is the most illuminating... The lament itself, as an impassioned pack opening out, to a true crowd, manifests itself with unforgettable power at the Muharram Festival Shiites”.[9]

At first the mourning ceremonies and custom have been done in the open air at the main thoroughfare of city of village, a major intersection in the bazaar, the yard of the mosque, caravanserai and private homes. After a while, in order to protect mourners from weather, the Hussainiya and the Tekyeh were built.[9]

Sunni
The event is observed by many Sunnis, but to a lesser extent, and as a time of remembrance, rather than mourning.

Custom
After almost 12 centuries, five types of major rituals were developed around the battle of Karbala. These rituals include the memorial services (majalis al-ta'ziya), the visitation of Husayn's tomb in Karbala particularly on the occasion of the tenth day of Ashura and the fortieth day after the battle (Ziyarat Ashura and ziyarat al-Arba'in), the public mourning processions (al-mawakib al-husayniyya or the representation of the battle of Karbala in the form of a play (the shabih), and the flagellation (tatbir).[6]

Pilgrimage to the shrine of Husayn
Main articles: Imam Husayn Shrine, Ziyarat, and Ziyarat of Arba'een
Imam Husayn Shrine is located at the mosque and burial site of Husayn ibn Ali, the third Shia Imam in the city of Karbala, Iraq. Many Shia go on a pilgrimage to the shrine in Karbala, one of the holiest places for Shias apart from Mecca, Medina and Jerusalem. Up to one million pilgrims visit the city annually to observe the anniversary of Imam Husayn ibn Ali's death.[14] Shia Muslims believe that pilgrimage to Husayn ibn Ali’s shrine, like weeping, saves them from being condemned to hell on the day of judgment and all their guilt is removed.[15]

Matam
The Arabic term matam refers in general to an act or gesture of mourning; in Shia Islam the term designates acts of lamentation for the martyrs of Karbala.[16] Male and female participants congregate in public for ceremonial chest beating (matam) as a display of their devotion to Imam Husayn and in remembrance of his suffering.[17] In some Shi'a societies, such as those in Bahrain, Pakistan, India, Afghanistan and Iraq, male participants may incorporate knives or razors swung upon chains into their matam. There are two basic forms of matam:[18][19][20]

matam using one's hands only, that is, sineh-zani or chest-beating
matam with implements like chains, knives, swords and blades, that is, zanjeer-zani, qama-zani, etc.
Matam in South Asia is the most significant and sensitive Shia identity marker
One form of mourning is the theatrical re-enactment of the Battle of Karbala. In Iran this is called taziya or taziyeh. Theatrical groups that specialize in taziya are called taziya groups.[21] Taziyas were popular through the Qajar dynasty until the early twentieth century, but the re-enactments slowly declined until they were mostly abandoned in the large cities by the early 1940s. Nonetheless, taziyas continued to exist in Iran on a smaller scale especially in more rural and traditional areas. Reza Shah, the first of the Pahlavi dynasty, had outlawed taziyas. Despite attempts since 1979, Muharram processions and various forms of the rawza khani are still more common.[22]

Noha
By increasing the number of shia Muslim in cities and states, mourning of muharram’s ritual changed to a more elaborate form. In the ninth century, lamentation and wailing became propounded as a mourning tradition. Noha is the poem and story that be inspired from Maqtal al-Husayn (various books which narrate the story of the battle of Karbala and the death of Husayn ibn Ali) .[6][23] The poet or another one read the noha with plaintive rhythm. The main subject of noha is the pain from the killing of Husayn ibn Ali. Noha consists of poems in different languages such as Arabic, Urdu, Farsi, and Punjabi.[24]

Weeping
The reaction of the audience in the reenactment of the battle of karbala’ episode is significant for strengthening of distinct Shia identity and the weeping over the killing of Husayn ibn Ali and his follower is one of these reactions. There is close relation between the lamentation and weeping. According to the narration, Shia Imams had emphasized to weep for them, so it had transmitted to future generation. According to Shia tradition, the weeping and the flow of tears provides condolences to Imam Husayn's mother and his family, as the living relatives (mostly women and children) were not allowed to weep or lament over their martyred family which involved Imam Husayn's, his family (including his two sons, a six-month-old baby martyred by an arrow/spear to his neck and another 18 year who took a spear to his heart) and his companions. Lamenting and weeping for the (mazloom) wronged and offering condolences to his family, thus, will serve as one of the good deeds done by the mourners of Husayn (azadaar e Husayn) and will be helpful in saving them from being condemned to hell fire on the day of judgement.[6]

Processions
Depending on the condition of society, the Muharram processions changes from one city to another. The common form is the starting of mourning processions from Hussainiya and the participants would parade through the streets of their town or village, finally they come back to Hussainiya for performing other mourning of Muharram’s ritual. The procession was common ritual’s mourning of dead persons in Arabic states before the appearance of Islam. The chest- beating, flagellation and face-slapping (latm) are usual acts doing during the mourning procession, but chest-beating and face-slapping (latm) have more precedence and the history of doing this acts had been reached to Buyid dynasty period.[6]

Chest beating
Chest beating (Persian: سینه زنی‎) refer to common rituals practiced in mourning ceremonies of Shia Imams. In the nineteenth century, the Iranian practiced chest beating introduced by Indian Syed Dildar Ali Nasirabadi and the chest beating was attributed to the concept of Zuljinah (the horse with two wings) processions. The chest beating is allowed just in calamities belong to the family of Muhammad.[25] At the Isfahanis’ mosque, mourners just gather into the middle of the courtyard bared their upper torsos هn the form of a procession and began randomly beating their chests to the melodic suggestions "if a cantor (who recite Noha) with no particular rhyme or rhythm to their chest beating".[26]

Flagellation
Acts of flagellation are a symbolic reenacting of the blood-shedding of Husayn ibn Ali. The previous record of this dramatic act reaches back to the seventeenth century practice in the Caucasus and in Azerbaijan, and was observed in the nineteenth century by the Shia Twelvers in central and southern cities of Iran and the Arab world.[6] There were various types of flagellation including striking of chests with the palms, striking of backs with chains, and cutting foreheads with knives or swords.[9]

Rawda
Main article: Rawda Khwani
Rawda is one of the Shia Iranian mourning rituals to commemorate the death of Husayn ibn Ali and his followers – especially it is the kind of public lamentation. Rawda means garden in Arabic language and this name is acquired from the title of Rawdat al-Shuhada, literary masterpiece book authored by Husayn Waiz Kashifi in Persian. The word of Rawda-khawani means "recitation from Rawdat alshuhada" and generally is named Rawda. At first this ritual became customary on first ten days of Muharram, but by passing of time it was performed during Muharam and Safar and other days of year. Today, Rawda is either the story of Rawdat of al-Shuhada or stories that Rawḍa-k̲h̲ w ān (person who does the recitation) creates by his skills and knowledge to release the original text of the book. This ritual can be held at every where such as houses, the yard of mosque, the square of city or village and also Hussainiya and the Tekyeh. The origin place of Rawda was Iran, but then at Bahrain this ritual is seen in its original form and at other place like India, the modified form of it is held.[27]

Alam
One of the most important and symbolic objects used at mourning rituals is Alam. It is the ensign of Husayn ibn Ali in the Battle of Karbala and a sign of truth and bravery. During the battle of Karbala, the original flag bearer of Husayn ibn Ali's Kafala (caravan) was Abbas, Husayn ibn Ali's brother. Abbas lost his life in battle when he went to retrieve water from the Euphrates River for the caravan's young children who were thirsty for three days. It is narrated that when he started to ride back to the camp with the water, he was surprised attacked. While in battle, the children of the camp were anxiously watching the Alam (flag) dip up and down from afar. Abbas lost both of his arms in battle yet he still continued to clench the water skin (mushk) with his teeth, determined to bring the water back to the children. The leader of the opposition saw Abbas gaining ground and ordered for more army men to attack the flag bearer, stating, "If water is brought back to their tent (Husayn ibn Ali), there is no stopping them." Archers then started bombarding Abbas with arrows which pierced the water skin, bringing Abbas down from his horse and the Alam falling to the ground. Alams are a reminder of Abbas' martyrdom and act as a symbol of affection and salutation towards the followers of Husayn ibn Ali who lost their lives in Karbala. Alams all vary in size but usually consist of a wood pole base, with a metal standard that is fixated at the top of the pole. The pole is then dressed with cloth and a banner with the names of Muhammad's family members. Alams with Abbas' name usually include an ornament that resembles the water skin that he intended to fill for the children. The length of an Alam can be about 15 feet. An Alam consists of flexible steel plates placed at the upper part of it. Also, an Alam is decorated by plumes and fine embroidered silks and brocades.[9]

Nakhl Gardani
Main article: Nakhl Gardani
Nakhl Gardani (Persian: نخل گردانی‎, Persian pronunciation: [næxl ɡærdɑːniː]) is a religious ritual carried out on the day of Ashura for commemorating the death of Husayn ibn Ali's death. Nakhl is a woody structure used as a symbolic representation of Imam's coffin and Nakhl Gardani is the act of carrying the Nakhl form point to another, resembling Imam's funeral

Onam

Onam is an annual Harvest festival in the state of Kerala in India.[4][5][6] It falls on the 22nd nakshatra Thiruvonam in the Malayalam calendar month of Chingam, which in Gregorian calendar overlaps with August–September.[7] According to legends, the festival is celebrated to commemorate King Mahabali, whose spirit is said to visit Kerala at the time of Onam.[8][9]

Onam is a major annual event for Malayali people in and outside Kerala. It is a harvest festival, one of three major annual Hindu celebrations along with Vishu and Thiruvathira, and it is observed with numerous festivities.[10] Onam celebrations include Vallam Kali (boat races), Pulikali (tiger dances), Pookkalam (flower Rangoli), Onathappan (worship), Onam Kali, Tug of War, Thumbi Thullal (women's dance), Kummattikali (mask dance), Onathallu (martial arts), Onavillu (music), Kazhchakkula (plantain offerings), Onapottan (costumes), Atthachamayam (folk songs and dance), and other celebrations.[11]

Onam is the official state festival of Kerala with public holidays that start four days from Uthradom (Onam eve).[12]. Major festivities take places across 30 venues in Thiruvananthapuram[13], capital of Kerala. It is also celebrated by Malayali diaspora around the world.[9] Though a Hindu festival, non-Hindu communities of Kerala participate in Onam celebrations considering it as a cultural festival.
Onam is an ancient Hindu[4][5] festival of Kerala that celebrates rice harvest.[8][6] The significance of the festival is in Hindu legends, of which two are more common.

Mahabali legend
According to the Hindu mythology, Mahabali was the great- great-grandson of a Brahmin sage named Kashyapa, the great-grandson of demonic dictator, Hiranyakashipu, and the grandson of Vishnu devotee Prahlada. This links the festival to the Puranic mythology of Prahlada of Holika fame in Hinduism, who was the son of Hiranyakashipu. Prahlada, despite being born to a demonic Asura father who hated Vishnu, rebelled against his father's persecution of people and worshipped Vishnu. Hiranyakashipu tries to kill his son Prahlada, but is slain by Vishnu in his Narasimha avatar, Prahlada is saved
Prahlada's grandson, Mahabali, came to power by defeating the gods (Devas) and taking over the three worlds. According to Vaishnavism mythology, the defeated Devas approached Vishnu for help in their battle with Mahabali.[8] Vishnu refused to join the gods in violence against Mahabali, because Mahabali was a good ruler and his own devotee. He, instead, decided to test Mahabali's devotion at an opportune moment. Mahabali, after his victory over the gods, declared that he would perform a Yajna (homa sacrifices/rituals) and grant anyone any request during the Yajna. Vishnu took the avatar of a dwarf boy called Vamana and approached Mahabali. The king offered anything to the boy – gold, cows, elephants, villages, food, whatever he wished. The boy said that one must not seek more than one needs, and all he needed was "three paces of land." Mahabali agreed.[8][16]

Vamana grew to an enormous size, and covered everything Mahabali ruled over in just two paces. For the third pace, Mahabali offered his head for Vishnu to step on, an act that Vishnu accepted as evidence of Mahabali's devotion.[8] Vishnu granted him a boon, by which Mahabali could visit again, once every year, the lands and people he previously ruled. This revisit marks the festival of Onam, as a reminder of the virtuous rule and his humility in keeping his promise before Vishnu. The last day of Mahabali's stay is remembered with a nine-course vegetarian Onasadya feast.[8][17]

According to Nanditha Krishna, a simpler form of this legend, one without Mahabali, is found in the Rigveda and the Vedic text Shatapatha Brahmana where a solar deity is described with powers of Vishnu. This story likely grew over time, and is in part allegorical, where Bali is a metaphor for thanksgiving offering after a bounty of rice harvest during monsoon, and Vishnu is the metaphor of the Kerala sun and summer that precedes the Onam.[18] According to Roshen Dalal, the story of Mahabali is important to Onam in Kerala, but similar Mahabali legends are significant in the region of Balia and Bawan in Uttar Pradesh, Bharuch in Gujarat, and Mahabaleshwar in Maharashtra. The story is significant not because Mahabali's rule ended, but it emphasizes the Hindu belief in cyclical nature of events, that no individual, no ruler and nothing lasts forever, except the virtues and self-understanding that overcomes all sorrow.[19]

Parashurama legend
An alternate legend behind Onam relates to Parashurama, an incarnation of Vishnu who is credited in Hindu mythology to have created the Western Ghats from the southern tip of Kerala, Karnataka, Goa and up to Maharashtra.[20] According to this legend, Vishnu got upset with the kings and the warrior caste who were constantly at war and were arrogant over others.[20]

Vishnu took the avatar of Parashurama, or "Rama with an axe" and also known as Rama Jamadagyna, in the era of King Kaartavirya. This king persecuted and oppressed the people, the sages and the gods.[20] One day, the king came to the hermitage of Parashurama and his mother Renuka, where while Parashurama was away, the king without permission took away the calf of their cow. When Parashurama returned, he felt the injustice of the king, called him to war, and killed the king and all his oppressive warriors. At the end, he threw the axe, and wherever it fell, the sea retreated, creating the land of Kerala and other coastal western parts of Indian subcontinent.[20] Another version states that Parashurama brought Namboodiri Brahmins to southwestern parts of India, by creating a mini-Himalaya-like mountain range with his axe. The Onam festival, according to this legend, celebrates Parashurama's creation of Kerala by marking those days as the new year.[21]

The legend and worship of Parashurama is attested in texts and epigraphs dated to about the 2nd century CE.[20]

Cultural festival
The festival is also celebrated by Christians and Muslims of Kerala.[12] These traditions, according to Selvister Ponnumuthan, start with the lighting of Nilavilakku, eating the Onam meal together with the Hindus as a form of "communion of brothers and sisters of different faiths." The significance of these practices are viewed by some Kerala Christians as a form of integration with Hindus, mutual respect and sharing a tradition.[12]

Some Muslim reformists have called on Muslims to refrain from taking part in the festival.[22] Some Muslim Indian politicians light traditional vilakku (oil lamps), while others have refused to light these lamps at Onam events declaring it to be a Hindu tradition and against the teachings of Islam. Muslim daily newspapers and other publications have condemned Muslim ministers who participate in Onam traditions.[22][23][24] However some Muslims observe Onam anyway, considering its celebrations and rituals as a cultural practice.[25][26]

Celebrations, rituals and practices
Onam falls in the month of Chingam, which is the first month according to the Malayalam Calendar. The celebrations mark the Malayalam New Year, are spread over ten days, and conclude with Thiruvonam. The ten days are sequentially known as Atham, Chithira, Chodhi, Vishakam, Anizham, Thriketa, Moolam, Pooradam, Uthradam and Thiruvonam. The first and the last day are particularly important in Kerala and to Malayalee communities elsewhere.[8]

The Atham day is marked with the start of festivities at Vamanamoorthy Thrikkakara temple (Kochi). This Vishnu temple is considered as the focal centre of Onam and the abode of Mahabali, with the raising of the festival flag.[27] Parades are held, which are colourful and depict the elements of Kerala culture with floats and tableaux.[28]

Other days have diverse range of celebrations and activities ranging from boat races, cultural programs, sports competitions, dance events, martial arts, floral Rangoli - pookkalam, prayers, shopping, donating time or food for charity to spending time with family over feasts. Men and women wear traditional dress. The Kerala sari or Kasavu sari is particularly wore on this day.[29]

Athachamayam
The floral carpet, known as Onapookkalam or just Pookkalam,[33] is made out of the gathered blossoms with several varieties of flowers of differing tints pinched up into little pieces to design and decorate patterns on floor, particularly at entrances and temple premises like a flower mat. Lamps are arranged in the middle or edges. It is a work of religious art, typically the team initiative of girls and women, who accomplish it with a delicate touch and a personal artistic sense of tone and blending.[34] When completed, a miniature pandal (umbrella) hung with little festoons is erected over it.[35] The pookkalam is similar to Rangoli which is made of powders of various colors and is popular in North India.

The traditional ritual of laying pookkalam (floral carpet) starts on Atham day. The pookkalam on this day is called Athapoo, and it is relatively small in size. The size of the pookkalam grows in size progressively with each day of the Onam festival. Only yellow flowers will be used on Atham with only one circular layer made and the design is kept simple. Statues or figurines of Mahabali and Vamana are also installed at the entrance of each house on this day.[citation needed]

Traditionally, Atthapookalams included flowers endemic to Kerala and the Dashapushpam (10-flowers), but nowadays all varieties of flowers are used.[36] Earthen mounds, which look somewhat like square pyramids, representing Mahabali and Vamana are placed in the dung-plastered courtyards in front of the house along with the Pookalam, and beautifully decorated with flowers. All over Kerala, Pookalam competitions are a common sight on Onam day.[28]

Music and dance
Traditional dance forms including Thiruvathira, Kummattikali, Pulikali, Thumbi Thullal, Onam Kali and others. Thiruvathira Kali is a women's dance performed in a circle around a lamp. Kummattikali is a colourful-mask dance. In Thrissur, festivities include a procession consisting of caparisoned elephants surrounded by Kummatikali dancers. The masked dancers go from house to house performing the colorful Kummattikali. Onam Kali is a form of dance where players arrange themselves in circles around a pole or tree or lamp, then dance and sing songs derived from the Ramayana and other epics

حساب المواطن

حساب المواطن هو برنامج حكومي سعودي يعمل علي تخفيف الأعباء على المواطن السعودي وتقديم الدعم المادي للأسر ذات الدخل المنخفض والمتوسط بالمملكة العربية السعودية وأصدرت وزارة العمل والتنمية الاجتماعية السعودية برنامج حساب المواطن من أجل تعويض المواطنين الذين قد تلحقهم أية مخاطر بسبب التوسعات الاقتصادية التي تقوم بها المملكة العربية السعودية، وكذلك لضمان حياة أفضل لمواطنيها، ولتخفيف الأعباء عنهم.

ويقوم البرنامج في كل مرحلة بإرسال مراسلات للمواطنين المقدمين لكى يستطيع التيقن من صحة حساباتهم المصرفية وربطها مع الطلبات الصادرة لهم بهدف حصولهم على المساعدة ، كما أطلق البرنامج في مارس 2019، تطبيقًا للهواتف والأجهزة الذكية ليسهل اطلاع المواطنين على كافة بياناتهم وتعديلها ومشاهدة تفاصيل الطلب والتحقق من الأهلية أو الإعتراض، وعرض تفاصيل الدفعات المالية
أسباب إنشائه
أنشئ برنامج حساب المواطن لحماية الأسر السعودية من الأثر المباشر وغير المباشر المتوقع من الإصلاحات الاقتصادية المختلفة، والتي قد تتسبب بعبء إضافي على بعض فئات المجتمع.

يعمل البرنامج على إعادة توجيه المنافع الحكومية للفئات المستحقة لها بالشكل الذي يؤدي إلى تشجيع الاستهلاك الرشيد، ويضمن توجيه الدعم بشكل فعال للفئات المستحقة المختلفة، حيث سيتم توفير الدعم بشكل نقدي يحول مباشرة للمستفيدين المستحقين.

دعم موجه؛ كفاءة أعلى
تحرص المملكة على توفير كافة الخدمات والاحتياجات اللازمة بتكلفة ملائمة لجميع المواطنين، إلا أن آلية الدعم السابقة لمنتجات الطاقة والمياه شملت جميع المستهلكين، مع تفاوت استهلاكهم.

عبر حساب المواطن، يهدف البرنامج إلى رفع كفاءة الدعم الحكومي من خلال إعادة توجيه الدعم ليركز في دعمه على الفئات الأكثر استحقاقًا، وذلك لتقليل الهدر ورفع كفاءة الاستهلاك.

استهلاك رشيد؛ موارد مستدامة
ساهم الدعم بشكله السابق في تشجيع الاستهلاك المفرط في منتجات الطاقة والمياه بشكل يؤدي إلى هدر هذه الموارد. لذلك تم إقرار برنامج حساب المواطن كأحد دعائم التحول الاقتصادي عبر إعادة توجيه المنافع الحكومية، لتلبية احتياجات المواطنين منها بأسلوب يعمل على تحقيق العدالة الاجتماعية في الاستفادة منها، و يضمن الاستخدام الأمثل للمقدرات الوطنية واستدامتها لأجيالنا المتعاقبة دون التأثير على حاجة المستفيدين، حيث تمثل الحوالات النقدية المباشرة طريقة فعالة ومعتمدة عالمياً لتشجيع الموازنة والادخار.

أهداف البرنامج
تخفيف أثر الإصلاحات  الاقتصادية  الناتجة عن المبادرات المختلفة على ذوي الدخل المنخفض والمحدود من بعض الإصلاحات الاقتصادية (كتصحيح أسعار منتجات الطاقة والمياه للمراحل القادمة و ضريبة القيمة المضافة على جميع الأغذية و المشروبات).
رفع كفاءة الدعم الحكومي، وذلك من خلال تطوير نظام شامل يمكن من خلاله توجيه المنافع والدعم الحكومي المقدم للمواطنين. بدلاً من الدعم المباشر لمنتجات الطاقة، سيتم إعادة توزيع الدعم لمستحقيه.
تشجيع ترشيد الاستهلاك لمنتجات الطاقة والمياه.
المبادئ التوجيهية
المبادئ التوجيهية لتصميم برنامج حساب المواطن
ينبغي أن يوفر الحماية اللازمة لأصحاب الدخل المنخفض من التأثير المحتمل للإصلاحات.
أن يكون الدعم نقداً بناءً على مستويات الاستهلاك الرشيد.
أن يكون الدعم عادلاً لكل فئة ومتغيراً حسب حجم الأسرة.
البدء بصرف الدعم للأسر قبل تطبيق أي إصلاحات هيكلية تمس المواطن.
الرؤية المستقبلية
الرؤية المستقبلية لبرنامج حساب المواطن
يمثل دعم الإصلاحات للأسر السعودية الخطوة الأولى لبرنامج حساب المواطن، ليكون برنامجاً شاملاً كافة المساعدات والإعانات الحكومية من خلال بوابة واحدة.

ستوفر البوابة نظاماً موحداً لتقييم الأهلية، والذي سيمكن من استهداف الفئات المستحقة بشفافية وفعالية أكبر، وتحسين الخدمات المقدمة للمواطن.

الفئات المستفيدة
ستكون الفئة الأساسية المستفيدة من البرنامج هي الأسر السعودية أو الفرد السعودي المستقل بسكن خاص. كما سيشمل أسرة المرأة السعودية المتزوجة من غير سعودي، وكذلك حاملي بطاقات التنقل.

موعد بدء التسجيل
أعلنت وزارة العمل والتنمية الإجتماعية السعودية عن فتح باب التسجيل في حساب المواطن عبر البوابة الإلكترونية مع بداية شهر فبراير، أي الأربعاء الموافق 1/2/2017.، حيث تم نشر طريقة التسجيل في البرنامج، مع تأكيد الوزارة بإضافة مستفيدي الضمان بشكل تلقائي دون حاجتهم للتسجيل.

مراحل البرنامج
سوف يجتاز البرنامج ثلاث مراحل أساسية بداية من تسجيل المواطنين السعوديين من الرابط الرسمي لبرنامج حساب المواطن سوف يبدء بمرحلة الأهلية و سوف ينتهي بمرحلة إستحقاق التقدية لهذا الشخص و سوف يتم صرف البدلات و المراحل التي سيمر بها كالأتي :

تبدء بمرحلة تسجيل المواطنين و قد تم فتح باب تسجيل دخول حساب المواطن و ذلك عن طريق البوابة الإلكترونية الخاصة بالبرنامج و في هذة الفترة سوف يقم المسئولين بفحص الطلبات للتأكد من صحة البيانات.
المرحلة الثانية هي مرحلة التأهيل و في هذة المرحلة يتم إرسال رسالة علي هاتف المتقدم الذي تم ترشيحة بالنسبة للأشخاص المقبولين.
المرحلة الثالثة و الأخيرة هي مرحلة الإستحقاق سوف يتم فيها إعلان البدل المادي و تقديرة لكل مواطن يستحقة   سوف يتم أخذ البدل المادي قبل أن يتم زيادة الأسعار

FIFA 20

FIFA 20 is an upcoming football simulation video game published by Electronic Arts as part of the FIFA series.[2] It is the 27th installment in the FIFA series, and is set to be released on 27 September 2019 for Microsoft Windows, PlayStation 4, Xbox One, and Nintendo Switch.[3] The demo is scheduled to be released on 10 September 2019 on PlayStation 4, Xbox One and Microsoft Windows.

Real Madrid winger Eden Hazard was named the new cover star of the Regular Edition, with Liverpool defender Virgil van Dijk on the cover of the Champions Edition.[4] Former Juventus and Real Madrid midfielder Zinedine Zidane was later named as the cover star for the Ultimate Edition.[5]

The game features VOLTA Football for the first time, a new mode that provides a variance on the traditional 11v11 gameplay and focuses on small-sided street and futsal games.[6] The mode is believed to be focused on the former FIFA Street series
VOLTA Football
Gameplay changes to FIFA 20 focus primarily on a new feature titled VOLTA Football.[8] The mode, which translates to 'return' in Portuguese, focuses on street football rather than the traditional matches associated with the FIFA series.[9] It will include several options to play in three versus three, four versus four and five versus five matches, as well as with professional futsal rules.[10] The mode will incorporate the same engine, but places emphasis on skill and independent play rather than tactical or team play.[11]

Additionally, players will have the option to customise their player by gender, clothing, shoes, hats and tattoos.[12] Following the completion of the three-part series "The Journey" in FIFA 19, players can now have a similar storyline mode in VOLTA Football, which would be played with the player's own character.[6]

Changes will also be made to the traditional 11 versus 11 mode to encourage more one-on-ones and off-the-ball space creation. New penalty and free-kick mechanics will be implemented and updates will be made to the ball physics.[13]

VOLTA Football will include 17 locations, with each providing a unique experience. As well as a generic warehouse and parking lot, players can also compete in Amsterdam, Barcelona, Berlin, Buenos Aires, Cape Town, Lagos, London, Los Angeles, Mexico City, Miami, New York City, Paris, Rio de Janeiro, Rome and Tokyo.[14]

Ultimate Team
Ultimate Team will feature 88 icon players, including 15 new names. Carlos Alberto, John Barnes, Kenny Dalglish, Didier Drogba, Michael Essien, Garrincha, Pep Guardiola, Kaká, Ronald Koeman, Andrea Pirlo, Ian Rush, Hugo Sánchez, Ian Wright, Gianluca Zambrotta and Zinedine Zidane will all feature as icons for the first time.[15]

Two new game modes – King of the Hill and Mystery Ball – will also be incorporated in Ultimate Team following their previous inclusion in kick-off mode.[16] Mystery Ball gives the attacking side boosts to passing, shooting, dribbling, speed or all attributes, adding unpredictability to every match.[17] King of the Hill sees players fight for possession in a randomly generated zone on the pitch to boost the amount the next goal is worth.[18]

Career Mode
Career Mode will also have substantial changes following feedback from the community, mainly to the manager mode.[19] New additions include fully interactive press conferences and player conversations, an improved player morale system which can affect the team or individual players stats, performance levels and stance with the manager. The ability to fully customise the managers appearance and gender, a new dynamic player potential system, live news screenshots, league oriented UI and new negotiation environments.[20]

Licenses
The game will feature more than 30 official leagues, over 700 clubs and over 17,000 players. Included for the first time is the Romanian Liga I and its 14 teams, as well as UAE club, Al Ain, who were added following extensive requests from the fans in the region.[21][22]

Juventus will not feature after signing an exclusive partnership deal with eFootball PES 2020, and will instead be known as Piemonte Calcio.[23] The game would retain the players' likenesses, but the official badge and kits will be unavailable and instead feature custom designs produced by EA Sports.[24]

FIFA 20 will retain the exclusive licenses to the UEFA Champions League, UEFA Europa League, and UEFA Super Cup first seen in FIFA 19. The deal includes an authentic broadcast packages, branding, and custom commentary.[25]

Stadiums
There are 90 fully licensed stadiums from 14 countries in FIFA 20, as well as 29 generic stadiums.[26] Bramall Lane has been included following Sheffield United's promotion, ensuring that all Premier League teams have their respective stadiums.[27] Three new Spanish stadiums have also been added – Estadio El Alcoraz (home of SD Huesca), Estadio De Vallecas (home of Rayo Vallecano) and Estadio José Zorrilla (home of Real Valladolid).[26]

As part of an extensive new licensing deal, 13 new stadiums across the Bundesliga and 2. Bundesliga will be included. These include BayArena (home of Bayer 04 Leverkusen), Mercedes-Benz Arena (home of VfB Stuttgart), Red Bull Arena (home of RB Leipzig) and Volkswagen Arena (home of VfL Wolfsburg).[28]

Release
Demo
The FIFA 20 demo is set to be released on 10 September 2019 and include 10 playable teams – Atletico Madrid, Borussia Dortmund, Club America, Los Angeles FC, Liverpool, Manchester City, Paris Saint-Germain, Real Madrid, Roma and Vissel Kobe.[29] The mode is also expected to include a demo of the new VOLTA Football mode.[30]

Covers
FIFA 20 features three cover stars across all regional editions. Real Madrid winger Eden Hazard was named the new cover star of the Regular Edition, with Liverpool defender Virgil van Dijk on the cover of the Champions Edition.[4] Former Juventus and Real Madrid midfielder Zinedine Zidane was later named as the cover star for the Ultimate Edition.[5]

Legacy Edition
Whilst the Xbox One, PS4 and PC versions will have all of the new features, the Nintendo Switch version will instead be a Legacy Edition, with updated kits, rosters and minor updates, but without the new VOLTA Football mode or any of the other new features.[31] FIFA 20 will not be released on Xbox 360 for the first time since FIFA Football 2005, or PlayStation 3 for the first time since FIFA 07, making FIFA 19 the final game in the series to be released on those platforms.

اختبار القدرات

اختبار القدرات العامة هو اختبار القبول الموحد للكلية في الجامعات السعودية ويتقدم له الطلاب والطالبات السعوديون والوافدون في المرحلة الثانوية بجانب الاختبار التحصيلي للطلاب واختبار القبول للطالبات. وعدد اختباراته 5 ثلاث منها ورقي واثنان محوسب -او 4 ورقي وواحد محوسب- . وهو أاحد اختبارات المركز الوطني للقياس والتقويم، الاختبار يقيس قدرات الطلاب في الرياضيات واللغة العربية وهو إجباري للقبول في الجامعات والكليات وكل جامعة تشترط درجة محدده من القدرات. اختبار قدرات مملوك ومقدم ومنشور من قبل مجلس التعليم العالي وهي منظمة ربحية -رسوم دخول الاختبار الواحد 100 ريال و 150 للتسجيل المتأخر- في السعودية التي وضعت وطورت المركز الوطني للقياس والتقويم المشرفه على الأختبار. طالب مجلس التعليم العالي بالاختبار لانه يقيم قدرات الطلاب ومهاراتهم واتجاتهم الدراسية وقد صدر بتاريخ 19/6/1421 هـ الأمر السامي ذو الرقم 471/8 بالموافقة على قرار مجلس التعليم العالي، المؤيد بقرار مجلس الوزراء السعودي وقد قدم أول اختبار في عام 1424 هـ وكان حصري للأولاد فقط وقدم أول اختبار للفتيات في عام 1430 هـ
أقسام الاختبار
- القسم الكمي :

يشتمل على أنواع الأسئلة الرياضية المناسبة لاختبار القدرات (وفقاً للتخصص في الثانوية العامة:علمي أو أدبي) ويركز على القياس والاستنتاج وحل المسائل، ويحتاج إلى معلومات أساسية بسيطة. ويتضمن هذا الجزء:

52 سؤالا موضوعياً للتخصصات العلمية وتتوزع الأسئلة وفقاً للحقول وفقاً للآتي، على وجه التقريب :::

40% سؤالاً حسابياً 24% سؤالاً هندسياً 23% سؤالاً جبرياً 13% سؤالاً تحليلياً وإحصائياً

أما اختبار التخصصات النظرية فيتضمن 30 سؤالاً تشمل الحساب والهندسة والتحليل.

القسم اللغوي :

ويشتمل على أنواع الأسئلة الآتية:

استيعاب المقروء : فهم نصوص القراءة وتحليلها، من خلال الإجابة عن أسئلة تتعلق بمضمون هذه النصوص.

إكمال الجمل : فهم صيغ النصوص القصيرة الناقصة، واستنباط ما تحتاج إليه من تتمات لتكوّن جملاً مفيدة.

التناظر اللفظي : إدراك العلاقة بين زوج من الكلمات في مطلع السؤال، وقياسها على نظائر تماثلها معطاة في الاختيارات.

الخطأ السياقي : تمييز الكلمة الشاذة في جملة ما (وقد أُضيف كبديل لمعاني المفردات عام 2013).

المفردة الشاذة: اختيار الكلمة الشاذة من بين أربع كلمات (تمت اضافته حديثا في الاختبار الورقي)

ويتضمن هذا الجزء:

68 سؤالاً للتخصصات العلمية 91 سؤالاً للتخصصات النظرية

معلومات عن الاختبار
1- يضم الاختبار بجزأيه (اللفظي والكمي) عدداً من الأسئلة التجريبية، لكنها لا تحسب ضمن الدرجة التي يحصل عليها الطالب.

2- يُقدم الاختبار على نوعين، الاختبار الورقي والاختبار المحوسب. يتم الاختبار الورقي على فترتين فقط في السنة وتكون ضمن لجان داخل مدارس مختارة ويختبر فيه الطالب باستخدام القلم وكتيِّب الأسئلة، ويتم الاختبار المحوسب في مراكز الاختبار المعتمدة لدى قياس، حيث يتاح الاختبار طيلة العام للتسجيل، ويختبر فيه الطالب باستخدام جهاز الحاسب الآلي ولوحة مسودة.

3- تُقدَّم الأسئلة بشكل متناوب بين الجزء اللفظي والجزء الكمي في خمسة أقسام (للاختبار الورقي) وأربعة أقسام (للاختبار المحوسب)، يخصص لكل منها 25 دقيقة.

4- عدد الأسئلة ثابت في كل الاختبارات على مدى السنوات، وكذلك تقسيماتها والوقت المخصص لكل قسم. هناك مستوى موحداً للصعوبة محافظاً عليه بين هذه الاختبارات. ويقوم المركز بموازنة نتائج كل اختبار مع نتائج الاختبارات السابقة قبل رصد النتائج؛ وذلك بهدف توحيد المعايير وثبات الاختبار.

5- تُرتَّب الأسئلة، بحسب صعوبتها، من الأسهل إلى الأصعب في كل قسم من أقسام الاختبار الخمسة (أو الأربعة). ويجب على الطالب أن يُجيب عن الأسئلة بسرعة تضمن له الإجابة عن جميع الأسئلة في الوقت المحدد لكل قسم (25 دقيقة).
طريقة الاستعداد للاختبار
بجانب كون الاختبار يقيس القدرات العامة لدى الطالب أو الطالبة، إلا أن هنالك بعض الطرق التي يمكن للطالب من خلالها أن يستعد للاختبار للحصول على درجة أعلى:

- فهم طبيعة الاختبار: عن طريق معرفة المعلومات الأساسية حول الاختبار ومنها المجالات التي يقيسها، وبيئة الاختبار وغيرها. ويمكن التعرف على ذلك من خلال مناقشة تجارب الآخرين معهم، وقراءة الصفحات الخاصة بالتعريف بالاختبار، كصفحة ويكيبيديا.

- البداية بالأساسيات: بعد فهم الطالب لطبيعة الاختبار، يبدأ بفهم أساسات وركائز الاختبار. بالنسبة للقسم الكمي فتلزم مراجعة الأفكار التي تدور حولها أسئلة قسم الكمي، ويمكن ذلك من خلال مراجعة الكتب التي ستقترح بالأسفل ومن خلال سلسلة شرح أساسيات القدرات للقسم الكمي للأستاذ فهد التميمي في اليوتيوب. وبالنسبة للقسم اللفظي فليس هناك ثمة أسس وأفكار يدور حولها، وإنما يمكن الاستعداد له بالتدرب على بضع أسئلة من كل قسم من أقسام القسم اللفظي، ويمكن ذلك بمراجعة الأسئلة السابقة للاختبار والتجميعات المنشورة له.

- التدرب والتمرس: ويكون بعد إدراك كافة الأسس التي بُني عليها الاختبار، ويمكن ذلك من خلال مجموعة من الكتب التي تحوي محتويات القدرات، ككتاب "المعاصر" للقسم الكمي، وكتاب "هدفك" للقسم اللفظي. كما يمكن التدرب من خلال التطبيقات والمواقع المصاحبة، كموقع نون (المعتمد من وزارة التعليم) وتطبيق "طموح" وغيرها.

- التثبيت: وتعد الخطوة المفصلية والمهمة في مرحلة التدريب، حيث يقوم فيها الطالب بالتدرب على تجميعات الأسئلة للسنين السابقة، وتفيد الطالب بشكل أعلى من الخطوات السابقة لأن الأسئلة المأخوذة من الاختبارات السابقة تكون ذات طابع مشابه للأسئلة في الاختبار الحقيقي، كما يمكن تكرار نفس الأسئلة الموجودة في تجميعات السنين السابقة في الاختبارات القادمة، وفيما يخص الاختبار المحوسب فإن الأسئلة فيه محصورة، بمعنى أن الأسئلة والنماذج السابقة محددة وتتكرر كما هي من ملف يسمى بـ"نماذج 65 للاختبار المحوسب". ويمكن الوصول لتجميعات القسم الورقي من خلال مجموعة "المميز والمتميز" وتجميعات القسم المحوسب من خلال موقع "تجميع المحوسب".

زياد علي

زياد علي محمد