Robert Anthony Plant CBE (born 20 August 1948) is an English singer, songwriter, and musician, best known as the lead singer and lyricist of the rock band Led Zeppelin.
Plant enjoyed great success with Led Zeppelin throughout the 1970s and developed a compelling image as the charismatic rock-and-roll front man, similar to contemporaries such as Roger Daltrey of the Who, Freddie Mercury of Queen, Mick Jagger of the Rolling Stones and Jim Morrison of the Doors.[1] With his mane of long blond hair and powerful, bare-chested appearance, Plant helped to create the "god of rock and roll" or "rock god" archetype. Although Led Zeppelin dissolved in 1980, Plant occasionally collaborated with Jimmy Page on various projects through this period, including forming a short-lived all-star group with Page and Jeff Beck in 1984, called the Honeydrippers. They released an album called The Honeydrippers: Volume One, and the band had a No. 3 hit with a remake of Phil Phillips' tune "Sea of Love", plus a follow-up hit with a cover of Roy Brown's "Rockin' at Midnight".
A powerful and wide vocal range (particularly evident in his high-pitched vocals) has given him a successful singing career spanning over 50 years. In 2008, Rolling Stone editors ranked him number 15 on their list of the 100 best singers of all time.[2] In 2011, Rolling Stone readers ranked Plant the greatest of all lead singers.[3] In 2006, Hit Parader magazine named Plant the "Greatest Metal Vocalist of All Time".[4] In 2009, Plant was voted "the greatest voice in rock" in a poll conducted by Planet Rock
Biography
Early life and musical beginnings
Robert Anthony Plant was born on 20 August 1948, in the Black Country town of West Bromwich, Staffordshire, England, to Robert C. Plant, a qualified civil engineer who worked in the Royal Air Force during the Second World War,[7] and Annie Celia Plant (née Cain),[8] a Romanichal woman.[9] He grew up in Kidderminster, Worcestershire. Plant gained an interest in singing and rock and roll music at an early age; in an interview with Andrew Denton on the Denton talk show in 1994, Plant stated his desire, as a ten-year-old, to be like Elvis:
[W]hen I was a kid I used to hide behind the curtains at home at Christmas and I used to try and be Elvis. There was a certain ambience between the curtains and the French windows, there was a certain sound there for a ten-year-old. That was all the ambience I got at ten years old ... And I always wanted to be ... a bit similar to that[1
He left King Edward VI Grammar School for Boys in Stourbridge in his mid-teens and developed a strong passion for the blues, mainly through his admiration for Willie Dixon, Robert Johnson and early renditions of songs in this genre.
I suppose I was quite interested in my stamp collection and Romano-British history. I was a little grammar school boy and I could hear this kind of calling through the airwaves.[11]
He abandoned training as a chartered accountant after only two weeks to attend college in an effort to gain more GCE passes and to become part of the English Midlands blues scene.[12][13] "I left home at 16", he said, "and I started my real education musically, moving from group to group, furthering my knowledge of the blues and of other music which had weight and was worth listening to".[14]
Plant's early blues influences included Johnson, Bukka White, Skip James, Jerry Miller, and Sleepy John Estes. Plant had various jobs while pursuing his music career, one of which was working for the major British construction company Wimpey in Birmingham in 1967 laying tarmac on roads. He also worked at Woolworth's in Halesowen town for a short period of time. He cut three obscure singles on CBS Records[15] and sang with a variety of bands, including the Crawling King Snakes, which brought him into contact with drummer John Bonham. They both went on to play in the Band of Joy, merging blues with newer psychedelic trends.
In 1968, guitarist Jimmy Page was in search of a lead singer for his new band and met Plant after being turned down by his first choice, Terry Reid, who referred him to a show at a teacher training college in Birmingham (where Plant was singing in a band named Hobbstweedle).[16] In front of Page, Plant sang Jefferson Airplane's "Somebody to Love", leading Page to end his search.[16] As recalled by Plant and Page:
Plant: I was appearing at this college when Peter and Jimmy turned up and asked me if I'd like to join the Yardbirds. I knew the Yardbirds had done a lot of work in America – which to me meant audiences who would want to know what I might have to offer – so naturally I was very interested.[17]
Page: When I auditioned him and heard him sing, I immediately thought there must be something wrong with him personality-wise or that he had to be impossible to work with, because I just could not understand why, after he told me he'd been singing for a few years already, he hadn't become a big name yet. So I had him down to my place for a little while, just to sort of check him out, and we got along great. No problems
With a shared passion for music, Plant and Page immediately developed a strong relationship, and began their writing collaboration with reworkings of earlier blues songs. Plant received no songwriting credits on the band's first album, allegedly because he was still under contract to CBS Records at the time.[citation needed] Plant brought along John Bonham as drummer, and they were joined by John Paul Jones, who had previously worked with Page as a studio musician.[citation needed] Jones called Page on the phone before they checked out Plant, and Page hired Jones immediately
Initially dubbed the "New Yardbirds" in 1968, the band soon came to be known as Led Zeppelin. The band's eponymous debut album hit the charts in 1969 and is widely credited as a catalyst for the heavy metal genre. Plant has commented that it is unfair for people to think of Zeppelin as heavy metal, as almost a third of their music was acoustic.[19][full citation needed]
In 1969, Led Zeppelin I was released. This was the bands' first album. Plant stated that "During Led Zeppelin I, as far as I was concerned I thought that I was going to [leave the band] anyway. ... I was quite nervous and didn't get into enjoying it until II."[20] Released only a few months later was the band's second album, Led Zeppelin II, which many referred to as a piece-together album. The group worked on this album while on the road, so many of the songs were recorded at separate times rather than in one sitting.[20] This album sparked much controversy due to the fact that some songs on the album, "The Lemon Song" and "Whole Lotta Love", showed similarities to songs previously written by other artists. This created legal trouble for the band over whether or not they plagiarized these songs.[20] During Led Zeppelin III, which was released in 1970, Page and Plant's relationship began to grow stronger. The two got to know each other on a more personal level through writing the songs on this album, forming a close connection.[20] The songs for this album were mostly created in a Welsh cottage, and Welsh culture was reflected in many of the songs on this album.[21] This album sold one of the lowest numbers of copies out of all the band's albums. This was surprising to the band, but many critics argued that the songs on the album were too soft, too aggressive, or for "druggies".[20] Led Zeppelin IV, released in 1971, was similar to Led Zeppelin III in the mythic storytelling sense. This album included one of the band's best known songs and greatest hit, "Stairway to Heaven".[22] Led Zeppelin IV was a huge hit and sold 37 million copies throughout the world, making it the band's best selling album. Led Zeppelin belonged to Atlantic Records and contributed to one-fourth of the profits for that record company.[20] The band also created their own record label, Swan Song, in 1974-1975.[21]
In 1975, Plant and his wife Maureen (now divorced) were seriously injured in a car crash in Rhodes, Greece.[23] This significantly affected the production of Led Zeppelin's seventh album Presence for a few months while he recovered, and forced the band to cancel the remaining tour dates for the year.
In July 1977, his son Karac died at the age of five while Plant was engaged on Led Zeppelin's concert tour of the United States. It was a devastating loss for the family. Plant retreated to his home in the Midlands and for months afterwards he questioned his future.[24] Karac's death later inspired him to write several songs in tribute: "All My Love" featured on Led Zeppelin's final studio album, 1979's In Through the Out Door, while "Blue Train" featured on Page and Plant's second and final (studio) album, 1998's Walking into Clarksdale.[citation needed] The song "I Believe" on Plant's solo album Fate of Nations is another tribute to his late son.
Plant did not begin writing song lyrics with Led Zeppelin until the making of Led Zeppelin II, in 1969. According to Jimmy Page:
The most important thing about Led Zeppelin II is that up to that point I'd contributed lyrics. Robert hadn't written before, and it took a lot of ribbing to get him into writing, which was funny. And then, on the second LP, he wrote the words of Thank You. He said, "I'd like to have a crack at this and write it for my wife
Plant's lyrics with Led Zeppelin were often mystical, philosophical and spiritual, alluding to events in classical and Norse mythology, such as "Immigrant Song", which refers to Valhalla and Viking conquests.[26] However, the song "No Quarter" is often misunderstood to refer to the god Thor; the song actually refers to Mount Thor (which is named after the god). Another example is "The Rain Song".
Plant was also influenced by J. R. R. Tolkien,[27][28] whose book series inspired lyrics in some early Led Zeppelin songs. Most notably "The Battle of Evermore", "Misty Mountain Hop","No Quarter", "Ramble On" and "Over the Hills and Far Away" contain verses referencing Tolkien's The Lord of the Rings and The Hobbit.[29] Conversely, Plant sometimes used more straightforward blues-based lyrics dealing primarily with sexual innuendo, as in "The Lemon Song", "Trampled Under Foot", and "Black Dog".
Welsh mythology also forms a basis of Plant's interest in mystical lyrics. He grew up close to the Welsh border and would often take summer trips to Snowdonia. Plant bought a Welsh sheep farm in 1973, and began taking Welsh lessons and looking into the mythology of the land (such as Black Book of Carmarthen, Book of Taliesin, etc.) Plant's first son, Karac, was named after the Welsh warrior Caratacus. The song "Bron-Y-Aur Stomp" is named after the 18th century Welsh cottage Bron-Yr-Aur owned by a friend of his father; it later inspired the song "Bron-Yr-Aur".[29] The songs "Misty Mountain Hop", "That's the Way", and early dabblings in what would become "Stairway to Heaven" were written in Wales and lyrically reflect Plant's mystical view of the land. Critic Steve Turner suggests that Plant's early and continued experiences in Wales served as the foundation for his broader interest in the mythologies he revisits in his lyrics (including those myth systems of Tolkien and the Norse).[30]
Page's passion for diverse musical experiences influenced Plant to explore Africa, specifically Marrakesh in Morocco where he encountered Umm Kulthum.
I was intrigued by the scales, initially, and obviously the vocal work. The way she sang, the way she could hold a note, you could feel the tension, you could tell that everybody, the whole orchestra, would hold a note until she wanted to change.[31]
That musical inspiration eventually culminated in "Kashmir". Both he and Jimmy Page revisited these influences during their reunion album No Quarter: Jimmy Page and Robert Plant Unledded in 1994.[32] In his solo career, Plant tapped into these influences many times, most notably in the 2002 album, Dreamland.
Arguably one of Plant's most significant achievements with Led Zeppelin was his contribution to the track "Stairway to Heaven", an epic rock ballad featured on Led Zeppelin IV that drew influence from folk, blues, Celtic traditional music and hard rock among other genres.[33] Most of the lyrics of the song were written spontaneously by Plant in 1970 at Headley Grange. While never released as a single, the song has topped polls as the greatest song of all time.[34]
Plant is also recognised for his lyrical improvisation in Led Zeppelin's live performances, often singing verses previously unheard on studio recordings. One of the most famous Led Zeppelin musical devices involves Plant's vocal mimicking of bandmate Jimmy Page's guitar effects. This can be heard in the songs "How Many More Times", "Dazed and Confused", "The Lemon Song", "You Shook Me", "Nobody's Fault but Mine" and "Sick Again".
He is also known for his light-hearted, humorous and unusual on-stage banter. Plant often discusses the origin and background of the songs during his shows, and sometimes provides social comment as well. He frequently talks about American blues musicians as his inspiration, mentioning artists like Robert Johnson, Howlin' Wolf, Blind Willie Johnson and Willie Dixon at the Rock and Roll Hall of Fame induction ceremony and the 2007 Ahmet Ertegün Tribute Concert with Led Zeppelin.
Stage persona
Plant enjoyed great success with Led Zeppelin throughout the 1970s and developed a compelling image as the charismatic rock-and-roll front man, similar to his contemporaries, The Who singer Roger Daltrey, Mick Jagger of the Rolling Stones and Jim Morrison of the Doors.[1] With his mane of long blond hair and powerful, bare-chested appearance, Plant helped to create the "god of rock and roll" or "rock god" archetype. On stage, Plant was particularly active in live performances, often dancing, jumping, skipping, snapping his fingers, clapping, making emphatic gestures to emphasise a lyric or cymbal crash, throwing back his head, or placing his hands on his hips. As the 1970s progressed he, along with the other members of Led Zeppelin, became increasingly flamboyant on-stage, and wore more elaborate, colourful clothing and jewellery.
According to Classic Rock magazine, "once he had a couple of US tours under his belt, 'Percy' Plant swiftly developed a staggering degree of bravado and swagger that irrefutably enhanced Led Zeppelin's rapidly burgeoning appeal."[35] In 1994, during his "Unledded" tour with Jimmy Page, Plant himself reflected tongue-in-cheek upon his Led Zeppelin showmanship:
I can't take my whole persona as a singer back then very seriously. It's not some great work of beauty and love to be a rock-and-roll singer. So I got a few moves from Elvis and one or two from Sonny Boy Williamson II and Howlin' Wolf and threw them all together.[36]
One of the oddest awards he received was the Rock Scene Magazine "Chest O Rama". Readers of the magazine had to decide who had the best chest in rock and Plant was the winner. When they contacted him about it, he replied: "I'm really greatly honoured although it's hard for me to be eloquent on the subject of my chest.
Plant enjoyed great success with Led Zeppelin throughout the 1970s and developed a compelling image as the charismatic rock-and-roll front man, similar to contemporaries such as Roger Daltrey of the Who, Freddie Mercury of Queen, Mick Jagger of the Rolling Stones and Jim Morrison of the Doors.[1] With his mane of long blond hair and powerful, bare-chested appearance, Plant helped to create the "god of rock and roll" or "rock god" archetype. Although Led Zeppelin dissolved in 1980, Plant occasionally collaborated with Jimmy Page on various projects through this period, including forming a short-lived all-star group with Page and Jeff Beck in 1984, called the Honeydrippers. They released an album called The Honeydrippers: Volume One, and the band had a No. 3 hit with a remake of Phil Phillips' tune "Sea of Love", plus a follow-up hit with a cover of Roy Brown's "Rockin' at Midnight".
A powerful and wide vocal range (particularly evident in his high-pitched vocals) has given him a successful singing career spanning over 50 years. In 2008, Rolling Stone editors ranked him number 15 on their list of the 100 best singers of all time.[2] In 2011, Rolling Stone readers ranked Plant the greatest of all lead singers.[3] In 2006, Hit Parader magazine named Plant the "Greatest Metal Vocalist of All Time".[4] In 2009, Plant was voted "the greatest voice in rock" in a poll conducted by Planet Rock
Biography
Early life and musical beginnings
Robert Anthony Plant was born on 20 August 1948, in the Black Country town of West Bromwich, Staffordshire, England, to Robert C. Plant, a qualified civil engineer who worked in the Royal Air Force during the Second World War,[7] and Annie Celia Plant (née Cain),[8] a Romanichal woman.[9] He grew up in Kidderminster, Worcestershire. Plant gained an interest in singing and rock and roll music at an early age; in an interview with Andrew Denton on the Denton talk show in 1994, Plant stated his desire, as a ten-year-old, to be like Elvis:
[W]hen I was a kid I used to hide behind the curtains at home at Christmas and I used to try and be Elvis. There was a certain ambience between the curtains and the French windows, there was a certain sound there for a ten-year-old. That was all the ambience I got at ten years old ... And I always wanted to be ... a bit similar to that[1
He left King Edward VI Grammar School for Boys in Stourbridge in his mid-teens and developed a strong passion for the blues, mainly through his admiration for Willie Dixon, Robert Johnson and early renditions of songs in this genre.
I suppose I was quite interested in my stamp collection and Romano-British history. I was a little grammar school boy and I could hear this kind of calling through the airwaves.[11]
He abandoned training as a chartered accountant after only two weeks to attend college in an effort to gain more GCE passes and to become part of the English Midlands blues scene.[12][13] "I left home at 16", he said, "and I started my real education musically, moving from group to group, furthering my knowledge of the blues and of other music which had weight and was worth listening to".[14]
Plant's early blues influences included Johnson, Bukka White, Skip James, Jerry Miller, and Sleepy John Estes. Plant had various jobs while pursuing his music career, one of which was working for the major British construction company Wimpey in Birmingham in 1967 laying tarmac on roads. He also worked at Woolworth's in Halesowen town for a short period of time. He cut three obscure singles on CBS Records[15] and sang with a variety of bands, including the Crawling King Snakes, which brought him into contact with drummer John Bonham. They both went on to play in the Band of Joy, merging blues with newer psychedelic trends.
In 1968, guitarist Jimmy Page was in search of a lead singer for his new band and met Plant after being turned down by his first choice, Terry Reid, who referred him to a show at a teacher training college in Birmingham (where Plant was singing in a band named Hobbstweedle).[16] In front of Page, Plant sang Jefferson Airplane's "Somebody to Love", leading Page to end his search.[16] As recalled by Plant and Page:
Plant: I was appearing at this college when Peter and Jimmy turned up and asked me if I'd like to join the Yardbirds. I knew the Yardbirds had done a lot of work in America – which to me meant audiences who would want to know what I might have to offer – so naturally I was very interested.[17]
Page: When I auditioned him and heard him sing, I immediately thought there must be something wrong with him personality-wise or that he had to be impossible to work with, because I just could not understand why, after he told me he'd been singing for a few years already, he hadn't become a big name yet. So I had him down to my place for a little while, just to sort of check him out, and we got along great. No problems
With a shared passion for music, Plant and Page immediately developed a strong relationship, and began their writing collaboration with reworkings of earlier blues songs. Plant received no songwriting credits on the band's first album, allegedly because he was still under contract to CBS Records at the time.[citation needed] Plant brought along John Bonham as drummer, and they were joined by John Paul Jones, who had previously worked with Page as a studio musician.[citation needed] Jones called Page on the phone before they checked out Plant, and Page hired Jones immediately
Initially dubbed the "New Yardbirds" in 1968, the band soon came to be known as Led Zeppelin. The band's eponymous debut album hit the charts in 1969 and is widely credited as a catalyst for the heavy metal genre. Plant has commented that it is unfair for people to think of Zeppelin as heavy metal, as almost a third of their music was acoustic.[19][full citation needed]
In 1969, Led Zeppelin I was released. This was the bands' first album. Plant stated that "During Led Zeppelin I, as far as I was concerned I thought that I was going to [leave the band] anyway. ... I was quite nervous and didn't get into enjoying it until II."[20] Released only a few months later was the band's second album, Led Zeppelin II, which many referred to as a piece-together album. The group worked on this album while on the road, so many of the songs were recorded at separate times rather than in one sitting.[20] This album sparked much controversy due to the fact that some songs on the album, "The Lemon Song" and "Whole Lotta Love", showed similarities to songs previously written by other artists. This created legal trouble for the band over whether or not they plagiarized these songs.[20] During Led Zeppelin III, which was released in 1970, Page and Plant's relationship began to grow stronger. The two got to know each other on a more personal level through writing the songs on this album, forming a close connection.[20] The songs for this album were mostly created in a Welsh cottage, and Welsh culture was reflected in many of the songs on this album.[21] This album sold one of the lowest numbers of copies out of all the band's albums. This was surprising to the band, but many critics argued that the songs on the album were too soft, too aggressive, or for "druggies".[20] Led Zeppelin IV, released in 1971, was similar to Led Zeppelin III in the mythic storytelling sense. This album included one of the band's best known songs and greatest hit, "Stairway to Heaven".[22] Led Zeppelin IV was a huge hit and sold 37 million copies throughout the world, making it the band's best selling album. Led Zeppelin belonged to Atlantic Records and contributed to one-fourth of the profits for that record company.[20] The band also created their own record label, Swan Song, in 1974-1975.[21]
In 1975, Plant and his wife Maureen (now divorced) were seriously injured in a car crash in Rhodes, Greece.[23] This significantly affected the production of Led Zeppelin's seventh album Presence for a few months while he recovered, and forced the band to cancel the remaining tour dates for the year.
In July 1977, his son Karac died at the age of five while Plant was engaged on Led Zeppelin's concert tour of the United States. It was a devastating loss for the family. Plant retreated to his home in the Midlands and for months afterwards he questioned his future.[24] Karac's death later inspired him to write several songs in tribute: "All My Love" featured on Led Zeppelin's final studio album, 1979's In Through the Out Door, while "Blue Train" featured on Page and Plant's second and final (studio) album, 1998's Walking into Clarksdale.[citation needed] The song "I Believe" on Plant's solo album Fate of Nations is another tribute to his late son.
Plant did not begin writing song lyrics with Led Zeppelin until the making of Led Zeppelin II, in 1969. According to Jimmy Page:
The most important thing about Led Zeppelin II is that up to that point I'd contributed lyrics. Robert hadn't written before, and it took a lot of ribbing to get him into writing, which was funny. And then, on the second LP, he wrote the words of Thank You. He said, "I'd like to have a crack at this and write it for my wife
Plant's lyrics with Led Zeppelin were often mystical, philosophical and spiritual, alluding to events in classical and Norse mythology, such as "Immigrant Song", which refers to Valhalla and Viking conquests.[26] However, the song "No Quarter" is often misunderstood to refer to the god Thor; the song actually refers to Mount Thor (which is named after the god). Another example is "The Rain Song".
Plant was also influenced by J. R. R. Tolkien,[27][28] whose book series inspired lyrics in some early Led Zeppelin songs. Most notably "The Battle of Evermore", "Misty Mountain Hop","No Quarter", "Ramble On" and "Over the Hills and Far Away" contain verses referencing Tolkien's The Lord of the Rings and The Hobbit.[29] Conversely, Plant sometimes used more straightforward blues-based lyrics dealing primarily with sexual innuendo, as in "The Lemon Song", "Trampled Under Foot", and "Black Dog".
Welsh mythology also forms a basis of Plant's interest in mystical lyrics. He grew up close to the Welsh border and would often take summer trips to Snowdonia. Plant bought a Welsh sheep farm in 1973, and began taking Welsh lessons and looking into the mythology of the land (such as Black Book of Carmarthen, Book of Taliesin, etc.) Plant's first son, Karac, was named after the Welsh warrior Caratacus. The song "Bron-Y-Aur Stomp" is named after the 18th century Welsh cottage Bron-Yr-Aur owned by a friend of his father; it later inspired the song "Bron-Yr-Aur".[29] The songs "Misty Mountain Hop", "That's the Way", and early dabblings in what would become "Stairway to Heaven" were written in Wales and lyrically reflect Plant's mystical view of the land. Critic Steve Turner suggests that Plant's early and continued experiences in Wales served as the foundation for his broader interest in the mythologies he revisits in his lyrics (including those myth systems of Tolkien and the Norse).[30]
Page's passion for diverse musical experiences influenced Plant to explore Africa, specifically Marrakesh in Morocco where he encountered Umm Kulthum.
I was intrigued by the scales, initially, and obviously the vocal work. The way she sang, the way she could hold a note, you could feel the tension, you could tell that everybody, the whole orchestra, would hold a note until she wanted to change.[31]
That musical inspiration eventually culminated in "Kashmir". Both he and Jimmy Page revisited these influences during their reunion album No Quarter: Jimmy Page and Robert Plant Unledded in 1994.[32] In his solo career, Plant tapped into these influences many times, most notably in the 2002 album, Dreamland.
Arguably one of Plant's most significant achievements with Led Zeppelin was his contribution to the track "Stairway to Heaven", an epic rock ballad featured on Led Zeppelin IV that drew influence from folk, blues, Celtic traditional music and hard rock among other genres.[33] Most of the lyrics of the song were written spontaneously by Plant in 1970 at Headley Grange. While never released as a single, the song has topped polls as the greatest song of all time.[34]
Plant is also recognised for his lyrical improvisation in Led Zeppelin's live performances, often singing verses previously unheard on studio recordings. One of the most famous Led Zeppelin musical devices involves Plant's vocal mimicking of bandmate Jimmy Page's guitar effects. This can be heard in the songs "How Many More Times", "Dazed and Confused", "The Lemon Song", "You Shook Me", "Nobody's Fault but Mine" and "Sick Again".
He is also known for his light-hearted, humorous and unusual on-stage banter. Plant often discusses the origin and background of the songs during his shows, and sometimes provides social comment as well. He frequently talks about American blues musicians as his inspiration, mentioning artists like Robert Johnson, Howlin' Wolf, Blind Willie Johnson and Willie Dixon at the Rock and Roll Hall of Fame induction ceremony and the 2007 Ahmet Ertegün Tribute Concert with Led Zeppelin.
Stage persona
Plant enjoyed great success with Led Zeppelin throughout the 1970s and developed a compelling image as the charismatic rock-and-roll front man, similar to his contemporaries, The Who singer Roger Daltrey, Mick Jagger of the Rolling Stones and Jim Morrison of the Doors.[1] With his mane of long blond hair and powerful, bare-chested appearance, Plant helped to create the "god of rock and roll" or "rock god" archetype. On stage, Plant was particularly active in live performances, often dancing, jumping, skipping, snapping his fingers, clapping, making emphatic gestures to emphasise a lyric or cymbal crash, throwing back his head, or placing his hands on his hips. As the 1970s progressed he, along with the other members of Led Zeppelin, became increasingly flamboyant on-stage, and wore more elaborate, colourful clothing and jewellery.
According to Classic Rock magazine, "once he had a couple of US tours under his belt, 'Percy' Plant swiftly developed a staggering degree of bravado and swagger that irrefutably enhanced Led Zeppelin's rapidly burgeoning appeal."[35] In 1994, during his "Unledded" tour with Jimmy Page, Plant himself reflected tongue-in-cheek upon his Led Zeppelin showmanship:
I can't take my whole persona as a singer back then very seriously. It's not some great work of beauty and love to be a rock-and-roll singer. So I got a few moves from Elvis and one or two from Sonny Boy Williamson II and Howlin' Wolf and threw them all together.[36]
One of the oddest awards he received was the Rock Scene Magazine "Chest O Rama". Readers of the magazine had to decide who had the best chest in rock and Plant was the winner. When they contacted him about it, he replied: "I'm really greatly honoured although it's hard for me to be eloquent on the subject of my chest.
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