الأحد، 8 مارس 2020

UFC

UFC

The Ultimate Fighting Championship (UFC) is an American mixed martial arts (MMA) promotion company based in Las Vegas, Nevada, which is owned and operated by parent company William Morris Endeavor.[3][4] It is the largest MMA promotion company in the world and features on its roster some of the highest-level fighters in the sport.[5] The UFC produces events worldwide[6] that showcase twelve weight divisions and abides by the Unified Rules of Mixed Martial Arts.[7] As of 2019, the UFC has held over 500 events. Dana White has been UFC president since 2001. Under White's stewardship, the UFC has grown into a globally popular multi-billion-dollar enterprise.[8]

The first event was held in 1993 at the McNichols Sports Arena in Denver, Colorado.[9] The purpose of the early Ultimate Fighting Championship competitions was to identify the most effective martial art in a contest with minimal rules and no weight classes between competitors of different fighting disciplines like boxing, kickboxing, Brazilian jiu-jitsu, sambo, wrestling, Muay Thai, karate, and judo. In subsequent events, fighters began adopting effective techniques from more than one discipline, which indirectly helped create a separate style of fighting known as present-day mixed martial arts.[10] In 2016, UFC's parent company, Zuffa, was sold to a group led by William Morris Endeavor (WME–IMG), including Silver Lake Partners, Kohlberg Kravis Roberts and MSD Capital[11] for US$4.025 billion.[12]

With a TV deal and expansion in Australia, Asia, Europe,[13][14][15] and new markets within the United States, the UFC has increased in popularity, and has achieved greater mainstream media coverage; the promotion brought in a total revenue of US$609 million in 2015,[16] and its next domestic media rights agreement with ESPN was valued at $1.5 billion over a five-year term
Art Davie proposed to John Milius and Rorion Gracie an eight-man single-elimination tournament called "War of the Worlds". The tournament was inspired by the Gracies in Action video-series produced by the Gracie family of Brazil which featured Gracie jiu-jitsu students defeating martial artists of various disciplines such as karate, kung fu, and kickboxing. The tournament would also feature martial artists from different disciplines facing each other in no-holds-barred combat to determine the best martial art and would aim to replicate the excitement of the matches Davie saw on the videos.[17] Milius, a noted film director and screenwriter, as well as a Gracie student, agreed to act as the event's creative director. Davie drafted the business plan and twenty-eight investors contributed the initial capital to start WOW Promotions with the intent to develop the tournament into a television franchise.[18]

In 1993, WOW Promotions sought a television partner and approached pay-per-view producers TVKO (HBO) and SET (Showtime), as well as Campbell McLaren and David Isaacs at the Semaphore Entertainment Group (SEG). Both TVKO and SET declined, but SEG – a pioneer in pay-per-view television which had produced such offbeat events as a man vs woman tennis match between Jimmy Connors and Martina Navratilova – became WOW's partner in May 1993.[19] SEG contacted video and film art director Jason Cusson to design the trademarked "Octagon", a signature piece for the event. Cusson remained the Production Designer through UFC 27.[17] SEG devised the name for the show as The Ultimate Fighting Championship.[20]

WOW Promotions and SEG produced the first event, later called UFC 1, at McNichols Sports Arena in Denver, Colorado on November 12, 1993. Art Davie functioned as the show's booker and matchmaker.[21] The show proposed to find an answer for sports fans' questions such as: "Can a wrestler beat a boxer?"[22] As with most martial arts at the time, fighters typically had skills in just one discipline and had little experience against opponents with different skills.[23] The television broadcast featured kickboxers Patrick Smith and Kevin Rosier, savate fighter Gerard Gordeau, karate expert Zane Frazier, shootfighter Ken Shamrock, sumo wrestler Teila Tuli, boxer Art Jimmerson, and 175 lb (79 kg) Brazilian jiu-jitsu black belt Royce Gracie—younger brother of UFC co-founder Rorion, whom Rorion handpicked to represent his family in the competition. Royce Gracie's submission skills proved the most effective in the inaugural tournament, earning him the first ever UFC tournament championship[24] after submitting Jimmerson, Shamrock, and Gordeau in succession. The show proved extremely successful with 86,592 television subscribers on pay-per-view.

It's disputed whether the promoters intended for the event to become a precursor to a series of future events. "That show was only supposed to be a one-off", eventual UFC president Dana White said. "It did so well on pay-per-view they decided to do another, and another. Never in a million years did these guys think they were creating a sport."[25] Art Davie, in his 2014 book Is This Legal?, an account of the creation of the first UFC event, disputes the perception that the UFC was seen by WOW Promotions and SEG as a one-off, since SEG offered a five-year joint development deal to WOW. He says, "Clearly, both Campbell and Meyrowitz shared my unwavering belief that War of the Worlds[note 1] would be a continuing series of fighting tournaments—a franchise, rather than a one-night stand."[26]

With no weight classes, fighters often faced significantly larger or taller opponents. Keith "The Giant Killer" Hackney faced Emmanuel Yarbrough at UFC 3 with a 9 in (23 cm) height and 400 pounds (180 kg) weight disadvantage.[27] Many martial artists believed that technique could overcome these size disadvantages, and that a skilled fighter could use an opponent's size and strength against him. With the 175 lb (79 kg) Royce Gracie winning three of the first four events, the UFC quickly proved that size does not always determine the outcome of the fight.

During this early part of the organization, the UFC would showcase a bevy of different styles and fighters. Aside from the aforementioned Royce Gracie, Ken Shamrock, and Patrick Smith, the competitions also featured competitors such as Hall of Famer Dan Severn, Marco Ruas, Gary Goodridge, Don Frye, Kimo Leopoldo, Oleg Taktarov, and Tank Abbott. Although the first events were dominated by jiu-jitsu, other fighting styles became successful: first wrestling, then ground and pound, kickboxing, boxing, and dirty boxing, which eventually melded into modern mixed martial arts.

In April 1995, following UFC 5 in Charlotte, North Carolina, Davie and Gracie sold their interest in the franchise to SEG and disbanded WOW Promotions. Davie continued with SEG as the show's booker and matchmaker, as well as the commissioner of Ultimate Fighting, until December 1997.

Emergence of stricter rules
Although UFC used the tagline "There are no rules" in the early 1990s, the UFC did in fact operate with limited rules. It banned biting and eye-gouging, and allowed techniques such as hair pulling, headbutting, groin strikes, and fish-hooking.

In a UFC 4 qualifying match, competitors Jason Fairn and Guy Mezger agreed not to pull hair—as they both wore pony tails tied back for the match. That same event saw a matchup between Keith Hackney and Joe Son in which Hackney unleashed a series of groin shots against Son while on the ground.

The UFC had a reputation, especially in the early days, as an extremely violent event, as evidenced by a disclaimer in the beginning of the UFC 5 broadcast which warned audiences of the violent nature of the sport.

UFC 5 also introduced the first singles match, a rematch from the inaugural UFC featuring three-time champion Royce Gracie and Ken Shamrock, called "The Superfight". This proved an important development, because singles matches would feature fighters who suffered no prior damage from a previous fight in the same event, unlike tournament matches. Singles matches would become a staple in the UFC for years to come.

"The Superfight" began as a non-tournament match that would determine the first reigning UFC Champion for tournament winners to face;[28] it later evolved into a match that could feature either title matches or non-title matches. The "Superfight" would eventually completely phase out tournament matches; by UFC Brazil, the UFC abandoned the tournament format for an entire card of singles matches (aside from a one-time UFC Japan tournament featuring Japanese fighters). UFC 6 was the first event to feature the crowning of the first non-tournament UFC Champion, Ken Shamrock.

Controversy and reform: late 1990s
The violent nature of the burgeoning sport quickly drew the attention of the U.S. authorities.[29]

In 1996, Senator John McCain (R-AZ) saw a tape of the first UFC events and immediately found it abhorrent. McCain himself led a campaign to ban the UFC, calling it "human cockfighting", and even sending letters to the governors of all fifty US states asking them to ban the event.[30]

Thirty-six states enacted laws that banned "no-hold-barred" fighting, including New York, which enacted the ban on the eve of UFC 12, forcing a relocation of the event to Dothan, Alabama.[31] The UFC continued to air on DirecTV PPV, though its audience remained minuscule compared to the larger cable pay-per-view platforms of the era.

In response to the criticism, the UFC increased cooperation with state athletic commissions and redesigned its rules to remove the less palatable elements of fights while retaining the core elements of striking and grappling. UFC 12 saw the introduction of weight classes and the banning of fish-hooking. For UFC 14, gloves became mandatory, while kicks to the head of a downed opponent were banned. UFC 15 saw limitations on hair pulling, and the banning of strikes to the back of the neck and head, headbutting, small-joint manipulations, and groin strikes. With five-minute rounds introduced at UFC 21, the UFC gradually re-branded itself as a sport rather than a spectacle.[32]

Led by UFC commissioner Jeff Blatnick and referee John McCarthy, the UFC continued to work with state athletic commissions.[33] Blatnick, McCarthy, and matchmaker Joe Silva created a manual of policies, procedures, codes of conduct, and rules to help in getting the UFC sanctioned by the athletic commissions, many of which exist to this day.[33] Blatnick and McCarthy traveled around the country, educating regulators and changing perceptions about a sport that was thought to be bloodthirsty and inhumane.[33] By April 2000, their movement had clearly made an impact.[33] California was set to become the first state in the U.S. to sign off on a set of codified rules that governed MMA.[33] Soon after, New Jersey adopted the language.[33]

As the UFC continued to work with the athletic commissions, events took place in smaller U.S. markets, and venues, such as the Lake Charles Civic Center. The markets included states that are largely rural and less known for holding professional sporting events, such as Iowa, Mississippi, Louisiana, Wyoming, and Alabama. SEG could not secure home-video releases for UFC 23 through UFC 29. With other mixed martial arts promotions working towards U.S. sanctioning, the International Fighting Championships (IFC) secured the first U.S. sanctioned mixed-martial-arts event, which occurred in New Jersey on September 30, 2000. Just two months later, the UFC held its first sanctioned event, UFC 28, under the New Jersey State Athletic Control Board's "Unified Rules".[34]

As the UFC's rules started to evolve, so too did its field of competitors. Notable UFC fighters to emerge in this era include Hall of Famers Mark Coleman, Randy Couture, Pat Miletich, Chuck Liddell, Matt Hughes, and Tito Ortiz, as well as notables Vitor Belfort, Mark Kerr, Pedro Rizzo, Murilo Bustamante, Frank Shamrock, Mikey Burnett, Jeremy Horn, Pete Williams, Jens Pulver, Evan Tanner, Andrei Arlovski, and Wanderlei Silva, among others.

Zuffa era: early 2000s
After the long battle to secure sanctioning, SEG stood on the brink of bankruptcy, when Station Casinos executives Frank and Lorenzo Fertitta and their business partner Dana White approached them in 2000, with an offer to purchase the UFC. A month later, in January 2001, the Fertittas bought the UFC for $2 million and created Zuffa, LLC as the parent entity controlling the UFC.

"I had my attorneys tell me that I was crazy because I wasn't buying anything. I was paying $2 million and they were saying 'What are you getting?'" Lorenzo Fertitta revealed to Fighter's Only magazine, recalling the lack of assets he acquired in the purchase. "And I said 'What you don't understand is I'm getting the most valuable thing that I could possibly have, which is those three letters: UFC. That is what's going to make this thing work. Everybody knows that brand, whether they like it or they don't like it, they react to it.'"[35]

With ties to the Nevada State Athletic Commission (Lorenzo Fertitta was a former member of the NSAC), Zuffa secured sanctioning in Nevada in 2001. Shortly thereafter, the UFC returned to pay-per-view cable television with UFC 33 featuring three championship bouts.

Struggle for survival and turnaround
The UFC slowly, but steadily, rose in popularity after the Zuffa purchase, due partly to greater advertising,[36] corporate sponsorship, the return to cable pay-per-view and subsequent home video and DVD releases.

With larger live gates at casino venues like the Trump Taj Mahal and the MGM Grand Garden Arena, the UFC secured its first television deal with Fox Sports Net. The Best Damn Sports Show Period aired the first mixed martial arts match on American cable television in June 2002, as well as the main event showcasing Chuck Liddell vs. Vitor Belfort at UFC 37.5.[37] Later, FSN would air highlight shows from the UFC, featuring one-hour blocks of the UFC's greatest bouts.
UFC 40 proved to be the most critical event to date in the Zuffa era. The event was a near sellout of 13,022 at the MGM Grand Arena and sold 150,000 pay per view buys, a rate roughly double that of the previous Zuffa events. The event featured a card headlined by a highly anticipated championship grudge match between then-current UFC Light Heavyweight Champion Tito Ortiz and former UFC Superfight Champion Ken Shamrock, who had previously left to professional wrestling in the WWE before returning to MMA. It was the first time the UFC hit such a high mark since being forced "underground" in 1997.[38] UFC 40 also garnered mainstream attention from massive media outlets such as ESPN and USA Today, something that was unfathomable for mixed martial arts at that point in time.[39] Many have suggested that the success of UFC 40 and the anticipation for Ortiz vs. Shamrock saved the UFC from bankruptcy; the buyrates of the previous Zuffa shows averaged a mere 45,000 buys per event and the company was suffering deep monetary losses.[39] The success of UFC 40 provided a glimmer of hope for the UFC and kept alive the hope that mixed martial arts could become big.[40] Beyond the rivalry itself, the success of UFC 40 was due in part to the marketing and outreach power of crossover athletes - from Pro Wrestling to MMA and MMA to Pro Wrestling - a practice with roots in Japan's Pride Fighting Championships.[41] Long time UFC referee "Big" John McCarthy said that he felt UFC 40 was the turning point in whether or not the sport of MMA would survive in America.

"When that show (UFC 40) happened, I honestly felt like it was going to make it. Throughout the years, things were happening, and everything always looked bleak. It always looked like, this is it, this is going to be the last time. This is going to be the last year. But, when I was standing in the Octagon at UFC 40, I remember standing there before the Ortiz/Shamrock fight and looking around. The energy of that fight, it was phenomenal, and it was the first time I honestly said, it's going to make it." –"Big" John McCarthy[42]
Despite the success of UFC 40, the UFC was still experiencing financial deficits. By 2004, Zuffa had $34 million of losses since they purchased the UFC.[43] Fighters who came into prominence after Zuffa's takeover include Anderson Silva, Georges St-Pierre, Rich Franklin, B.J. Penn, Sean Sherk, Matt Serra, Ricco Rodriguez, Robbie Lawler, Frank Mir, Karo Parisyan, and Nick Diaz.

The Ultimate Fighter and rise in popularity
Faced with the prospect of folding, the UFC stepped outside the bounds of pay-per-view and made a foray into television. After being featured in a reality television series, American Casino,[44] and seeing how well the series worked as a promotion vehicle, the Fertitta brothers developed the idea of the UFC having its own reality series.
Their idea, The Ultimate Fighter (TUF) was a reality television show featuring up-and-coming MMA fighters in competition for a six-figure UFC contract, with fighters eliminated from competition via exhibition mixed martial arts matches. It was pitched to several networks, each one rejecting the idea outright. Not until they approached Spike TV, with an offer to pay the $10 million production costs themselves, did they find an outlet.[43]

In January 2005, Spike TV launched The Ultimate Fighter 1 in the timeslot following WWE Raw. The show became an instant success, culminating with a notable season finale brawl featuring light heavyweight finalists Forrest Griffin and Stephan Bonnar going toe-to-toe for the right to earn the six-figure contract. The live broadcast of the season finale drew a very impressive 1.9 overall rating. Dana White credits TUF 1 for saving the UFC.[45]

On the heels of the Griffin/Bonnar finale, a second season of The Ultimate Fighter launched in August 2005, and two more seasons appeared in 2006. Spike and the UFC continued to create and air new seasons until the show moved to FX in 2012.[46]

Following the success of The Ultimate Fighter, Spike also picked up UFC Unleashed, an hour-long weekly show featuring select fights from previous events. Spike also signed on to broadcast live UFC Fight Night, a series of fight events debuting in August 2005, and Countdown specials to promote upcoming UFC pay-per-view cards.

After a very successful run on Spike and with the upcoming announcement of the UFC's new relationship with Fox, Spike officials made a statement regarding the end of their partnership with the UFC, "The Ultimate Fighter season 14 in September will be our last... Our 6-year partnership with the UFC has been incredibly beneficial in building both our brands, and we wish them all the best in the future."[47]

With the announcement of UFC's partnership with Fox in August 2011, The Ultimate Fighter, which entered its 14th season in that September, moved to the FX network to air on Friday nights starting with season 15 in the Spring of 2012. Along with the network change, episodes are now edited and broadcast within a week of recording instead of a several-month delay, and elimination fights are aired live

Ant and Dec Saturday Night

Ant & Dec's Saturday Night Takeaway (referred to simply as Saturday Night Takeaway or SNT) is a British television variety show, created and presented by Anthony McPartlin and Declan Donnelly (colloquially known as Ant & Dec), and broadcast on ITV since its premiere on 8 June 2002, enduring a three-year hiatus between 2010–2012, while its presenters worked on other projects.[1] The show's format, heavily influenced by previous Saturday night light entertainment shows such as Noel's House Party, Opportunity Knocks and Don't Forget Your Toothbrush, focuses on a mixture of live and pre-recorded entertainment and quiz segments, including an audience-based quiz involving the television adverts during a week's episode of one of ITV's programmes, and a competition in each series between the two presenters.

The programme proved an immense success for the broadcaster since its launch, earning several awards including Best Presenters at the 18th National Television Awards and the BAFTA for Entertainment Programme in 2013, as well as earning awards for the presenters. It success led to several international versions being created, though most have been short-lived, as well as a special mini-series of episodes involving an adventure of Ant & Dec, that were later broadcast as a special episode during the Christmas TV season. An official Saturday Night Takeaway iOS app for iPod, iPhone and iPad was released on 15 February 2013. The programme has aired its live series finales outside of the UK since its thirteenth series, and celebrated its 100th episode on 3 March 2018.

Up until 2018, shows were broadcast live from Studio 1 at The London Studios, but following the permanent closure of the studio the show will move into Studio TC1 at the Television Centre in West London, which is owned and operated by BBC Studioworks commencing with the sixteenth series on 22 February 2020.
Format
The general set up for each episode is a selection of segments consisting of specially crafted games, comedy/entertainment films, participation by either a studio audience member, or unsuspecting viewer/public member, and a show finale consisting of a performance by a musician, dance group, singer, or group performers. Episodes of Saturday Night Takeaway are broadcast live during the weekend, during a prime time slot on Saturday evenings for the entire run of a series. Each episode is introduced with a line-up of what segments will be featured during its broadcast, along with an introduction of the hosts themselves - from the seventh series onwards, this responsibility was given to a special celebrity announcer, who would not only give an introduction of themselves and the hosts, but would also state what viewers would expect in the show for that episode, along with an update on what was still to come before each commercial break in the programme. In the majority of episodes, the opening titles are preceded by a cold open scene involving the hosts performing a comedy sketch, similar to the cold openings of US light entertainment programme Saturday Night Live and usually with celebrity guests for the episode, which ended with them or the celebrities saying - "Roll the titles!"

Segments
Throughout the show's history, the programme has featured a variety of different segments, some based on notable elements in Saturday night TV. However, Saturday Night Takeaway features a regular selection of segments that it uses frequently in the majority of its episodes. These segments include:

An Audience Member's Game - Played at the beginning of an episode, the segment focuses on the presenters initially picking on certain audience members over something embarrassing about them. However, the last person picked takes part in a specially themed game just for them when Ant says "I think you better come with me...", in which they receive a prize regardless of the outcome. Research for the game usually is done by the production team, via input from relations and close friends who nominated the participant for this.
Ant vs. Dec - Played throughout a series, the presenters compete against each other in a number of themed challenges, in which neither presenter knows what each challenge is about. The winner of the game earns a point, and at the end of the series, the winner is the one to have the highest score; the loser is forced to undertake a forfeit during the series finale. The segment originally was designed as a surprise challenge for the two presenters, entitled "What's Next", in which neither pair knew what the challenge was, but had to work together to complete it. Between the eighth and ninth series, the presenters were joined by a team of celebrities who partook in the games. The segment is joined by a co-presenter, who gives out the rules and relay the results of the challenge, and is sometimes joined by a commentator during the challenge.
Ant & Dec Undercover - The presenters pull a prank on a selected celebrity, involving scripted scenes, such as a situation going wrong for their target. The prank would sometimes include the pair being on scene with their target, but in specially made disguises. The footage is shown with the celebrity in question present in the studio to watch it and to display their reactions towards what occurred when it was filmed. The segment was introduced in the second series, dropped after the fifth series, and then revived for the tenth series onwards.
I'm a Celebrity... Get Out of Me Ear! - Similar to "Undercover" and introduced in the tenth series, the presenters give a celebrity a concealed ear piece, and task them with doing whatever the pair instruct them to do before unsuspecting public members. Such instructions often involving doing or saying anything bizarre, weird, or downright silly.
Singalong Live - The presenters surprise three unsuspecting viewers, who become contestants in a karaoke-style quiz. Each is tasked with singing a segment of a song that is being sung by its artist, whereupon they must correctly identify a word that is missing from it. If they correctly identify the missing word, the viewer wins £500. The segment was first introduced in the eleventh series.
Read My Lips - This segment, introduced in the thirteenth series, focuses on a contestant giving answers to questions to the guest announcer, via Skype. However, the announcer wears noise-cancelling headphones, meaning that they have to read the contestant's lips to get the answer. If the contestant manage to get the announcer to give out three correct answers, they win a place on the series finale taking place outside of the UK.
Best Seats In The House/Sofa Watch - These segments focuses on viewer participation in a special game that offers a place in the studio audience for the following episode, with the exception of the series' finale. The segment takes place during the initial minutes of the episodes, in which viewers are shown several sofas (usually around 4) that are hidden in various locations in the UK, as shown by live-streaming via an on-site camera for each sofa. To win a place, the viewers must be within range of the location and be seated on the sofa in order to win when the presenters check to see who has found the sofas at a later stage in the episode.[2]
Win the Ads - Often the penultimate segment, a member of the audience is randomly selected to take part in a quiz to win a series of prizes. Prior to the show's broadcast, an ITV programme that had been broadcast during the week is randomly selected, whereupon the adverts broadcast during its commercial break(s) are used to create the prizes. Before the quiz begins, the prizes are placed onto a grid, concealed and randomly rearranged, before being given a number. The contestant is set amount of time (usually 60 seconds) to answer as many questions as they can - questions are based on that week's news stories, with each correct answer allowing the contestant to pick a number as their prize at the end. After time is up, the contestant is given the option to take their prizes, or gamble for the chance of winning all the prizes if they answer correctly one final question. The segment was originally used during the first series, and featured three people competing for the chance to win up to twenty prizes, with a consolation prize of a toilet roll given to any contestant that gambled and lost. The segment didn't return until the tenth series, which retained most of the format, but in favour of just having one contestant. From the thirteenth series onwards, the format was amended again, reducing the number of prizes to sixteen and dropping the use of a consolation prize.
"End of the Show" Show - The final segment of an episode, it focus on a big entertainment act to help finish off an episode's broadcast. From the first series to the ninth, it was mostly a musical act - singer, pop group and so forth - performing their latest hit in the charts. When the show returned from its hiatus, the segment's format was changed to become a musical number, which would be performed by the presenters alongside a special guest star(s).
Discontinued segments
The following is a list of segments used on the programme in the course of its history, that have since been retired:

Grab the Ads (Series 1–9) - Run for nine series, the segment focused on one randomly chosen viewer taking part in a prize give out. Viewers are initially asked to phone in for a place in the segment, with the chosen viewer receiving one of nine prizes on offer. Each prize was hidden behind a number - 1 to 9 - and whichever number was chosen was the prize that viewer got. In the first series, the format focused on the viewer picking a number from a grid upon being chosen, but for the majority of series, the number was generated through a game that was played by a different celebrity; after the prize was revealed, the presenters would announce the viewer who had been chosen to receive it. Its discontinuation came down to the production team opting to use the more commercial. "Win the Ads" game when Saturday Night Takeaway returned for its tenth series.
Banged Up with Beadle (Series 1) - This segment functioned liked a spoof of a reality show, in which each week, a different member of the public was chosen to spend seven days locked up in a dungeon at Spitbank Fort in the Solent, with Jeremy Beadle. When they appeared live in the episode on Saturday, they were given a task, in which they won £5,000 if successful. The segment featured a spin-off ITV2 show of the same name, presented by Donna Air and Brendan Courtney, to rival that of Channel 4's smash hit series Big Brother.
Make Ant Laugh (Series 1) - This segment focused on a contestant chosen by the show, attempting to impress Ant by making him laugh. If they succeeded, they won a trophy, otherwise they were gunged on the episode. The format was similar in nature to the Challenge Ant segment of SMTV Live.
Jim Didn't Fix It (Series 1–3) - This segment functioned as a spoof version of the format for Jim'll Fix It, in which an audience member who had written to Jimmy Savile in their youth for the means to fulfil their dreams but had never been lucky to receive it, were given the chance to realise their dreams years later.
Home Run (Series 1–3; 15-16) - This segment focused on unsuspecting members of the public being surprised by the presenters at a public location they were in, shown to viewers and the studio audience via hidden cameras set up at the location. The members selected by the show take part in a race to get back to their home immediately for a cash prize of £3,000. The person(s), regardless of being successful, would then be forced to read an oath in which they stated that they must never go out on Saturday nights again. The segment was briefly revived as part of the programme's 100th episode celebrations in 2018.
Opportunity Knocks, Again (Series 2–5) - Based upon Opportunity Knocks, the format focused on members of the studio audience, who had previously performed on the show, to repeat their act on Saturday Night Takeaway.
Saturday Cash Takeaway (Series 3) - This segment focused on a member of the studio audience randomly selecting one of nine popular takeaways, each being delivered to their customers. The one chosen would then be stuffed with £1,000, which the unsuspecting customer could receive, along with their food, if they answered a question correctly from their front door.
Saturday Night Pub Olympics (Series 4) - This segment focused the production team selecting a random pub across the country, in which a number of unsuspecting customers visiting it would be invited to take part in a series of sporting events, dubbed the "Saturday Night Pub Olympics". The members taking part, are split into two teams, and face other against each other in three different events, with Dickie Davies providing commentary on proceedings.
Beat the Boys (Series 6–8) - This segment focused on the presenters competing against a pair of celebrities in a specially themed time-trail event. Each pair would drive around a specially created course in a specific type of vehicle, and attempt to set a fast lap time. For each episode that the segment was featured in, the course included a specially designed set of obstacles that both pairs had to complete correctly; any not completed correctly would incur a ten-second penalty to the pair's lap time.
Jiggy Bank (Series 6–7) - This segment focused on a studio audience member being randomly chosen to take part in a special game with a cash prize. The game focused on them riding a robotic pig, like a rodeo, and holding for as long as possible, with their time affecting the amount of money they won. A maximum of £5,000 was on offer, and any money not won went into a jackpot for "Grab the Ads".
The Mouse Trap (Series 8–9) - This segment focused on a viewer being randomly picked to take part in a special game. The chosen viewer is given one minute to collect as much cheese from a specially created maze as they could possibly get and escape the maze before time ran out. Each piece of cheese collected was worth £1,000, with a total of five pieces to collect. If the contestant failed to get out of the maze in time, they would lose and be locked in the maze by "Tiddles the Takeaway Cat".
Escape from Takeaway Prison (Series 9) - This segment focused on twenty celebrities being imprisoned in a fictional prison of the show, in which they competed against each other in a series of games, to win their freedom.
A Ticket To Slide (Series 12) - This segment focused on the presenters choosing a random member of the public to take part in a special game, in which they, along with their friends and family, had to collect keys while travelling down an inflatable slide. If enough keys were collected, the contestant would win tickets for a vacation to New York.
Little Ant & Dec (Series 2−6, 10-14) - Two young "look-alikes" of the presenters, nicknamed "Little Ant" and "Little Dec", meet with celebrities and ask them blunt questions regarding various subjects, which sometimes bamboozled the interviewee into giving some surprisingly straight answers. From its introduction in the second series to the end of the sixth series, the look-alikes were played by James Pallister and Dylan McKenna-Redshaw. When the segment was revived for the tenth series onwards, both Pallister and McKenna-Redshaw were too old to resume their roles, leading to them being replaced by Neil Overend and Haydn Reid. The segment was dropped after the fourteenth series, when the production team decided that both Overend and Reid were too old to continue in these roles and should be allowed to focus on their education.
In for a Penny (Series 14-15) - Hosted by Stephen Mulhern and pre-recorded before an episode, this segment focuses on members of public being approached by Mulhern and taking part in a special gameshow, so long as they can provide a penny. Each contestant takes part in five rounds - four focusing on different challenges, and the final focusing on stopping at a selected number of seconds (i.e. stopping between 9–10 seconds) - and should they complete all five, they win £1,000, otherwise the game ends. At the end of Series 15, ITV confirmed that the segment would be spun-off as its own show.

آنا كيندريك

آنا كيندريك

آنا كندريك (بالإنجليزية: Anna Kendrick) ممثلة ومطربة أمريكية (ولدت في 9 أغسطس 1985) بدأت مسيرتها الفنية في المسرح. أول دور بارز لها سنة 1998 في المسرحية الموسيقية المجتمع الراقي (High Society) في برودواي الذي بفضله ترشحت لجائزة التوني كأفضل ممثلة في مسرحية موسيقية. أول فيلم لها في الساحة السينمائية فيلم المخيم (Camp 2003) شاركت كندريك في سلسلة افلام تويلايت (Twilight series 2008-2012) بدور ثانوي والذي يتمثل في جسيكا ستانلي. تحصلت آنا على اشادة ضخمة من النقاد لأدائها في فيلم اب ان ذي ار (Up in the air 2009) ومكنها اداءها في هذا الاخير من الترشح لجائزة الأوسكار كأفضل ممثلة بدور مساعد.

كندريك شاركت في العديد من الأفلام الناجحة منذ ذلك الحين كالفيلم الكوميدي الدرامي 50/50 (2011) ,فيلم الاثارة-الدرامي نهاية المراقبة ,(End of watch 2012) فيلم الخيالي والموسيقي في الغابة (Into the woods 2014)و الفيلم الكوميدي مايك اند دايف نيد ودينج ديتس(Mike and Dave need wedding dates 2016).

عرفت كندريك الشهرة العالمية للعب بطلة الفيلم الكوميدي-موسيقي طبقة الصوت المثالية (Pitch Perfect 2012)و جزئه الثاني طبقة الصوت المثالية 2 الصادر سنة 2015 والذي حطم ارقاما قياسية في شبابيك التذاكر محلا الصدارة في الارادات بالنسبة للأفلام الموسيقية.

Anna Kendrick

Anna Kendrick

Anna Cooke Kendrick (born August 9, 1985) is an American actress and singer. She began her career as a child actress in theater productions. Her first starring role was in the 1998 Broadway musical High Society. She later made her feature film debut in the musical comedy Camp (2003).

Kendrick rose to prominence for her supporting role as Jessica Stanley in The Twilight Saga (2008–2012). Her starring role in Jason Reitman's comedy-drama film Up in the Air, which was released in 2009, received praise from critics and a nomination for the Academy Award for Best Supporting Actress. She achieved further recognition for starring as Beca Mitchell in the Pitch Perfect film series (2012–2017).

Kendrick also had starring roles in the comedy-drama 50/50 (2011), the crime-drama End of Watch (2012), the musical-fantasy Into the Woods (2014), the drama Cake (2014), the adult comedy Mike and Dave Need Wedding Dates (2016), the animated comedy Trolls (2016), and the mystery-thriller comedy A Simple Favor (2018). Kendrick published a memoir in 2016, titled Scrappy Little Nobody.
Early life
Kendrick was born on August 9, 1985, in Portland, Maine.[1][2] She is the daughter of Janice (née Cooke), an accountant, and William Kendrick, a history teacher who also works in finance.[3] Her maternal grandparents were Ronald[4] and Ruth (née Small) Cooke.[5] She has an older brother, actor Michael Cooke Kendrick, who appeared in the 2000 film Looking for an Echo. Kendrick is of English, Irish, and Scottish descent.[6] She attended Deering High School in Portland before entering the entertainment business.[7]

Career
1998–2007: Early career, theater, and film debut
Kendrick started her career as a child, auditioning for theater productions in New York City. When she was 12, she played a supporting role in the 1998 Broadway musical High Society. Her performance earned her a Theater World Award, as well as nominations for Featured Actress in a Musical at the Drama Desk Awards and Tony Awards. She went on to play a supporting role in the 2003 New York City Opera production of Stephen Sondheim's musical A Little Night Music.

Kendrick made her film debut in the musical film Camp. Her performance as the nerdy Fritzi Wagner earned her a nomination for the Independent Spirit Award for Best Debut Performance. She went on to play an ambitious high school debater in Rocket Science (2007), for which she earned a subsequent Independent Spirit Award nomination for Best Supporting Female.

2008–2011: Twilight and Up in the Air
Kendrick rose to prominence in 2008 for the fantasy romance Twilight, based on Stephenie Meyer's novel of the same name, which became a major blockbuster at the box office. Kendrick played Jessica Stanley, a friend of protagonist Bella Swan. In 2009, she appeared in the comedy The Marc Pease Experience, played her first leading role in the crime thriller Elsewhere, and returned as Jessica Stanley in The Twilight Saga: New Moon.

She then starred alongside George Clooney in director Jason Reitman's Up in the Air (2009). Her performance as an ambitious college graduate was praised by critics, who called it "funny and touching"[8] and commented that she "grabs every scene she's in".[9] She was nominated for Best Supporting Actress at several awards ceremonies, including the Academy Awards, Golden Globe Awards, Screen Actors Guild Awards, and BAFTA Awards.

In 2010, Kendrick again appeared as Jessica Stanley in The Twilight Saga: Eclipse. Later that year, she appeared in Scott Pilgrim vs. the World, in which she played the sister of the title character. The film did not fare well at the box office, but has emerged as a cult classic over time. In 2011, she appeared in the critically acclaimed comedy-drama 50/50, playing an inexperienced therapist to a cancer patient played by Joseph Gordon-Levitt. Later that year, she reprised her role of Jessica Stanley in Breaking Dawn – Part 1 (2011), her final on-screen appearance in The Twilight Saga.

2012–2015: Pitch Perfect and Into the Woods
In 2012, Kendrick featured opposite Chace Crawford as part of the ensemble cast of What to Expect When You're Expecting, loosely based on the pregnancy guide of the same name. Also that year, she lent her voice to the stop-motion animated film ParaNorman; starred in the commercially successful crime drama End of Watch, playing the love interest of Jake Gyllenhaal's character; and appeared in Robert Redford's political thriller The Company You Keep.

Kendrick's most successful film of 2012 was the musical comedy Pitch Perfect (2012), loosely based on the non-fiction book Pitch Perfect: The Quest for Collegiate A Cappella Glory. Kendrick played the protagonist of the film, leading an ensemble cast including Skylar Astin, Rebel Wilson, Adam DeVine, Anna Camp, Brittany Snow, and more. She played Beca Mitchell, a rebellious college freshman who joins an a cappella group called the Barden Bellas and finds that her more modern approach to music clashes with the traditional approach of the group's leader. The film emerged as a major commercial success and received mostly positive reviews from critics, who called Kendrick's performance "splendid", saying that she "hits just the right note between pithy and chummy."[10]

In 2013, Kendrick featured in the romantic comedy-drama Drinking Buddies, which received mostly positive reviews from critics, as well as the largely panned fantasy comedy Rapture-Palooza.

At the Sundance Film Festival in January 2014, Kendrick was featured in three films. She played leading roles in the comedy-drama Happy Christmas and the horror comedy The Voices, which both received generally favorable reviews from critics, as well as a supporting role in the zombie comedy Life After Beth. Both Happy Christmas and Life After Beth received limited releases later in 2014, while The Voices was given a limited release in early 2015.

At the Toronto International Film Festival in September 2014, Kendrick was featured in two films. She starred opposite Jeremy Jordan in the musical romance The Last Five Years, an adaptation of the off-Broadway musical of the same name. While the film itself received mixed reviews, Kendrick garnered widespread critical acclaim for her performance. She also played a supporting role in the comedy-drama Cake starring Jennifer Aniston. Cake was eventually given a wide release in January 2015, while The Last Five Years received a limited release in February 2015.

Kendrick was next seen playing Cinderella in Disney's Into the Woods (2014), director Rob Marshall's film adaptation of Stephen Sondheim's musical of the same name. Kendrick was a part of the large ensemble cast including Meryl Streep, Emily Blunt, James Corden, Chris Pine, Johnny Depp, and others. The film became a major commercial success and received mostly positive reviews from critics.

Kendrick played a supporting role in Digging for Fire, which premiered at the 2015 Sundance Film Festival and received a limited release in August of that year. In May 2015, she reprised her role of Beca Mitchell in Pitch Perfect 2 (2015). The film, which followed Mitchell in her senior year of college as the co-president of the Barden Bellas, emerged as a major box office blockbuster and surpassed the success of the first film.

2016–present
Kendrick starred in the action comedy Mr. Right, which premiered at the 2015 Toronto International Film Festival and was released on April 8, 2016. She also starred in The Hollars, a comedy-drama directed by and starring John Krasinski, which premiered at the 2016 Sundance Film Festival, and was theatrically released in August 2016. She was then seen opposite Miles Teller in the coming-of-age film Get a Job, which received a limited release in March 2016 after being delayed since 2012.

Also in 2016, Kendrick starred in the commercially successful comedy Mike and Dave Need Wedding Dates, alongside Zac Efron, Adam DeVine, and Aubrey Plaza, voiced a main character, Poppy, in the animated film Trolls,[11] and co-starred in the action thriller The Accountant, with Ben Affleck.[12][13][14] Kendrick's memoir Scrappy Little Nobody was published on November 15, 2016.[15]

Kendrick starred in Table 19, which was released March 3, 2017.[16] She again took up the role of Beca Mitchell in Pitch Perfect 3, released on December 22, 2017.[17] In September 2018, she starred as Stephanie Smothers in the mystery-thriller film A Simple Favor.

In September 2018, Kendrick began appearing in a series of advertisements for Hilton Hotels.

القوات المسلحة للاتحاد الروسي

القوات المسلحة للاتحاد الروسي

القوات المسلحة للاتحاد الروسي (بالروسية: Вооружённые Си́лы Росси́йской Федера́ции) هو الاسم الرسمي الذي يطلق على المؤسسة العسكرية في روسيا، والتي تأسست بعد تفكك الاتحاد السوفيتي. وذلك بعد أن وقع بوريس يلتسين في 7 مايو 1992 مرسومًا رئاسيا بإنشاء وزارة الدفاع الروسية ووضع جميع جيوش القوات المسلحة السوفياتية على أراضي روسيا السوفيتية تحت سيطرة الفيدرالية الروسية الجديدة. ويكون رئيس الأركان العامة للقوات المسلحة الروسية هو رئيس روسيا.ومع أن القوات المسلحة الروسية قد تشكلت في عام 1992، الا أن الجيش الروسي تعود جذوره إلى زمن اتحاد روس كييف للسلاف الشرقيون.

يتم تحديد عدد القوات الروسية بموجب مرسوم رسمي من رئيس روسيا. في 1 يناير/كانون الثاني عام 2008، تم تحديد عدد أفراد القوات المسلحة الروسية بعدد 2,019,629 فرد، ويشمل ذلك 1,134,800 فردا من العسكريين. في عام 2010 قدر المعهد الدولي للدراسات الاستراتيجية (IISS) أن القوات النشطة في الجيش الروسي يبلغ عددها حوالي 1,040,000 فرد، بينما قوات الاحتياط هى في نطاق 2,035,000 فرد (مكونه إلى حد كبير من مجندين سابقين). وفي أكتوبر 2013، ورد في تقرير المجلس الروسي للمحاسبات أن عدد الموظفين الفعليين في القوات المسلحة الروسية الذين يتقاضون رواتب هو 766,000 فرد وذلك بالتعارض مع عدد الأفراد المحدد بواسطة المرسوم الرئاسي. اعتبارا من شهر ديسمبر عام 2013، يصل حجم القوى العاملة في الجيش الروسي لحوالي 82% من الحجم المطلوب.

وفقا لتقرير معهد ستوكهولم الدولي لأبحاث السلام، انفقت روسيا حوالي 72 مليار دولار على التسلح في عام 2011. وتخطط روسيا لزيادة إضافية في إنفاقها العسكري، بمشروع للميزانية يظهر ارتفاعا في القيمة الحقيقية للانفاق العسكري بنسبة 53٪ حتى عام 2014. ومع ذلك، يضيف المعهد أن العديد من المحللين يشككون في ما إذا كانت الصناعة الروسية ستكون قادرة على تحقيق مثل هذه الخطط الطموحة بعد عقود من الركود الاقتصادي في أعقاب انهيار الاتحاد السوفياتي.
لدى الجيش البري نحو 15 ألفا وخمسمائة دبابة، و27 ألفا و607 عربات عسكرية، ونحو 3781 منصة إطلاق صواريخ من مختلف الأنواع.

الدبابات: 15500 تي-90- تي-72
المدرعات: 5990
بندقية ذاتية الدفع: 27607
المدافع: 4625
قاذفات الصواريخ: 3781 منها غراد وسميرتش
كاسحات الالغام:450
القوات الجوية
مع تفكك الاتحاد السوفياتي، وزعت تشكيلات القوات الجوية على الدول المستقلة وحصلت روسيا على النصيب الأكبر بواقع 40% من الطائرات، و65% من القوة البشرية، بالإضافة إلى قيادات سرب النقل الجوي بعيد المدى.

وأعيدت تسمية النقل الجوي العسكري وتشكيلات الوحدات الجوية الأمامية مع بعض التعديلات، مع العلم أن العديد من الدول المنفصلة عن الاتحاد السوفياتي طالبت بأسراب الطائرات والطيارين الذين كانوا يتمركزون على أراضيها من أجل تشكيل نواة لقواها الجوية.

في حين بقيت قيادة الدفاع الجوي مستقلة بذاتها تحت القيادة الروسية لفترة محددة إلى أن تم دمجها مع القوى الجوية عام 1998.

وقد اضطرت هذه القوات للتخلي عن خططها الطموحة للحصول على مقاتلات تكتيكية متطورة جديدة لحساب تطوير الأسراب الموجودة لديها. وأمام هذا الوضع تعين على قيادة القوى الجوية اتخاذ بعض الإجراءات التي وصفت بالمؤلمة:

في أكتوبر/تشرين الأول من العام 2004 حُلّ السربان 200 و444 من القاذفات الإستراتيجية بعيدة المدى المؤلفان من طائرات توبوليف 22 أم3.

تم حل بعض الأسراب المقاتلة بما فيها تلك التي تستخدم طائرات من طراز سوخوي 24. ومقابل ذلك، أعلن عن تشكيل أسراب هجومية مزودة بطائرات سوخوي 25 المتطورة.

وفي عام 2003 تم نقل جميع معدات سرب النقل والتشكيلات الجوية الأخرى الملحقة بالقوات البرية إلى صفوف القوات الجوية.

بحسب إحصاءات أوردها موقع غلوبال فاير باور عام 2014، يصل عدد طائرات الجيش الروسي إلى 3082 طائرة، في حين يصل عدد المقاتلات إلى 736، والطائرات الهجومية إلى 1289.

أما طائرات النقل فعددها 730، وطائرات التدريب 303، أما المروحيات فعددها 973، والمروحيات المقاتلة 114.

طائرات نفاثة: 3082
طائرات عامودية: 973
القوات البحرية
تضم القوات البحرية الروسية في تشكيلاتها كل ما كان منضويا تحت لواء البحرية السوفياتية، وتتكون من الأسطول الشمالي، وأسطول المحيط الهادي، وأسطول البحر الأسود، وأسطول البلطيق، وكوكبة سفن قزوين، والنقل البحري، ومشاة البحرية، والمدفعية الساحلية.

وخلال الحرب الباردة قامت البحرية الروسية بعدد من المهام، فضلا عن كونها ركيزة رئيسية لثالوث الدرع النووي. ويرى الخبراء العسكريون أنه وفي بعض المجالات -ولا سيما من حيث السرعة وتقنية المفاعلات- كانت الغواصات السوفياتية واحدة من أفضل القطع البحرية في العالم.

لكن، ومع انهيار الاتحاد السوفياتي تلقت القوات البحرية ضربة قاسية تقنيا وبشريا بسبب نقص التمويل الهائل، الأمر الذي دفع القيادة العسكرية إلى جعل بعض السفن منازل عائمة في القواعد البحرية لاستيعاب الجنود والضباط، وإلى وقف برامج بناء سفن جديدة.

مع العلم أن بعض أسباب هذا التراجع تعود للعهد السوفياتي لجهة التنوع غير العملي للقطع البحرية التي كانت تفرضها هيئة التصنيع العسكري، بدعم من القيادة، على القوى البحرية.

فعلى سبيل المثال لا الحصر، امتلكت القوى البحرية السوفياتية في منتصف الثمانينيات من القرن الماضي عددا من الناقلات البحرية من طراز كييف التي تقاعدت مبكرا وخرجت من الخدمة قبل أوانها.

وبحلول 2006 كان لدى البحرية الروسية خمسون غواصة نووية مقارنة مع 170 عام 1991 علما بأن 24 غواصة منها فقط جاهزة للعمل.

ولم تشهد البحرية الروسية أي نشاط فعلي لها إلا مع بداية عام 2003 عبر إجراء المناورات الكبرى مع البحرية الهندية في المحيط الهندي، ومناورات أخرى في أغسطس/آب من السنة نفسها في مناورات الشرق الأقصى في "فوستوك" بالاشتراك مع قوات يابانية وكورية جنوبية.

وبحسب أرقام موقع غلوبال فاير باور لعام 2014، تتكون القوة البحرية الروسية من حاملة طائرات واحدة، وأربع بوارج حربية و13 مدمرة بحرية، و74 سفينة مقاتلة، و63 غواصة بحرية، و65 من سفن خفر السواحل، إلى جانب 34 كاسحة ألغام.

الكل: 352
حاملات طائرات:1 الأميرال كوزنستوف
الفرقاطات:4
المدمره:13
كورفت:74
الغواصات:63
الدوريات:65
كاسحات الالغام:34
مناورات تدريبية
تشارك القوات المسلحة الروسية بفروعها المختلفة في العديد من المناورات العسكرية التدريبية لرفع مستوى الاستعداد القتالي وكفاءة القوات ومنها :

مناورات إندرا
مناورات استقرار
مناورات التعاون في البحر
مناورات السماء اليقظة
مناورات القوقاز
مناورات النسر الشمالي
مناورات النسر المتيقظ
مناورات بارنتس
مناورات ريمباك
مناورات زاباد
مناورات فوستوك
مناورات مهمة سلام
حماة الصداقة 2016

قوات مسلحة

قوات مسلحة

القوات المسلحة هي عماد الدفاع عن أمن دولها برًّا وبحرًا وجوًّا. ويتم تشكيلها وتسليحها وتدريبها لتحقيق الأهداف الإستراتيجية التي تضعها الدولة. وتتكون القوات المسلحة في الدول الكبرى من عدة جيوش، وللدول الأصغر من جيش واحد. وفي كثير من الدول التي تمتلك جيشا كبيرا يقود قواتها المسلحة ضابط برتبة مشير وهي أعلى رتبة تمنح في القوات المسلحة.

والعديد من الدول في العصر الحديث تفصل فصلًا واضحًا بين فئات القوات المسلحة العاملة في البر والبحر والجو، وبذلك تستقل التقسيمات إلى:

1. جيش
2. بحرية
3. جوية
4. دفاع جوي
5. حرس الحدود (السعودية يتبع حرس الحدود وزارة الداخلية)
ولكل منها رئاسة أركان مستقلة، وفي هذه الحالة يقود القوات المسلحة رئيس أركان مشتركة.

مهام القوات المسلحة
في الدرجة الأولى حماية الدولة من الاعتداء الخارجي, والمحافظة على الحدود البرية والمياة الإقليمية, والمجال الجوي للدولة. كما يتدخل الجيش أحيانًا في حالة فشل أجهزة الأمن المدنية, في السيطرة على الأوضاع الأمنية بداخل الدولة.

وفي أغلب جيوش العالم يتلقى الجيش دعمًا من أجهزة عسكرية أخرى فمثلًا الجيش الأمريكي في العراق يتلقى دعمًا من البحرية الأمريكية (مشاة البحرية) ومن سلاح الجو (الطيران الحربي) ... إلخ.

كما تتدخل القوات المسلحة أيضًا في حالة وقوع كوارث طبيعية (زلازل.فيضانات...)كالمساعدة على إخلاء السكان في حالة توقع نشاط بركاني.

وزارة الدفاع (العراق)

وزارة الدفاع (العراق)

وزارة الدفاع العراقية هي المؤسسة العسكرية الوطنية التي تتحمل مسؤولية الدفاع عن حدود البلاد وحماية الشعب ومصالحه من التهديدات الخارجية والداخلية بالتضامن والتعاون مع المؤسسات الحكومية الأخرى.
السلطة
تسيطر وزارة الدفاع على جميع القوات المسلحة العراقية، والقوة البرية العراقية (التي تسيطر على الجيش)، وقوات العمليات الخاصة العراقية، والقوة البحرية العراقية والقوة الجوية العراقية. 

التاريخ
تم حل الوزارة بموجب الأمر رقم 2 الصادر عن سلطة الائتلاف المؤقتة في منتصف عام 2003.  وقد أعيد تأسيسها رسميا بموجب أمر سلطة الائتلاف المؤقتة رقم 67 المؤرخ 22 آذار 2004.  وفي الفترة الانتقالية، كان مكتب الشؤون الأمنية التابع لسلطة الائتلاف المؤقتة بمثابة وزارة الدفاع بحكم الأمر الواقع.

ويوجه مكتب مكافحة الإرهاب العراقي القيادة العراقية لمكافحة الإرهاب، وهي قوة عسكرية أخرى مسؤولة مباشرة أمام رئيس وزراء العراق. وحتى يوم 30 حزيران 2009، كانت هناك تشريعات جارية لمدة سنة لجعل مكتب مكافحة الإرهاب العراقي وزارة مستقلة.

وزير الدفاع
شغل منصب وزير الدفاع، في الحكومة العراقية السابقة التي تمت الموافقة عليها في 21 كانون الأول/ديسمبر 2010، رئيس الوزراء نوري المالكي بالوكالة.لاحقا، شغل المنصب سعدون الدليمي من 2011 إلى 2014، وخالد العبيدي من 2014 إلى 2016. وشغل منصب وزير الدفاع في 2016 إلى 2018 اللواء عرفان الحيالي ، اما حالياً يشغل منصب وزير الدفاع نجاح الشمري.

وكان وزير الدفاع السابق، الفريق عبد القادر محمد جاسم العبيدي، ضابطا عسكريا سنيا مستقل سياسيا. كانت لديه خبرة محدودة ووواجه عددا من العقبات التي تعوق ادارته.

في 19 سبتمبر 2005، ذكرت صحيفة الإندبندنت أن ما يقرب من 1,000,000,000 $ قد سرقت من قبل كبار مسؤولين وزارة الدفاع بما في ذلك حازم شعلان و زياد قطان. 

أما وزراء الدفاع في ظل النظام السابق صدام حسين فهم علي حسن المجيد المعروف ب(علي الكيماوي). وكان أول وزير دفاع عراقي هو جعفر العسكري ( 1920-1922 ).

زياد علي

زياد علي محمد