Andrew Lloyd Webber

Andrew Lloyd Webber

Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948)[2] is an English composer and impresario of musical theatre.[3] Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. Several of his songs have been widely recorded and were successful outside of their parent musicals, such as "The Music of the Night" and "All I Ask of You" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat, and "Memory" from Cats. In 2001 The New York Times referred to him as "the most commercially successful composer in history".[4] The Daily Telegraph ranked him the "fifth most powerful person in British culture" in 2008, with lyricist Don Black writing "Andrew more or less single-handedly reinvented the musical."[5]

He has received a number of awards, including a knighthood in 1992, followed by a peerage from Queen Elizabeth II for services to the Arts, six Tonys, three Grammys (as well as the Grammy Legend Award), an Academy Award, fourteen Ivor Novello Awards, seven Olivier Awards, a Golden Globe, a Brit Award, the 2006 Kennedy Center Honors, the 2008 Classic Brit Award for Outstanding Contribution to Music, and an Emmy Award.[6][7][8] He is one of fifteen people to have won an Oscar, an Emmy, a Grammy, and a Tony.[9] He has a star on the Hollywood Walk of Fame, is an inductee into the Songwriter's Hall of Fame, and is a fellow of the British Academy of Songwriters, Composers, and Authors.[10]

His company, the Really Useful Group, is one of the largest theatre operators in London. Producers in several parts of the UK have staged productions, including national tours, of the Lloyd Webber musicals under licence from the Really Useful Group. Lloyd Webber is also the president of the Arts Educational Schools London, a performing arts school located in Chiswick, West London. He is involved in a number of charitable activities, including the Elton John AIDS Foundation, Nordoff Robbins, Prostate Cancer UK and War Child. In 1992 he set up the Andrew Lloyd Webber Foundation which supports the arts, culture and heritage in the UK

Professional career

Early years

In 1965, when Lloyd Webber was a 17-year-old budding musical-theatre composer, he was introduced to the 20-year-old aspiring pop-song writer Tim Rice.[19][20] Their first collaboration was The Likes of Us, a musical based on the true story of Thomas John Barnardo. They produced a demo tape of that work in 1966,[19] but the project failed to gain a backer.[20]

Although composed in 1965, The Likes of Us was not publicly performed until 2005, when a production was staged at Lloyd Webber's Sydmonton Festival. In 2008, amateur rights were released by the National Operatic and Dramatic Association (NODA) in association with the Really Useful Group. The first amateur performance was by a children's theatre group in Cornwall called "Kidz R Us". Stylistically, The Likes of Us is fashioned after the Broadway musical of the 1940s and 1950s; it opens with a traditional overture comprising a medley of tunes from the show, and the score reflects some of Lloyd Webber's early influences, particularly Richard Rodgers, Frederick Loewe, and Lionel Bart. In this respect, it is markedly different from the composer's later work, which tends to be either predominantly or wholly through-composed, and closer in form to opera than to the Broadway musical.

In the summer of 1967, Alan Doggett, a family friend of the Lloyd Webbers who had assisted on The Likes of Us and who was the music teacher at the Colet Court school in London, commissioned Lloyd Webber and Rice to write a piece for the school's choir.[19][20][21] Doggett requested a "pop cantata" along the lines of Herbert Chappell's The Daniel Jazz (1963) and Michael Hurd's Jonah-Man Jazz (1966), both of which had been published by Novello and were based on the Old Testament.[19] The request for the new piece came with a 100-guinea advance from Novello.[19] This resulted in Joseph and the Amazing Technicolor Dreamcoat, a retelling of the biblical story of Joseph, in which Lloyd Webber and Rice humorously pastiched a number of pop-music styles such as Elvis-style rock'n'roll, Calypso and country music. Joseph began life as a short cantata that gained some recognition on its second staging with a favourable review in The Times. For its subsequent performances, Rice and Lloyd Webber revised the show and added new songs to expand it to a more substantial length. Continued expansion eventually culminated in a 1972 stage musical and then a two-hour-long production being staged in the West End in 1973 on the back of the success of Jesus Christ Superstar.[22]

In 1969, Rice and Lloyd Webber wrote a song for the Eurovision Song Contest called "Try It and See", which was not selected. With rewritten lyrics it became "King Herod's Song" in their third musical, Jesus Christ Superstar (1970). The planned follow-up to Jesus Christ Superstar was a musical comedy based on the Jeeves and Wooster novels by P. G. Wodehouse. Tim Rice was uncertain about this venture, partly because of his concern that he might not be able to do justice to the novels that he and Lloyd Webber so admired.[23] Rice backed out of the project and Lloyd Webber subsequently wrote the musical Jeeves with Alan Ayckbourn, who provided the book and lyrics.[24] Jeeves failed to make any impact at the box office and closed after a run of only 38 performances in the West End in 1975.[25] Many years later, Lloyd Webber and Ayckbourn revisited this project, producing a thoroughly reworked and more successful version entitled By Jeeves (1996).

Mid-1970s