الأحد، 15 مارس 2020

Honey singh

Honey singh

Hirdesh Singh (born 15 March 1983), known by this professional name, Yo Yo Honey Singh or Honey Singh,[1] is an Indian music composer, rapper, pop singer and film actor. He started as a session and recording artist, and became a bhangra music producer. Later, he gained success with his music and is currently, one the most paid artist in Indian music industry.
Early life
Singh was born on 15 March 1983 at Hoshiarpur, Punjab to a Sikh family.[2][3][4][5][6] His birth name is Hirdesh Singh. He studied music at the Trinity School in the United Kingdom.[7] His family later moved to Delhi.[8]

Personal life
Singh is married to Shalini Talwar Singh, whom he introduced to audiences for the first time on the television show India's Raw Star.[9][10]

In late 2014, Singh disappeared from the music scene, before making a comeback the following year, but mostly avoided the media. In March 2016, he attributed his 18 month long absence from the public to his bipolar disorder.[11]

Promotion
Singh and Diljit Dosanjh's song "Lak 28 Kudi Da" reached No. 1 in the BBC Asian Download Charts in May 2011. The song was released as a promotional track for Diljit Dosanjh's film Lion of Punjab.[12]

Singh received the ETC award for the best sound in 2006 for his song "Glassi", the PTC award for the Best Folk Pop Award 2009 for "Rebirth", and the PTC award for Punjab's Best Music Director 2011.[13]

It has been reported that he was paid the highest fee ever for a Bollywood song (as of 2012) of ₹7 million (US$98,000) for a song in the films Cocktail and Mastan.[14]

Singh topped the chart of trending videos of 2012.[15] He earned two places on YouTube's list of top 10 trending videos of 2012.[16] His song "Brown Rang" made it to the top spot. "High Heels", in collaboration with Jaz Dhami, took the fourth spot.[17]

Career
Singh prefers to sing in Hindi and his native language Punjabi rather than English.[18]

The Punjabi album International Villager was released on 11 November 2011.[19] The track "Gabru" from the album, featuring singer J-Star, topped the Asian music charts, including the official BBC Asian charts.[20]

He has performed at many college festivals, including Ansal Institute of Technology and Ramjas College, Delhi.[21]

Bollywood
His debut song in Bollywood films was Shakal Pe Mat Ja, featuring Gagan Sidhu. Singh charged Rs. 7 million for a song in the film Mastan. This was the largest amount paid to a song artist in Bollywood to date, making Singh one of the highest-paid musical artists in Bollywood.[22][23]

The song "Angreji Beat" from Singh's album International Villager, featuring Gippy Grewal, was featured in Saif Ali Khan's film Cocktail.

Singh launched his single "Bring Me Back ft. Spoken Word" at the Video Music Awards India, which aired on MTV India. After the show, his song was premiered on the channel.

In late 2013, he produced songs in the films Chennai Express and Boss. He has also had songs in smaller-budget films such as Mere Dad Ki Maruti, Bajatey Raho and Fugly.

In February 2015 he released the songs "Birthday Bash", followed by songs in films including Gabbar is Back and Bhaag Johnny.[citation needed]. He faced an accident in 2016 and was unavailable for any project, hence giving his opponents to go through, Honey singh Returned in late 2018 with the song MAKHNA, The song became a major success, also the same year he sung and composed songs for movie Baazaar & Sonu Ke Titu Ki Sweety.

Acting
Singh made his acting debut with Baljit Singh Deo's Punjabi film Mirza - The Untold Story (2012), performing the role of Deesha, a mad gangster. Despite only being a cameo appearance, the role went on to win Singh the PTC Punjabi Film Award for Best Male Debut. The following year, Singh appeared in another Punjabi film, this time a comedy by Amit Prasher, Tu Mera 22 Main Tera 22, as Rolly, a childish and spoilt brat, alongside Amrinder Gill. This was Singh's first main role in a film.

Singh then made his debut as an actor in Bollywood cinema with the 2014 musical-thriller film The Xpose, alongside Himesh Reshammiya. The film was released on 16 May 2014, to mixed reviews from critics, though it was a box office flop.

In 2016, Singh starred in the Punjabi action film Zorawar, directed by Vinnil Markan, which is marketed as one of the most expensive Punjabi films to date. The film was critically acclaimed.

Criticism of lyrics
In the aftermath of the 2012 Delhi gang rape case, the lyrics to some of his songs, which depict violence against women and rape positively, have caused controversy.[24] A first information report (FIR) was lodged against Singh for his offensive lyrics, and a group of social activists filed an online petition demanding cancellation of his New Year performance at a Gurgaon hotel.[25] After the campaign, Singh's New Year concert was cancelled by the hotel.[26] Singh denies writing these offensive lyrics.[27]

Singh's song "Party All Night" in Akshay Kumar's film Boss was at the centre of a controversy. Producers of the movie had to submit a petition in Delhi High Court claiming that they had 'muted' an alleged vulgar word in Singh's song. The court heard a petition filed by lawyer Sanjay Bhatnagar seeking a stay on the film, contending that without the censor board's approval, the song could not be released with such a vulgar word. The petitioner had sought a stay on the release of the film until either the word or the song was deleted from the film.[28]

His work has been perceived[by whom?] as being vulgar, misogynist, promoting violence against women and a bad influence on youth.[29][30] There have been reactions in print to Singh, such as from Annie Zaidi, who wrote "An Open Letter to Honey Singh" in January 2013,[31] and Sandipan Sharma, who wrote "Thanks for the crassness: An open letter to Honey Singh from a parent" in July 2014.[32]

On 2014, he and singer Raftaar were in dispute over whether Raftaar should receive credit for the lyrics of the song "Yeh Fugly Fugly Kya Hai".[33]

Personal life
Singh was reportedly in rehab in Chandigarh, according to Jasbir Jassi.[34] However, Jassi later denied saying this

Section 144

Section 144

Unlawful assembly is a legal term to describe a group of people with the mutual intent of deliberate disturbance of the peace. If the group is about to start the act of disturbance, it is termed a rout; if the disturbance is commenced, it is then termed a riot. In Britain, the offence was abolished in 1986.
United Kingdom
By the 19th century, unlawful assembly, a term used in English law described a gathering of three or more people with intent to commit a crime by force, or to carry out a common purpose (whether lawful or unlawful), in such a manner or in such circumstances as would in the opinion of firm and rational men endanger the public peace or create fear of immediate danger to the tranquillity of the neighborhood.[citation needed] A reform commission in 1879 believed that what underlay the first on-point legislation of 1328,[a] outlining when such a crime was recognised nationally (still to adjudged by or via a justice of the peace) was certain landed proprietors at loggerheads employing a band of violent armed retainers, above the traditional manorial bailiffs.[b]

In the Year Book, a legal text, of the third year of Henry VII's reign, assemblies were expressed as not punishable unless in terrorem: populi domini regis, a threat to the people, God or the King.

In 1882 it was ruled, on balance, an unlawful assembly would need to be more than participants knowing beforehand of likely formal opposition and the mere prospect of a breach of the peace; by this date a quiltwork of cases had identified certain rights to orderly, lawful protest.[c] All people may, and must if called upon to do so, assist in dispersing an unlawful assembly.[d] An assembly which was lawful could not be rendered unlawful by (court) proclamation unless it were one authorized by statute.[e]

Cementing the English Bill of Rights 1689 banning private armies, meetings for training or drilling, or military movements, were from 1820 unlawful assemblies unless held under lawful authority from the Crown, the Lord-lieutenant, or two justices of the peace.[f]

An unlawful assembly which has made a motion towards its common purpose was termed a rout, if it carried out all or part of its end purpose, e.g. begin to demolish an enclosure, it became a riot. All three offences were misdemeanors in English law, punishable by fine and imprisonment. The first of these three offences (listed) was abolished by the Public Order Act 1986 for two parts of the UK, the most recent major reform of public order offences, the other two parts having similar legislation.

The common law as to unlawful assembly extended to Ireland, subject to special legislation. The law of Scotland included unlawful assembly under the same head as rioting.[1]

Bangladesh
Section 144 is a section of the Code of Criminal Procedure, which prohibits assembly of five or more people, holding of public meetings, and carrying of firearms and can be invoked for up to two months.[2][3][4] It also gives the magistracy the power to issue order absolute at once in urgent cases of nuisance or apprehended danger.[5] With the introduction of Dhaka Metropolitan Police (DMP) in 1976, Section 144 has ceased to operate in the metropolitan jurisdiction in Bangladesh.[6]

Canada
Under Part II of the Canadian Criminal Code (Offences Against Public Order), Unlawful Assemblies and Riots is when the assembly of three or more people who cause fear and on reasonable grounds disturb peace in the neighborhood is against the law.

Hong Kong
The Public Order Ordinance (chapter 245 of the laws of Hong Kong) defines "unlawful assembly" (§18) as an assembly of three or more people conducting themselves in a "disorderly, intimidating, insulting or provocative manner intended or likely to cause a person reasonably to fear that the people so assembled will conduct a breach of the peace or will by such conduct provoke other persons to commit a breach of the peace". people taking part in unlawful assemblies can be punished with up to five years' imprisonment (if indicted) or a level 2 fine (HK$5000)[7] and imprisonment for two years (on summary conviction).[8]

India
Section 144 of the Criminal Procedure Code (CrPC) of 1973 empowers an executive magistrate to issue orders in urgent cases of nuisance or apprehended danger. Though the scope of Section 144 is wider, it is often used to prohibit assembly of three or more persons when unrest is anticipated. Section 129 of the CrPC grants Executive Magistrates and Police officers in charge of a police station and above the power to order dispersal of, disperse and cause to be dispersed any unlawful assembly. Section 130 authorizes an Executive Magistrate to obtain the aid of the Armed Forces to disperse any such assembly, and Section 131 grants any Gazetted Officer of the Armed Forces the power to use his troops to disperse a manifestly dangerous assembly even without command from a Magistrate (he must, however, contact an Executive Magistrate as soon as possible and then follow his instructions while taking any further actions).

The definition of 'unlawful assembly', according to Indian law, is laid down in Section 141 of the Indian Penal Code. According to this section, an assembly of five or more persons becomes unlawful when its purpose is or becomes:

To overawe by criminal force, or show of criminal force, the Central or any State Government or Parliament or the Legis­lature of any State, or any public servant in the exercise of the lawful power of such public servant;
To resist the execution of any law, or of any legal process;
To commit any mischief or criminal trespass, or other offence;
By means of criminal force, or show of criminal force, to any person, to take or obtain possession of any property, or to deprive any person of the enjoyment of a right of way, or of the use of water or other incorporeal right of which he is in possession or enjoyment, or to enforce any right or supposed right;
By means of criminal force, or show of criminal force, to compel any person to do what he is not legally bound to do, or to omit to do what he is legally entitled to do.
Section 146 defines 'rioting' is defined as the offence every member of an unlawful assembly commits, when that assembly or any member of such assembly uses force or violence in pursuit of their common intent.

According to Sections 141-149 of the IPC, the maximum punishment for engaging in rioting is rigorous imprisonment for 3 years and/or fine. Every member of an unlawful assembly can be held responsible for a crime committed by the group. Obstructing an officer trying to disperse an unlawful assembly may attract further punishment.[9]

In about 1861,[10] Officer Raj-Ratna E.F. Deboo IPS was the designer and architect of section 144, which reduced overall crime in that time in the state of Baroda. He was recognized for his initiative and awarded a gold medal by the Maharaja Gaekwad of Baroda for putting Section 144 in place and reducing overall crime

عاليا بهات

عاليا بهات

عاليا بهات (بالإنجليزية: Alia Bhatt) من مواليد (15 مارس 1993)، هي ممثلة ومغنية هندية، بدأت مسيرتها الفنية عبر أفلام بوليوود عام 2012. وظهرت لأول مرة في الفيلم الرومانسي الكوميدي الناجح (طالب السنة)، للمخرج والمنتج كاران جوهر، وقد حقق الفيلم نجاحا باهرا في شباك التذاكر.
المسيرة الفنية
بداياتها
كان أول دور لعاليا بهات في فيلم سانغارش (1999)، الذي لعبت فيه دور فتاة صغيرة، الفيلم من بطولة أكشاي كومار و بريتي زينتا، حيث لعبت عاليا دور بريتي في فترة صغرها، وبحسب قولها أكدت عاليا أن الدور الذي حقق لها النجاح هو دور شنايا في فيلم طالب السنة، الذي صدر عام 2012 مع المخرج كاران جوهر والممثلين سيدهارث مالهوترا و فارون داوان.

2015 - 15
وبعد نجاح فيلمها الأول مثلت عاليا دور مراهقة في فيلم الطريق السريع الذي صدر عام (2014)، حيث يتم اختطافها السفر بها في الطرقات الجبلية وتقع في حب مختطفها. وقد حصلت عاليا على تعليقات إيجابية من النقاد وفازت بجائزة (فيلم فير) لأفضل ممثلة، وأيضا رشحت لجائزة أخرى في نفس الحفل. وبدأت في تأسيس وتكوين نفسها في بوليوود ولعبت دور البطولة في الفيلم الرومانسي (2 ستات) في نفس العام، ولعبت دور البطولة في الفيلم الرومانسي الكوميدي هامبتي شارما كي دولهانيا. في (2015) لعبت البطولة في فيلم شاندار مع الممثل شاهد كابور، الفيلم الذي تلقى إشادات إيجابية، وكان الفيلم الذي ظهرت فيه عاليا بهات عارية في مشهد على البحر، وتابعتها الصحافة بأسئلة متكررة أولها سبب هذا الفعل في سن المراهقة.

2016 - الآن
في هذه الفترة ظهرن عاليا في دور قيادي في فيلم كابور وأولاده (2016)، والذي حصل هذا الأخير على أكثر من مليار دولار ₹ 1 ( 15 مليون $) في جميع أنحاء العالم. بعدها لعبت دور مهاجرة تعاني من الفقر في فيلم (Udta Punjab)، والتي حصلت عن طريقه على جائزة فيلم فير لأفضل ممثلة، وكانت البطولة تجمعها ب كارينا كابور. وفي (2016) كذلك لعبت عاليا الدور الأضخم الذب جمعها مع شاه روخ خان في فيلم دير زينداجي، الذي حقق (22 مليون دولار) عالميا، وحصلت عاليا بفلميها (Udta Punjab) و (Dear Zindagi) عل جائزة فيلم فير لأفضل ممثلة.

في 2017 عادت عاليا بهات لتظهر أمام فارون دهاوان في فيلم بادرينات كي دولهانيا.

الغناء
بالإضافة إلى التمثيل في الأفلام عاليا مغنية بارعة، فقد غنت ثلاثة أغاني في أحد أفلامها. وأيضا هي من عشاق المسرح فبحسب قولها أنها تشارك في العروض المسرحية، وتهتم بعروض الأزياء وأطلقت مجموعتها الخاصة من ملابس الجاهزة للنساء.

الحياة الشخصية
ولدت عاليا بهات في (15 من مارس عام 1993)، وهي ابنة المخرج الهندي ماهيش بهات والممثلة سوني رازدان. والدها من أصل غوجاراتي ووالدتها من كشمير وأصل ألماني. ولديها شقيقة كبرى تدعى شاهين (من مواليد 1988)، واثنين غير شقيقين بوجا بهات وراهول بهات. تلقت عاليا تعليمها في مدرسة Jamnabai Narsee في مومباي.

Alia Bhatt

Alia Bhatt

Alia Bhatt (/ˈɑːliːɑː ˈbət/; born 15 March 1993) is an actress and singer of Indian origin and British citizenship, who works in Hindi films. The highest-paid actress in India, as of 2019, her accolades include four Filmfare Awards. She has appeared in Forbes India's Celebrity 100 list since 2014 and was featured by Forbes Asia in their 30 Under 30 list of 2017.

Born into the Bhatt family, she is the daughter of filmmaker Mahesh Bhatt and actress Soni Razdan. After making her acting debut as a child in the 1999 thriller Sangharsh, Bhatt played her first leading role in Karan Johar's teen drama Student of the Year (2012). She went on to establish herself with starring roles in several films produced by Johar's studio Dharma Productions, including the romances 2 States (2014), Humpty Sharma Ki Dulhania (2014), and Badrinath Ki Dulhania (2017); and the coming-of-age drama Dear Zindagi (2016). Bhatt won the Filmfare Critics Award for Best Actress for playing a kidnapping victim in the road drama Highway (2014), and three Best Actress awards at the ceremony for playing a Bihari migrant in the crime drama Udta Punjab (2016), a spy in the thriller Raazi (2018), and the volatile girlfriend of an aspiring rapper in the musical drama Gully Boy (2019).

In addition to acting in films, Bhatt has launched her own line of clothing and handbags and is the founder of the ecological initiative CoExist. She has sung six of her film songs, including the single "Samjhawan Unplugged" in 2014, and she participates in stage shows and concert tours.
Bhatt was born on 15 March 1993[2][3] in Bombay (present-day Mumbai) to Indian film director Mahesh Bhatt and actress Soni Razdan. Her father is of Gujarati descent[4][5] and her mother is of Kashmiri Pandit and German ancestry.[6][7][8][9] Director Nanabhai Bhatt is her paternal grandfather. She has an elder sister, Shaheen (born 1988)[10] and two half-siblings, Pooja Bhatt and Rahul Bhatt. Actor Emraan Hashmi and director Mohit Suri are her paternal cousins, while producer Mukesh Bhatt is her uncle.[11] Bhatt was educated at the Jamnabai Narsee School in Mumbai.[12] She holds British citizenship.[1]

Bhatt's first acting role was as a child artist in Sangharsh (1999), starring Akshay Kumar and Preity Zinta where she played the younger version of Zinta's character.[13]

Career
Early work and rise to prominence (2012–2015)
Bhatt had her first leading role in 2012 with Karan Johar's Student of the Year, alongside Sidharth Malhotra and Varun Dhawan.[14] She portrayed the role of Shanaya Singhania, a sophisticated teenage girl who is in a relationship with Dhawan's character but is attracted to the character played by Malhotra. Taran Adarsh of Bollywood Hungama wrote of her performance, "Alia's role is reminiscent of Kareena Kapoor in Kabhi Khushi Kabhie Gham. Stylish, classy, born with a silver spoon, she's someone who loves to flaunt not just her clothes and bags, but also her riches. Extremely photogenic, Alia makes a super-confident debut."[15] Anupama Chopra of Hindustan Times also mentioned the similarities with Kapoor's character, but noted that her performance was "without the killer attitude."[16] Student of the Year grossed ₹960 million (US$13 million) at the box office
Bhatt established herself in Bollywood with her three film releases of 2014.[18][19] She played the protagonist of Imtiaz Ali's road film Highway opposite Randeep Hooda. Her portrayal of a lonely teenage girl who develops stockholm syndrome after being abducted was acclaimed by the critics.[20] Rachit Gupta of Filmfare mentioned that "at 20, it's surprising how Alia has got so many deft nuances right. It's as if the actor has grown with the character. She is truly one of the most promising new actors in Hindi films."[21] Sonia Chopra of Sify added that Bhatt is "completely immersed" in her role, and that "Alia's uninhibited and raw performance will have you emotionally invested in her character all through."[22] Though the film underperformed at the box office,[23] Bhatt won the Filmfare Critics Award for Best Actress and also garnered a Best Actress nomination at the ceremony.[24][25]

In Karan Johar and Sajid Nadiadwala's joint production 2 States, directed by Abhishek Varman, Bhatt starred opposite Arjun Kapoor. An adaptation of Chetan Bhagat's novel of the same name, it narrates the story of two IIM Ahmedabad students who encounter trouble in convincing their parents to approve of their relationship. For her role as Ananya Swaminatham, a headstrong Tamil girl, she learnt the language.[26] Critics were appreciative of her performance with Rediff.com publishing that Bhatt "really grows into the character and makes you believe that she's a career-oriented IIM-A grad."[27] Shubhra Gupta of The Indian Express added that Bhatt was a "surprise" and was "easy and fresh and natural."[28] The film emerged as a top-grossing production, earning over ₹1.7 billion (US$24 million) worldwide.[17]

Bhatt's final film role in 2014 was as Kavya Pratap Singh, a Punjabi girl who engages in a romantic affair with a stranger a few days prior to her wedding, in Shashank Khaitan's romantic comedy Humpty Sharma Ki Dulhania. Co-starring Varun Dhawan and Siddharth Shukla, the film was described as a tribute to Dilwale Dulhania Le Jayenge (1995) by Johar, who served as producer.[29] Writing for India Today, Rohit Khilnani thought that Bhatt had pitched in "one of her best performances so far", though Nandini Ramnath of Mint found her performance to be lacking in subtlety, writing that she was "more comfortable acting out her feelings through dialogue and actions".[30][31] Humpty Sharma Ki Dulhania proved to be her second consecutive release to earn over ₹1 billion (US$14 million).[17] Her accomplishments in 2014 led Box Office India to label her as the top Bollywood actress of the year.[32]

Also in 2014, Bhatt appeared in a short film on women's safety, entitled Going Home, from director Vikas Bahl.[33] She next reunited with Bahl to film the romantic comedy Shaandaar. Released in 2015, the film featured Shahid Kapoor and Bhatt as two insomniacs who fall in love during a destination wedding.[34] Kunal Guha of Mumbai Mirror criticised the film and wrote that Bhatt "socks life into her character but fails to pump any into this film".[35] Shaandaar earned little at the box office.[36]

Established actress (2016–present)
In her first of three releases in 2016, Bhatt played the supporting part of a lively young girl with a buried past in Kapoor & Sons, a drama about a dysfunctional family starring Sidharth Malhotra and Fawad Khan. The film proved to be a critical and commercial success.[37][38] She then took on the part of a poverty-stricken Bihari migrant in the Indian state of Punjab in Udta Punjab (2016), a crime drama about substance abuse from the director Abhishek Chaubey. The intense role marked a significant departure from the mostly light-hearted parts she had previously played, and in preparation, she watched documentaries on drug abuse and learned to speak a Bihari dialect.[39] The film, co-starring Shahid Kapoor, Kareena Kapoor, and Diljit Dosanjh, generated controversy when the Central Board of Film Certification deemed that the film represented Punjab in a negative light and demanded extensive censorship before its theatrical release.[40] The Bombay High Court later cleared the film for exhibition with one scene cut.[41] Bhatt's performance was critically acclaimed, with several commentators believing that it was her best performance to that point.[42] Raja Sen of Rediff.com wrote that Bhatt "commits to her accent and deals with the film's most unsavoury section, and is stunning during an incendiary speech that elevates the entire film to a whole other level."[43]

Bhatt continued to gain critical praise as she took on the role of an aspiring cinematographer whose life undergoes a series of changes after she consults a free-spirited psychologist (played by Shah Rukh Khan) in the coming-of-age film Dear Zindagi (2016).[44] Writing for IndieWire, Anisha Jhaveri noted that Bhatt provides her character with "a three-dimensionality in which the somewhat annoying nature of millennial angst is balanced with an innocence that's impossible not to recognize".[45] The film proved to be a box office success as well, earning a total of ₹1.39 billion (US$19 million) worldwide.[46] Udta Punjab and Dear Zindagi earned Bhatt several awards and nominations; for the former, she won the Screen Award and the Filmfare Award for Best Actress, and for the latter, she received an additional Best Actress nomination at Filmfare.[47][48][49]

The series of successful films continued with Bhatt's next project—the romantic comedy Badrinath Ki Dulhania (2017)—which reunited her with Khaitan and Dhawan.[50] The film tells the story of an independent young woman (Bhatt) from rural India who refuses to conform to patriarchal expectations from her chauvinistic fiancée (Dhawan). Rachel Saltz of The New York Times took note of the film's statement on gender equality and wrote, "Without ever falling into the clichés of spunky Bollywood heroine, [Bhatt] effortlessly embodies that admirable thing: a modern woman."[51] She received another Filmfare nomination for Best Actress.[52] Meghna Gulzar's espionage thriller Raazi (2018), featured Bhatt in the lead role of Sehmat, a Kashmiri spy married to a Pakistani army officer (played by Vicky Kaushal). Set during the Indo-Pakistani War of 1971, the film is an adaptation of Harinder Sikka's novel Calling Sehmat.[53][54] Anna M. M. Vetticad of Firstpost found Bhatt to be "stupendous" in the role, adding that "the young star once again displaying the maturity and confidence of a veteran on camera".[55] Raazi proved to be one of the highest-grossing female-led Hindi films, and its success led Box Office India to credit Bhatt as the most successful contemporary actress of Hindi cinema.[56][57] Bhatt won another Best Actress award at Filmfare
In 2019, Bhatt launched her own production company named Eternal Sunshine Productions.[59] Her first film appearance that year was opposite Ranveer Singh in Zoya Akhtar's Gully Boy, a musical inspired by the life of the street rappers Divine and Naezy.[60] She attended acting workshops to learn a ghetto dialect to enable her to improvise on set.[61] The film premiered at the 69th Berlin International Film Festival.[62] Writing for Screen International, Lee Marshall opined that "it's Bhatt’s sharp performance that carries most successfully the mix of wry humour, romance and social comment that Gully Boy essays".[63] With global earnings of over ₹2.37 billion (US$33 million), the film emerged as Bhatt's highest-grossing release.[64] Gully Boy won a record 13 Filmfare Awards, and Bhatt was awarded with her career's third Best Actress trophy.[65]

Bhatt's next release, the ensemble period drama Kalank, marked her biggest-budget film to that point.[66] Set in the 1940s prior to the partition of India, it featured Dhawan and her as star-crossed lovers, and in preparation, she watched the films Mughal-e-Azam (1960) and Umrao Jaan (1981) to learn the body language of women from the era, and to better her Urdu-speaking skills, she watched the Pakistani television series Zindagi Gulzar Hai.[67] Namrata Joshi of The Hindu bemoaned that the film favoured visual grandeur over plot but took note of how much Bhatt stood out among the ensemble cast.[68] It did not perform well at the box office.[69]

Upcoming projects
As of December 2019, Bhatt has five upcoming projects. She will team with Aditya Roy Kapur, Sanjay Dutt, and Pooja Bhatt for Sadak 2, a sequel to her father's crime film Sadak (1991) and will star alongside Ranbir Kapoor in Ayan Mukerji's fantasy film trilogy, the first of which is named Brahmāstra.[70][71] She will then appear alongside N. T. Rama Rao Jr and Ram Charan in the Telugu-language period film RRR, and will portray the titular gangster and madam of a Kamathipura brothel in Gangubai Kathiawadi, a biopic directed by Sanjay Leela Bhansali.[72][73] Bhatt has also committed feature in Takht, a historical drama directed by Johar which has an ensemble cast including Vicky Kaushal, Ranveer Singh and Kareena Kapoor.[74]

Other work
Bhatt has performed playback singing for the song "Sooha Saaha" in Highway (2014). A. R. Rahman, the composer of the film, invited her to his music school to undergo training.[75] In 2014, she sang the unplugged version of the song "Samjhawan", for the composers Sharib-Toshi, in Humpty Sharma Ki Dulhania.[76] In 2016, she sang an alternate version of the song "Ikk Kudi", for the soundtrack of Udta Punjab, with her co-star Dosanjh.[77]

Bhatt has performed on stage at the Filmfare, Screen and Stardust award ceremonies, and has also participated in a stage show in Hong Kong alongside Varun Dhawan and Sidharth Malhotra.[78] In 2013, she performed at a charity event with Dhawan, Malhotra, Aditya Roy Kapur, Shraddha Kapoor and Huma Qureshi to raise funds for the flood-affected victims of Uttarakhand.[79] In August 2016, she performed in various cities of America for the "Dream Team 2016" tour, alongside Johar, the actors Dhawan, Malhotra, Roy Kapur, Katrina Kaif, Parineeti Chopra, and the singer Badshah.[80]

In 2013, Bhatt took part in a campaign for PETA to raise awareness on homeless animals.[81] In 2017, she launched an ecological initiative named CoExist to raise awareness about the welfare of street animals.[82] The following year, she collaborated with Facebook Live for a campaign named Find Your Green, to campaign for environmentalism.[83] Bhatt designed her own clothing brand for women in 2014 for the online fashion portal Jabong.com and in 2018, she launched her own line of handbags for VIP Industries.[84][85][86]

In the media
In 2017, Bhatt was featured by Forbes Asia in their 30 Under 30 list.[87] She has appeared in Forbes India's Celebrity 100 list since 2014, peaking at the eighth position in 2019.[88][89] That year, the magazine estimated her annual income to be ₹592.1 million (US$8.3 million) and listed her as the highest-paid actress in the country.[90] In 2018 and 2019, the Indian edition of GQ featured her among the nation's 50 most influential young people and credited her for "striking a balance between big-budget, all-star blowouts and more script-oriented films".[91][92] Bhatt was listed in first place in The Times of India's "50 Most Desirable Women" list of 2018.[93]

Bhatt is also the celebrity endorser for a number of brands and products, including Coca-Cola, Garnier and Maybelline.[94][95][96] Duff & Phelps estimated her brand value to be US$36.5 million, in 2018, the eighth highest of Indian celebrities.


Tahira Kashyap

Tahira Kashyap

Ayushmann Khurrana (born Nishant Khurrana on 14 September 1984) is an Indian actor, singer, and television host. Known for his portrayals of ordinary men often plagued with dysfunction,[2][3] he is the recipient of several awards, including a National Film Award and four Filmfare Awards, and has appeared in Forbes India's Celebrity 100 list of 2013 and 2019.

Khurrana won the second season of reality television show MTV Roadies in 2004 and ventured into an anchoring career. He made his film debut in 2012 with the romantic comedy Vicky Donor, in which his performance as a sperm donor earned him the Filmfare Award for Best Male Debut.[4][5] Following a brief setback, he starred in the commercially and critically successful romance Dum Laga Ke Haisha (2015). Khurrana went on to establish himself with the comedies Bareilly Ki Barfi (2017), Shubh Mangal Saavdhan (2017), Badhaai Ho (2018), Dream Girl (2019), and Bala (2019); the thriller Andhadhun (2018); and the crime drama Article 15 (2019).[6] Khurrana's performances as a blind pianist in Andhadhun and an honest cop in Article 15 won him two consecutive Filmfare Critics Award for Best Actor, and he also won the National Film Award for Best Actor for the former.

In addition to acting, Khurrana has sung for several of his films, including the song "Pani Da Rang", which earned him the Filmfare Award for Best Male Playback Singer.
Early life and education
Khurrana was born on 14 September 1984 in Chandigarh to Poonam and P. Khurrana,[7][8] as Nishant Khurrana, later his parents changed his name to Ayushmann Khurrana when he was 3 years old. He was a part of Guru Nanak Khalsa College. He studied at St. John's High School and DAV College in Chandigarh.[9] He majored in English literature and has a master's degree in Mass Communication from the School of Communication Studies, Punjab University.[10] He did serious theatre for five years. He was also the founding member of DAV College's "Aaghaaz" and "Manchtantra", which are active theatre groups in Chandigarh.[10] He conceived and acted in street plays and won prizes in national college festivals such as Mood Indigo (IIT Bombay), OASIS (Birla Institute of Technology and Science, Pilani) and St. Bedes Shimla.[10] He also won a Best Actor award for playing Ashwatthama in Dharamvir Bharati's Andha Yug.[11]

Career
2004–2011: Television shows and early career
Ayushmann Khurrana was noticed on TV at the age of 17. It was the reality show on Channel V; PopStars in 2002. He was one of the youngest contestants on the show. Roadies took place in 2004 whereby he turned out to be the winner in Roadies 2 at the age of 20.[12] After completing his graduation and post-graduation in Journalism, his first job was as an RJ at BIG FM, Delhi. He hosted the show Big Chai – Maan Na Maan, Main Tera Ayushmann and also won the Young Achievers Award in 2007 for it.[13] He was the youngest recipient of the Bharat Nirman Award in New Delhi.[14]

He also worked in many other MTV shows such as MTV Fully Faltoo Movies, Cheque De India and Jaadoo Ek Baar.[15] He then turned television host with a multiple-talent based reality show India's Got Talent on Colors TV which he co-anchored with Nikhil Chinapa [16] and Stripped which gave latest updates on the Indian TV industry with a comic tinge, again on MTV. At the end of the year, he was also the anchor of the singing reality show Music Ka Maha Muqqabla on STAR Plus.[17]

Apart from hosting the second season of MTV Rock On and India's Got Talent on Colors, Khurrana was also a part of the anchoring team of Extra Innings T20 for Indian Premier League Season 3 on SET Max with Gaurav Kapur, Samir Kochhar , and Angad Bedi.[18][19] Following which he took up the offer of anchoring the dance-based reality show Just Dance on STAR Plus.

2012–2015: Film debut and career struggles
Khurrana made his acting debut in 2012 with Shoojit Sircar's romantic comedy Vicky Donor, co-starring Annu Kapoor and Yami Gautam. It marked the production debut of actor John Abraham, and starred Khuranna in the titular role of a sperm donor. In preparation, he attended acting workshops and interacted with medical professionals.[20] For the film's soundtrack, he sang "Pani Da Rang", which he had written and composed with Rochak Kohli back in 2003.[21] Praising the film's ensemble cast, Sukanya Verma of Rediff.com wrote that Khurrana's "candid disposition and roguish face ensures his street smart drollery works like a breeze".[22] With worldwide earnings of over ₹610 million (US$8.6 million) against a budget of ₹100 million (US$1.4 million), Vicky Donor emerged as a commercial success.[23] At the Filmfare Awards ceremony, Khurrana was awarded trophies for Best Male Debut and Best Male Playback Singer.[24]

In 2013, Khurrana appeared in Forbes India's Celebrity 100 list, ranking 70th with an estimated annual income of ₹25.8 million (US$360,000).[25] He then collaborated with Kunaal Roy Kapur in Rohan Sippy's Nautanki Saala! (2013), a comedy based on the French film Après Vous (2005). Anupama Chopra found Khurrana to be "earnest" in it but felt that his comedic work was overshadowed by that of Roy Kapur.[26] He also recorded two songs for the film's soundtrack.[27] A year later, Khurrana teamed with Yash Raj Films (as part of a three-film deal) in the romantic comedy Bewakoofiyaan (2014), co-starring Sonam Kapoor and Rishi Kapoor, about a young man who has trouble convincing his girlfriend's father to approve of their marriage.[28] Writing for The New York Times, Andy Webster disliked the film's "strained, contrived humor" but commended Khurrana for "holding his own opposite [Rishi] Kapoor".[29] Both Nautanki Saala and Bewakoofiyaan were commercially unsuccessful, as was his next release, Hawaizaada (2015).[30] In it, he played the scientist Shivkar Bapuji Talpade, for which he lost weight and learnt to speak Marathi.[31] In the same year, Khurrana collaborated with his wife, Tahira Kashyap, to write his autobiography Cracking the Code: My Journey to Bollywood.[32]

Khurrana's career prospects improved when he starred opposite newcomer Bhumi Pednekar in the Sharat Katariya directed-romance Dum Laga Ke Haisha (2015).[33][34] It tells the story of an underachieving man who is married against his will to an overweight woman. Anuj Kumar of The Hindu praised him for effectively capturing his character's "diction and body language".[35] Despite minimal promotions, the film emerged as a commercial success, grossing over ₹410 million (US$5.7 million) worldwide against its ₹140 million (US$2.0 million) budget.[36][37]

2017–present: Success
Two years later, after starring in the poorly received Meri Pyaari Bindu, Khurrana's career progressed with his two other films releases of 2017, Bareilly Ki Barfi and Shubh Mangal Saavdhan, both of which were commercially successful.[6][33] In the former, adapted from Nicolas Barreau's French novel The Ingredients of Love, he played alongside Rajkummar Rao and Kriti Sanon as a writer involved in a love triangle.[38] Saibal Chatterjee of NDTV wrote that Khurrana does a "convincing job of mutating from a brooding jilted lover to a crooked manipulator who puts his own interests above everyone else's".[39] In Shubh Mangal Saavdhan, he starred opposite Bhumi Pednekar as a newly engaged man suffering from erectile dysfunction. A remake of the Tamil film Kalyana Samayal Saadham (2013), Khurrana hoped that the film's humorous take on mental and sexual problems faced by men would bring wider attention to the topic.[40] Rajeev Masand took note of how well the film handled sexuality without being crude and commended him for "investing the fellow with genuine likeability and an understated charm".[41] Khurrana received a nomination for the Filmfare Award for Best Actor for the latter film
In 2018, Khurrana starred in two of the top-grossing Hindi films of the year.[43] His first role was in Sriram Raghavan's Andhadhun, a thriller co-starring Tabu and Radhika Apte, in which he played a blind pianist who unwillingly becomes embroiled in a murder. He lobbied for the part after hearing about it from the casting director Mukesh Chhabra,[44] and in preparation, he learnt how to play the piano and interacted with blind piano players.[45][46] Udita Jhunjhunwala of Mint praised Khurrana for giving a "taut performance that balances vulnerability with craftiness" and Ankur Pathak of HuffPost found his to be "a layered, no-holds-barred performance worth applauding".[47][48] Andhadhun earned ₹4.56 billion (US$64 million) worldwide, a majority of which came from the Chinese box office, to become Khurrana's highest-grossing release and one of Indian cinema's biggest grossers.[43][49] He next starred in Badhaai Ho, a comedy from director Amit Sharma about a young man whose middle-aged parents get pregnant. Anna M. M. Vetticad of Firstpost considered his performance to be "completely convincing" and commended him for choosing "to work in small films where the star is the story".[50] A sleeper hit, it earned over ₹2.21 billion (US$31 million) worldwide.[43][51] For Andhadhun, Khurrana won the National Film Award for Best Actor (shared with Vicky Kaushal for Uri: The Surgical Strike) and the Filmfare Critics Award for Best Actor.[52][53]

The series of successful films continued with Khurrana's 2019 releases, Article 15, Dream Girl, and Bala.[54][55] In the formermost, a crime thriller directed by Anubhav Sinha, he played the starring role of a righteous police officer solving a rape case. Highlighting caste discrimination in India, the film was inspired by multiple events, including the 2014 Badaun gang rape allegations and the 2016 Una flogging incident.[56][57] Khurrana agreed to the project to play a dark and intense character for the first time in his film career.[58] Writing for The Guardian, Wendy Ide commended him for "combin[ing] soulful Bollywood heartthrob charisma with an arrestingly intense performance."[59] In the comedy Dream Girl, he starred as a cross-gender actor who speaks in a female voice while working at a call centre which unwittingly attracts male attention.[60] Nandini Ramnath of Scroll.in considered his "manic energy and believable Everyman persona" to be the film's highlight.[61] His next release, Bala, was also a comedy, in which he played a young man who faces societal pressure due to premature balding. He found it physically challenging to play the part due to the heavy layers of prosthetics used on his head.[62] Rajeev Masand opined that Khurrana "cuts a sympathetic figure as another not-instantly-likeable loser" and added that he had "cornered the market when it comes to playing flawed, insecure men with confidence issues".[63] He won another Filmfare Critics Award for Best Actor for Article 15 and received a Best Actor nomination at the ceremony for Bala.[64][65] That year, he reappeared on Forbes India's Celebrity 100 list, ranking 37th with an estimated annual income of ₹305 million (US$4.3 million).[66]

For his next project, Khurrana actively looked for another mainstream film that would portray sexuality in a humorous manner. He found it in Shubh Mangal Zyada Saavdhan (2020), in which he played a gay man who has trouble convincing his partner's family of their relationship.[67] Shubhra Gupta of The Indian Express credited Khurrana for "allowing the film to be so much about" his lesser known co-star Jitendra Kumar.[68] Khurrana will next reunite with Shoojit Sircar for the comedy-drama Gulabo Sitabo, co-starring Amitabh Bachchan.[69][70]

Personal life
Khurrana was born in Chandigarh. His father P Khurrana is an astrologer and an author on the subject of astrology, whereas his mother Poonam is a housewife and she is of half-Burmese descent[71] and a qualified M.A. in Hindi[citation needed]. While Ayushmann remains busy with his work in Mumbai, his family still stays in Chandigarh. His brother Aparshakti Khurana is a radio jockey at Radio Mirchi 98.3 FM in Delhi and made his debut in the 2016 Aamir Khan-starrer film Dangal.[72][73] The ambiance of literature at home influenced Khurrana as well and he took writing as a hobby. He also maintains a blog where he writes in Hindi and it has been received very well by his admirers.[74] Ayushmann is known for being very close to his family and wife, Tahira Kashyap, who has directed a critically acclaimed film Toffee. They are childhood sweethearts and are parents of a son and a daughter.[75][76] His son, Virajveer, was born on 2 January 2012 and his daughter, Varushka, was born on 21 April 2014.[77][78] In 2018, when he was promoting Badhaai Ho and Andhadhun, his wife Tahira was diagnosed with stage 0 breast cancer. Tahira's positive outlook helped them remain rock solid through this difficult phase

اللغة الدنماركية

اللغة الدنماركية

اللغة الدنماركية (بالدنماركية: Dansk) هي لغة الدنمارك الرسمية وإحدى اللغات الإسكندنافية، اللغة الدنماركية فرع من اللغات الشمالية الجرمانية يتحدثها ما يقارب 6 ملايين نسمة غالبيتهم في الدنمارك كما يتحدثها حوالي 50,000 دنماركي في شليسفيغ هولشتاين في شمال ألمانيا حيث تحتفظ بمكانة رسمية يصفتها لغة أقلية، اللغة الدنماركية تعد كذلك إحدى اللغات الرسمية في الاتحاد الأوربي

Danish

Danish

Danish (/ˈdeɪnɪʃ/ (About this soundlisten); dansk pronounced [ˈtænˀsk] (About this soundlisten), dansk sprog [ˈtænˀsk ˈspʁɔu̯ˀ])[1] is a North Germanic language spoken by around six million people, principally in Denmark, Greenland and in the region of Southern Schleswig in northern Germany, where it has minority language status.[6] Also, minor Danish-speaking communities are found in Norway, Sweden, Spain, the United States, Canada, Brazil, and Argentina. Due to immigration and language shift in urban areas, around 15–20% of the population of Greenland speak Danish as their first language.

Along with the other North Germanic languages, Danish is a descendant of Old Norse, the common language of the Germanic peoples who lived in Scandinavia during the Viking Era. Danish, together with Swedish, derives from the East Norse dialect group, while the Middle Norwegian language before the influence of Danish and Norwegian Bokmål are classified as West Norse along with Faroese and Icelandic. A more recent classification based on mutual intelligibility separates modern spoken Danish, Norwegian, and Swedish as "mainland Scandinavian", while Icelandic and Faroese are classified as "insular Scandinavian".

Until the 16th century, Danish was a continuum of dialects spoken from Schleswig to Scania with no standard variety or spelling conventions. With the Protestant Reformation and the introduction of printing, a standard language was developed which was based on the educated Copenhagen dialect. It spread through use in the education system and administration, though German and Latin continued to be the most important written languages well into the 17th century. Following the loss of territory to Germany and Sweden, a nationalist movement adopted the language as a token of Danish identity, and the language experienced a strong surge in use and popularity, with major works of literature produced in the 18th and 19th centuries. Today, traditional Danish dialects have all but disappeared, though regional variants of the standard language exist. The main differences in language are between generations, with youth language being particularly innovative.

Danish has a very large vowel inventory comprising 27 phonemically distinctive vowels,[7] and its prosody is characterized by the distinctive phenomenon stød, a kind of laryngeal phonation type. Due to the many pronunciation differences that set apart Danish from its neighboring languages, particularly the vowels, difficult prosody and "weakly" pronounced consonants, it is sometimes considered to be a "difficult language to learn, acquire and understand",[8] and some evidence shows that children are slower to acquire the phonological distinctions of Danish compared to other languages.[9] The grammar is moderately inflective with strong (irregular) and weak (regular) conjugations and inflections. Nouns and demonstrative pronouns distinguish common and neutral gender. Like English, Danish only has remnants of a former case system, particularly in the pronouns. Unlike English, it has lost all person marking on verbs. Its syntax is V2 word order, with the finite verb always occupying the second slot in the sentence
Danish is a Germanic language of the North Germanic branch. Other names for this group are the Nordic or Scandinavian languages. Along with Swedish, Danish descends from the Eastern dialects of the Old Norse language; Danish and Swedish are also classified as East Scandinavian or East Nordic languages.[10][11]

Scandinavian languages are often considered a dialect continuum, where no sharp dividing lines are seen between the different vernacular languages.[10]

Like Norwegian and Swedish, Danish was significantly influenced by Low German in the Middle Ages, and has been influenced by English since the turn of the 20th century.[10]

Danish itself can be divided into three main dialect areas: West Danish (Jutlandic), Insular Danish (including the Standard variety), and East Danish (including Bornholmian and Scanian). Under the view that Scandinavian is a dialect continuum, East Danish can be considered intermediary between Danish and Swedish, while Scanian can be considered a Swedified East Danish dialect, and Bornholmsk is its closest relative.[10]

Mutual intelligibility
Danish is largely mutually intelligible with Norwegian and Swedish. Proficient speakers of any of the three languages can often understand the others fairly well, though studies have shown that speakers of Norwegian generally understand both Danish and Swedish far better than Swedes or Danes understand each other. Both Swedes and Danes also understand Norwegian better than they understand each other's languages.[12] The reason Norwegian occupies a middle position in terms of intelligibility is because of its shared border with Sweden resulting in a similarity in pronunciation, combined with the long tradition of having Danish as a written language which has led to similarities in vocabulary.[13] Among younger Danes, Copenhageners are worse at understanding Swedish than Danes from the provinces, and in general, younger Danes are not as good at understanding the neighboring languages as are Norwegian and Swedish youths.[12]

History
The Danish philologist Johannes Brøndum-Nielsen divided the history of Danish into a period from 800 AD to 1525 to be "Old Danish", which he subdivided into "Runic Danish" (800-1100), Early Middle Danish (1100–1350) and Late Middle Danish (1350–1525).[14]


Runic Danish
By the eighth century, the common Germanic language of Scandinavia, Proto-Norse, had undergone some changes and evolved into Old Norse. This language was generally called the "Danish tongue" (Dǫnsk tunga), or "Norse language" (Norrœnt mál). Norse was written in the runic alphabet, first with the elder futhark and from the 9th century with the younger futhark.[16]

From the seventh century, the common Norse language began to undergo changes that did not spread to all of Scandinavia, resulting in the appearance of two dialect areas, Old West Norse (Norway and Iceland) and Old East Norse (Denmark and Sweden). Most of the changes separating East Norse from West Norse started as innovations in Denmark, that spread through Scania into Sweden and by maritime contact to southern Norway.[17] A change that separated Old East Norse (Runic Swedish/Danish) from Old West Norse was the change of the diphthong æi (Old West Norse ei) to the monophthong e, as in stæin to sten. This is reflected in runic inscriptions where the older read stain and the later stin. Also, a change of au as in dauðr into ø as in døðr occurred. This change is shown in runic inscriptions as a change from tauþr into tuþr. Moreover, the øy (Old West Norse ey) diphthong changed into ø, as well, as in the Old Norse word for "island". This monophthongization started in Jutland and spread eastward, having spread throughout Denmark and most of Sweden by 1100.[18]

Through Danish conquest, Old East Norse was once widely spoken in the northeast counties of England. Many words derived from Norse, such as "gate" (gade) for street, still survive in Yorkshire, the East Midlands and East Anglia, and parts of eastern England colonized by Danish Vikings. The city of York was once the Viking settlement of Jorvik. Several other English words derive from Old East Norse, for example "knife" (kniv), "husband" (husbond), and "egg" (æg). The suffix "-by" for 'town' is common in place names in Yorkshire and the east Midlands, for example Selby, Whitby, Derby, and Grimsby. The word "dale" meaning valley is common in Yorkshire and Derbyshire placenames.[19]


Old and Middle dialects
In the medieval period, Danish emerged as a separate language from Swedish. The main written language was Latin, and the few Danish-language texts preserved from this period are written in the Latin alphabet, although the runic alphabet seems to have lingered in popular usage in some areas. The main text types written in this period are laws, which were formulated in the vernacular language to be accessible also to those who were not latinate. The Jutlandic Law and Scanian Law were written in vernacular Danish in the early 13th century. Beginning in 1350, Danish began to be used as a language of administration, and new types of literature began to be written in the language, such as royal letters and testaments. The orthography in this period was not standardized nor was the spoken language, and the regional laws demonstrate the dialectal differences between the regions in which they were written.[21]

Throughout this period, Danish was in contact with Low German, and many Low German loan words were introduced in this period.[22] With the Protestant Reformation in 1536, Danish also became the language of religion, which sparked a new interest in using Danish as a literary language. Also in this period, Danish began to take on the linguistic traits that differentiate it from Swedish and Norwegian, such as the stød, the voicing of many stop consonants, and the weakening of many final vowels to /e/.[23]

The first printed book in Danish dates from 1495, the Rimkrøniken (Rhyming Chronicle), a history book told in rhymed verses.[24] The first complete translation of the Bible in Danish, the Bible of Christian II translated by Christiern Pedersen, was published in 1550. Pedersen's orthographic choices set the de facto standard for subsequent writing in Danish.[25]


Early Modern
Following the first Bible translation, the development of Danish as a written language, as a language of religion, administration, and public discourse accelerated. In the second half of the 17th century, grammarians elaborated grammars of Danish, first among them Rasmus Bartholin's 1657 Latin grammar De studio lingvæ danicæ; then Laurids Olufsen Kock's 1660 grammar of the Zealand dialect Introductio ad lingvam Danicam puta selandicam; and in 1685 the first Danish grammar written in Danish, Den Danske Sprog-Kunst ("The Art of the Danish Language") by Peder Syv. Major authors from this period are Thomas Kingo, poet and psalmist, and Leonora Christina Ulfeldt, whose novel Jammersminde (Remembered Woes) is considered a literary masterpiece by scholars. Orthography was still not standardized and the principles for doing so were vigorously discussed among Danish philologists. The grammar of Jens Pedersen Høysgaard was the first to give a detailed analysis of Danish phonology and prosody, including a description of the stød. In this period, scholars were also discussing whether it was best to "write as one speaks" or to "speak as one writes", including whether archaic grammatical forms that had fallen out of use in the vernacular, such as the plural form of verbs, should be conserved in writing (i.e. han er "he is" vs. de ere "they are").[26]

The East Danish provinces were lost to Sweden after the Second Treaty of Brömsebro (1645) after which they were gradually Swedified; just as Norway was politically severed from Denmark, beginning also a gradual end of Danish influence on Norwegian (influence through the shared written standard language remained). With the introduction of absolutism in 1660, the Danish state was further integrated, and the language of the Danish chancellery, a Zealandic variety with German and French influence, became the de facto official standard language, especially in writing — this was the original so-called rigsdansk ("Danish of the Realm"). Also beginning in the mid-18th century, the skarre-R, the uvular R sound ([ʁ]), began spreading through Denmark, likely through influence from Parisian French and German. It affected all of the areas where Danish had been influential, including all of Denmark, Southern Sweden, and coastal southern Norway.[27]

In the 18th century, Danish philology was advanced by Rasmus Rask, who pioneered the disciplines of comparative and historical linguistics, and wrote the first English-language grammar of Danish. Literary Danish continued to develop with the works of Ludvig Holberg, whose plays and historical and scientific works laid the foundation for the Danish literary canon. With the Danish colonization of Greenland by Hans Egede, Danish became the administrative and religious language there, while Iceland and the Faroe Islands had the status of Danish colonies with Danish as an official language until the mid-20th century.[26]

Standardized national language
Following the loss of Schleswig to Germany, a sharp influx of German speakers moved into the area, eventually outnumbering the Danish speakers. The political loss of territory sparked a period of intense nationalism in Denmark, coinciding with the so-called "Golden Age" of Danish culture. Authors such as N.F.S. Grundtvig emphasized the role of language in creating national belonging. Some of the most cherished Danish-language authors of this period are existential philosopher Søren Kierkegaard and prolific fairy tale author Hans Christian Andersen.[28] The influence of popular literary role models, together with increased requirements of education did much to strengthen the Danish language, and also started a period of homogenization, whereby the Copenhagen standard language gradually displaced the regional vernacular languages. After the Schleswig referendum in 1920, a number of Danes remained as a minority within German territories.[29] Throughout the 19th century, Danes emigrated, establishing small expatriate communities in the Americas, particularly in the US, Canada, and Argentina, where memory and some use of Danish remains today.
After the occupation of Denmark by Germany in World War II, the 1948 orthography reform dropped the German-influenced rule of capitalizing nouns, and introduced the letter Å/å. Three 20th-century Danish authors have become Nobel Prize laureates in Literature: Karl Gjellerup and Henrik Pontoppidan (joint recipients in 1917) and Johannes V. Jensen (awarded 1944).

With the exclusive use of rigsdansk, the High Copenhagenian Standard, in national broadcasting, the traditional dialects came under increased pressure. In the 20th century, they have all but disappeared, and the standard language has extended throughout the country.[30] Minor regional pronunciation variation of the standard language, sometimes called regionssprog ("regional languages") remain, and are in some cases vital. Today, the major varieties of Standard Danish are High Copenhagenian, associated with elderly, well to-do, and well educated people of the capital, and low-Copenhagenian traditionally associated with the working class, but today adopted as the prestige variety of the younger generations.[31][32] Also in the 21st century the influence of immigration has had linguistic consequences, such as the emergence of a so-called multiethnolect in the urban areas, an immigrant Danish variety (also known as Perkerdansk), combining elements of different immigrant languages such as Arabic, Turkish, and Kurdish, as well as English and Danish.[31]

Geographic distribution
Danish is the national language of Denmark and one of two official languages of the Faroe Islands (alongside Faroese). Until 2009, it had also been one of two official languages of Greenland (alongside Greenlandic). Danish is widely spoken in Greenland now as lingua franca, and an unknown portion of the native Greenlandic population has Danish as their first language; a large percentage of the native Greenlandic population speaks Danish as a second language since its introduction into the education system as a compulsory language in 1928. Danish was an official language in Iceland until 1944, but is today still widely used and is a mandatory subject in school taught as a second foreign language after English, Iceland was a ruled territory of Denmark-Norway, where Danish was one of the official languages
In addition, a noticeable community of Danish speakers is in Southern Schleswig, the portion of Germany bordering Denmark, where it is an officially recognized regional language, just as German is north of the border. Furthermore, Danish is one of the official languages of the European Union and one of the working languages of the Nordic Council.[34] Under the Nordic Language Convention, Danish-speaking citizens of the Nordic countries have the opportunity to use their native language when interacting with official bodies in other Nordic countries without being liable for any interpretation or translation costs.[34]

The more widespread of the two varieties of written Norwegian, Bokmål, is very close to Danish, because standard Danish was used as the de facto administrative language until 1814 and one of the official languages of Denmark-Norway. Bokmål is based on Danish, unlike the other variety of Norwegian, Nynorsk, which is based on the Norwegian dialects, with Old Norwegian as an important reference point.[10]

No law stipulates an official language for Denmark, making Danish the de facto language only. The Code of Civil Procedure does, however, lay down Danish as the language of the courts.[35] Since 1997, public authorities have been obliged to observe the official spelling by way of the Orthography Law. In the 21st century, discussions have been held regarding creating a language law that would make Danish the official language of Denmark.[36]

Dialects

زياد علي

زياد علي محمد