Onam is an annual Harvest festival in the state of Kerala in India.[4][5][6] It falls on the 22nd nakshatra Thiruvonam in the Malayalam calendar month of Chingam, which in Gregorian calendar overlaps with August–September.[7] According to legends, the festival is celebrated to commemorate King Mahabali, whose spirit is said to visit Kerala at the time of Onam.[8][9]
Onam is a major annual event for Malayali people in and outside Kerala. It is a harvest festival, one of three major annual Hindu celebrations along with Vishu and Thiruvathira, and it is observed with numerous festivities.[10] Onam celebrations include Vallam Kali (boat races), Pulikali (tiger dances), Pookkalam (flower Rangoli), Onathappan (worship), Onam Kali, Tug of War, Thumbi Thullal (women's dance), Kummattikali (mask dance), Onathallu (martial arts), Onavillu (music), Kazhchakkula (plantain offerings), Onapottan (costumes), Atthachamayam (folk songs and dance), and other celebrations.[11]
Onam is the official state festival of Kerala with public holidays that start four days from Uthradom (Onam eve).[12]. Major festivities take places across 30 venues in Thiruvananthapuram[13], capital of Kerala. It is also celebrated by Malayali diaspora around the world.[9] Though a Hindu festival, non-Hindu communities of Kerala participate in Onam celebrations considering it as a cultural festival.
Onam is an ancient Hindu[4][5] festival of Kerala that celebrates rice harvest.[8][6] The significance of the festival is in Hindu legends, of which two are more common.
Mahabali legend
According to the Hindu mythology, Mahabali was the great- great-grandson of a Brahmin sage named Kashyapa, the great-grandson of demonic dictator, Hiranyakashipu, and the grandson of Vishnu devotee Prahlada. This links the festival to the Puranic mythology of Prahlada of Holika fame in Hinduism, who was the son of Hiranyakashipu. Prahlada, despite being born to a demonic Asura father who hated Vishnu, rebelled against his father's persecution of people and worshipped Vishnu. Hiranyakashipu tries to kill his son Prahlada, but is slain by Vishnu in his Narasimha avatar, Prahlada is saved
Prahlada's grandson, Mahabali, came to power by defeating the gods (Devas) and taking over the three worlds. According to Vaishnavism mythology, the defeated Devas approached Vishnu for help in their battle with Mahabali.[8] Vishnu refused to join the gods in violence against Mahabali, because Mahabali was a good ruler and his own devotee. He, instead, decided to test Mahabali's devotion at an opportune moment. Mahabali, after his victory over the gods, declared that he would perform a Yajna (homa sacrifices/rituals) and grant anyone any request during the Yajna. Vishnu took the avatar of a dwarf boy called Vamana and approached Mahabali. The king offered anything to the boy – gold, cows, elephants, villages, food, whatever he wished. The boy said that one must not seek more than one needs, and all he needed was "three paces of land." Mahabali agreed.[8][16]
Vamana grew to an enormous size, and covered everything Mahabali ruled over in just two paces. For the third pace, Mahabali offered his head for Vishnu to step on, an act that Vishnu accepted as evidence of Mahabali's devotion.[8] Vishnu granted him a boon, by which Mahabali could visit again, once every year, the lands and people he previously ruled. This revisit marks the festival of Onam, as a reminder of the virtuous rule and his humility in keeping his promise before Vishnu. The last day of Mahabali's stay is remembered with a nine-course vegetarian Onasadya feast.[8][17]
According to Nanditha Krishna, a simpler form of this legend, one without Mahabali, is found in the Rigveda and the Vedic text Shatapatha Brahmana where a solar deity is described with powers of Vishnu. This story likely grew over time, and is in part allegorical, where Bali is a metaphor for thanksgiving offering after a bounty of rice harvest during monsoon, and Vishnu is the metaphor of the Kerala sun and summer that precedes the Onam.[18] According to Roshen Dalal, the story of Mahabali is important to Onam in Kerala, but similar Mahabali legends are significant in the region of Balia and Bawan in Uttar Pradesh, Bharuch in Gujarat, and Mahabaleshwar in Maharashtra. The story is significant not because Mahabali's rule ended, but it emphasizes the Hindu belief in cyclical nature of events, that no individual, no ruler and nothing lasts forever, except the virtues and self-understanding that overcomes all sorrow.[19]
Parashurama legend
An alternate legend behind Onam relates to Parashurama, an incarnation of Vishnu who is credited in Hindu mythology to have created the Western Ghats from the southern tip of Kerala, Karnataka, Goa and up to Maharashtra.[20] According to this legend, Vishnu got upset with the kings and the warrior caste who were constantly at war and were arrogant over others.[20]
Vishnu took the avatar of Parashurama, or "Rama with an axe" and also known as Rama Jamadagyna, in the era of King Kaartavirya. This king persecuted and oppressed the people, the sages and the gods.[20] One day, the king came to the hermitage of Parashurama and his mother Renuka, where while Parashurama was away, the king without permission took away the calf of their cow. When Parashurama returned, he felt the injustice of the king, called him to war, and killed the king and all his oppressive warriors. At the end, he threw the axe, and wherever it fell, the sea retreated, creating the land of Kerala and other coastal western parts of Indian subcontinent.[20] Another version states that Parashurama brought Namboodiri Brahmins to southwestern parts of India, by creating a mini-Himalaya-like mountain range with his axe. The Onam festival, according to this legend, celebrates Parashurama's creation of Kerala by marking those days as the new year.[21]
The legend and worship of Parashurama is attested in texts and epigraphs dated to about the 2nd century CE.[20]
Cultural festival
The festival is also celebrated by Christians and Muslims of Kerala.[12] These traditions, according to Selvister Ponnumuthan, start with the lighting of Nilavilakku, eating the Onam meal together with the Hindus as a form of "communion of brothers and sisters of different faiths." The significance of these practices are viewed by some Kerala Christians as a form of integration with Hindus, mutual respect and sharing a tradition.[12]
Some Muslim reformists have called on Muslims to refrain from taking part in the festival.[22] Some Muslim Indian politicians light traditional vilakku (oil lamps), while others have refused to light these lamps at Onam events declaring it to be a Hindu tradition and against the teachings of Islam. Muslim daily newspapers and other publications have condemned Muslim ministers who participate in Onam traditions.[22][23][24] However some Muslims observe Onam anyway, considering its celebrations and rituals as a cultural practice.[25][26]
Celebrations, rituals and practices
Onam falls in the month of Chingam, which is the first month according to the Malayalam Calendar. The celebrations mark the Malayalam New Year, are spread over ten days, and conclude with Thiruvonam. The ten days are sequentially known as Atham, Chithira, Chodhi, Vishakam, Anizham, Thriketa, Moolam, Pooradam, Uthradam and Thiruvonam. The first and the last day are particularly important in Kerala and to Malayalee communities elsewhere.[8]
The Atham day is marked with the start of festivities at Vamanamoorthy Thrikkakara temple (Kochi). This Vishnu temple is considered as the focal centre of Onam and the abode of Mahabali, with the raising of the festival flag.[27] Parades are held, which are colourful and depict the elements of Kerala culture with floats and tableaux.[28]
Other days have diverse range of celebrations and activities ranging from boat races, cultural programs, sports competitions, dance events, martial arts, floral Rangoli - pookkalam, prayers, shopping, donating time or food for charity to spending time with family over feasts. Men and women wear traditional dress. The Kerala sari or Kasavu sari is particularly wore on this day.[29]
Athachamayam
The floral carpet, known as Onapookkalam or just Pookkalam,[33] is made out of the gathered blossoms with several varieties of flowers of differing tints pinched up into little pieces to design and decorate patterns on floor, particularly at entrances and temple premises like a flower mat. Lamps are arranged in the middle or edges. It is a work of religious art, typically the team initiative of girls and women, who accomplish it with a delicate touch and a personal artistic sense of tone and blending.[34] When completed, a miniature pandal (umbrella) hung with little festoons is erected over it.[35] The pookkalam is similar to Rangoli which is made of powders of various colors and is popular in North India.
The traditional ritual of laying pookkalam (floral carpet) starts on Atham day. The pookkalam on this day is called Athapoo, and it is relatively small in size. The size of the pookkalam grows in size progressively with each day of the Onam festival. Only yellow flowers will be used on Atham with only one circular layer made and the design is kept simple. Statues or figurines of Mahabali and Vamana are also installed at the entrance of each house on this day.[citation needed]
Traditionally, Atthapookalams included flowers endemic to Kerala and the Dashapushpam (10-flowers), but nowadays all varieties of flowers are used.[36] Earthen mounds, which look somewhat like square pyramids, representing Mahabali and Vamana are placed in the dung-plastered courtyards in front of the house along with the Pookalam, and beautifully decorated with flowers. All over Kerala, Pookalam competitions are a common sight on Onam day.[28]
Music and dance
Traditional dance forms including Thiruvathira, Kummattikali, Pulikali, Thumbi Thullal, Onam Kali and others. Thiruvathira Kali is a women's dance performed in a circle around a lamp. Kummattikali is a colourful-mask dance. In Thrissur, festivities include a procession consisting of caparisoned elephants surrounded by Kummatikali dancers. The masked dancers go from house to house performing the colorful Kummattikali. Onam Kali is a form of dance where players arrange themselves in circles around a pole or tree or lamp, then dance and sing songs derived from the Ramayana and other epics
Onam is a major annual event for Malayali people in and outside Kerala. It is a harvest festival, one of three major annual Hindu celebrations along with Vishu and Thiruvathira, and it is observed with numerous festivities.[10] Onam celebrations include Vallam Kali (boat races), Pulikali (tiger dances), Pookkalam (flower Rangoli), Onathappan (worship), Onam Kali, Tug of War, Thumbi Thullal (women's dance), Kummattikali (mask dance), Onathallu (martial arts), Onavillu (music), Kazhchakkula (plantain offerings), Onapottan (costumes), Atthachamayam (folk songs and dance), and other celebrations.[11]
Onam is the official state festival of Kerala with public holidays that start four days from Uthradom (Onam eve).[12]. Major festivities take places across 30 venues in Thiruvananthapuram[13], capital of Kerala. It is also celebrated by Malayali diaspora around the world.[9] Though a Hindu festival, non-Hindu communities of Kerala participate in Onam celebrations considering it as a cultural festival.
Onam is an ancient Hindu[4][5] festival of Kerala that celebrates rice harvest.[8][6] The significance of the festival is in Hindu legends, of which two are more common.
Mahabali legend
According to the Hindu mythology, Mahabali was the great- great-grandson of a Brahmin sage named Kashyapa, the great-grandson of demonic dictator, Hiranyakashipu, and the grandson of Vishnu devotee Prahlada. This links the festival to the Puranic mythology of Prahlada of Holika fame in Hinduism, who was the son of Hiranyakashipu. Prahlada, despite being born to a demonic Asura father who hated Vishnu, rebelled against his father's persecution of people and worshipped Vishnu. Hiranyakashipu tries to kill his son Prahlada, but is slain by Vishnu in his Narasimha avatar, Prahlada is saved
Prahlada's grandson, Mahabali, came to power by defeating the gods (Devas) and taking over the three worlds. According to Vaishnavism mythology, the defeated Devas approached Vishnu for help in their battle with Mahabali.[8] Vishnu refused to join the gods in violence against Mahabali, because Mahabali was a good ruler and his own devotee. He, instead, decided to test Mahabali's devotion at an opportune moment. Mahabali, after his victory over the gods, declared that he would perform a Yajna (homa sacrifices/rituals) and grant anyone any request during the Yajna. Vishnu took the avatar of a dwarf boy called Vamana and approached Mahabali. The king offered anything to the boy – gold, cows, elephants, villages, food, whatever he wished. The boy said that one must not seek more than one needs, and all he needed was "three paces of land." Mahabali agreed.[8][16]
Vamana grew to an enormous size, and covered everything Mahabali ruled over in just two paces. For the third pace, Mahabali offered his head for Vishnu to step on, an act that Vishnu accepted as evidence of Mahabali's devotion.[8] Vishnu granted him a boon, by which Mahabali could visit again, once every year, the lands and people he previously ruled. This revisit marks the festival of Onam, as a reminder of the virtuous rule and his humility in keeping his promise before Vishnu. The last day of Mahabali's stay is remembered with a nine-course vegetarian Onasadya feast.[8][17]
According to Nanditha Krishna, a simpler form of this legend, one without Mahabali, is found in the Rigveda and the Vedic text Shatapatha Brahmana where a solar deity is described with powers of Vishnu. This story likely grew over time, and is in part allegorical, where Bali is a metaphor for thanksgiving offering after a bounty of rice harvest during monsoon, and Vishnu is the metaphor of the Kerala sun and summer that precedes the Onam.[18] According to Roshen Dalal, the story of Mahabali is important to Onam in Kerala, but similar Mahabali legends are significant in the region of Balia and Bawan in Uttar Pradesh, Bharuch in Gujarat, and Mahabaleshwar in Maharashtra. The story is significant not because Mahabali's rule ended, but it emphasizes the Hindu belief in cyclical nature of events, that no individual, no ruler and nothing lasts forever, except the virtues and self-understanding that overcomes all sorrow.[19]
Parashurama legend
An alternate legend behind Onam relates to Parashurama, an incarnation of Vishnu who is credited in Hindu mythology to have created the Western Ghats from the southern tip of Kerala, Karnataka, Goa and up to Maharashtra.[20] According to this legend, Vishnu got upset with the kings and the warrior caste who were constantly at war and were arrogant over others.[20]
Vishnu took the avatar of Parashurama, or "Rama with an axe" and also known as Rama Jamadagyna, in the era of King Kaartavirya. This king persecuted and oppressed the people, the sages and the gods.[20] One day, the king came to the hermitage of Parashurama and his mother Renuka, where while Parashurama was away, the king without permission took away the calf of their cow. When Parashurama returned, he felt the injustice of the king, called him to war, and killed the king and all his oppressive warriors. At the end, he threw the axe, and wherever it fell, the sea retreated, creating the land of Kerala and other coastal western parts of Indian subcontinent.[20] Another version states that Parashurama brought Namboodiri Brahmins to southwestern parts of India, by creating a mini-Himalaya-like mountain range with his axe. The Onam festival, according to this legend, celebrates Parashurama's creation of Kerala by marking those days as the new year.[21]
The legend and worship of Parashurama is attested in texts and epigraphs dated to about the 2nd century CE.[20]
Cultural festival
The festival is also celebrated by Christians and Muslims of Kerala.[12] These traditions, according to Selvister Ponnumuthan, start with the lighting of Nilavilakku, eating the Onam meal together with the Hindus as a form of "communion of brothers and sisters of different faiths." The significance of these practices are viewed by some Kerala Christians as a form of integration with Hindus, mutual respect and sharing a tradition.[12]
Some Muslim reformists have called on Muslims to refrain from taking part in the festival.[22] Some Muslim Indian politicians light traditional vilakku (oil lamps), while others have refused to light these lamps at Onam events declaring it to be a Hindu tradition and against the teachings of Islam. Muslim daily newspapers and other publications have condemned Muslim ministers who participate in Onam traditions.[22][23][24] However some Muslims observe Onam anyway, considering its celebrations and rituals as a cultural practice.[25][26]
Celebrations, rituals and practices
Onam falls in the month of Chingam, which is the first month according to the Malayalam Calendar. The celebrations mark the Malayalam New Year, are spread over ten days, and conclude with Thiruvonam. The ten days are sequentially known as Atham, Chithira, Chodhi, Vishakam, Anizham, Thriketa, Moolam, Pooradam, Uthradam and Thiruvonam. The first and the last day are particularly important in Kerala and to Malayalee communities elsewhere.[8]
The Atham day is marked with the start of festivities at Vamanamoorthy Thrikkakara temple (Kochi). This Vishnu temple is considered as the focal centre of Onam and the abode of Mahabali, with the raising of the festival flag.[27] Parades are held, which are colourful and depict the elements of Kerala culture with floats and tableaux.[28]
Other days have diverse range of celebrations and activities ranging from boat races, cultural programs, sports competitions, dance events, martial arts, floral Rangoli - pookkalam, prayers, shopping, donating time or food for charity to spending time with family over feasts. Men and women wear traditional dress. The Kerala sari or Kasavu sari is particularly wore on this day.[29]
Athachamayam
The floral carpet, known as Onapookkalam or just Pookkalam,[33] is made out of the gathered blossoms with several varieties of flowers of differing tints pinched up into little pieces to design and decorate patterns on floor, particularly at entrances and temple premises like a flower mat. Lamps are arranged in the middle or edges. It is a work of religious art, typically the team initiative of girls and women, who accomplish it with a delicate touch and a personal artistic sense of tone and blending.[34] When completed, a miniature pandal (umbrella) hung with little festoons is erected over it.[35] The pookkalam is similar to Rangoli which is made of powders of various colors and is popular in North India.
The traditional ritual of laying pookkalam (floral carpet) starts on Atham day. The pookkalam on this day is called Athapoo, and it is relatively small in size. The size of the pookkalam grows in size progressively with each day of the Onam festival. Only yellow flowers will be used on Atham with only one circular layer made and the design is kept simple. Statues or figurines of Mahabali and Vamana are also installed at the entrance of each house on this day.[citation needed]
Traditionally, Atthapookalams included flowers endemic to Kerala and the Dashapushpam (10-flowers), but nowadays all varieties of flowers are used.[36] Earthen mounds, which look somewhat like square pyramids, representing Mahabali and Vamana are placed in the dung-plastered courtyards in front of the house along with the Pookalam, and beautifully decorated with flowers. All over Kerala, Pookalam competitions are a common sight on Onam day.[28]
Music and dance
Traditional dance forms including Thiruvathira, Kummattikali, Pulikali, Thumbi Thullal, Onam Kali and others. Thiruvathira Kali is a women's dance performed in a circle around a lamp. Kummattikali is a colourful-mask dance. In Thrissur, festivities include a procession consisting of caparisoned elephants surrounded by Kummatikali dancers. The masked dancers go from house to house performing the colorful Kummattikali. Onam Kali is a form of dance where players arrange themselves in circles around a pole or tree or lamp, then dance and sing songs derived from the Ramayana and other epics
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